• 한국실내디자인학회논문집
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• 제17권2호
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• pp.22-29
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• 2008

Johannes Vermeer is one of the masters in the 17th century Dutch Genre Painting. Genre Painting represented the mundane everyday life and humble domestic spaces of the time. It was so unique in the history of western art. Most common subjects of the medieval art had been myths, historical heroes, and the christianity up to that time. However, Dutch Genre Painting that was originated from the 16th century Flandre art has fundamentally changed perception of art. Genre Painting was related to the prosperous development of civil society and early capitalism in the Netherlands of the time. In the paintings of Vermeer, there are unique spatial characteristics. This study aims to 'spatially' analyze the representation of everyday space perceived by the painter himself. Three analytical elements were chosen: light, space, and geometry. These elements have crucial roles to construct a space together within which Vermeer tried to express his discoveries as well as perception of the world. Four paintings were selected to be further analyzed in detail: $\ulcorner$A Maid Asleep$\lrcorner$ (1656-57), $\ulcorner$The Little Street$\lrcorner$ (1658-60), $\ulcorner$The Music Lesson$\lrcorner$ (1662-1665), and $\ulcorner$Young Woman with a Water Pitcher$\lrcorner$ (1662). It has been found that there are distinct spatial aspects in his paintings: Structure of Frontal Layers, Diffusion of Light, and Subtle Geometrical Tension. It is hoped that this sort of interdisciplinary research could enrich the related studies in the field of architecture & interior design, and could help to rediscover the everyday world that we live in here and now.

• 대한건축학회논문집:계획계
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• 제35권12호
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• pp.83-92
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• 2019

The purpose of this study is to analyze the continuous forms of time and space that work as architectural design principles of the Memorial to the Murdered Jews of Europe (Jewish Memorial). Continuity is divided into two, physical and non-physical attributes. The former extends from small installations to furnitures, finishes, spatial composition, and even spatial networks that complete architecture, and the latter is tied to time, from traditional to historical, developmental, commemorative or memorial elements. They are inherent in architecture as continuous forms. The Jewish Memorial is analyzed by the analysing framework of these two items. The analysis of the two layers can be summarized as follows; physical continuity is found in the space networks of the Memorial's inside and outside, the undulating spaces, the finishes, the small furnitures and installations, the entrances of staircases, the expanded underground of the ground order, and non-physical continuity manifests in the topological variation of spatiality, the morphological development of memorial architecture, the connection of semantic sense of space, and the superposition of historicity and modernity. These forms of continuity do not aestheticize the German enormity history, but make the meaning of the Memorial into non-superficial, in-depth architecture as a monument. Thus, the results of this study show that physical and non-physical continuity should be considered as the important design principles of architecture that makes the Memorial architecture possible.

• 복식
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• 제24권
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• pp.121-142
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• 1995

The Expressionism took shape in the early twentieth century, so called as the time of change and innovation which intermediated between the time of extreme prosperity and peace and the time of disruption. This study is based on the wide sense of Expressionism out of various concepts of Expressionism. The afore-mentioned phenomenon was emphasized all the more in the French Expressionism and it is the most important and substantial object in the Art to make a direct transference of emotion , feeling and thought and it could be regarded as one of characteristics of the French Expressionism . In Addition, the Expressionism produced " Aesthetics on Ugliness "Aesthetics des H lichen )" in creating work of art. It was an expression of the Existentialism based on Humanism for modern people who lived at time of nihility and such artistic movement accepted polarity and ambivalance concepts claimed by Nietzsche into three specific fields in accordance with thought and technique in the work of art and those are the Intuitional Expressionism. Cubistic Expressionism and Fantastic Expressionism. This study makes a close analysis of costume style trends on the basis of the categorized Expressionism enumerated as above. The characteristics of Intuitional Expressionism is that poverty and a sense of alienation dominated all society and thus the social reality brought a trend of social participation . This social reality effected significantly modern costume style and a reformative costume turned up at last . This reformative costume was classified into Gar onne look, Military look and Lingerie look by characteristics of style in order to make a close examination for the relationship between social reality and the reformative structure. Cubistic Expressionism effected costume forming and changed costume style through " Deformation " and " Distortion" in forming technique , and also it has developed geometrical style of costume, which could be symbolized by mechanism. And on the other hand, this Cubistic Expressionism has emphasized exaggerated expression ability to produce rigid and stiff style of costume. Fantastic Expression pursued basic artistic worth from the primitive and ethnic customs and accepted fantastic oriental Exoticism . This Fantastic Expressionism effected costume style of twentieh century and such designers as Lon Bakst, Paul Poiret, Elsa Schiapareli adopted intentive primary color. It also applied " Depaysment" to modern costume style , which introduced avant-garde design to give an impact through destruction of the existing traditional concept. This study also analized seven major representative costume designers of the early twentieth century. They are L on Bakst, Paul Poiret, Madeline Vionnet, JeanPatou, Gabriel Chanel and Elsa Schiaparelli. These designers deployed creative costume design work with peculiar expression technique based on the French expressionism. The costume study related to art history was so far made mostly to approach costume forming but only a few study is found to have approached idealistic background of art history in connection with creating costume. From that point of view, it is profoundly significant for this study to analize idealistic background and characteristics of Expressionism and relationship between costume and expressionism and to examine modern costume of twntieth century in conjunction with technical characteristics and spiritual sense of Expresionism.eristics and spiritual sense of Expresionism.

• 디자인학연구
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• 제17권3호
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• pp.255-262
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• 2004

테크놀로지의 발전과 밀접한 관계 속에서 이어져온 디자인의 역사는 디지털 혁명이라는 이름으로 산업혁명에 버금가는 디자인의 혁신과 새로운 역할을 요구하고 있으며, 전통적 인 삶과 생활의 모습의 변화를 이루고 있다. 이러한 시대에 공간에 대한 다양한 새로운 개념과 체계를 이해하여야 하는데 여 기에 작용하는 주요 변인요소는 디지털기기와 생활양식에 의한 물리적 요소와 디지털 적인 공간적 추상성에 근거한 감성적 요소로 나눌 수 있다. 공간 디자인에 있어 이 두 가지 요소는 연구테마의 중심이 되고 있다. 새로운 패러다임에 맞는 디자인 기법과 방법론이 합리적으로 디자인에 도입되면 디자인의 효율과 성과를 높일 수 있으며, 이러한 측면에서 공간디자인 분야에서 다양한 시도가 진행 중이다. 본 연구는 이러한 시도들을 공간 디자인(교육)에 적용하기 위한 연구로서 공간디자인에 디지털 테크놀로지를 적용하는 다양한 방식과 접근방식을 연구하여 공간 디자인의 관점에서 가상의 공간의 의미와 역할을 규정하고 그 기능적 인 상호 작용성에 대한 분석을 주목적으로 한다. 이를 통해 이미 광범위하게 활용되고 있는 사이버스페이스와 전통적인 공간 디자인의 유기적인 통합과 발전을 모색하고자 한다.

• 한국지진공학회논문집
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• 제28권2호
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• pp.93-101
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• 2024

Code-compliant seismic design should be essentially applied to realize the so-called emulative performance of precast concrete (PC) lateral force-resisting systems, and this study developed simple procedures to design precast industrial buildings with intermediate precast bearing wall systems considering both the effect of seismic and blast loads. Seismic design provisions specified in ACI 318 and ASCE 7 can be directly adopted, for which the so-called 1.5S_y condition is addressed in PC wall-to-wall and wall-to-base connections. Various coupling options were considered and addressed in the seismic design of wall-to-wall connections for the longitudinal and transverse design directions to secure optimized performance and better economic feasibility. On the other hand, two possible methods were adopted in blast analysis: 1) Equivalent static analysis (ESA) based on the simplified graphic method and 2) Incremental dynamic time-history analysis (IDTHA). The ESA is physically austere to use in practice for a typical industrial PC-bearing wall system. Still, it showed an overestimating trend in terms of the lateral deformation. The coupling action between precast wall segments appears to be inevitably required due to substantially large blast loads compared to seismic loads with increasing blast risk levels. Even with the coupled-precast shear walls, the design outcome obtained from the ESA method might not be entirely satisfactory to the drift criteria presented by the ASCE Blast Design Manual. This drawback can be overcome by addressing the IDTHA method, where all the design criteria were fully satisfied with precast shear walls' non-coupling and group-coupling strength, where each individual or grouped shear fence was designed to possess 1.5S_y for the seismic design.

• 한국가구학회지
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• 제25권1호
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• pp.45-54
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• 2014

Wood cutting utilizing CNC art in the field of furniture design industry, art, education are diverse. However, there is lack of data in the case for wood cutting, such as cutting conditions and wood cutting. So this article is to establish furniture design processing using CNC. The researchers investigated the processed products using CNC, the data of the web site and CNC relevant articles, then organized its impact on the furniture industry today. History and definition of CNC have studied for a discussion of the advantages and disadvantages. Then, the researchers analyzed the cases to investigate the wood cutting conditions, was applied to the fabrication of furniture domestic and foreign. CNC organized systematically design information through the computer So, it allowed to reduce the repetitive behavior that has to work hand in the furniture manufacture existing. CNC has made it possible to design a fine complex in furniture design industry. So it became possible to make a new representation and production of various forms. Material about CNC are mostly for milling machine and shelves for metal processing. So, the researchers investigated and precautions general content of wood cutting. The enhanced understanding to investigate an example that is applied outside the country, is used to analyze the expression various techniques CNC. It is difficult to obtain accurate data processing, it has various characteristics in the same timber, Future research is about analyzing type applications and CNC machining range at the time of processing the various wood.

• 한국실내디자인학회논문집
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• 제16권3호
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• pp.10-20
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• 2007

The materials on the development of modern architecture in Korea are being collected and organized in a systemic fashion. However, this is not the case with the materials relative to interior design. They are gradually disappearing or being lost. In particular, no serious attempt has yet been made to determine the characteristics and historic value of the interior design of the modern bank buildings. The purpose of this study is to trace the disappearing legacy of the interior design of modern bank buildings by learning the inner space arrangements of these buildings and the characteristics of modern interior design in order to determine the historic significance of modern commercial interior design. Banks of relatively large scale were selected for the purpose of this study. They consisted of: Chosun Bank(1911) and its Andong, Wonsan and Cheongjin branches; Chosun Shiksan Banks and its Busan, Daegu and Pyongyang branches; the Busan branch of the 18 Bank; Dongil Bank, Chosun Savings Bank(1935) and their branches. The study focused on the space arrangements and design characteristics of these banks. Although they aimed at modernization in designingtheir interior spaces, the modern bank buildings were not representative of any particular style of interior design. While western style designs were prevalent, eclectic designs incorporating many different styles existed. The characteristics of the interior design of banks of the time included installation of such decorations and use of high quality construction materials for interior and exterior expressing the wealth as to create an aura of credibility for the banks, while the floor arrangements were relatively stereotyped and simplified.

• 한국콘텐츠학회논문지
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• 제19권12호
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• pp.18-27
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• 2019

4차 산업혁명의 기술을 통해 농업기계는 점차 지능화되고 있으며, 기계의 발달로 인해 전반적인 농가 인력역할을 기계가 대체하고 있다. 하지만 농업기계 사용 부주의로 인한 안전사고와 보관의 어려움으로 도난사건이 매년 증가하고 있다. 농업기계는 자동차와 달리 사건, 사고내역을 관리하지 않기 때문에 범죄에 이용되기도 한다. 또한, 농업기계에 이슈가 발생하면 대처 할 수 있는 방법이 없다. 본 논문에서는 농업기계 구입과 동시에 차대번호를 등록하여 해당 농업기계의 이력을 관리할 수 있는 블록체인 기반의 시스템을 제안한다. 본 시스템에서는 소유주의 농업기계에 대한 사고 및 수리 내역정보를 담고 있기 때문에 도난사고가 발생해도 역추적이 가능하고, 추후 중고 시장에서 거래를 할 때 본 시스템의 조회를 통해 구매자들에게 신뢰할 수 있는 자료를 제공하여 안전한 거래를 할 수 있게 해준다.

• Architectural research
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• 제21권3호
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• pp.79-90
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• 2019

The ephemeral and temporal nature of pavilions is the underlying motivation that led to the development of this paper. From the beginning of the industrial era through contemporary history, there have been many instances of architects attempting to rethink architectural design in the context of modern social, cultural, and technical imperatives. Today, the leading changes in humanity are accompanied by a revolutionary electronic digital medium. The pavilion has been in an amalgamation of architectural integration since the beginning of human history. World's Fairs/Expos have, since their establishment, served as international presentations of goods and achievements of particular nations. They became a popular stage wherein potential architectural achievements were showcased through the evocative architecture of pavilions. Due to the pavilion's "temporary nature," its coverage includes various perspectives: social, historical, geographical, post-colonial, iconographical, temporal, and ephemeral. It has also served as a receptacle due to its representational value at a given time. The pavilion has offered architectural designers, clients, and visitors a place to use their imaginations. Moreover, the architect's role in creating pavilions cannot be overestimated. Due to fact that they abound in symbolism, contemporary designs, and innovative solutions, pavilions often mirror modern mankind and plan for the next aesthetic revolutions and ideological architectural theories. To understand and appreciate architects' original intentions with their pavilions, this paper focuses on noteworthy pavilions that were created from the beginning of industrialization through the present. It explores and discusses the pavilion's characteristics, highlights the significance of its physical form as generated by a specific theme.

• 한국지진공학회논문집
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• 제15권4호
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• pp.33-43
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• 2011

이 논문은 원전구조물의 내진설계에 적용되는 인공지진파의 강진지속시간과 포락함수에 대한 현행 국내 설계기준의 개선과 보완을 위해서 필요한 기반연구에 관한 내용을 다루고 있다. USNRC와 ASCE 4-98에서 제안한 응답스펙트럼과 강진지속시간에 대한 규정이 현재 통상적으로 사용되고 있으며, 첫 번째로 두 기준에 대한 비교와 검토를 수행하였다. 다음으로 총 209개의 암반사이트에서 실제 계측된 규모 5.0 이상인 강진기록을 ASCE 4-98의 강진지속시간기준에 적용한 결과를 통계 처리하여 지진규모에 대한 함수로 표현되는 강진지속시간의 실험적 예측모델을 제시하였다. 마지막으로 강진지속시간이 원전구조물의 지진응답특성에 미치는 영향을 파악하기 위하여 6초에서 20초까지 약 2초 간격으로 강진지속시간을 달리하는 10가지 Case에 대한 인공지진파를 각 30개씩 작성하고, 이들을 적용하여 대만 Hualien 지진시험구조물과 국내 울진 원자력발전소 원자로 격납구조물에 대한 광범위한 지진응답해석을 수행하고 그 결과를 분석하였다.