• 한국연극학
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• 제49호
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• pp.209-238
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• 2013

In recent years, a Zainichi playwright Jeong Ui Sin has been very active in the Korean theatre scene. However, the production of Yakiniku Dragon-first performed in Korea in 2008-which received numerous awards both in Japan and Korea gave him the recognition of Koreans' that was long overdue. In this paper, I will look closely into his two plays-Ineo Jeonseol (1990) and Yakiniku Dragon (2008)-which was written twenty-eight years apart from each other and reveal both similarities and differences between them in terms of the formation of post-colonial Zainichi identities. And to do so, I will utilize various opinions from post-colonial theories, performance studies theories, ethnic studies theories and theories on Zainichi Koreans. In the first, introductory chapter, I will delineate the theories on which this paper is based and some common factors of Jeong Ui Sin's 1990s plays as a point of departure. Then, I will move into the second chapter in which the two plays and actual productions of them will be closely examined to reveal different types of Zainichi identities and their social and cultural place within Japan by using Millie Creighton's concept of uchi others. In the third chapter, the identities of double negative (not not) and nomadic identities that are relevant to three types of Zainichi identity formation will be discussed. The fourth chapter will debate about various scholars' speculations about the future of Zainichi Koreans' identities and, finally, illuminate the changes/shifts that Jeong Ui Sin shows in terms of his stance as a Zainichi subject. In conclusion, even though it is very hard to speculate exactly what will happen to the Zainichi identity and their existence in Japan, the differences between the two plays-especially the endings-can be interpreted as revealing the changes in Jeong Ui Sin's Zainichi identity and it certainly sheds positive light on the future of the Zainichi identity and existence.

• 한국농촌건축학회논문집
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• 제25권4호
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• pp.17-24
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• 2023

This study is about the traditional house of Kim Myeong-Gwan, the founder of Gwangsan Kim clan(光山金氏) and the 30th grandson of Heunggwang, the 49th king of the Unified Silla Dynasty. He sought a place to take refuge due to a plot and built a house in Jeongeup, adjacent to Yeonsan or Nonsan, Chungcheong-do, which is the home of the Gwangsan Kim clan. The location of old houses was analyzed through Hyeongselon(形勢論) and hyeongguklong(形局論) of Pungsu theory. The results of fengshui analysis of the house through fengshui literature that was presumed to have been used at the time are as follows.The dragon(龍) shows an auspicious condition in which the dragon vein is well connected from its roots in the Honam vein to Guksabong Mountain on Josan Mountain, Bibongsan Mountain on Sojo Mountain, and Mt. Changhasan reaching Jusan Mountain. Hyeol(穴) is a type of Wahyeol(窩穴) and is a Hwalwa(濶窩). Hyeolseong(穴星) is a Jeongche-Hyeolseong(正體穴星) and is a Suseong Hyeol(水星穴). HyeolJung(穴證) and Hyeolgi(穴忌) have the conditions to create hyeol. As for Sa(砂), the height of Hyeonmu(玄武) is not that high, but the Jujak(朱雀) is relatively high, the left blue dragon(左靑龍) is complemented by the outer blue dragon(外靑龍), and the right white tiger(右白虎) does not sufficiently surround the house. To compensate for this, Bibosu trees(裨補樹) were planted at the time of the construction of the house. As for the Water element, it appears to be auspicious as it approaches the old house in the form of a curve, but it has the disadvantage of not sufficiently surrounding the house, so an artificial pond is dug as a Bibo Pungsu(裨補風水). Through this study, it was found that Pungsu was applied as an important consideration factore in selecting the location of the house, and that Pungsu was not just a theory but had a practical effect in preserving the life and property of the family under the risky circumstances of the time.

• 복식문화연구
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• 제16권5호
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• pp.937-954
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• 2008

The Gollyongpo was worn by the King and the Crown Prince in Joseon dynasty as an ordinary wear. The research on the Gollyongpo is focused on the historic record of Joseon dynasty, Joseonwangjosillok. This study will analyze literature, paintings and relics. First, I have researched Ming's(China) representative document daminghuidian, and excavated relics from the tomb dingling. I examined the usage and characteristic, through various remaining literature data, artifacts and paintings. The Gollyongpo was worn for the various ceremonies as well as an ordinary wear. According to the periode, the style and color had changed. The King wore the red Gollyongpo with 5 clawed dragon pattern, the Crown Prince wore black one with 4 clawed pattern, and the eldest son of the Crown Prince wore black one with 3 clawed dragon emblem. After the Daehan Empire, the Emperor wore gold outfit and the Crown Prince wore red outfit. Sonyongpo recorded in the Gungjungbalgi is concerned as Gollyongpo with narrow straight sleeve, one of the Sejong University Museum's Collection. There is some Possibility that the Gollyongpo painted in Bongsado is woven with dragon design, I would leave this matter for next research task.

• Bulletin of the Korean Chemical Society
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• 제34권6호
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• pp.1791-1794
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• 2013

Phytochemical investigation on dragon's blood of Dracaena cambodiana led to the discovery of two new flavonoid derivatives, cambodianin G (1) and cambodianin H (2). Their structures were elucidated on the basis of detailed spectroscopic analysis, including 1D and 2D NMR techniques and chemical methods. The two compounds were observed to exhibit antibacterial activities against Staphylococcus aureus, and compound 1 showed cytotoxicities against K562 and SGC-7901 cell lines.

• 한국조경학회지
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• 제29권5호
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• pp.51-59
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• 2001

This paper presents a design of the Dasan Children\`s Park which is located Shindang- dong, lung-gu, Seoul which has an area of about 3,678$m^2$. Objectives for the design were to make nature-friendly space, learning space, interesting play space, space for every child, adventure play space, traditional play space, sense of place, and recycle space. For the space compositions a children\`s garden, a traditional play space, and a science play space were located around the S shaped main route. Facilities relating nature, science, culture. environment and adventure play were arranged in the 3 main spaces. The Children\`s Garden is a green space for learning and playing with natural elements. It is composed of a ecological learning space, a children\`s story garden, a children\`s song road, an environmental labyrinth, and a pall space leer handicap children. The Science Play Place is a place space for learning scientific theories through plays to which scientific theories were applied. It is composed of a total play structure, a math experience playground, a \"Keojunggi\" play space, a sound reflecting experience space, arid an infant playground. The Traditional Play Madang(space) is a space for traditional plays. It is composed of a traditional play pattern, a sun dial, and a floor fountain. The Recycle Road is a dragon shaped road fort learning about resource recycling and conservation. It is composed of a dragon head, body, tail space and a dragon bead(cint mani).int mani).

• 한국대기환경학회지
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• 제33권1호
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• pp.19-30
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• 2017

The altitudinal potential source contribution function (PSCFa) method was developed by considering topography and height of back trajectories. The PSCFa calculated on the contributions of trans-boundary transport to the hourly mean concentrations of aerosol optical depth (AOD) of the Aerosol Robotic Network (AERONET) in the Distributed Regional Aerosol Gridded Observation Networks (DRAGON) KORea-US Air Quality (KORUS-AQ) campaign from March 31 to July 1 in 2016. Eastern China ($33^{\circ}N{\sim}35^{\circ}N$ and $119^{\circ}E{\sim}121^{\circ}E$) can be the major source of trans-boundary pollution to the western area in South Korea resulted from PSCFa (0~700 m). In this study, AOD by Moderate Resolution Imaging Spectroradiometer (MODIS) was compared to verify the source regions. Regionally, the effects of the long-range transport of pollutants from the eastern China on air quality in south Korea have become more significant over this period.

• 한국게임학회 논문지
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• 제21권5호
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• pp.115-132
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• 2021

본 연구는 '드래곤 에이지 인퀴지션'의 현지화 사례를 통해 게임 팬 번역가들의 번역 동기 및 번역 활동의 양상에 대해서 고찰하고자 한다. 게임의 상호작용과 경험은 게임 팬 번역을 함에 있어서, 다양한 동기를 부여하고, 번역 활동 역학을 생성한다. 본 연구는 게임 팬 번역가가 생산자와 수용자의 특징을 동시에 보여주는 게임 팬 번역 활동의 과정을 참여관찰하여 확인하고, 게임 팬 번역가들을 심층인터뷰하여 동기를 확인하였다. 이를 통해 게임 팬 번역 활동이 게임팬덤의 생산적 측면을 밝히고, 이후 게임문화에서 팬 번역을 논의해야 할 지점에 대해서 제언해보고자 한다.

• 마이크로전자및패키징학회지
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• 제22권4호
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• pp.91-98
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• 2015

신축성 전자패키징에 응용하기 위해 강성도가 서로 다른 polydimethylsiloxane 탄성고분자인 Sylgard 184와 Dragon Skin 10을 사용하여 섬(island) 구조가 삽입된 강성도 국부변환 신축성 기판을 형성한 후, 강성도 국부변환부의 폭에 따른 기판의 탄성계수를 분석하였다. 기판 기지로는 탄성계수가 0.09 MPa인 Dragon Skin 10을 사용하였으며, 기판 기지 내에 삽입되는 강성도 국부변환부는 탄성계수가 2.15 MPa인 Sylgard 184로 형성하였다. 신축성 기판의 형상은 길이 6.5 cm, 두께 0.4 cm, 폭 2.5 cm이었으며, 중앙부에 길이 4 cm, 두께 0.2 cm, 폭 0.5~1.5 cm인 강성도 국부변환부를 삽입하였다. 폭 0.5 cm의 Sylgard 184를 Dragon Skin 10에 삽입함에 따라 기판의 탄성계수가 0.09 MPa에서 0.16 MPa로 증가하였다. Sylgard 184의 폭을 1.0 cm 및 1.5 cm으로 증가시킴에 따라 기판의 탄성계수가 0.18 MPa와 0.2 MPa로 증가하였으며, Sylgard 184 강성도 국부변환부의 폭에 따른 기판 탄성계수의 변화는 등변형률의 Voigt 구조와 등응력의 Reuss 구조를 조합하여 예측한 값과 잘 일치하였다.

• 한국응용곤충학회지
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• 제52권1호
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• pp.45-51
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• 2013

제주도에서 열대과수로 망고(mango; Mangefera indica), 용과(dragon fruit; Hylocereus undatus), 아떼모야(atemoya; Annona cherimola ${\times}$ A. squamosa) 등이 주로 재배되고 있다. 2008년부터 2011년까지 이들 작물에 발생하는 해충 종류와 피해를 조사하였다. 망고 해충 중 총채벌레, 진딧물, 깍지벌레, 나방류 피해가 많았다. 오이총채벌레(Thrips palmi)와 볼록총채벌레(Scirtothrips dorsalis)는 망고 전 재배기간에 걸쳐 발생하여 큰 피해를 주었다. 오이총채벌레는 주로 잎을 가해하였지만 볼록총채벌레는 잎과 과실을 심하게 가해하였다. 나방류 해충은 주로 잎을 가해하였지만, 일부 차애모무늬잎말이나방(Adoxophes honmai.) 유충은 망고 과경지를 중심으로 과실표면에 서식하여 과실 피해를 유발하였다. 목화진딧물(Aphis gossypii)과 복숭아혹진딧물(Myzus persicae)은 신초에 피해를 주었고, 가루깍지벌레(Pseudococcus kraunhiae) 등 깍지벌레는 망고줄기와 과실에 많이 발생하였다. 용과는 개미와 목화진딧물(A. gossypii)에 의한 과실 피해와 담배거세미나방(Spodoptera litura) 유충은 줄기를 심하게 가해하였다. 아떼모야는 주로 나방류 해충인 담배거세미나방과 차잎말이나방(Homona magnanima) 피해가 심하였다.

• 보존과학회지
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• 제37권3호
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• pp.270-281
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• 2021

국가민속문화재 제4호로 지정된 외재 이단하 정경부인의 용잠은 대례복 일습을 구성하는 머리 장신구로, 착용자의 신분과 유물의 시기가 명확하다는 점에서 유물로서 가치가 높다. 용잠은 대체로 보존상태가 양호한 편이지만 문양부분에 다양한 이물질 및 부식물이 고착되어 있어 보존처리를 수행하였으며, 이 과정에서 다양한 비파괴 분석을 실시하여 용잠의 제작기법과 소재의 성분을 확인할 수 있었다. 용잠은 머리에 꽂았을 때 무게의 부담을 줄이기 위해 내부가 비어있으며, 금색과 적색, 흑색의 색상이 대비되도록 만들어졌다. 용잠은 머리 부분과 비녀의 몸체를 따로 제작하였으며, 몸체는 구리, 은, 아연의 합금으로 접합부분은 겹쳐지는 부분이 없이 정교하게 연결하였다. 머리 부분은 용의 얼굴이나 수염, 뿔, 몸, 갈퀴에서 합금 비율에 차이가 있으며, 섬세한 문양이 표현된 용의 얼굴 부분은 은과 구리의 합금으로 용의 얼굴을 사실적으로 표현하였다.