• 한국의상디자인학회지
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• 제9권2호
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• pp.167-178
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• 2007

The purpose of this study is to systematically examine fusion phenomenon in the cultural aspect aiming to grasp the characteristics of fusion phenomenon, which has a steady impact on fashion trend. A reason for fusion to be noted as a cultural code is because diversely cultural interpretations are impossible from one viewpoint. Therefore, it is aimed to inquire into the characteristics of fusion culture, which is one phenomenon of newly mass culture, and to examine which cultural fusion phenomenon in modern fashion is being displayed in fashion design. First, the culturally fusion phenomenon, which was indicated in modern fashion, is displayed as repetition. The fusion, which integrates into fashion as a cultural code, is a trend of pursuing the experience with different culture. The needs of consumers are shown as fusion fashion that repeatedly uses the traditional detail and the modern detail through cultural repetition. Second, it is displayed as transformation. A concept of fusion is not the simple aggregate in [1+1=2], but the creation of new culture called [1+1=1]. In modern fashion, the cultures in the East and the West are harmoniously transformed, and through transformation, each culture is being compressively delivered. Third, it is displayed as interdependency. The fusion fashion which was newly re-interpreted while having reciprocal influence upon mutual culture, is re-interpreted by forming the equal relationship in heterogeneous elements without destroying fashion that was made previously.

• 한국식생활문화학회지
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• 제23권2호
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• pp.204-213
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• 2008

In this age of information ruled by new technologies and knowledge, the world is interconnected as a single community, and within this trend of globalization, new cultural codes are emerging through temporal fusion between the past and the present and spatial fusion between different regions and countries. In this situation, it seems meaningful to review Korean fusion foods and restaurants serving such foods, as well as to consider their future directions. Thus, the objective of the present study was to survey and analyze Korean fusion restaurants representing Korean culture not only in Korea, but also in foreign cities, and to identify the expression characteristics of such restaurants. Based on restaurants recommended in relevant magazines and on Internet sites, 18 spaces were selected, visited, and surveyed, in which tradition and modernism were well-mixed. Data on the shapes, materials, colors, and patterns of spatial elements and food-related elements, including photographs, were collected and analyzed. The results are as follows. Of the 18 restaurants, 13 (72%) showed temporal fusion in both spatial and food-related elements, 4 showed temporal fusion in spatial elements and cultural fusion in food-related elements, and 1 showed cultural fusion in both spatial and food-related elements. In general, the spaces were mainly designed with modern elements and partially with traditional elements (ceilings, windows, furniture, articles), and the fusion of food-related elements was made in diverse forms that included temporal fusion restructuring traditional menus contemporarily, and cultural fusion harmonizing traditional food with Western cookery.

• 디자인학연구
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• 제13권3호
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• pp.211-220
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• 2000

문화의 접속이란 특정한 문화가 영향력을 가지고 다른 문화로 이동하는 흐름을 나타내는 것인데 이것을 부정적으로 표현하면 문화의 '침투'이지만 긍정적으로 표현하면 문화의 '융합'혹은 '퓨전(Fusion)'이 된다. 과거에는 민족주의와 국수주의가 사상적으로 이를 불허해왔고, 또 교통과 통신의 불편은 여기에 장애물로 작용했으며, 대부분 토속종교에 영향받는 국가들이었으므로 문화의 융합이란 용이하지 않았다. 그러나 오늘날은 세계화로 인한 국가관의 붕괴, 지역성의 파괴, 무역장벽의 철폐, 통신의 자유, 정보의 네트워크와 실시간 등은 많은 면에서 상호 이질문화를 쉽게 공유할 수 있게 하였다. 바로 여기에 퓨전이 가능하게 되었다. 오늘날 현대소비사회에 있어서의 퓨전현상은 과거보다 더욱 빠르고 광범위하게 진행 되어간다. 그리고 소비의 기호가 세분화되고 다양한 개성을 찾아나가려는 시도가 강하게 나타나는 오늘의 상황에서 볼 때 앞으로 더욱 많은 문화인자들이 퓨전이라는 이름 하에 상호 충돌과 절충을 시도하면서 융합의 고삐를 늦추지 않을 것으로 본다. 본 연구는 현대의 이러한 새로운 대중문화 양식의 한 현상인 "퓨전(fusion)"에서 특히 사회과학적 문화현상을 중심으로 그 특성을 연구하고자 하였다. 그리고 디자인분야 중 문화현상을 가장 잘 표현하고 있는 실내디자인에서의 퓨전현상을 찾아 이를 학문적으로 규명하고, 최근의 주요 동향에 대한 고찰을 바탕으로 향후 퓨전디자인(Fusion Design)의 방향을 전망하도록하였다.

• 한국실내디자인학회논문집
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• 제29호
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• pp.3-10
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• 2001

In recent years when the importance of public communication is more emphasized, it has to be noticed that we are now living in the public-initiated age of rhetoric resulted from rapid development of broadcast media. Therefore, the purpose of this treatise is to examine the structural characteristics in the fusion design in order to anaylize the rhetorical expressions as symbols of communication. One of those is intertextuality that expresses metaphorically by bleding and borrowing codes and another is hypertextual space where various texts twines around each other making brand-new and diverse organizations, as the combined allegory with a number of hidden expression. The fusion design may be understood as the Intention to attract gaze to visual messages and as the rhetorical expressions based on compounding aesthetic codes by producing new cultural meanings. If fusion, a phenomenon which represents the 21st century, not a passing fad of cultural mixture, is ready to take the initiative, the design has to be groped for that creates a synergy effect.

• 한국패션뷰티학회지
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• 제5권2호
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• pp.12-22
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• 2007

Even though Up style field generally rise economic development and GNP, many demand got to cultural development and direct ratio. When you up style is main study of concrete study purpose which end of hair. Variation is upper spread, down spread, middle spread, symetric form, asymetric from etc. As a result is followed; 1. According to chignon's position, fusion style reproduced korea modem through various data and categorize style. 2. Modem korea fusion style reproduced theme up style(wedding, evening, causal, han-bok, fusion show). 3. The thesis compared and analyzed modem korea fusion up style and japanese fusion up style. (1) According to chignon's position and balance, up style compared and analyzed it. (2) Theme up style(wedding, evening, causal, han-bok, fusion show) compared and analyzed categorize. End of hair classified variation according to position and balance external image affected to it which bale on design component as a result, classified up-style reconstruct.

• 한국의상디자인학회지
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• 제15권3호
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• pp.109-118
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• 2013

Fashion icons of 21st century are not only the fashion leaders that show fashion trend but also the typical fashion signs or symbols that show visually changes in sensibility trends. The purpose of this study was to analyze the framework of 21st century fashion by the public to recognize through these changes. In this study, the background of the occurrence of various 21st century fashion icons and their characteristics were investigated and the changes of revealed features and symbolic meanings were examined compared with them of 20th century. The 24 celebrities which have been called as the bests of fashion icons since year 2000 were selected by searching the most popular search engines such as daum, yahoo and google, and 13 of them were picked as the highest in preference and awareness by surveying 50 students majoring in fashion. And then their fashion styles, backgrounds, and influence on the public fashion were studied. As a result, the 21st century fashion icons reflecting the cultural characteristics such as convergence and exaggeration and the sensitivities of fusion, collaboration, hybrid sensibility in art were powerful enough to create innovative styles destroying the era and the standard. Their styles have constantly created new looks. The exposed new individual sensitivities on media-fusion of two or more sensibility and coordination techniques without being tied to the existing anchorage system-were as influential as high fashion and leaded the imitation and reproduction by dazzling the public. As the media become more powerful, the influence of fashion icons interacted more closely with the public and has been evolved through the sensitivity of the reversal, cultural, economic, visual, or temporal fusions. To sum up, it is shown that the outstanding fashion styles suggested by the leading fashion designers have approach to the public more closely by the fashion icons.

• 대한가정학회지
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• 제46권4호
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• pp.61-69
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• 2008

The definition of convergence employed in this study is a sociocultural phenomenon where different patterns, genres or fields coexist along with the existence of a knowledge based society. The focus of this study was centered on identifying the characteristics of contemporary fashion paradigm in association with changing cultural convergence according to the theories of Mark Weiser and other futurologists. The purpose of this study was to delve into the features of this paradigm in conjunction with changing cultural convergence in 21st century's knowledge-based society, and the influence of convergence paradigm on fashion. After identifying the features of knowledge-based society paradigm in association with changing cultural convergence, the characteristics of the fashion paradigm in order to ascertain and analyze fashion trends. Conclusions based on analyzed data indicate that in a knowledge-based society, paradigm change resulting from convergence phenomena contributes to facilitating the dissolution of fashion from other fields and its fusion with other areas.

• 지적과 국토정보
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• 제51권1호
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• pp.111-124
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• 2021

최근, 2019년 4월 15일에 있었던 노트르담 대성당 화재로 문화재 복원 및 재현에 대해 2008년 숭례문 화재사건 이후 관심이 다시 한 번 집중되고 있다. 특히, 기존에 활용되던 LiDAR 및 광파기 측량 등을 활용한 문화재 실측을 다양한 3차원 재현 기술을 활용하여 복원 및 재현하려는 연구가 활발히 진행되고 있다. 본 연구는 운주사의 와형석조여래불을 대상으로 최근 4차 산업혁명 시대에서 핵심기술로 자리매김한 UAV(Unmanned Aerial Vehicle)의 무인항공영상와 기존에 사진측량에 활용되던 근접영상(CRP) 및 지상 LiDAR 스캐닝을 활용하여 데이터를 획득하고, 이들을 3가지 융합모델로 SfM기반의 3차원 재현을 실시, 모델의 재현도 및 정확도를 비교·분석하였다. 아울러, 3가지의 모델 중 가장 우수한 융합모델을 활용하여 11세기 초 고려시대의 불교 천문학적 고증이 녹아있는 와형석조여래불을 실세계 좌표기반으로 북극성과의 연관성을 확인한다. 본 연구를 통해 문화재의 단순한 외형적인 3차원 재현뿐 아니라 문화재에 담긴 역사적 고증을 확인함으로써 문화재의 종류 및 형태에 따라 고증까지 함께 재현하는 방안을 모색하였다.

• 한국융합학회논문지
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• 제8권12호
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• pp.445-450
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• 2017

최근 들어 대학에는 중국 유학생들이 증가하고 있으며, 유학생들의 문화적응 스트레스를 감소하여 대학생활 적응을 향상하고자 본 연구에서는 중국유학생들에게 차문화를 통해서 자신을 존중하고 사랑하는 참나를 만나는 참나다례의 직접적 체험과 참나다례 앱에 중국어를 첨가한 참나다례 앱의 융합 프로그램을 적용하였다. P시에 소재한 T대학교 중국 유학생 10명을 대상으로 하여 직접적 참나다례 체험 프로그램 주1회 4회기, 참나다례 앱 보기는 매일 2번 이상 보기로 30일간 진행하였다. 그 결과 프로그램 참여 전 중국 유학생들의 문화적응 스트레스 점수 평균은 98.5(SD 9.63)였고, 프로그램 참여 후 문화적응 스트레스 점수 평균은 93.9(SD 9.67)로 나타나 프로그램 참여 전과 참여 후의 문화적응 스트레스 점수 수준은 유의한 차이가 나는 것으로 확인되었다(Z=6.702***, P=.000). 따라서 본 프로그램은 중국 유학생들에게 문화적응 스트레스를 유의미하게 감소하여 대학생활 적응 향상에 효과적이라고 할 수 있다.

• 디지털융복합연구
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• 제16권4호
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• pp.335-342
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• 2018

현대사회에서 주얼리케이스의 역할은 단순히 내용물의 수납, 보관하는 역할만 수행하는 것에 있다고는 생각하지 않는다. 상황과 환경에 따라 내용물과 함께 특별한 퍼포먼스를 보여주기도 하는데 이런 결과를 얻기에 현재 통용되는 주얼리케이스는 조금 부족한 면이 있다. 이에 새로운 형식의 케이스 디자인을 생각하게 되었고 그 시작점을 현대사회의 주류를 이루는 문화콘텐츠 찾고자 했는데 그 기반이라 할 수 있는 문화원형을 활용, 주얼리케이스를 디자인하고자 했다. 특히 수많은 문화원형중 '이야기'를 주목하였고 그중 케이스와 이미지를 공유할 수 있으며 대중적인 인지도까지 있는 고전문학 '흥부전'을 채택, 디자인 프로세스를 진행한 후 도면과 3D렌더링 후 실제 동작이 가능한 샘플까지 제작하고자 했으며 이러한 문화콘텐츠 융합된 디자인연구는 창의적이면서도 대중적인 관심을 동시에 가질 수 있기에 향후 현대공예의 또 다른 발전방향이 될 수 있음을 확인할 수 있었다.