• 만화애니메이션 연구
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• 통권50호
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• pp.153-185
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• 2018

본 연구는 자크 라깡(J. Lacan)의 정신분석 이론을 토대로 만화 "몬스터"를 분석하였다. 자크 라깡(J. Lacan)은 프로이드(S. Freud)의 정신 분석학 및 사회 문화학을 통해 새로운 정신분석 이론을 주장하였다. 그의 이론적 배경의 주된 이론은 '욕망이론'으로 인간의 욕망을 분석한 이론이다. 그는 인간의 욕망을 욕구와 요구로 구분하였으며, '인간의 욕망은 곧 타자의 욕망'이라는 기본적인 명제를 가진다. 자크 라깡(J. Lacan)은 주체 및 타자의 관계에 대해 깊이 연구를 하였는데, 그는 이것을 상상계(거울단계)와 상징계(오이디푸스 콤플렉스), 그리고 실재계(욕망하는 주체)로 구분하여 정의하였다. 이러한 이론을 토대로 본 연구의 주된 목적은 자크라깡(J. Lacan)이 주장한 욕망이론을 중심으로 우라사와 나오키의 만화인 "몬스터"를 분석하는 것이다. 즉, 정신분석학을 기본으로 한 욕망이론을 통해 만화 작품을 분석하여 어떤 새로운 의미를 추출할 수 있는지 알고자 하였다. 만화 "몬스터"를 분석하기 위한 틀로 질적 연구의 분석 방법을 차용해왔으며, 그 분석 방법은 '지오르지(Giorgi, 1985)가 고안한 기술현상학적 분석' 이다. 이 분석 방법을 통해 "몬스터"의 배경 및 등장인물, 상징을 중심으로 분석하였으며, 지오르지(Giorgi, 1985)의 이론과 자크 라깡(J. Lacan)의 욕망이론을 바탕으로 내용 분석을 실시하였다. 내용분석을 통해 욕망이론과 연관된 의미단위 및 구성요소를 구분한 결과, 첫째, 동일시, 둘째, 욕망의 재현, 셋째, 소외, 넷째, 고유한 욕망과 자유, 네 가지 구성요소로 나누어 볼 수 있었다. 위 연구의 결과를 통해 다음과 같이 정리할 수 있다. 첫째, 정신분석학을 토대로 자크 라깡(J. Lacan)의 욕망이론으로 본 만화 "몬스터"는 등장인물인 쌍둥이의 동일시, 욕망의 재현, 등장인물들의 소외감, 등장인물이 가지는 고유한 욕망과 자유 네 가지의 구성요소로 분류할 수 있었다. 둘째, 자크 라깡(J. Lacan)의 욕망이론 통해 분석한 등장인물들은 어렸을 때의 외상 경험으로 인해 쌍둥이가 서로를 동일시 및 투사를 통해 자신의 욕망을 재현하려고 하였다. 또한 재현의 과정에서 소외감을 느끼던 등장인물들이 자신의 빈 공간을 메꾸기 위하여 인간이 가진 고유한 욕망과 자유를 완성하고자 비극적인 결말을 맺는 것으로 분석하였다. 이 결과는 정신분석학을 토대로 하는 자크 라깡(J. Lacan) 욕망이론이 만화분석이라는 새로운 분석이론으로 사용될 수 있으며, 이를 통해 새로운 의미를 도출할 수 있다는 결론을 내었다. 이러한 연구 결과를 통해 심리학 이론을 이용한 만화 분석이라는 새로운 연구 분야가 생성되어 이 분야의 많은 연구가 이루어질 필요가 있다.

• 한국실내디자인학회논문집
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• 제16권4호
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• pp.21-30
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• 2007

`Desire` in this study is not something desire in the used to be-way we can deal with it. This study is to figure out 'desire structure' of interior architecture as a significant measure to interpret the Lacan's desire theory. It is also examines Lacan's concept of desire as defined in the mechanisms of language, in relation to architecture and interior architecture, and in the concept of the objet a(the unattainable object of desire), in the structure of desire as it can be seen in interior architecture. In particular, it analyzed that the desire structure have influenced on some kind of specific desire types what is expressed a characteristic to interior spaces of intimacy, perpetuity, representation, expression. These types reveal the characteristics of desire structure in inner space of interior architecture through negativing and fantasying. The focus on the structure becomes a major issue in almost many kinds of contemporary knowledge-system that starts from the mind to go out to the space in a material or non-meterial(spiritual) way. Therefore, the desire structure reconstructs the Real to make itself through negative and fantastic creation-process. It is important that desire characteristics help detect behind beneath the singularity of interior spaces more than what we know.

• 패션비즈니스
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• 제27권2호
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• pp.124-139
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• 2023

The purpose of this study is to determine the aesthetic identity of modern eroticism fashion in which the energy of desire is maximized through the 'jouissance' and 'gaze' of the unconscious theory of Jacques Lacan. The research method derived aesthetic identity after examining jouissance and gaze deeply related to eroticism in Lacan's theory of the unconscious by analyzing data of domestic and foreign monographs and prior research. Case analysis was limited to 2000 S/S to 2022 F/W. Based on prior research, it was analyzed mainly on clothing with eroticism characteristics of 'exposure, close contact, see-through, the conversion of underclothes into outer garments'. Results of the study are as follows. First, eroticism, which can be linked to Lacan's type of 'jouissance' with multiple meanings as the generating point of eroticism, has manifested itself in voyeuristic eroticism, fatale eroticism, masochistic eroticism, surplus eroticism, and sacred eroticism. Second, as eyes of unconscious desire, visual expression characteristics of 'gaze' appeared as anamorphosis, trompe l'oeil, and dépaysement. The identity of eroticism derived from Lacan's jouissance and the perspective of the desire gaze was divided into voyeuristic desire to gaze, fatal desire to gaze, masochistic desire to gaze, surplus desire to gaze, and sacred desire to gaze. Results of this study will expand theoretical horizons of eroticist fashion with a new interpretation of eroticism by combining Lacan's desire as a repressed and alienated subject within the human unconscious with the art that expands it.

• 동력기계공학회지
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• 제17권3호
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• pp.123-133
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• 2013

This paper aimed at analyzing the psychology of the people who tunes the car from the point of view of the theory of unconscious desire. The theory of unconscious desire to approach human psychology has two features. One point is that it can be applied only to human beings in the sense that animals does not have the unconscious. The other is that we can categorize some types of underlying unconscious desire instead of seeing human desire as the sundry desires according to the specific target. In this paper, we looked at the characteristics of each type of data obtained through interviews for people to tune the car from the point of view of the theory of unconscious desire.

• 영미문화
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• 제18권3호
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• pp.115-170
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• 2018

The objective of this paper is to explore Jim's itinerary journey in terms of both Girald's concept of triangular desire and Derrida's concept of event. According to the Girard's mimetic desire theory, human being's desire is not spontaneous like Romanticism thought, but mimetic to the mediator between the subject and the object. Thus there is no romantic desire understood as one's own desire except mimetic desire. In this regard, mimetic desire is compatible with the conception of Derrida's thinking of an event that is resistant to its absolute singularity. Because both mimetic desire and event cannot be defined by the fact of each spatio-temporal specificity, they can not be understood by a traditional metaphysics of presence. In this paper, by using Girard's concept of mimetic desire theory, I showcase why the tragic journey of Jim's telos as a mythic quest for his romantic ego(ipse) cannot help but face his death and by using deconstructive thinking of iterability, this paper analyzes why Jim's romantic ego imitated by the mimetic desire through a mediator cannot be encountered happily with his ipseity until his end. As a victim of triangluar desire, Jim's romantic ego is nothing but a notion of an ipsiety that has been defined in terms of presence central to metaphysics. This paper also makes an attempt to re-interpret some articles contaminated with post-colonial perspectives from Derridean views with deconstructive rigorous reading to those papers to uncover an essential ground of presence.

• 한국멀티미디어학회논문지
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• 제20권6호
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• pp.969-977
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• 2017

Through Rene Girard's theory of triangle of the desire, this research investigates the mimetic nature of desire as shown in the main character of the movie The Servant. This paper analyzes the structural transformation of desire in the character, which is revealed by the process of reinterpretation via the medium change and convergence from Chunhyangjeon, a classic oral novel in Korea, to The Servant, a movie created by director Dae-woo Kim in 2010. The Servant is a meaningful research subject as the transformation of the inner desire of the character is accomplished by boldly designating Bangja, who is supposed to be a minor character, as the protagonist. In particular, Rene Girard's argument on the indirectness of desire in the theory of triangle of the desire helps understand the point where the character' inner desire, which naturally occurred in the existing narrative, transforms into the mimetic desire by an intermediary. This indirectness of the mimetic desire of the main character suggests a similarity with modern men's vanity which is offered by the capitalist era. Through this, the modern meaning of the mimetic aspect of desire as revealed by the transformation from the movie The Servant to Chunhyangjeon can be understood.

• 대순사상논총
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• 제28집
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• pp.73-102
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• 2017

본 논문은 정신분석이 말하는 욕망이론의 입장에서 대순사상 종지의 하나인 해원상생의 실천적 의미를 이해하면서 두 사상의 공통성과 상보성을 찾으려는 시도이다. 대순사상과 정신분석 이론은 둘 다 욕망에 중요성을 부여한다는 공통점이 있다. 대순사상의 해원이념은 애도를 통해 욕망을 복원하고 상호 주체성 구조 속에서 그것을 실현할 것을 강조하는 정신분석 이론과 통한다. 물론 종교이론인 대순사상이 말하는 욕망의 의미는 다의적이고, 욕망의 지향점도 치료 담론인 정신분석과 다르다. 하지만 대순사상은 인간이 경험하는 고통과 불행이 욕망을 제대로 풀지 못하는 상극 때문에 발생한다고 설명한다. 서로 억제하고 누르면서 고통을 만들고 있는 상태가 바로 상극이며, 해원을 통해 상극을 벗어나 상생의 세상 후천에 도달한다. 마찬가지로 정신분석은 애도를 통해 대상의 상실을 수용하면서 욕망이 다시 작동한다고 본다. 상생과 천지공사 같은 사회, 우주적 시스템의 중요성을 강조하는 대순사상은 상호주체성의 구조에서 욕망을 긍정적으로 바라보는 정신분석과 통하는 점이 있다. 대순사상과 정신분석의 사회적 실천 방향은 둘 다 보편성의 실현을 목표로 삼는다. 상호주체성 구조는 욕망의 인정과 인정의 욕망을 실천의 방향으로 제시한다. 욕망이란 개인적인 것이 아니라 사회적인 것이기 때문이다. 결론적으로 개인의 욕망을 충족시키는 데 머물 것이 아니라 공동의 선을 향해 함께 나아가야 한다.

• 한국멀티미디어학회논문지
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• 제20권2호
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• pp.420-428
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• 2017

In recent trends, the first age of digital device usage has been significantly getting low and the using frequencies for younger generation have been gradually increasing. Also, while there were more negative opinions of this trend in the past, the new idea is changing to more needs of training and approaches for children's sound using guidelines for digital device. In fact, people believe the new generation will face more advanced future, called the Fourth Industrial Revolution. The purpose of the paper is first to explain about the Jacques Lacan's concept of desire theory in order to understand the human's unconscious level through His desire theory. Second, the paper identifies how this unconscious level is affected to ethical aspects of new generations whose unconscious level are frequently and early exposed to digital media. Lastly, the paper will present the necessity of digital literacy education as well as future direction. Furthermore, the paper review for what is the ethics and positive guidelines of digital media for children who will become the future citizens in the era of the Fourth Industrial Revolution.

• 한국의류학회지
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• 제24권6호
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• pp.928-939
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• 2000

This thesis will study the determinants of consumer satisfaction based on the disconfirmation theory. The proposed questions are first, to find out if desire and expectation are conceptually distinct. Second, to study the effects of desire, expectation, perceived performance, desire congruency, and expectation congruency on clothing satisfaction. The data used in this thesis were obtained from a two stage longitudinal survey. SPSS WIN 8.0 was used for the analysis and the following method such as mean, correlation, t-test, hierarchical regression were applied. The results indicate that first, according to the correlation analysis and crosstab analysis, satisfaction and desire were perceived as two different concepts. Second, using the hierarchical regression analysis to compare the effects of determinants of consumer satisfaction, the model of desire, expectation, performance, desires congruency, expectations congruency best explain the clothing satisfaction. Among them, effects of performance had the strongest impact. Expectation did not influence satisfaction but desire did.

• 인문언어
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• 제6권
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• pp.33-48
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• 2004

Luce Irigaray, a French feminist psychoanalyst, criticizes the Lacanian psychoanalytic theory for its patriarchical basis on the masculine power and authority. In the article, we examine Lacanian psychoanalytic sexual differences at the standpoint of Irigaray's psychoanalytic theory. In contrast, we defend Lacanian theory from the perspective of semiotics.