• 제목/요약/키워드: Cultural Hybrid

검색결과 103건 처리시간 0.021초

을지로와 홍대앞 디자인산업 클러스터 비교 연구 - 창조산업클러스터 관점을 중심으로 - (Design Industry Clusters of Euljiro and Hongdae Area in Seoul - A Creative Industry Cluster Perspective)

  • 문희라;서우석
    • 문화경제연구
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    • 제21권3호
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    • pp.89-124
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    • 2018
  • 창조산업의 핵심 분야인 디자인산업은 창조산업클러스터를 형성하면서 도시의 문화경제에 상당한 비중을 차지하고 있으나 그동안 별다른 학술적 관심을 받지 못하였다. 본 논문은 중구 을지로와 마포구 홍대앞 두 지역을 중심으로 창조산업클러스터 형성에 관여하는 지역적 요인을 집적경제, 파생효과, 제도적 환경의 차원에서 파악하였다. 연구방법으로는 "서울시사업체현황" 자료를 분석하고 14명의 디자이너를 대상으로 인터뷰를 수행하였다. 분석결과 을지로의 디자인산업클러스터는 인쇄업에 대한 의존이 강하여 전통적 의미의 클러스터에 머물러 직접적이고 경제적인 산출 외에 도시경제에 미치는 영향이 제한적이었던 반면, 홍대앞 디자인산업클러스터는 대학과 예술시장, 복합 문화소비 공간의 창출, 디자이너의 능동적인 활동을 중심으로 창조산업클러스터의 특징을 가지면서 다양한 방식으로 도시경제에 기여한 것으로 볼 수 있다. 이와 같은 비교분석 결과는 창조산업 클러스터의 형성과정에서 지역의 산업적 배경 못지않게 창조적 개인들의 활동과 유입을 자극할 수 있는 대학 등의 환경 요인이 가지는 중요성을 보여준다.

다문화 사회에서의 글로리아 안잘두아의 『경계지대들/경계선에서: 새로운 메스티자』의 혼성성의 시학 (The Poetics of Hybridity of Gloria Anzaldúa's The Borderlands/La Frontera: The New Mestiza in Multicultural Society)

  • 정순국
    • 영미문화
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    • 제10권2호
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    • pp.231-266
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    • 2010
  • This paper explores hybridity and hybridized relations that see mixings and crossings as the first moment of multicultural society. References to hybridity often assume that the definition and orientation of the term are located within biology; that is, hybridity constitutes a mixing of two formally discrete objects. In this regard, there seems to be a dialectical preoccupation with purity that goes hand in hand with discussions of hybridity. This dialectical reference to hybridity privileges whole, complete entities as the original instance before mixing, and in this way purity becomes reified. My analysis of hybridity foregrounds mixings that occur at the level of the social, not exclusively at the level of the biological. Hybridity contexts the myth of monoculturalism in the United States and foregrounds multiculturalism as the initial context around which difference has begun to be conceived. In destabilizing the myth of racial origins, this paper attempts to establish a retroactive construction of purity, which is historically, ideologically, and ethnically examined in Gloria Anzaldua's Borderlands/ La Frontera: The New Mestiza. Through this work composed of disparate narratives discourses, Anzaldua employs physical differences to ward off the colonial desire that has defined others as objects which are to be controlled. In this regard, this paper pursues the way that physical differences could be repositioned in terms of 'hybridity' that has been related to the cultural, historical, economical significations of borderlands. The space of borderlands is also a place marked psychologically; it will turn differences mobilized in the borderland into an acute consciousness that makes us recognize 'otherness' within ourselves. In sum, this paper attempts to elaborate the productive and creative interactions among disparate languages, classes, genders, and ideas, which will draw attention to their own interlocking nature.

W세대 메이크업 특성에 관한 연구 (A Study of the Characteristics of Make-up in the W-Generation)

  • 권현아
    • 복식
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    • 제56권6호
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    • pp.132-144
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    • 2006
  • 21C, the age of culture, has the effects on the whole aspects in society with its cultural features, and the social changes become the foundation to create the new culture. The W generation, which accounts for Woman, World, Well-being, and Web, etc, leads the trend as 'a new group of powerful consumers' of establishing a new pattern. The W generation prefers psychidelic make-up using pearl through the cyber space, a space for communication like the N generation. In addition, through the Internet, leading the society of fusion or hybrid, with gender and age broken-up, the feminine as well as kidult-like make-up has emerged. On the other hand, with the influence of well-being on the whole society, well-looking appears outside, and lohas inside. The W generation prefers glossy make-up in order to make the skin healthy and polished, and eco-friendly products with lohas.

하이브리드 검출기법을 이용한 교양비디오의 장면 전환 검출 (The Scene Change Detection of Cultural Videos Using Hybrid Detecting Techniques)

  • 이지현;진송철;문종환;이양원
    • 한국정보처리학회:학술대회논문집
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    • 한국정보처리학회 2004년도 춘계학술발표대회
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    • pp.165-168
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    • 2004
  • 기존 장면 전환 검출 방법들은 대부분 특정 영역에 제한되어 사용할 수 있는 방법들이며, 많은 중요한 특징 정보들을 유실하여 장면 전환 검출에 효율적이지 못하였다. 또한 장면 전환 검출을 통하여 의미 정보를 추출하기가 어렵고, 카메라와 객체의 동작을 정확히 인식하지 못하기 때문에 하이브리드 장면전환 검출 기법을 적용하여 의미 있는 정보를 효율적으로 검출 하였다.

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생물반응기에서 저반부가 비대된 자구 절편체에 의한 오리엔탈 나리 'Casa Blanca' 의 대량증식 (Micropropagation of Lillium Oriental Hybrid 'Casa Blanca' using Bulblet Sections with swollen Basal Plate in Bioreactor)

  • 한봉희;예병우;구대희
    • 식물조직배양학회지
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    • 제28권3호
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    • pp.135-140
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    • 2001
  • 본 연구는 오리엔탈 나리 'Casa Blanca' 의 기내인편에서 저반부가 비대된 자구를 형성하고, 형성된 자구절편을 배양하여 저반부가 비대된 자구의 증식 및 자구를 비대시키는, 5 L의 생물반응기를 이용한 일련의 대량생산 체계를 확립하기 위하여 실시하였다. 5 L airlift 생물반응기를 이용한 액체배양에서는 저반부가 비대된 자구의 형성 및 증식은 전혀 이루어 지지 않았으며, 인편엽만 무성하게 자랐다. 재료가 배지에 일시적으로 침지되는 ebb & flood형의 생물반응기에서 저반부가 비대된 자구 절편체를 배양한 결과, 저반부가 비대된 자구들이 증식하였다. 광은 자구의 증식에 영향을 미치지 않았으나, 명배양에서는 인편엽의 발생률이 높았으며, 저반부가 비대된 자구 증식은 MS 배지에 BA 2.0 mg/L와 IAA 0.3 mg/L가 첨가된 배지에서 양호하였다. 5L airlift 생물반응기에서 저반부가 비대된 자구 절편체로부터 자구비대는 MS 배지에 sucrose 70 g/L가 첨가된 배지에서 액체배양하는 것이 양호하였으며, 16주 배양기간 동안 배양 8주 후에 배지를 교체하는 것이 자구비대에 효과적이었다. 또한 5 L의 생물반응기에 3 L 액체배지에는 절편체를 15 g을 주입하는 것이 자구비대에 적절하였다.

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포스트모던 조경설계의 다원적 전개 양상 (The Pluralistic Development of Postmodern Landscape Design)

  • 김한배
    • 한국조경학회지
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    • 제32권6호
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    • pp.68-81
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    • 2005
  • The styles of contemporary landscape design have diversified since the emergence of Postmodernism in landscape architecture. The diversification was mostly influenced by contemporary fine arts and architecture. This study examines the pluralistic development of Postmodern landscape design through the investigation of the influences from those sister arts. In this point of view, the main approaches of Postmodern landscape design are thought to be classified into three categories;'the formal abstract approach', 'the figurative approach' and 'the new picturesque approach'. The first category of the formal abstract approach was formulated with the concepts and vocabulary of Minimal Art and Installation Art. Its representative icons such as 'point grids' and 'stripes', and the main concepts such as the sense of 'flahess', 'expansion' and 'materiality' are mostly thought to be originated from these art forms. The second category of the figurative approach is characterised by the concepts and vocabulary of Pop Art and New Image Paintings. Its representative icons such as 'map' or 'figurative forms' and main concepts like the sense of 'reality', 'context' and 'symbolism' are mostly thought to be originated from these art forms. The third category of the new picturesque approach was formulated with the concepts and vocabulary of Land Art and Late Deconstructive Architecture. Its representative icons such as 'hybrid', 'layer' and 'fold', and the main concepts such as the sense of 'complexity', 'continuity' and 'reversibility' are thought to be originated from these art forms. The research shows that the main stream of contemporary landscape design seems to be gradually moving toward the second and third approach above, in step with the cultural orientation and the dynamism of contemporary urban life. Therefore, the study focused especially on the new picturesque approach which would be in greater need for coping with the hybrid culture today.

톱밥 재배용 무포자 신품종 '청흥1호'의 생육특성 (Cultural characteristics of a new spore-less cultivar 'chungheung 1ho' for Lentinula edodes sawdust cultivation)

  • 정구민;정의용;정혜영;장명준
    • 한국버섯학회지
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    • 제19권3호
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    • pp.251-255
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    • 2021
  • 국내 표고 품종 다양화로 버섯산업 경쟁력을 높이고자 '참아람'과 청흥버섯영농조합 보유균주인 'E140025'을 이용하여 교잡육종법을 통해 '청흥1호'를 육성하였다. 자실체 특성 결과 대조품종 보다 갓직경은 작고, 대길이는 길고, 대가 굵어 개체중이 무거웠다. 초발이기간은 '청흥1호' 24일, '설백향' 4일, '산조701호' 8일로 발이까지 대조품종보다 20일정도 늦었다. 자실체 수량은 가장적게 나타났지만, 유효수량은 '청흥1호' 6,498 g '설백향' 4,290 g, '산조701호' 5,022 g으로 가장 높았다. URP-Primer를 이용한 다형성검정을 통해 6개의 Primer에서 모본과 다른 PCR 밴드를 확인하였다. 이상의 결과, 재배기간이 길지만 개체중과 유효수량이 우수한 무포자 신품종을 육성하였다.

21세기 패션아이콘의 패션 스타일과 감성적 융합작용 (Fashion Style and Sensibility Fusion Effect of Fashion Icons in the 21th Century)

  • 박송애
    • 한국의상디자인학회지
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    • 제15권3호
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    • pp.109-118
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    • 2013
  • Fashion icons of 21st century are not only the fashion leaders that show fashion trend but also the typical fashion signs or symbols that show visually changes in sensibility trends. The purpose of this study was to analyze the framework of 21st century fashion by the public to recognize through these changes. In this study, the background of the occurrence of various 21st century fashion icons and their characteristics were investigated and the changes of revealed features and symbolic meanings were examined compared with them of 20th century. The 24 celebrities which have been called as the bests of fashion icons since year 2000 were selected by searching the most popular search engines such as daum, yahoo and google, and 13 of them were picked as the highest in preference and awareness by surveying 50 students majoring in fashion. And then their fashion styles, backgrounds, and influence on the public fashion were studied. As a result, the 21st century fashion icons reflecting the cultural characteristics such as convergence and exaggeration and the sensitivities of fusion, collaboration, hybrid sensibility in art were powerful enough to create innovative styles destroying the era and the standard. Their styles have constantly created new looks. The exposed new individual sensitivities on media-fusion of two or more sensibility and coordination techniques without being tied to the existing anchorage system-were as influential as high fashion and leaded the imitation and reproduction by dazzling the public. As the media become more powerful, the influence of fashion icons interacted more closely with the public and has been evolved through the sensitivity of the reversal, cultural, economic, visual, or temporal fusions. To sum up, it is shown that the outstanding fashion styles suggested by the leading fashion designers have approach to the public more closely by the fashion icons.

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한국 전통자수를 응용만 현대 패션디자인 연구 I -문양을 중심으로- (A Study on Contemporary Fashion Design with the Application of Korean Traditional Embroidery I)

  • 이명준;최현숙
    • 복식
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    • 제57권3호
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    • pp.176-190
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    • 2007
  • As the globalization has increasingly brought in the disintrgration of boundary between cultures, the hybrid of styles, or fusion styles in various cultural spheres have been introduced as important theme. With this new trend, the traditional culture of Asia appeared as the source of inspiration for the West, and as the source of enhanced pride and asset for ethnic groups which have been considered "the Other" by the West. 1990's witnessed a drastically increased interest in Orientalism and Ethnic trends in most social aspects, especially in culture and art. They have been the main theme in fashion, providing the source of inspiration with elements such as the unique color schemes, composition methods and geometrical simplicity. The creative application of traditional culture into modern design as well as fashion can make a significant contribution and be a solid foundation for the development of national culture in general, since images containing cultural authenticity are the visual representation of the nation and they can be important tools for the globalization of design. This study aims to find out the formative characteristics of Korean traditional embroidery and the ways they are applied in modern fashion by world-renowned Korean fashion designers. The purpose of this study is to make a fundamental source for further study by the same author on creative design development utilizing the result. The study methods are literature study combined with research of genuine articles from museums and personal ownership as well as photos from magazines and internet. The significance of this study lies in enhancing the appreciation of Korean traditional culture and expanding the possibility of its globalization by modern application.

글로컬라이제이션과 지역발전을 위한 창조적 장소만들기 (Creative Place-making for Regional Development in the Era of Glocalization)

  • 이병민;남기범
    • 대한지리학회지
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    • 제51권3호
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    • pp.421-439
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    • 2016
  • 세계의 경제가 글로컬라이제이션(glocalization)이라는 조건 속에서 변화하면서, 국가의 역할은 축소되고, 도시 및 지역의 공간적 역할이 상대적으로 중요해지고 있으며, 관련하여 장소의 역할에 대해 장소마케팅이나 장소브랜딩 등을 통해 지금까지 많은 논의가 이루어져왔다. 하지만, 결과로서의 마케팅전략보다는 과정과 참여를 중요시하는 광의적 의미의 종합적인 '장소만들기'가 중요하다는 의미에서 본 논문은 문화를 기반으로 하는 지역발전이라는 부분에 집중하여 창조적 장소만들기의 전략이 어떤 의미를 갖는지를 재조명하려고 하였다. 구체적으로는 문화콘텐츠산업을 통한 창조적 장소만들기의 한국과 일본사례의 검증을 통하여, 글로컬라이제이션 시대 장소마케팅과 장소브랜딩, 장소만들기의 융합모델을 제시하고, 가치사슬적 특성을 고려하여 자원의 투입과 과정, 산출 등 각 과정의 특성에 집중할 필요가 있음을 밝혔다. 특히, 문화를 기반으로 장소를 해석하고, 지역공동체에서 삶의 질을 개선시키는 목표를 위해 어떻게 선순환구조를 만들것인가 하는 것이 중요하다는 점을 강조하였다.

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