• 통상정보연구
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• 제11권1호
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• pp.465-484
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• 2009

Since the launch of the GATT system, one of the most controversial topics in trade liberalization has been the conflict between culture and trade. The sticking point has been the necessity of cultural exceptions in trade rules. Some countries do not wish to allow further exceptions to basic principles even in cultural industry, while many other countries make their efforts to obtain "cultural safety valve." The latter group asserts that it is indispensable for the protection of cultural identity, whereas the former seems to doubt the truth of the assertion. That is because cultural policy measure possibly constitute a means of arbitrary or unjustifiable discrimination between countries, or a disguised barriers to trade in cultural products. Unfortunately, cultural exceptions still remain unresolved in the WTO, the successor to the GATT. This paper is to review the history and rules of multilateral trading system on cultural industry, address the critical issues to deal with in the DDA negotiations, and lastly provide some perspectives on the appropriate shape of the cultural safety valve.

• 한국문헌정보학회지
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• 제44권4호
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• pp.277-301
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• 2010

1956년에 영국의회가 도서관(이용자 또는 서비스)을 위한 저작자의 권리를 제한하는 방향으로 저작권법을 개정한 이래로 최근 몇 십년간 도서관과 관련된 권리제한은 각국의 저작권법에서 중요한 부분으로 인식되어 왔다. 그 이유는 도서관을 위한 저작권의 제한이 지적 문화유산을 보존하고, 지식정보에 대한 공정한 접근을 촉진하며, 학습 및 연구를 지원하는데 중요한 법적 수단이기 때문이다. 이에 본 연구는 주요 6개국(미국, 영국, 독일, 프랑스, 일본, 한국)을 대상으로 현행 저작권법의 구조 및 도서관관련 권리제한을 비교 분석하였다.

• 영미문화
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• 제18권2호
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• pp.79-104
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• 2018

Chung Ji Yong is a well-known poet in the Japanese Occupation Period firstly as a lyrical and traditional poet as a member of the literary journal Simunhak(Poetry Literature) along with Park Yong Chul and Kim Young Rang and later as a prominent modernist poet in the late years of the Period. He is always highly estimated as a poet of pictorial images and lyricism, but his ardor for translations, especially Walt Whitman has been neglected so far. Before him, Ju Yohan, Yi Kwang Soo, Yi Un Sang, Kim Hyung Won and many other poets and critics had been interested in Whitman's democratic ideas and his poems. Chung Ji Young also translated Whitman's three poems in the hard days of 1930s. After the Imperial Japan surrendered to the Allied forces on 15 August 1945, ending 35 years of Japanese occupation, Korea was under the American forces and Russian troops. In this critical days of Korean's debating only one korea or separated Koreas, strangely enough, Chung ji Yong fully immersed in translating Whitman's poems only for four years as an English literature professor just before being abducted by North Korean Army, while almost discarding his own poetic ability and sense of duty as a leading poet in the literary circle with only just a few exceptions. Why did Chung Ji Yong focused on the translation of Whitman's poems in this important period as a poet and intellectual in the newly independent country? He may want to warn people too much ideological conflicts or at least express his frustration through translating Whitman's poems. Until now, academic endeavors on Chung Ji Yong's poems and life are focused on his lyrical and modernistic works of the Japanese Occupation Period and naturally little interested in the days of Independence period and his true motivations on translating Whitman's poems. As a proposal, this short article can be a minor trigger for the sincere efforts of Chung Ji Yong's last days.

• 정보관리연구
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• 제42권2호
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• pp.1-21
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• 2011

저작권법은 저작권 소유자의 권리와 이용자의 권리 간에 균형을 유지함으로써 지식정보에 대한 접근을 촉진하는 최선의 법적 도구이다. 이러한 측면에서 도서관을 위한 저작권의 제한 및 예외는 학습과 연구를 지원하고 정보의 흐름을 촉진하며, 대중에게 공정한 정보접근을 제공하고 지적 문화유산을 보존하는 데 중요하다. 이에 본 연구는 국내 저작권법의 도서관관련 권리제한조항을 축조분석하여 도서관 보관자료의 보존 및 제공용 복제, 도서관에서 인터넷 정보의 출력과 송신, 재생수단의 입수가 곤란한 자료 및 정부간행물의 보존용 복제와 제공, 장애인을 위한 도서관의 복제와 공중송신에 대한 개선방안을 제시하고 공정이용을 위한 일반규정의 도입방안을 제안하였다.

• 한국건설관리학회논문집
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• 제14권2호
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• pp.184-193
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• 2013

국내 건설산업은 경직된 산업 구조와 건설 생산 활동에 대한 비효율적인 제도적 규제 등으로 인해 성장세가 저하되고 경쟁력이 뒤떨어지는 등의 문제점이 지적되고 있다. 현행 분할 분리발주 제도의 경우 국가 계약법에서는 분할발주는 원칙적으로 금지하고 있으나, 그 예외 조항으로 두고 있어 전기, 정보통신, 기계설비, 건축폐기물 공종의 경우 분할발주가 의무화 가능하고, 소방시설공사의 경우 의무화 추진을 위한 노력으로 소방시설공사업법 일부개정법률안을 발의하는 등 지속적으로 의무화 추진중이다. 기계설비공사업은 분할발주 관련 법률은 없으나 국가계약법 제68조 제3호를 근거하여 일부 시 도 교육청에서는 기계설비공사의 분리발주 확대 추진하고 있는 실정이며, 공종별 별도 법안을 추진하고 있는 공종도 있는 것으로 파악되고 있다. 이에 본 연구에서는 분리분할 발주에 대한 제도 분석 및 분리발주에 대한 전문가의견 청취 및 유관기관별 의견을 정리하여 건설산업 제도 선진화 방안을 제시하고자 한다. 이에 본 연구에서는 발주자의 효율적인 발주방식의 선택권 확보차원에서 발주자의 역량 및 프로젝트의 특성 등에 따라 분할 발주 여부를 유연하게 결정할 수 있도록 분리분할발주 제도의 개선안을 제시하여 건설사업차원에서의 효율적이고 생산적인 건설생산이 가능한 유연한 건설사업 수행 체계를 형성할 수 있는 기반을, 그리고 건설 산업차원에서는 국내 건설산업의 균형 발전과 함께 국제 경쟁력 향상을 고려한 구조를 제공할 수 있는 방안을 제시하고자 한다.

• 가족자원경영과 정책
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• 제13권3호
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• pp.103-122
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• 2009

The purpose of this study is to investigate what owners think of their housing and their community by scrutinizing households, thereby leading to a conclusion of how these communities have developed and the advantages they provide to their owners. This study was conducted by thoroughly interviewing one member from each of a total of 10 households living in apartments and villas in the Gangnamgu area of Seoul between August 5, 2008, and September 25, 2008. The results can be summarized as follows: First, all interviewees were female, within the range of 40 years to 50 years of age, and with high educational backgrounds. They were living in mid-level income or higher households but were characterized by frugal attitudes. Second, their households held a personal and familial meaning to them, one of providing replenishment, rest, and a place to share diverse feelings with their family. Certain factors such as being a convenient place for education, rising housing prices, a large area of greenery made possible by Yangjae Cheon, and so forth contributed to giving a special significance to their housings. The interviewees all thought the convenience of education and the rising housing prices in the Gangnam area were the most important factors. Third, the interviewees indicated the following sociocultural perspectives of Gangnam housings: They provide a good environment for education due to the densely clustered academies in the Daechi-dong area. There are many opportunities to meet neighbors with similar educational and economic backgrounds. There are vast areas of greenery such as Yangjae Cheon. There is access to highly advanced cultural and shopping facilities such as COEX, Seoul Arts Center, etc. There are no amusement centers located near the housing districts. There are convenient transportation methods and facilities. They are subject to jealous looks from people living outside the Gangnam area. Lastly, it seems that no significant community spirit exists among the dwellers of each apartment or villa. However, matters of self-interest such as construction problems, which contribute greatly to creating personal wealth, were exceptions when the dwellers united as a single household.

• 비교문화연구
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• 제23권
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• pp.33-55
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• 2011

In the late Japanese colonial period, from the Sino-Japanese War until the Pacific War, critical discourses on the modern were prevalent in Japan and the Joseon. Despite the absence of a consensus about the specific definition of the modern, most thinkers agreed that the modern was something to be overcome. While some regarded naturalism and capitalism of the West as the essence of the modern, some others named scientism and humanism as the nature of the western modernity. Additionally, some criticized the temporal concept of historicism and brought new meanings of 'tradition' into relief, and some others advocated overcoming 'the West inherent in us'. This study is to consider the temporality of the theory of overcoming the modern focusing on the following three notions-world history, tradition, and emergency-, and examines the antinomy of them. The first notion to consider is 'world history'. The theorists of overcoming the modern, including the Kyoto school, discarded the progressive ideology that had led the Western modern history, and instead introduced 'world history' as a new notion. Although this resulted from the imperialistic embracement of the theories of Ranke, a major positivist historian from Germany, it contained antinomy of remaining in 'history' which was the modern temporal view. The second notion is 'tradition'. While the critical mind of 'world history' brought 'time of world' into question in the context of temporal realization, the notion of 'tradition' was to understand 'time of history' itself as the modern and overcome it. The critical mind of the notion involves the attempts to criticize regarding history as a 'progressive' process and to discover tradition as 'the present past' or 'the eternal present'. However, it also contained antinomy; the 'tradition' here was a notion that was created in the modern times, not passed down from ancient times. The third notion to consider is 'emergency', which was a method to define the present time as a transition period toward a new era, relating to states of war. However, the theorists of overcoming the modern did not regard 'emergency' as a particular time that strayed from normal states, instead they thought is as 'a regularized exceptional state', namely 'a state in which exceptions have become regulations'. However, the notion also contained antinomy since the word 'emergency' connotes abnormality.

• 헤리티지:역사와 과학
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• 제52권1호
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• pp.120-147
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• 2019

연구는 현전하고 있는 선조대 공신 초상화를 임란 이전과 이후로 나누어 초상화에 표현된 복식 양상을 초상화와 관련 유물, 문헌자료를 토대로 살펴본 것이다. 공신초상은 공신 책록 당시에 그려진 공신화상도 있었으나 후대에 그리거나 이모된 것도 있었을 것으로 판단되지만 해당 시기의 모습을 어느 정도 보이고 있다고 판단되는 경우에는 연구 대상에 포함시켰다. 공신초상은 사모와 단령, 품대, 흑화로 구성되는 의례용 단령인 흑단령 차림으로 묘사되어 있었다. 흑단령 관복을 분석하기 위해 사모의 높이와 모정의 형태, 양각(兩角 사모뿔)의 형태와 문양, 단령의 문양과 무의 양식, 단령의 옆선 처리방식과 흉배 품대, 단령의 받침옷인 답호(??)와 철릭[帖裏]의 색상, 흑화 등을 살펴보았다. 임란 이전 광국 평난공신 초상화는 한응인(韓應寅) 초상화(1점)가 분석 대상이었는데 사모는 조선시대 사모 중 가장 높은 높이였으며 사모뿔에서는 당상관 이상만 사용할 수 있는 운보문(雲寶紋)을 확인할 수 있었다. 흑단령은 '밖주름무'가 달린 만자운문(卍字雲紋)의 아청색 단령에 운안흉배(2품)가 달렸다. 허리에는 학정대(종2품)를 띠고 있었는데 학정대는 "국조인물고(國朝人物考)"에 기록되어 있는 자헌대부(정2품) 품계와 일치하지 않았다. 당상관용 홍색 답호와 녹색 철릭의 단령 받침옷, 그리고 흑화 등을 확인하였다. 임란 이후 호성 선무 청난공신 초상화는 이항복(李恒福) 초상화를 포함하여 18점을 분석하였다. 사모의 높이는 이전 시기보다 낮아졌고 운보문의 사모뿔은 상대적으로 넓어 보이는 형태였다. 흑단령은 '뒤뻗침무'가 달린 만자운문의 아청색 단령이었으며 흉배와 품대는 공신 책봉 당시의 품계와 거의 일치하였으나 2점(신잡 김새신)의 예외가 있었다. 따라서 공신초상은 책봉 당시의 품계로 그리는 것임을 재확인하였다. 흑단령의 받침옷 중 녹색 답호(11점), 남색 답호(4점), 다홍색 답호(3점)가 확인되었으며 철릭은 남색(10점), 녹색(6점), 홍색(1점), 유청색(1점)으로 확인되었다. 그러나 삼공신의 흑단령 받침옷으로는 임란 전과 동일한 당상관용 홍색 답호와 녹색 철릭으로 표현되는 것이 옳다는 견해를 제시하였다.

• 복식
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• 제5권
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• pp.41-63
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• 1981

The mural portraits of the ancient Dukheungri tombs are very important for the study of our traditional costume because the tomb contains a stone. with the in-scription of the date of its erection, 408 A.D. and the name, and official status of the buried. The costumes shown in the mural paintings will be the basis on which historical research can be made concerning costumes before and after 400 A. D. The costume in the mural paintings is classified into five different categories; You (jacket), Po (overcoat), Go (trousers), Sang (skirt), and Gwan (hat). Comparing these categories with those of other mural paintings lead us to the following conclusions. 1. The length of the You (jacket) reaches below the buttocks and the sleeves are narrow. The edges of the sleeves are decorated with stripes. The You (jacket) over-laps on the right, center, and left sides, and there are many Jikryong (V-collar) and Danryong (rounded collar) styles, but it has a similar tendency to others of the Pyongyang area which exhibit many foreign influences. In a departure from tradition. the belts on the men's You (jackets) have only 3 knots in the front, with the back having more knots than the front. The belts of the women's You (jacket) seem to have had a band or button for fastening. We must re-evaluate the assumption that the You (jacket) and Go (trousers) of the northern peoples had the common characters of a belted You (jacket) and Po (over-coat) and that the Gorum originated from the Goryo or Unified Silla dynasty. The outside of the sleeves are longer and more to the side than the inner garment (underwear) so that the sleeves of the inner garment frequently overlapped the outer dress. The above mentioned facts have lead to the discovery of the "Hansam," "Tosi" and "Geodoolgi." 2. The Po (overcoat) was used only by the upperclasses and differs from those found in other mural tombs. The Po (overcoat) of the noble on the tomb mural is centered with an overlapping Jikryong (V-collar) while the other Po (overcoats) of the upperclasses are characterized by an overlap on the left, a Danryong (rounded collar) with two types of sleeves (wide and narrow). Foreign influences and traditional influences coexist in Po (overcoat). Belts have frontal knots without exceptions. The facts that the belts on the You (jackets) are on the front and the belts on the Po (overcoats) are on the back must be reexamined. 3. Go (trousers) is usually narrow, being wider in the rear and narrower below the knees. They were used by hunters on the back of horses with similar Go (trousers) from the Noinwoowha tombs being typical of the northern peoples. 4. Sang (skirts) are pleated as commonly seen in the Goguryo murals. The size of the pleat is varied, each pleat being characteristically wider and having different colors. Same types of pleat are discovered in Central Asia and China. It is uncertain whether the pleat of Goguryo was originated in Central Asia and China or only interrelated with those of the areas. 5. There are three kinds of Gwan (hats); Nagwan, Chuck, and Heukgun. Nag-wan was worn by the dead lords and their close relations. Chuck has three cone shaped horns. Heukgun was worn by military bandmen and horsemen. There are two kinds of hair styles. The up-style was used by the upperclass people closely related to lords, and other people used the Pungimoung hair style. The hair styles of the men and women are characterized by the Pungimoung style. which is a Chinese influence, but still retain their originality. The costume has a similar tendency from those from Yaksuri mural tombs, Anak No. 2 and Anak No. 3. We need to reexamine the costumes from $4{\sim}5$ century murals according to the Dukheungri murals. The costumes of Goguryo share many common factors with those of Western Asia, Central Asia and Ancient China (Han). It seems due to the cultural exchanges among the Northern peoples, the Western and Central Asians, and the Ancient Chinese. It may have resulted from the structural identity or morphological identity of the peoples, or their common social and natural environments and life styles. It will be very valuable to study the costumes of Japan, China, and Korea to find out the common factors. It is only regretful that the study is not based on direct observations but reported information made by 77 persons, because Dukheungri is an off-limits area to us.