• 한국정밀공학회:학술대회논문집
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• 한국정밀공학회 2011년도 춘계학술대회 논문집
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• pp.495-496
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• 2011

• 한국정밀공학회:학술대회논문집
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• 한국정밀공학회 2010년도 추계학술대회 논문집
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• pp.753-754
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• 2010

• 한국정밀공학회:학술대회논문집
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• 한국정밀공학회 2007년도 춘계학술대회 논문집
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• pp.49-50
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• 2007

• 한국정밀공학회:학술대회논문집
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• 한국정밀공학회 2010년도 추계학술대회 논문집
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• pp.997-998
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• 2010

• 한국정밀공학회:학술대회논문집
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• 한국정밀공학회 2011년도 춘계학술대회 논문집
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• pp.1517-1518
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• 2011

• 한국정밀공학회:학술대회논문집
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• 한국정밀공학회 2006년도 추계학술대회 논문집
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• pp.13-14
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• 2006

• 한국게임학회 논문지
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• 제8권4호
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• pp.107-114
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• 2008

최근 게임에도 다국어를 대상으로 하는 음성인식에 대한 요구와 여러 나라의 서로 다른 언어로 표현된 음성을 하나의 음성 모델로 표현하는 다국어 시스템의 개발에 대한 필요성이 점차 증가하고 있다. 이에 따라 다양한 언어로 구성되어 있는 음성을 하나의 음성 모델로 표현할 수 있는 다국어 음성인식 시스템의 발전에 대한 연구가 필요하다. 본 논문에서는 다국어 음성 모델을 통합적으로 구축하기 위한 기본 연구로 한국어 음성과 영어 음성을 국제음소기호(IPA)로 인식하는 시스템을 연구하였고 한국어와 영어 음소를 동시에 만족하는 IPA모델을 찾는데 중점을 두어 실험한 결과 한국어 음성에 대하여 90.62%, 영어 음성에 대하여 91.71%라는 인식률을 얻을 수 있었다.

• 영어영문학
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• 제57권6호
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• pp.939-958
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• 2011

Ezra Pound has an idea of poetry as a field of energy in which words interact with each other with kinetic energy. The energy field which Pound creates in his poem is analogous to the theory of electromagnetism developed by Michael Faraday and James Maxwell, who look upon the space around magnets, electric charges and currents not as empty but as filled with energy and activity. Pound argues that "words are charged with force like electricity," demonstrating that words charged with their own images or energies of positive or negative valence interact one another. This idea is similar to Faraday's concept of "line of force" which he used to represent the disposition of electric and magnetic forces in space. Pound's concept of "image" as an "intellectual and emotional complex in an instant" is remarkably consonant with the confluence of electric and magnetic fields that are coupled to each other as they travel through space in the form of electromagnetic waves. The instant profusion of conception and perception, much like that of electric and magnetic fields, enables Pound to move beyond the sequential and linear hierarchy in time and space. Particularly, Maxwell's stunning discovery that the electromagnetic waves propagate in space at 'the speed of light' has allowed Pound a relativistic sense of escape from the limitations of Newtonian absolute time and space. Pound's poetry transcends any geographical space and sequential time by rendering and juxtaposing images simultaneously. Pound was fully aware of light and electricity fundamental to what he called his world "the electric world." Pound's experiments in Imagism and Vorticism can be considered an attempt to rediscover a place for poetry in the modern world of science and technology. Almost all the appliances that we think of today as modern were laid down in the closing decades of the 19th century and the first decades of the 20th century, in response to the availability of electromagnetic energy. This paper explores how Pound responded to the age of modern technology and science, examining his conception of "image" through his many analogies and similes drawn from electromagnetism. Pound's imagist poetics and poetry come to embody, not only the characteristics of the electric age in the early twentieth century, but the principles of electromagnetism the electric age is based upon.

• 영어영문학
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• 제56권3호
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• pp.543-555
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• 2010

In his early poems, Wallace Stevens shows us different gestures, compared with his later poems, when he acquires reality by faculty of imagination. The former is made of ontological violence while the latter is revealed by bareness of less sensuality. However, they are the identical gestures, though from different angles, to accomplish things as they are rather than the ideas of things. In "Sunday Morning," ontological violence occurs in such epistemological couples as thought and thing, mind and world, and imagination and reality. Especially, in order to recuperate his poetic reality, Stevens undermines the traditional hierarchy between heavenly divinity and earthly divinity. In the poem, Christianity faces a critical challenge and then it is disempowered by the earthly divinity. Additionally, by disadvantaging religion, he wants to raise his poetic issue of the faculty of imagination to acquire reality. Stevens' concept of imagination is less subjective and more transcendental than Kantian one. After the ontological violence, Christian divinity and mythic gods leave ontological boundary for earthly divinity in an ambiguous way. In other words, between "Sunday" and "sunny day," the ontological conflicts haunt us throughout the poem as if the violence would happen between imagination and reality. For Stevens, both Christian divinity and mythic gods are mere obstacles to real divinity; both play a mere role of imagination before reality is revealed. Whatever reality is, imagination is always ready to draw an ontological line of reality in an ambiguous way, regardless of how long it lasts. In general, most ontological violence requires such physical remnants of conflicts as borderline, deaths, and pains which still prevail in the poem. Those ontological remnants remain to be found on earth. The sky is an abstract borderline between heaven and earth because in a sense, it belongs to both earthly landscape and heavenly sphere. Without any ontological borderline or threshold, there is no recognition of the divinity because the vitality of divinity is inflamed in continuous transgression of the other. After the final ontological conflict between heaven and earth, there remains only ambiguous borderline near the earth beside the friendlier sky.

• 정보처리학회논문지D
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• 제9D권3호
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• pp.457-466
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• 2002

본 논문에서는 인터넷을 통해 실시간으로 항상 최신의 컴퓨터 용어 검색 서비스를 제공할 수 있는 웹을 기반으로 한 컴퓨터 용어 사전을 설계하고 구현하였다. 본 용어사전은 FOLDOC(Free On-Line Dictionary Of Computing)의 사전을 기본으로 영문 해설을 제공하고 각 용어에 대해 한 명 이상의 번역자가 번역할 수 있도록 함으로써 기존 컴퓨터 사전에서 제공하지 않는 기능을 추가하였다. 그리고 SQL Server DBMS와 SQL을 이용한 다양한 검색 인터페이스(입력 문자로 시작하는 용어 검색, 입력 문자가 해설에 들어간 용어 검색 등)를 제공함으로써 적은 정보만으로도 원하는 용어를 검색할 수 있게 하였다. 본 컴퓨터 용어 사전의 성능 평가를 위해서 FOLDOC Mirror Site의 로그를 분석하여 CPU 부하율을 측정하였다. 실험 결과 본 컴퓨터 용어 사전은 최대 1780여명 이상의 동시 사용자를 수용할 수 있다는 결론을 얻었다.