Browse > Article
http://dx.doi.org/10.22755/kjchs.2021.54.4.232

National brand development research strategy using traditional Korean patterns  

KIM, Mihye (Dept. of Cultural Heritage, Hanseo University Graduate School)
Publication Information
Korean Journal of Heritage: History & Science / v.54, no.4, 2021 , pp. 232-245 More about this Journal
Abstract
The present study is about a brand development strategy that utilizes Korean traditional patterns. The global culturenomics phenomenon confirms the value of the cultural aspects of design when a national brand is established. People succeed with their unique aesthetic sense and reinterpret it in a modern view, and this design acts as today's national brands. In this way, people used traditional patterns and original designs, along with regional characteristics and formative style, in developing their designs. However, due to recent changes in the global environment, modern people live in an "untact" world, and consumption culture shifted toward online marketing. In this environment, where one is isolated from social activities, there needs to be a strong image that can dramatically change the mood of one's home. I would like to re-examine the Dan-Chung pattern, whose painting depends on the aesthetic characteristics of architecture to protect the wooden members of the framework in traditional architecture. The pattern and color of Dan-Chung, coated in traditional architecture, differs by the type of construction used, which includes a palace, a Buddhist temple, and a Confucianism Dan Chung. The Geummoon pattern contains aesthetic factors to add solemnity to the Main Buddhist Halls, which contain Buddha. This is a new medium that continues the current traditions instead of remaining in the past. Among different Dan Chung patterns, Geummoon has magnificent decoration consisting of the highest grade materials and unique composition; therefore, it is suitable to be reinterpreted in modern terms. The same pattern can be interpreted in different ways with different colors, so there is a great aesthetic impression in the Geummoon pattern. The value of preservation for exploration and theoretical study of the traditional pattern is important, but recreating the pattern into modern formative art can present a new angle of view and national brand, bearing pride in our cultural assets. The study used multidimensional molding methods for realistic presentation after going through the two-dimensional design process. The significant value of Korean molding beauty which hangs onto the past will play a crucial role in establishing our national brand.
Keywords
Dan Chung pattern; gold pattern; Korean pattern; Korean image; traditional pattern;
Citations & Related Records
연도 인용수 순위
  • Reference
1 곽동해, 2002, 「한국의 단청」, 학연문화사.
2 송하영.이주현, 2009, 「직물 시뮬레이션을 활용한 금문 단청 문양의 자카드 직물 디자인 연구」, 「한국의상디자인학회지」.
3 이상환, 2007, 「단청의 금문을 응용한 도자 벽화에 관한 연구」, 강릉대학교 산업대학원 석사학위논문.
4 장기인.한석성, 2004, 「한국건축대계 III : 단청」, 보성각.
5 H. T. McJimsey, 1973, Art and Fashion in Clothing Selection, Iowa State University Press.
6 진숙희, 2017, 「한국 전통 문양을 활용한 패턴 디자인 연구」, 동아대학교 대학원 박사학위논문.
7 Hamlin, 1916, 'A History of Ornament : Ancient and Medieval', NY: The Century Co, 1916, quoted by Camacho, J. M. & Laughlin, J., 1985, 'Pattern As a Design Aspect : Visual Perception of Its Properties', American Home Economics Research Journal Vol.13 No.3.
8 도연주, 2021, 「궁궐 단청 문양의 재해석을 통한 문화상품 디자인 연구」, 홍익대학교 석사학위논문.
9 김선화, 「문화 콘텐츠로서의 전통 문양 활용 방안」, 한국과학예술포럼.
10 곽동해, 2019, 「한국 전통 문양의 맥 : 단청 금문 디자인」, 홀리데이북스.
11 문광희, 「한(韓) 패션 사업의 전개와 글로벌화 전략」, 「동양예술」 제20호.
12 곽동해, 2003, 「고구려 고분 벽화 장식 문양 소고」, 고구려연구회.
13 양찬효, 2019, 「한국 단청의 금문을 활용한 아트 타일 디자인 연구」, 중앙대학교 예술대학원 석사학위논문.
14 윤고은, 2013, 「금문(錦紋)의 이미지를 주제로 한 도자 접시 연구」, 서울과학기술대학교 산업대학원 석사학위논문.
15 임영주, 1998, 「한국 전통 문양 3 : 상징적 동물 문양」, 예원.
16 곽동해, 2002, 「한국의 단청」, 학연문화사.
17 임영주.전한효, 1988, 「문양으로 읽는 우리나라 단청 II」, 태학원.