• Journal of the Korean Society of Clothing and Textiles
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• v.8 no.3
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• pp.31-42
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• 1984

This paper is a research on the origins and the developing process of $Dan-Ry\={o}ng$ centering on the change of its form. From the beginning of A. D era Central Asia had played the important role of a traffic route connecting China and its western adjacent world. Through this route $Dan-Ry\={o}ng$ was introduced into China (South-North Dynasty era). The form of $Dan-Ry\={o}ng$ in early period was Ban-Gum-Po (Open-collared costume that turn down the collar to the outside), and it could be worn close-collared or open-collared. From the fact that the people who wore $Dan-Ry\={o}ng$ in early period were mainly Iranian and that it was also worn by lower class like a waiting maid, it can be said that $Dan-Ry\={o}ng$ was not the costume of Han race. In early period the motif of the inside of collar was Persian style, and the people of central Asia was mostif Iranian. In short, $Dan-Ry\={o}ng$ was the costum of the people lived in the adjacent world west of China, particulary Iranians. The form of $Dan-Ry\={o}ng$ changed from Ho-Bok to Ban-Gum-Po owing to the differences in climate. In conclusion, $Dan-Ry\={o}ng$ originated in Ho-Bok ana was introduced into the world west of china by the movement of Horrse-riding Race. Then its form was changed owing to the factors like climate, natural and cultural features, and consepuently it was introduced into China by way of Centeral Asia. In China it was settled as $Dan-Ry\={o}ng$ through the ages of T'ang dynasty, Sung dynasty, Ming dynasty.

• Journal of the Korea Furniture Society
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• v.24 no.4
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• pp.433-443
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• 2013

The furniture industry of the northern region of Gyeonggi Province consists of several regional complexes which was just autogenously, that is, not based on the organized and planned movements cultivated and clustered, so it stays small businesses. This fact certainly requires to find right courses for future policy direction, in order to develop the furniture industry centering in the northern region of Gyeonggi Province internationally competitive. Consequently the aim of the present study was to investigate the characteristics of the furniture industry in the northern region of Gyeonggi Province first and to present right development directions for the innovation of the structure of furniture industry according to the change of the times, i.e. to connect the industry, university and the authorities concerned well and to strengthen the technology level of furniture industry accordingly. In addition, this requires education and training of the excellent designers being able to create high added-value industrial sectors, including finding a new Korean national brand which should preoccupy the global market. Furthermore, the high-tech furniture industrial complex specialized in manufacture, distribution and marketing such as the division of work between business to business should be built and finally a Korean traditional & unique furniture culture should be created on the basis of a cultural approach of furniture industry. It would be the timing for entire business sectors related to Korea's furniture industry to establish an international standard certification like ISO, in order to upgrade the quality of furniture steadily while keeping our own tradition, and this belongs to a meaningful attempt for the high-tech lifestyles and the improvement in the quality of life of customers.

• Journal of the Korean housing association
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• v.19 no.3
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• pp.105-115
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• 2008

This study examines and analyzes a variety of apartment roof style for 147 apartment complexes built in the Gwangju metropolitan city in order to determine the style that is most preferred. The results of this study are as follows. Most of apartment houses built in the Gwangju metropolitan city are 11 to 15 stories followed by apartments that have less than 5 stories, with fewer apartments that have 16 to 20 stories. According to roof styles, the eyebrow roof A type is the most common, followed by the plane roof A type, the sloped roof B type and the sloped roof C type, while 2/3 of all roof types have either an eyebrow roof A type or a plane roof A type. Using images of these roof types to determine those that are preferred, the decorative roof C type is most preferred, followed by the sloped roof B and C types. According to recognition of adjective pairs, decorative roof C type showed a higher recognition for the categories of unique, decorative, three dimensional and novel, the sloped roof B type showed a higher recognition for the categories of three dimensional, decorative and structured while the sloped roof C type showed a higher recognition in the decorative, novel, varied and three dimensional categories. In the correlations between image preference and recognition scale of roof styles of apartment houses, decorative roof C type showed a significant correlation between adjective pairs with the calm image, the sloped roof B type with the intimate image, while the sloped roof C type showed a correlation between static and ordered with the easy image. Therefore, for the design of future apartment roofs, decorative roof C type requires more consideration of visual aspects that are related to a sense of unity, while further morphological factors needs to be adopted with sloped roof B and C types.

• The Research Journal of the Costume Culture
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• v.13 no.5 s.58
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• pp.671-685
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• 2005

The purpose of this study was to develop a new size range and size interval for early adolescent girls. For this purpose, a total of 529 girls aged between 10 and 14 were measured and data were collected from 42 anthropometric measurements and 41 photographic measurements per a person. SAS 8.1 was used in data analysis including means, standard deviations, and frequency analysis. The stature was divided at 5cm intervals as in KS into 9 sizes from the lowest 130cm to the highest 171cm. If waist circumference were divided at the same intervals, the sizes cannot reflect the body growth of adolescent girls at these ages. Thus this study set intervals between sizes irregularly based on the mean of waist circumference by the type of body shape. Based on the results, this study proposed: for Type A - 6 sizes (140A-58, 145A-54, 145A-62, 150A-58, 150A-62, 155A-62); for Type X- 9 sizes (150X-59, 155X-63, 155X-66, 160X-59, 160X-63, 160X-66, 165X-59, 165X-63, 165X-66): and for Type H - 7 sizes (145H-68, 150H-68, 150H-70, 155H-68, 155H-73, 160H-68, 160H-73). For the sizes selected for each type, reference measurements were decided - centering on items necessary for manufacturing clothes. Reference measurements suggested for lower garments 8 items including waist circumference, hip circumference, slacks length and crotch length. The suggested sizes are distributed in a wider range, so they are considered to be helpful for students to find clothes fitting their bodies.

• Proceedings of the Korea Water Resources Association Conference
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• 2004.05b
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• pp.681-686
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• 2004

수공구조물의 설계를 위해서는 해당 수공구조물의 중요도에 따른 설계빈도 및 설계유량과 설계수위 등의 설정이라는 과정이 필요하다. 설계빈도는 하천설계기준에 제시되어 있는 바와 같이 시설물의 입지조건과 중요도에 따라 기준이 제시되어 있으며 설계홍수량은 확률강우량을 기초로 한 설계강우를 결정하고, 결정된 설계우량에 의한 유출량의 산정작업이 필요하다. 이와 같은 설계수량의 산정에 있어서 설계강우의 지속기간 설정은 매우 중요한 작업이다. 일반적으로 동일한 설계빈도의 홍수량은 지속기간에 따라 많은 차이를 보이고 있다. 따라서 설계강우의 지속시간 설정은 매우 중요한 설계인자가 되므로 본 연구에서는 IHP유역인 위천유역을 대상으로 최근 권장되고 있는 설계강우의 지속시간 선정을 위한 개념인 임계지속기간을 산정하여 임계지속기간에 영향을 미치는 수문인자들에 대해 살펴보고자 한다. 본 연구에서는 IHP 유역인 위천 유역(동곡 외 4개 소유역)을 대상으로 설계홍수량의 첨두유출량이 최대로 발생하는 강우지속기간을 임계지속기간으로 설정하였으며, 설계홍수량의 산정시 설계강우로부터 홍수량을 산정하기 위한 일련의 절차에서 이용되는 각종 수문요소들, 즉 강우시간분포와 유효우량 산정방법, 유출모형 그리고 면적의 변화에 따른 임계지속기간의 변화를 연구하였다. 본 연구에서는 임계지속기간의 개념을 고려할 설계강우의 지속기간을 산정하기 위해 필요한 각 수문요소별 산정방법은 국내 자료로부터 제안된 방법을 우선 사용하였으며, 임계지속기간의 개념에 따른 설계강우의 지속기간 산정을 위해 확률강우량 산정, 강우의 시간분포(Huff 분포, Yen & Chow의 삼각형 분포), 유효우량 산정방법(AMC-II, AMC-III, CN37), 대표단위도와 6가지 합성단위도법을 적용하였다. 산정 된 결과로부터 임계지속기간 산정에 영향을 주는 각 수문인자 중 강우시간분포와 유효우량 산정방법 그리고 유출모형에 대해 자자 검토하였으며, 최종적으로 면적에 따른 임계지속기간과 유출량의 변화를 검토해 보았다.

• Journal of the Korean Home Economics Association
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• v.43 no.5 s.207
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• pp.117-130
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• 2005

Western clothing is adjusted to the figures of the human body unlike Korean traditional clothes. For this adjustment, we need a method, known as dart, to reasonably adjust a wide circumference to curves of the human body. So far, there has been some research in the aspect of clothing engineering on how to decide darts of skirts or trousers, but no theoretical research has yet been conducted on how to decide the number and amount of dart, which has caused difficulties in beginners' understanding of dart. Futhermore, there is no consistent drawing method for the number and amount of darts in existing teaching and teaming materials. Therefore, to develop teaching and teaming methods for darts, this study identified the amount and number of darts for waist girth of 66-72cm and a hip girth of 86-102cm. When the difference between the waist girth and the hips girth, including margins, is above a minimum of 26cm, two darts can be designed, but when the difference is below 24cm, one dart is necessary. The amount of darts increases by 0.5cm for every 2cm increase of the hip girth to the waist girth. In addition, as darts become longer, the cutting of the waist line becomes smoother. For one, rather than two, darts the curve of the waist line is steeper. Based on the above results, it was assured that when belts are curved through adjustment to the waist line of skirts or slacks, their composition can be stable. Therefore, in basic teaching about slacks and skirts, the number and amount of the darts should be designed according to the difference between the girths of the waist and the hip. This difference should be a minimum of 24cm, but if it is below 24cm, the number of darts needed is one.

• The Research Journal of the Costume Culture
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• v.18 no.1
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• pp.64-79
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• 2010

The digital era in the 21st century is globalized and is collapsed boundary among countries, thereby being able to be said to be characterized most largely by proceeding with being a form like a federation and EU. A change into digital era brought about a change in all the aspects of human behavior and culture, not a change simply in temporal significance and technological significance. In recent days, all the services came to be possibly used the integrated device with the same network owing to innovation of communication technology, which is represented by digital, network, and internet. Now, the broadcasting industry, computer industry, and communication industry are exceeding the peculiar sphere by being mutually merged. Each of industrial sector centering on internet is showing the phenomenon of being united. The hybrid trend, which was formed by phenomenon in the complex digital media society, tended to be indicated in fashion and makeup design. As the digital media era was generated, the hybrid trend induced a change into society in open and horizontal idea. It came to be known that there is independent trend in each field even while organically working in the middle of the whole frame that fashion and makeup express a human being's external beauty. This implies that makeup is not what is always influenced by fashion as an accessory in fashion and a supplementary role, but what can show its contrary phenomenon. This study examined characteristics, which are shown in fashion and makeup due to hybrid influence with greeting the digital media era. This study was carried out in order to be conducive to objective data available for giving help to the future direction and marketing data in product of the relevant businesses, through the results of this study.

• Journal of Science of Art and Design
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• v.2
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• pp.5-41
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• 2000

The purpose of this thesis is to study about destructive method in late twentieth Century Paintings. To do this we will consider the examples of Frank Stella and Anselm Kiefer's expressive methods. And this thesis is designed to investigate the change of the two Modes. The centering change is in the destructive manner of them, and they are traced systematically. In these chapters we will study the procedure of the destruction and specification of the Modes; the subject which contains the special element, the relation between it and the artist's willful meaning, morphological specification, symbol system formative language, subject, material and coloring way. etc. The origin of the methodology is systematically studied and the procedures of the content applicated are considered. In the special characteristics of the methodology, the special feactures it contains will be considered. The basis of the deconstructive idea from Nietsche, Derrida, Saussire, Andrew Benjamin and others will be applied to understand the two Modes of artistic methodology, and whether or not they can be tools of explaining the methodology of our time is distinguished. Next, the methodologically founded contents and concepts from Chapter#2 are related and intertwined together. The outer destructive aspect and inner destructive specification are centrally uncovered by the Interpretation. The resulting background of the Mode, the factor of destruction and central concept, along with the works, applied ideas, and pre-scholar's writings, are conjoined and explained. The characteristics of S Mode are revealed as being similar to those of Vandalic Destruction and Baroque formalistic Style, while K Mode is closely related to Iconoclastic Destruction and Neoclassical Antiformal Style.