• 만화애니메이션 연구
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• 통권6호
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• pp.91-115
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• 2002

Character industry in Korea has a history of less than 20 years by now, as it began in earnest at the end of the 1980s. Domestic character market is estimated to be around 1.2 trillion won occupying mere 0.01% of the world character market of 1,200 trillion won and less than 4% of the Japanese market, according to the according to the calculation made by Korea Animation Producers Association. Local character takes up only 5% of the domestic character market, necessitating the development of the local character and an increase in market share. It is painful to look at the current status of the local character market especially when compared with the huge world market. However, it might be and opportune moment for us to reverse the situation in our favor by a mental switchover. And we need to face up to the reality that the local character industry has many problems, and it is our duty to settle them. What then are the problems caused by the foreign character taking up 90% of the domestic market? Foreign character overwhelming the local market will bring about cultural dependency, emotional confusion, and financial loss caused by the payment of the royalties stemming from the intellectual property rights. The following is suggested as methods of settlement for such problems: 1. Development of character emotionally appealing to the Koreans 2. Development of long-lived character 3. Development of character firmly based on a good scenario 4. Thorough planning & marketing 5. Establishing an institution exclusively governing character business This study discussed the importance of developing long-lived character appealing not only to the Koreans but also to the whole world, that will meet the requirements as stated in 1 & 2 of above. For this purpose Chungmugong General Lee Soon-shin was chosen out of the Korean historical personages for further analysis, trying to rediscover the significance of the character development based on originality.

• 한국의류산업학회지
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• 제9권2호
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• pp.203-210
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• 2007

The purpose of this study is to understand consumer needs through emotion on character T-shirts. Study results suggest the basis for planning effective designs of character T-shirts. The results were summarized as follows: Emotion factors such as complex and arousal occupied 64.0% of the total. The types of the character T-shirts were clustered as four groups. The four types showed significant differences in all emotion factors. Complex emotion indicated its highest and lowest scores in types 4 and 2, respectively; and arousal emotion in types 2 and 3, respectively. As for the relation of consumption sensibility to emotions, three consumption sensibilities were related to all eight emotional adjectives. In the demographical aspect of emotions and consumption sensibilities, significant differences were found in age, gender, job and education. Therefore, the results of this study can be used as criteria improving emotions and consumption sensibility of character T-shirts. Especially, enhanced comsumption sensibility can be expected by the elimination of texts and the use of preferred character actions and vivid warm colors.

• 공학교육연구
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• 제23권3호
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• pp.3-12
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• 2020

This study explores the effects of an SSI-based program focused on character and values for engineering college students. The participants were fifty-four students enrolled in the program. Data sources include the students' responses to the Likert-type questionnaire on character and values as well as qualitative data such as classroom dialogues, assignment essays and field notes. The results indicate that the program significantly contributed to the enhancement of the engineering college students' perception of character and values, especially in the sub-components, sustainable development, perspective-taking, and willingness to act. In addition, the qualitative data reveals the nuances of the students' responses in the classroom dialogue and essays related to the sub-components. Based on the results, the author compares the participants' responses to other students in previous research which reported the effects of an SSI-based program on character and values. Compared to the other students, the engineering students in this study cultivated willingness to act through the SSI-based program, without improvement in most of the emotional aspects of character and values.

• International Journal of Internet, Broadcasting and Communication
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• 제12권3호
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• pp.213-219
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• 2020

Visual art elements can most intuitively express the information expressed by a game character and play an important role in shaping a successful game character. We compares and analyzes the role design in the skins of the "Five Tiger-like Generals" series in Glory of Kings in terms of color, line, graphic and other visual elements. Different visual elements form different visual impacts and influences, which brings people different psychological feelings and presents different emotional colors. The reasonable use of visual elements gives people a refined visual experience and a comfortable psychological feeling, adding more influencing factors to the "immersion" of the game. It not only can strongly attract the attention and love of players, but also spreads traditional culture of the nation and the country. Therefore, whether the visual art elements of a game character can be appropriately used is an important part of the success of the game work. The analysis of visual art elements of game characters has important learning and research value.

• International Journal of Advanced Culture Technology
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• 제11권2호
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• pp.30-35
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• 2023

This study is an example of a class of bibliotherapy through Lee Chung-joon's novel Snowy Road. Bibliotherapy proceeds through the process of identification, catharsis, output, insight, and application through reading. Through research, students objectively examine the situation of the character in the novel and compare it with their own situation. Students evaluate the situation of the character in the novel, experience the various life positions of the character in the novel by answering "What would you do if I were a character in the novel," and express their willingness to live differently from their lives. At the same time, I look into my relationship with my parents and seriously think about whether there is a problem and how to solve it if there is one. Through this process, students specifically suggest ways to think about and solve their emotions and problems. In the end, students' hurt feelings can be partially or sufficiently healed through reading. Through this study, it is expected that the method of bibliotherapy will be more concrete and develop in a positive direction.

• International journal of advanced smart convergence
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• 제13권3호
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• pp.227-233
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• 2024

With the rapid development of digital technology, digital human character design has brought richer visual experiences and creative expressions to stage art. This thesis focuses on its unique application in stage art, exploring design and performance optimization, immersive experiences, and multimedia integration. The study shows that digital human character design enhances stage art with immediacy, interactivity, and multimedia integration, while also driving innovation in traditional stage art expressions.

• 한국콘텐츠학회논문지
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• 제17권2호
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• pp.26-37
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• 2017

본 연구는 대학생의 창의 인성 구성요인과 특징을 이론적, 경험적으로 구축하는데 목적이 있다. 이를 위하여 이론적 접근을 통해 창의 인성의 개념 및 구조와 관련된 선행연구를 종합하고, 이를 바탕으로 대학생 창의 인성에 대한 연구자 회의와 자문회의, 교육 전문가 및 예술교육전문가 70명을 대상으로 심층인터뷰와 개방형 설문을 실시하였다. 그 결과, 대학생이 갖추어야할 창의 인성으로서 창의성은 인지적 창의성과 정의적 창의성, 인성은 도덕적 인성, 사회적 인성, 감성적 인성으로 분류되었다. 특히 대학생 창의 인성은 창의성영역에 비해 인성영역의 중요성을 강조하고 있는 것으로 확인되었다. 이러한 결과를 통해 대학생의 창의 인성에 대한 새로운 관점을 제시하고, 나아가 후속연구로서 대학생 창의 인성 측정도구 개발을 위한 연구방향을 설정하는 기초자료를 제공하고자 한다. 또한 대학교육현장에서 질적으로 고양된 교육공학 및 교수학습방안 마련에 기여할 이론적․경험적 토대를 구축할 것으로 사료된다. 이와 함께 창의 인성교육의 목적을 지닌 교양교육 및 관련교육자와 상담자, 평가자들에게 유용한 자료로서 응용적 활용을 기대한다.

• 영재교육연구
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• 제19권2호
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• pp.333-352
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• 2009

이 연구는 초등학생들을 대상으로 주의력이나 행동성향을 판단함에 있어 혈액형과 관계가 있는지를 개인이 지닌 뇌신경 생리학적 지표인 뇌파 측정을 이용하여 비교하여보았다. 대상자는 2005년 9월에서 2007년 12월까지 한국정신과학연구소에 뇌파측정 의뢰한 초등학생을 기준으로 선정한 자료이다. 초등학생 여 1,562명, 남 2,448명으로 총 4,010명이다. 초등학생 혈액형 분포는 A형이 남 873명(36%), 여 573명(37%), B형이 남 641명(26%), 여 424명(27%), 0형이 남 622명(25), 여 406명(26), AB형이 남 312영(13%), 여 159명(10%) 로 A>B>O>AB형 순이었다. 분석의 결과 행동성향이나 성격과의 관계 분포도에서 통계적으로 유의미하지 않았다. 그러나 여학생과 남학생 두 그룹 다 A, AB, B, O 4가지의 혈액형에서 긍정명랑이 가장 많았으며 다음으로 부정명랑 순이었다. 긍정부정, 부정우울은 거의 비슷한 분포도였다. 그리고 혈액형과 주의력과도 유의미하지 않았다. 위의 결과를 종합하면 혈액형과 성격을 함부로 연관지어 편견이나 차별을 유도하는 것은 바람직하지 않다고 본다. 본 연구의 대상자는 무작위였으나 차후에는 영재 아이들에만 적용시킨 뇌 기반 연구도 나오길 기대하며 한국영재교육 발전에 직접적으로 기여할 지적기반에는 다소 미흡하나 이해를 넓힐 수 방안에는 의미가 있었다는 점을 고려하여 차후에 보완하여 영재교육에 지침이 되는 연구가 나오기를 기대한다.

• 한국실내디자인학회논문집
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• 제20권4호
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• pp.92-100
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• 2011

Under social changes focusing diversification, human-oriented ecological values and emotional and pscyhological satisfaction have been considered more important in space. Such trend has developed into interest in the effect of architectural space and shape on human perception and consciousness, and space has been considered as interactive in ecological, psychological and behavioral, and aesthetic terms rather than physical environment. In particular, exhibition space where interactive sympathy between environment and users through emotional experiences is more important, can have appropriate interaction through intended relationships between environment and humans in space. Therefore, this study aims to understand affordance, an internal mechanism of space recognition and human behaviors. Then it analysed representative types of exhibition space for emotional experiences as a characteristic of affordance Based on the results analysed, it is expected that introduction of affordance as real information in space will be helpful for effective connection of space with human emotional experiences.

• International Journal of Contents
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• 제14권2호
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• pp.41-44
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• 2018

In this paper, we propose a novel method for developing expressive typography authoring tools with personal emotions. Our goal is to implement an interactive typography system that does not rely on any particular language and provides an easy, natural user interface and allows for immediate interaction. For this purpose, we converted the text data entered by a user to image data. The image data was then used for interaction with the user. The data was synchronized with the user's skeleton information obtained from the depth camera. We decomposed the characters using the formality of language to provide a typographical movement that responds more dynamically to the user's motion. Thus, this system provides interaction as a unit of characters rather than as a whole character, allowing the user to have emotional and aesthetic emotional immersion into his or her creation.