• 제목/요약/키워드: Dan Chung pattern

검색결과 11건 처리시간 0.018초

GSP를 활용한 한국 전통문양의 테셀레이션 작도 (Construction of Korean Traditional Tessellations via GSP(Geometer's SkechPad))

  • 계영희;김종민
    • 한국수학사학회지
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    • 제21권2호
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    • pp.71-80
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    • 2008
  • 본 논문은 기하 프로그램 GSP(Geometer's SkechPad)를 응용하여, 수학이 흥미롭고 재미있는 교과목이며, 또 다양한 영역 속에서 아름답게 활용될 수 있는 것을 보이고자, 테셀레이션의 도형을 평면기하에서 평행이동, 미끄럼반사 등으로 우리 고유의 독특한 태극무늬와 단청문양, 흉배에 사용하였던 구름무늬 등을 현대적인 감각으로 디자인 한 것을 GSP(Geometr's SkechPad) 4.0 으로 작도하였다.

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단청문양(丹靑紋樣)을 응용한 아트메이크업 디자인 연구 (A Study on Art Make-up Design applying the Dan-chung Motives)

  • 이재형
    • 한국패션뷰티학회지
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    • 제2권2호
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    • pp.107-119
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    • 2004
  • Dan-chung had many great traditional patterns of Korea. By investigating its patterns, which comprise the integral part of the formative features, and analyzing the aesthetic characteristics and formative beauty, the foundation was set to use the patterns as the motives of art makeup works. A focus was made on the basic elements, compositions and symbolic meanings of Dan-chung patterns. The representative patterns that were used a lot in Dan-chung made the motives of the four art make-up designs, which tried to integrate the aesthetic senses of the Dan-chung patterns into the art makeup venues. The four patterns were each based on the phoenix, bat, ghost face, and crane. The major colors used were white, black, red, blue and yellow, which were also the cardinal Five Colors of Dan-chung. They were changed in terms of luminosity and coma and manipulated to make harmony with intermediate colors so that the designs would ooze out the Korean aesthetic senses.

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직물 시뮬레이션을 활용한 금문 단청 문양의 자카드 직물 디자인 연구 (Study on Jacquard Fabric Design of Dan-Chung Motives Using Fabric Simulation)

  • 송하영;이주현
    • 한국의상디자인학회지
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    • 제11권2호
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    • pp.33-42
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    • 2009
  • The purpose of this study was to research the development of jacquard fabrics by the Bi-Dan patterns of Dan-Chung as one of the traditional korean symbols. For performing this design study, it designed a surface design of the geometric images in Bi-Dan patterns using by EAT Jacquard Textile CAD system and simulated to fabrics for the clothing & bags. To consider the modern image of Bi-Dan patterns in the Dan-Chung motives, the theoretical background was made on the basic elements, compositions and symbolic meanings of Dan-Chung patterns. To merchandise the fashion items and see the visual image, these jacquard fabric simulations was processed by two-dimension modeling through YoungWoo CNI CAD. The applied weave structure was based on a single layer of 5 or 10 points-satin and a double layer of 8 points-satin. Among the fabric simulations of Bi-Dan patterns, the six simulated fabrics were woven into the real jacquard fabrics under the electronic Stabuli jacquard loom in $120{\sim}130$ picks per inch and 171 ends per inch. These developed jacquard fabrics of Bi-Dan patterns were appeared a contemporary yet ethnic feeling so that they could make use of the unique korean cultural products by the further commercialization.

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한국 전통 문양을 활용한 국가 브랜드 연구 개발 전략 - 금문(錦紋)을 중심으로 - (National brand development research strategy using traditional Korean patterns)

  • 김미혜
    • 헤리티지:역사와 과학
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    • 제54권4호
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    • pp.232-245
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    • 2021
  • 최근 들어 세계 각국의 컬처노믹스(Culturenomics) 현상이 국가 브랜드 구축에 있어 중요한 핵심적 가치로 작용하고 있다. 말하자면 지구촌 사람들은 저마다 고유한 미의식을 계승하여 이를 경제적으로 활용할 수 있는 문화 산업이 민족의 정체성을 확립하고 그 존재성을 확고히 할 수 있다고 믿고 있는 것이다. 현재 지구촌의 환경 변화에 따른 언택트(untact) 시대에 현대인들은 인터넷상에서 온라인 마케팅을 통해 그 어느 때보다 쉽고 빠르게 품질 좋은 디자인을 선택할 수 있다. 따라서 기업은 자국의 전통미를 간직한 문화적 소산물을 현대적 조형 디자인으로 재해석하려는 이른바 '문화 브랜딩' 전략을 구축하고 '브랜드 아이덴티티'를 확립해야만 고립된 경제에서 벗어날 수 있을 것이다. 본 연구는 오랜 전통이 담겨 있는 단청 문양 중 금문(錦紋) 패턴을 현대적 조형 디자인으로 재해석하였다. 즉 한국 전통 문양을 활용한 국가 브랜드의 개발 전략을 제시하려는 게 본 연구의 목적이다. 본 연구자는 그동안 전통 건축의 목 부재를 보호할 목적으로, 그리고 건축의 의장적 성격에 따라 달리 도채(塗彩)되었던 단청 문양을 현대적으로 재조명하고자 하였다. 전통 건축에 채색되는 단청 문양은 궁궐, 사찰, 유교 단청에 따라 문양과 색상을 달리한다. 그 중 금단청에 채색되는 금문(錦紋)은 부처님이 계시는 주불전(主佛殿) 공간을 장엄하기 위한 의장적 요소를 내포하고 있다. 이러한 금문은 과거의 존속이 아니라 현재의 전통성을 이어가는 새로운 매개체라 할 수 있다. 단청의 일부인 금문은 독창적인 구성 방식과 소재, 그리고 장식적인 기법이 뛰어나기 때문에 현대적으로 재해석하기에 적합하다. 또한 동일한 문양이라 할지라도 색상에 따라 시각적으로 달리 해석되는 금문에 내포되어 있는 심미성은 시사하는 바가 크다. 또한 전통 문양은 탐구와 이론적 연구로서의 보전 가치도 중요하지만 이를 현대적 조형 디자인으로 재창조하여 국가 브랜드화하고, 더 나아가 자국민의 자긍심을 높일 수 있는 중요한 수단이라고 할 수 있다. 따라서 본 연구는 평면 디자인 과정과 입체적인 조형 방법을 거쳐 전통 문양을 실물처럼 재현하고자 하였다. 과거에 머물러 있는 한국적 조형미가 국가 브랜드 제고에 있어서 중요한 역할을 하기를 기대한다.

재배마의 동위효소와 생육특성 비교 (Comparison of lsozymes and Growth Characteristics of Cultivars in Dioscorea batatas DECNE)

  • 박충헌;성낙술;안병옥;김춘식;이승택
    • 한국약용작물학회지
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    • 제4권1호
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    • pp.52-57
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    • 1996
  • 국내에 재배되는 마(Dioscorea batatas) 주요품종으로는 식용으로 널리 쓰이는 단마, 약용으로 이용되는 장마 그리고 최근 식용마로 도입육성된 축근종(筑根種) 등이 있다. 본 연구는 이들 세종류의 마 주요품종을 대상으로 동위효소 분석과 생육특성 및 수량성을 비교하여 얻어진 결과이다. 1. 마 주요품종의 동위효소 분석 마 주요품종의 동위효소를 분석한 결과 단백질의 band pattern은 잎, 엽병, 줄기 모두에서 Band의 수와 위치의 차이를 보였다. Peroxidase의 동위효소는 잎과 엽병은 거의 동일하게 조사되었으나 줄기조직에 의해 구분이 가능하였다. 그리고 Esterase의 경우는 잎과 엽병, 줄기 모두에서 band pattern의 차이를 보여 품종간 구분이 가능하였다. 2. 마 주요품종의 생육특성 및 수량비교 엽형비교에서 단마와 장마는 상위엽이 피침형이고 축근종(筑根種)은 장심장형 이었으며, 엽서는 장마와 단마의 상위엽이 호. 대생을 보인반면 축근종(筑根種)은 대생이었다. 뿌리 생육과 수량성 비교에서 괴 근수가 단마 1.2개, 장마 1.3개지만 축근종(筑根種)은 1개였다. 괴근장은 단마와 장마가 각각 30cm와 51cm로 길었지만 축근종(筑根種)은 9.7cm로 짧았다. 괴근수량은 단마가 2,751kg/10a로 가장 높았고 장마가 2,288kg/10a였으며, 축근종(筑根種)은 1,785kg/10a였다. 축근종(筑根種)의 수량은 단마와 장마에 비하여 적었으나 단괴형이어서 기계화 수확에 유리한 품종으로 생각되었다.

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양록단청 대체안료 개발 연구 (Studies on the substitution pigment of Dan-Chung)

  • 김사덕;김순관;홍정기;강대일;이명희
    • 보존과학연구
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    • 통권20호
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    • pp.121-137
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    • 1999
  • Among pigment used at work of Dan-Chung, Emerald Green is specific illuminating fluorescent light of green. It is very difficult to change other organic or inorganic pigment. All of the internal high class pigment has rare light. But Emerald Green is superior to fresh color and stability out of industrial chemical products. It forms over 50% of quantity and importance of a pattern painting. Emerald Green prohibited to produce because of its toxicpollutants, so required to changing pigment development. It is characterized to excellent color, convenient work, economical, against-sunlight, against-air pollutant and durability. The result of a test is follows; 1. We are investigated into producing internal natural Emerald Green, import external pigment and industrial synthesis method etc. but unable to buy because of its toxic pollutant. 2. We are made six samples by yellowish and green is hpigment mixing. We tested on against sunlight and air pollutant. The best mixing ratio is follows. Titanium Dioxide R760 : 18g- Chalk, White Wash : 10g- Permanent Yellow : 7g- Cyanine Green : 8g- Chrome Yellow : 3g- Resin(Vehicle) : Acryl Emulsion(Styrene + 2-Ethyl HexylAcrylate + Methyl Meth Acrylate) 8%

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중국 직물 모란무늬의 표현방법 및 구성형태에 관한 연구 (Expression Methods and Compositions of Peony Patterns in Chinese Textiles)

  • 교단;이은진
    • 복식
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    • 제60권1호
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    • pp.101-116
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    • 2010
  • In this study, the subjects are the expression methods and compositions of peony patterns in Chinese textiles. This study represents the peony patterns which are from Tang Dynasty to the Qing Dynasty, the research subjects are the peony patterns in fabric, except the peony patterns which are expressed by gold foil, embroidery and kesi. The objects of this study are 72 pieces of peony patterns. We sketched the configuration details of peony patterns through the Illustrator program. Analyze and classify the configuration accurately. Based on the 72 pieces of peony patterns, expression methods and compositions of the peony pattern are as following, firstly, we classified peony patterns into three categories, based on expression methods, as realistic shape, pattern shape and shape. Among these 72 fabric relics, there most of realistic shape 42 pieces(58.3%), pattern shape 25 pieces(34.7%), and shape 5 pieces(7.0%). Secondly, in the realistic shape peony, the most of pattern has petal accumulate as grape- shaped. This type is found in almost every Dynasty and was used regularly in the eras of Song and Ming Dynasty. In the era of Ming Dynasty, by using petals like the curly mushroom, Yeongji(靈芝), the pattern of symbolizing longevity was habitually used. The U-shaped flower pattern (type E) and the pattern of emphasizing the veins of petals are found only in the remains of the era of Qing Dynasty. Thirdly, in the pattern shaped peony, the most of pattern has some petals which are separated(type C). Fourthly, we classified peony patterns into four categories, based on compositions, as individual branch form, floral branch form, cluster branch form and floral nest form. Among these 72 fabric relics, there most of individual branch form 33 pieces(45.8%), floral branch form 18 pieces(25.0%), cluster branch form 13 pieces(18.1%), floral nest form 8 pieces(11.1%).

혈소판 농축 혈장이 치근이개부 병변에 미치는 효과 (The Effect of Platelet Rich Plasma Combined with Bovine Bone on the Treatment of Grade II Furcation Defects in Beagle Dogs)

  • 정민섭;임성빈;정진형
    • Journal of Periodontal and Implant Science
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    • 제30권4호
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    • pp.803-814
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    • 2000
  • Current acceptable methods of promoting periodontal regeneration are basis of removal of diseased soft tissue, root treatment, guided tissue regeneration, graft materials, biological mediators. Platelet Rich Plasma have been reported as a biological mediator which regulate activities of wound healing progress including cell proliferation, migration, and metabolism. The purpose of this study is to evaluate the possibility of using the Platelet Rich Plasma as a regeneration promoting agent for furcation involvement defect. Five adult beagle dogs were used in this experiment. With intrasulcular and crestal incision, mucoperiosteal flap was elevated. Following decortication with 1/2 high speed round bur, degree II furcation defect was made on mandibular third(P3), forth(P4) and fifth(P5) premolar. 2 month later experimental group were PRP plus bovine bone and bovine bone only. After 4, 8 weeks, the animals were sacrificed by perfusion technique. Tissue block was excised including the tooth and prepared for light microscope with Gomori's trichrome staining. At 4 weeks after surgery, there were rapid osteogenesis phenomenon on the defected area of the Platelet Rich Plasma plus bovine bone group and early trabeculation pattern was made with new osteoid tissue produced by activated osteoblast. Bone formation was almost completed to the fornix of furcation by 4 weeks after surgery. In conclusion, Platelet Rich Plasma can promote rapid osteogenesis during early stage of periodontal tissue regeneration.

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정상 치근과 치주질환에 이환된 치근면의 Electron Probe Microanalysis와 주사전자 현미경에 의한 연구 (Periodontally Diseased Root and Normal Root as Studied by Electron Probe Microanalysis & SEM)

  • 김종식;김종여;임성빈;정진형
    • Journal of Periodontal and Implant Science
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    • 제29권2호
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    • pp.401-415
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    • 1999
  • Root surfaces affected by periodontal disease undergo various forms of changes. Cementum exposure from gingival recession may result in absorption of calcium, phosphorus, and fluoride and subsequent hypermineralization and increased radiodensity. Although some reports have suggested that inorganic content with root cementum might show various changes depending upon age or extent of periodontal disease, but no consensus can be reached regarding the the distribution of various elements. The present study examines the difference in mineral content between healthy and periodontal diseased roots by analyzing three areas per tooth along the root surface in cervico-apical direction using electron probe and scanning electron microscope. Healthy tooth that was extracted for orthodontic purpose was used as control. Experimental teeth include those with periodontal pocket depth exceeding 6mm and those with gingival recession and periodontal pocket depth of 2-4mm. Levels of Ca, P, Mg and Na were measured using wavelength dispersive x-ray spectrometer at three areas per tooth. The examined areas were located apical to cemento-enamel junction in control and periodontal ligament-depleted areas in experimental teeth. The corresponding areas were also examined with scanning electron microscope(x70) The results are as follows. 1. Minerals were detected in order of Ca, P, Mg and Na. In all root surfaces, levels of Ca and P were higher in dentin than in cementum. 2. Level of Mg was twice as high in dentin than in cementum. There was no significant difference in the level of Mg and Na between normal and periodontal diseased roots or between the various locations in the same root. 3. Level of Ca and P in the surface cementum showed no difference between normal and periodontal diseased root, although the areas in dentin with high level of either ion also showed high level of corresponding ion in cementum. 4. Difference in the Ca and P content between various locations within the same root was noted, although no coherent pattern existed. These results suggest that although the mineral content of the root cementum in periodontitis-affected tooth is affected by exogenous ions from saliva and food, but there was no difference in the mineral contents between normal and periodontally diseased root.

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한국 직물 모란무늬의 표현방법에 관한 연구 (Expression Methods of Peony Patterns in Korean Textiles)

  • 교단;정영옥;이은진
    • 복식
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    • 제62권7호
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    • pp.13-28
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    • 2012
  • This study examines history of Korean peony patterns and characteristics of peony patterns on the fabric. It is classified according to expression methods, and it analyzes the characteristics of 71 kinds of peony woven on 66 Korean fabrics. First, it was observed that 38 of the 66 studied fabrics (57.6%) were relics from the 17th century, and from this it can be deduced that the peony patterns began to appear regularly around the latter half of the 16th century and were used habitually in the 17th century. Second, 71 kinds on 66 fabrics can be divided into Real Type, Design Type, and Abstraction Type according to expression methods. Among these types, 49 kinds of them are Real Types (69.0%), forming the greatest part and 19 kinds belonging to the Design Type (26.8%), and lastly, 3 kinds were under the Abstraction Type (4.2%). In particular, peony patterns of Design Types and Abstraction Types from the 17th century and from the 19th century to the 20th century were more prevalent, compared with those before the 16th century or the 18th century. Third, Real Types shown on the Korean fabrics are subdivided into 9 types, and the Real Type A among them, which describes to be as real as possible, is 12 kinds, the largest number of them. Therefore, real and natural pattern of peony is the favorite type in Korea, while rather emphasized pattern of peony is the more preferred pattern in China. And also Design Types are subdivided into 6 types again; There are 6 kinds of design type A, the largest part of Design Types. Patterns of Design Type A are most similar to real peony flowers, but more simplified than the Real Type A. This result also contrasted with the trend in China, where the Design Type C, expressed petals in detail was the favored pattern. Fourth, 9 kinds of unique types are found in Korean fabrics, especially Real Type M has not been shown on Chinese fabrics. Real type M, consisting of two parts, inner and outer, where two curve lines between two parts appear as antennas of a butterfly.