• 대순사상논총
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• 제22권
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• pp.317-344
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• 2014

There are many modern elements in religions appeared in the early Korean modern era. From the nationalism perspective, most religions had tendencies toward anti-feudalism and anti-foreign power. Pak Eun Sik(朴殷植) emphasized the importance to explain those religions as the National Religion in his writing 《Korea Painful History(韓國痛史)》. That is, he realized those as one of Korean spirits or souls keeping Korean identities like the Jew's Judaism or the Turk's Islam. In the paper, I try to analyze religions on Kang Jeung San(姜甑山) with Daesoonjinri-hoe as the central figure from Pak's perspective. In the early Korean modern era when Kang went his own the Savior way, Korea and its society got into uncontrollable confusion because of strong demands both of a feudal-state breaking and against pillaging foreign-power especially Japan. For all countries of the world, it is difficult to change from a feudal state into the modern nation state to keep existing society order. Because the reformation under old social systems means the incomplete reformation. So in this era new religions showed the neglected class of people the vision of new society. Meanwhile Korean society try to become a modern state, and now became a recognized modern state in international society. But it is still insufficient to debate on groups and their roles for Korea modernity in that time especially new religions. Since Korea independence, new religions including Daesoonjinrihoe have not receive good reviews because of a certain religion group expansion and the government's regulation and control toward new religions. Till today, I think, Independence Movement as well as reform of modern awareness have not relatively receive reasonable reviews. So I hope to serve as a momentum that in early Korea modern era new religions receive reasonable and positive reviews.

• 한국실내디자인학회논문집
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• 제13호
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• pp.238-248
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• 1997

The spatial form of architecture in the same era has its own common characteristic spatial form. This study is based on this proposition and is focused on how architectural spatial forms have been changed up to now after modern ages(from the beinging of 1900s to the early days of 1990s ; from early modern age, golden modern age, post modern, late modern architecture to recent experimental trend) and how architectural theories of spatial forms will be changed in the future is predicted.

• 비교문화연구
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• 제35권
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• pp.79-95
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• 2014

This article aims at rethinking on people of Modern styles in early modern period with reference to A Large River[Dae-Ha] written by Kim Nam-cheon at 1939. Park Sung-guoen could be called to Homo Economicus, first, have maximized of self-interest in rapid changes of Korea society with loan sharking, rising to upper class in new early modern era instead of traditional nobleman. Park Hyung-geol could be said romantic guy, second, have chased romatic love consist of three elements(love-sex-marriage). But he troubled his love affairs to his family members frustrated his will because of a bastard son. It is the model of situations, Kim Nan-cheon intended to describe, that Homo Economicus became an object of envy among people in early modern society as well as the choice has been hard in conflicting between family and lover, concretizing anachronism through history of family.

• 한국언론정보학보
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• 제59권
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• pp.92-115
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• 2012

조선 후기 대항 공론장의 특성을 분석하고자 역사적, 규범적, 분석적 차원으로 나누어 검토하였다. 그 결과, 당시 민(民)을 중심으로 형성된 대항 공론장은 반(半)봉건 반(反)외세적 성격을 띤 하부 공론장의 역할을 함을 발견하였다. 즉, 조선 후기의 대항 공론장은 당시 정치사회적 환경을 극복하고, 생존의 문제를 해결코자 한 반(半)봉건 반(反)외세적 성향이 가진 생동적인 공론장이었다. 그러나 이러한 조선 후기 대항 공론장은 지속성을 유지하지 못했다. 하지만 이후 항일운동의 발판이 되었고, 나아가서는 오늘날 민중운동의 이념적 근거가 되었다는 것에 그 의의가 있다고 할 수 있다.

• 교육시설
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• 제9권5호
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• pp.87-100
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• 2002

• 복식
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• 제31권
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• pp.189-202
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• 1997

Movie is one of the most popular culture ac-tivities in modern society and the composite rt of science and art born in the 20th century. Movie became the great source of setting the fashion. Especially movie costume brought into relief and was accepted by the mass. As a movie stimulates imitation psychology and identification of the general public in fashion. The purpose of this study is to analyze the effects of the movie costume to a modern mass fashion. The times was defined the movies from the early Silent era to the modern Hollywood movie from the late of 1910 to 1990. The way of study were to analyze on the changes and roles of movie costume through documentary records and the influence of set-ting the fashion to the mass fashion and classi-fied it five times-silent era classics neo-classics new look and modern times. The summary of result is as follows, 1, Movie costume affected the dress and the fashion of women is Silent era. That fashion was accelerated by actors' costumes in the mode of 1920. 2. Holloywood movies in the Classics show the essence of the fashion movie costume played a role of a fashion leader and commanded the trend of mass fashion. 3. Practical style was shown because of the war in the Neo-classics. Movie industry was prosperous after the war. But the consequences of the movie costume to the mass fashion were more and more weaken 4. Couture designer's costume had an effect on the mass fashion in the early of New look. But it was behind the fashion for the rise of young fashion. 5. The tastes of the fashion were diversified in Modern times. So the movie fashion was not imitated or popular. The costume of "Pret-a-porter" was used in the movies in the 1980. Spectators became to wear the same style of the actors. The times fashion and movie interacted each other. Movie costume is playing a role of a fashion leader guiding the mass fashion.s fashion.

• Acta Via Serica
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• 제5권1호
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• pp.23-56
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• 2020

The study of Putin's Russia should be placed in a broad historiographical context, prevailing in the West. While in the beginning of the post-Soviet era, most observers believed that Russia would reach a Fukuyamian "end of history," the situation is quite different now. At present, Western observers see Putin's Russia as the manifestation of authoritarianism. While this assumption is undoubtedly true, it does not provide much insight into the regime's operational model. Here, a comparison with Renaissance and early modern Europe might provide a clue to the operational model of the regime. Similar to early modern European rulers, Putin limits the use of direct and wide use of force, preferring manipulation, corruption, and the targeted killing of his most important enemies. In foreign policy, Putin has tried to avoid wholesale conflicts and broadly uses mercenaries, whose relationships with the Kremlin are downplayed. The similarities between Putin's regime and early modern European regimes do not mean that their destinies will be the same. In Europe, the Renaissance led to centralized states, whereas in Russia, the "Renaissance" could well lead to the country's disintegration.

• 한국조경학회:학술대회논문집
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• 한국조경학회 2007년도 Journal of Landscape Architecture in Asia Vol.3
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• pp.157-161
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• 2007

Full-scale ferro-concrete building technology came was introduced in Japan in Meiji $35{\sim}40(1902{\sim}1907)$ and heralding the beginning of urban modernization. On the roofs of these new architectural constructions, full-scale rooftop gardens were also developed. We consider that gardens established on the roofs of hotel and department stores created a new, modernized garden culture, which greatly influenced the early modern urban culture of Japan, the drama of which it conceived based on the impression in a rooftop garden is made. In this paper, we discuss the influence of Meiji-Era cultural and technological advances on rooftop gardens constructed during the Taisho $Era(1912{\sim}1926)$, as represented by the gardens of Kobe's Oriental Hotel, Tokyo's Mitsukoshi Department Store and Shimonoseki City's Akita Company. Photographic and print sources are utilized to analyze the design features and temporal changes of these pioneering rooftop gardens, as well as their influence on urban culture.

• 한국조경학회지
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• 제44권4호
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• pp.14-21
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• 2016

이 논문은 창경원을 근대적 도시 공원으로 보고, 창경원의 공간적 성격과 그곳에서 창출된 공원 문화의 특징을 파악하고자 했다. 먼저 창경원 성립의 배경을 파악했으며, 이를 바탕으로 세 가지 측면에서 근대 도시 공원으로서 창경원의 성격을 제시했다. 첫째, 대외적 선전과 과시의 장으로서 창경원의 성격, 특히 개원 초기 해외 사절과 고위 인사들의 방문에 주목했다. 특히 애초에 이곳을 근대적 공원으로 만들고자 계획했던 내용에 바탕을 두고, 근대 도시 공원으로서의 성격을 살펴보았다. 둘째, 계몽과 교화의 장으로서 1920년대 창경원 이용이 보다 대중화 경향을 띠기 시작했다는 점을 파악하고, 여성과 아동을 위한 행사와 새로운 시설의 등장에 주목했다. 셋째, 창경원을 공원으로 인식하고 이용했던 당대의 기록을 조사하여 그 문화적 특징을 파악했다.

• 한국콘텐츠학회논문지
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• 제16권2호
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• pp.633-642
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• 2016

이 글은 근대시기 일본의 한국인식을 당대의 한국 담론과 교과서 콘텐츠를 중심으로 살펴보았다. 이를 위해 민족성, 역사인식, 한국의 사회상으로 주제를 설정하고 교육 잡지를 중심으로 각 주제에 관해 형성되었던 담론과 이들 담론들이 투영된 교과서 교사용 지도서의 서술내용들을 살펴보았다. 민족성에 관해서는 나태 무기력 미개라는 단어로 대표되는 부정적 측면에서 인식하는 성향이 강하게 나타났다. 그리고 한국 역사를 수동적, 타율적 성격으로 규정하고 무능한 국가운영으로 인해 부정적 민족성이 형성되었다고 보고 있다. 그리고 더 나아가서는 독립을 유지할 능력이 없는 한국은 일본과 동양의 평화를 위협하는 존재이며 결국은 한일강제병합에 이르렀다는 것이 한국 역사에 대한 인식이다. 또한, 일본이 한국사회를 평가하는 척도는 서구식 문명화였으며 한국사회의 모습을 문명 문화의 정도가 낮은 전근대적 사회로 규정하고 있었다. 근대시기 일본에서 형성된 한국에 대한 담론에는 근대국가로 탈바꿈한 일본의 자신감과 제국주의의 길을 걷게 된 일본의 지배이데올로기가 강하게 반영되어 있었고 이와 같은 담론은 교과서와 지도서를 통해서 학생들에게 확산되고 있었다.