• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2005년도 추계 종합학술대회 논문집
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• pp.75-80
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• 2005

일상생활을 떠나 새로운 지역에 대한 호기심과 기대로 여행하는 일은 관광의 시작이며 여행과정에서 체험하는 다양한 경험은 현대인의 생활의 질을 결정하는 중요인자로 인식되고 있다. 한국의 세계문화유산 관광자원은 외래관광객을 유인하는 주요관광매력이지만 이에 대한 관광자원개발이 미비하여 이에 대한 적극적이며 효율적인 자원개발이 필요하다.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2013년도 춘계 종합학술대회 논문집
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• pp.95-96
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• 2013

본 연구는 근대이후 서울시 성북동의 문화재와 주변 경관 변화과정과 원인을 분석하고자 하였으며 시대별 폐쇄지적도를 이용한 필지 분석과 문헌자료를 참고하여 연구하였다. 경관은 대체로 제도적 요인과 사회경제적 요인에 의해 변화가 생기는 것을 알 수 있었다. 근대 이후 서울의 도시계획이 성북동에도 영향을 미쳤으리라 예상되며, 자본주의 경제체제 확립이 그 배경이 된 것이라 판단된다.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2005년도 추계학술발표대회 논문집
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• pp.71-75
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• 2005

For last century, our country fast changed by development of industry but we justly looked away that cultural and natural environment that must preserve inside the change, and we sought quantitative growth. But consciousness about culture is rising now; thereby social request becomes strong that is improved cultural environment; and viewpoint is appearing which is thought heftily cultural environment of city. Important thing of them is the modern age architecture, but serious discord is happening in the current society that allows conservation and destruction of the modern age architecture. But, visible cultural asset such as the modern age architecture is value when it protected as the first time, When it was broken! , restoration or age architecture really necessary to us.

• 국제지역연구
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• 제15권3호
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• pp.605-625
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• 2011

전 세계에 걸쳐 경영활동을 벌이는 다국적기업은 상당수 시장에서는 제품, 서비스의 선택폭을 넓힌다는 측면에서 소비자들로부터 환영을 받는다. 그러나 일부 시장으로부터는 같은 방식으로 경영을 하는데도 문화제국주의라는 부정적인 의미로 받아들여진다. 대부분 기존의 연구가 이러한 소비자들의 반응에 대하여 관심을 기울이지 않은 가운데 본 연구는 다국적기업의 행태에 따라 어떻게 소비자들이 문화적 제국주의 개념을 형성하는가를 고찰한다.

• 수완나부미
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• 제9권2호
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• pp.35-49
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• 2017

This paper will concentrate on how various particular Southeast Asian conditions created a distinct Southeast Asian cultural identity despite a very challenging geographical and historical diversity in the region. The paper will argue that Southeast Asians demonstrate an ability to adapt to changes and new values but also exhibit fatalism through a very high degree of passive acceptance to political and other changes that affect their society. The paper identifies a degree of environmental and geographical uniqueness in Southeast Asia that shapes context and gives rise to very distinct cultural traits. The historical transformation in the region brought about by colonialism and nationalism, combined with this geographical and political make-up of the region, had an immense impact on Southeast Asian society as it fostered adaptability. Finally, the political transitions brought about by various conflicts and wars that continued to affect the area in rapid succession all throughout the 20^th century likewise contributed immensely to a local Southeast Asian fatalistic response towards change. Historically, Southeast Asia demonstrated these socio-cultural responses to such an extent that these are argued to permeate the region forming a distinct aspect of Southeast Asian culture.

• 헤리티지:역사와 과학
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• 제50권4호
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• pp.148-165
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• 2017

고분 내부에 그려진 벽화는 온 습도 등 환경변화에 매우 민감하며, 특히 고분벽화의 마감층은 사용된 재료 특성과 습도 조건에 따라 보존성에 각기 다른 양상을 나타낸다. 본 연구에서는 토양을 사용하여 마감층을 제작한 송산리 6호분 벽화를 대상으로, 마감층의 재료 특성에 따라 건조로 인해 발생될 수 있는 물리적 변화 양상을 파악하였다. 입도분석 결과 송산리 6호분 벽화 마감층은 실트 이하가 약 85.0wt%, 그 안의 점토가 약 14.0wt%로 대부분이 실트와 점토이하로 이루어진 것으로 나타났다. 의사시료에 대한 물성평가 결과 표면 변화율은 벤토나이트 마감층 재현 시료가 15.5%로 가장 큰 변화를 나타냈으며, 그 다음으로 청자토 마감층 재현 시료 7.8%, 황토 마감층 재현 시료 6.3% 그리고 백토 마감층 재현 시료 6.2%의 순으로 확인되었고, 태토별 시료에서도 같은 순서의 변화 양상을 보였다. 또한 수축률 및 팽창률 측정 결과에서도 유사한 경향의 표면 변화율을 나타냈으며, 벤토나이트 조건이 가장 큰 변화를 보였다. 실험결과, 토양으로 구성된 마감층은 미분부 함량으로 인한 입자간의 응집도와 함께 점토광물의 종류에 따른 팽창성 등의 영향으로 인한 응력과의 관계 등이 물리적 변화에 영향을 미치는 것으로 판단된다. 따라서 송산리 6호분 벽화 마감층에 발생된 물리적 손상은 토양이 갖는 재료적 특성과 고습한 고분 내부에서 발생되는 환경변화 등의 요인과 연관성이 있을 것으로 판단된다.

• 보존과학연구
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• 통권20호
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• pp.121-137
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• 1999

Among pigment used at work of Dan-Chung, Emerald Green is specific illuminating fluorescent light of green. It is very difficult to change other organic or inorganic pigment. All of the internal high class pigment has rare light. But Emerald Green is superior to fresh color and stability out of industrial chemical products. It forms over 50% of quantity and importance of a pattern painting. Emerald Green prohibited to produce because of its toxicpollutants, so required to changing pigment development. It is characterized to excellent color, convenient work, economical, against-sunlight, against-air pollutant and durability. The result of a test is follows; 1. We are investigated into producing internal natural Emerald Green, import external pigment and industrial synthesis method etc. but unable to buy because of its toxic pollutant. 2. We are made six samples by yellowish and green is hpigment mixing. We tested on against sunlight and air pollutant. The best mixing ratio is follows. Titanium Dioxide R760 : 18g- Chalk, White Wash : 10g- Permanent Yellow : 7g- Cyanine Green : 8g- Chrome Yellow : 3g- Resin(Vehicle) : Acryl Emulsion(Styrene + 2-Ethyl HexylAcrylate + Methyl Meth Acrylate) 8%

• Acta Via Serica
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• 제4권1호
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• pp.125-146
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• 2019

This paper deals with the question of the origin of polo. Although it is a sport that has been mainly active in the West since the nineteenthcentury, it is well known that British troops in the northern part of Pakistan learned about the sport from the local people there. Most agree that the origin of polo is Iran. However, in this paper, rather than specifying a specific area as the birthplace of polo, it is argued that polo was a cultural phenomenon commonly found on the Silk Road. This is based on the fact that polo has been known for centuries in China, the Korean Peninsula, and Japan, as well as throughout Iran, northern India, Tibet, Central Asia, and the Uighur Autonomous Region. Yet, the transmission of polo cannot be traced chronologically according to the supposed propagation route. This cultural phenomenon has changed over a long period of time according to the local environment, and the change was caused by mutual exchanges, not by one party. Therefore, there are limitations to interpreting cultural phenomena linearly. Thus, the origin of polo could also be identified with another area, namely Baltistan in modern day Pakistan, instead of Iran. These results support the argument that to understand Silk Road civilization, a process-centric approach based on 'exchanges', not a method of exploring archetypes to find 'the place of origin', should be utilized. Polo is undoubtedly an important cultural artifact with which to read the Silk Road as a cultural belt complex, as well as an example of the common culture created by the whole Silk Road.

• 한국농촌건축학회논문집
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• 제24권1호
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• pp.1-8
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• 2022

Among Korea's national folk cultural heritage, eight villages have been designated, and 37 years have passed since Hahoe Village was first designated in 1984. All eight villages have been constantly inhabited by residents from the past to the present, so the cultural value of inferring the lives of our ancestors in the past is very high. However, due to the inconvenience of the settlement environment in existing houses due to changes in the living environment, buildings such as various residential facilities and warehouses have been installed and expanded without permission, losing the original cultural property landscape and building. In addition, complaints and conflicts from residents are accumulating due to the poor living environment in the village. Therefore, this study intends to present guidelines for conservation and maintenance that can embrace changes in resident's housing and living environment, based on the 'maintenance of original form', the grand principle of the Cultural Properties Protection Law about the Jeju Seongeup Village. In particular, the maintenance plan is largely subdivided into legalization, demolition, expansion and reconstruction, and detailed standards for each item and examples applied are proposed. Through this, it aims to become basic data on the starting point of realistic improvement measures for cultural properties and residents to coexist.

• 수완나부미
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• 제10권1호
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• pp.35-61
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• 2018

This paper explores the influence of Arab culture on the culture of Bugis-Makassar, the two major ethnic groups in South Sulawesi, Indonesia, particularly after their Islamization in the early 17^th century. The paper argues that since then, the on-going process of Islamization in the region has also brought a continuous flow of ideas and cultural practices from Mecca to Indonesia by means of the hajj pilgrims, Arab traders, and the establishment of Islamic educational institutions that emphasized the teaching and use of Arabic language in education. These factors, among others, have facilitated a cultural inflow which enabled cultural practices borne of West Asia (Middle East) to be integrated into local customs and beliefs. The paper particularly depicts the most observable forms of Arabic cultural integration, acculturation, and assimilation into the Bugis-Makassar culture such as the use of Arabic in Islamic schools and religious sermons; the Arab-style dressing by religious scholars, teachers, and students; the wearing of the hijab (head cover) by women; and the change of people's names from local into Arabic. By utilizing the historical and anthropological approach, this paper investigates this dynamic process of adaptation and integration of a foreign culture that first came through the Islamization of a local culture, exploring the role of an Islamic missionary and educational institutions in mediating and maintaining such cultural integration processes.