• 건축역사연구
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• 제20권6호
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• pp.57-76
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• 2011

This study is on the pedagogical convention of architectural history in Korea, especially that of Western Architecture. Recent institutional change in architectural school in Korea has caused overall restructuring of academic program. In spite of extension in the field of history there was no progress of method and way of thinking. There is no change in the point of view to see the western architecture and its history as a unique and specialized phenomenon in the civilization of mankind. Because of no recognition about for what, for whom, and how to, and because of orientalism, the cultural position of western architectural history and its narrative was not asked. With the help of post-colonialism, de-constructivism and critical historiography this paper tries to show the fundamental premise of western architectural history as a myth and show its prejudice as not being justifiable. The background of the discourse there has been a representation effect with regard to knowledge as a power. we need to escape from this kind of cognitional frame With the analysis of the its premise and narrative we can find it is a historical construct that was made in the age of imperialism. In fact it has a lot of false information and problematic point of view. The Identity and originality of western architecture and its history has no logical reason or foundation if we think that it depends on the difference and comparison with other civilization. For example the explanation of its historical origin western architecture has big difference with Islamic architecture in spite of the resemblance each other. This paper try to show several reasons that discourse of western architectural history can not be survived any longer. So we need to reconstruct new pedagogy with deconstruction for the students of non western, or Korean students. Because it has important effect to see and think about architecture and its history.

• 비교문화연구
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• 제19권
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• pp.389-409
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• 2010

Chinese is a topic-prominent language, so when we learn Chinese we should know the discourse function of the Chinese language. Most of the Korean student think Chinese sentences should appear in the order of S-V-O and they always make mistakes when they use Chinese. I think Korean is very similar with Chinese in the discourse function. Hence, in this paper, I try to find a method of teaching Chinese topic sentence. It does so by comparing Chinese with Korean in the light of discourse function. I think when Korean student know how to use Korean topic sentence to explain the discourse functions of the Chinese language, they will not make similar mistakes. With this understanding in mind, chapter 2 tries to show various topic sentences to prove that 'topic' is very important in Chinese sentences. This is why we say Chinese is a topic-prominent language. In chapter 3, I analysis the sentences that students made, and highlight the reasons why they made mistake. The result lies in the reason whereby they always think Chinese should appear in the order of S-V-O. They do not understand why some sentences appear in the order of O-(S)V or S-O-V. It show that they do not know what is topic sentence and do not know how to make topic sentences. Sometime I have them translate them into Korean, but they also make Korean sentences like in the order of Chinese S-V-O. Therefore, I think, under this circumstance, to let them to translate and to speak in Korean in topic sentence, get some feelings about Chinese topic sentences, and tell and make Chinese topic sentences are naturally critical in their training.

• 한국사회복지학
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• 제63권3호
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• pp.239-260
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• 2011

본 연구의 목적은 비판적 사회복지 이론을 이론적 도구로 하여 문화적 역량 개념에 대한 비판담론을 분석하는 것이다. 부연하자면 다문화사회의 사회복지사라면 당연히 갖추어야 할 것으로 간주되어 왔던 다문화 역량 개념에 대한 비판담론들이 주장하는 내용을 명확히 하고 그 타당성을 체계적으로 평가한다. 본 연구에서는 다문화역량에 대한 비판담론들이 급진적 비판 사회복지이론, 특히 푸코와 데리다에 의해 크게 영향을 받은 포스트모던 계열의 비판사회복지이론에 지적 기초를 두고 있음을 밝힌다. 비판담론들은 인식론적 측면에서 문화적 역량의 지식적 토대의 근거와 정당성을 문제시하는 동시에, 윤리적 측면에서는 문화적 사회복지실천이 가진 억압과 통제를 지적한다. 그 결과 문화적 역량이 별도의 실체로서 간주될 수 있는 것으로 보기 보다는 일반사회복지의 한 가지 태도로 간주하려 한다. 그러나 문화적 역량에 대한 비판담론들이 포스트모더니즘에 근거하고 있는 이상 이들이 가진 사회철학적 한계 역시 분명하다. 이들 담론들은 사실과 규범에 대한 인식적 구별을 하지 않으며, 전문직 관계의 억압을 과도하게 철폐하는 과정에서 도덕적 상대주의나 급진적 자유주의로 흐를 수 있고, 클라이언트와 사회복지사와의 권력적 제휴나 연합의 가능성을 원천적으로 차단하는 등의 실천적 한계를 노정하고 있다.

• Architectural research
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• 제19권4호
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• pp.125-134
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• 2017

Rather than the simple adaption of Western design principles to the Korean context, this paper explicates how a unique critical urban design methodology evolved in Korea in the 1960s. Even as the era was a time of major transition and development, most research has offered limited discourse on the topic, imposing a straightforward reading where Japanese colonial influence is supplanted by Western logics. Through the example of the brief but intense activities of the Housing, Urban and Regional Planning Institute (HURPI), this paper offers a more detailed understanding that focuses on the 'how' rather than the 'what' of HURPI's significance. Through first-hand interviews with HURPI director Oswald Nagler and senior member Sung Chull Hong, the research of the institute is revealed as promoting dialectical 'critical design' methodologies that resulted in a sophisticated synthesis of diverse influences from Western, Korean, and Japanese sources. Moreover, the modes of critical design methods are further analyzed in a recently discovered brochure on HURPI's defining research and pilot projects published by the Ministry of Construction.

• 한국어학
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• 제72권
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• pp.199-225
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• 2016

This study has two main purposes: to establish a list of source domains in the metaphors for Middle East respiratory syndrome (MERS) and to uncover ideological meanings embedded in them in Korean news reports from KBS and JTBC. The first part of this study presents metaphors such as [MERS IS WAR], [MERS IS WAVE], [MERS IS A LIVING THING], and [MERS IS A THING], which were found in the data. The latter part of this study deals with how the two broadcasting companies use these metaphors differently according to their ideologies. In the metaphor of [MERS IS WAR], KBS tends to show less of the agents who controls the war since the war against MERS has failed which casts responsibility to the controlling agents, the government and big hospitals. In this, KBS tries to present less of the information of the responsible agents that presented in JTBC. Through the metaphor of [MERS IS WAVE], KBS presents the aftermath of MERS as something not serious. Compared to JTBC, KBS tends to suggest that the aftermath of MERS is predominantly an economic effects by metaphorically suggesting that predominantly the economic sector got hit by MERS.

• 비교문화연구
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• 제52권
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• pp.165-194
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• 2018

본 연구는 환구시보 4월 7일 "용타항미원조적의지타대미무역전(用打抗美援朝的意志打對美貿易戰)" 사설에 대하여 비판적 담화분석의 접근법을 활용하여 텍스트 기술, 상호텍스트성, 사회문화적 수행 설명으로 구분하여 분석하였다. 본 사설은 '전쟁(戰爭)'과 관련된 어휘와 프레임을 집중적으로 사용하고 있다. 첫째, "무역전(貿易戰)"과 "항미원조(抗美援朝)"는 은유와 전쟁프레임을 보여주는 예이다. 둘째, "전략(戰略)"은 미국과 중국에 각각 부정적, 긍정적으로 사용되고 있다. 셋째, 다양한 전쟁 용어가 사용되었다. 넷째, '인유법(引喩法)'을 살펴보면, 전쟁관련 표현이 보인다. 본 사설의 상호텍스트성에서 두 가지 결과를 얻을 수 있었다. 첫째, 환구시보가 '대등한 보복'을 줄곧 사용하고 있다. 이유는 자신의 반격을 정당화하고, 그런 중국이 하는 전쟁은 '자위적 차원의 반격전(自衛反擊戰)'이 되도록 포장해주기 위함이다. 둘째, '싸우기는 싫은데, 싸움이 두렵지는 않다'라는 표현이 여러 사설에서 반복되었다. 그 이유는 다음과 같다. (1) 인민의 결집을 호소. (2) 공포심을 일으켜, 그들이 결집해야만 하는 이유를 암암리에 부여. (3) "두렵지 않다"를 통해 중국은 체면을 차리고, 미국에게는 "싸우기 싫다"는 '싸인'을 보내기 위함이다. 맥락상 같은 논지가 약 3개월(2018.03.23.-06.17)의 시간차를 두고 9개 사설에서 비슷한 표현으로 보이는 것은 상호텍스트성의 예라 할 것이다. 본 사설의 사회문화적 수행은 중국 정부의 패권 이데올로기를 전파함에 있다. 첫째, 핵심 국책사업 '중국제조(中國製造)2025'는 절대 포기할 수 없음을 분명히 밝힌 것이다. 둘째, 사설은 "항미원조(抗美援朝)"를 소명하여 미국을 비난 협박하고, 민심의 이반을 다독이며 결집을 호소, 시진핑 정부에 힘을 실어 주고자 하는 의도이다. 셋째, 중국은 미국과의 협상의 여지를 열어두고자 하고 있다.

• 수완나부미
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• 제14권2호
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• pp.89-116
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• 2022

During the Covid-19 pandemic's first term of April-June 2020, the general public throughout Indonesia became familiar with the slang term "local lockdown." This term emerged in response to disorderly implementation of the half-hearted government policy called Pembatasan Sosial Berskala Besar (PSBB). In villages around the country, people started to build portals to restrict "strangers" or "outsiders" from entering their village areas. These portals were also meant to publicly signal the villagers' fear of the spread of the virus. This paper will discuss two things: first, how fear was produced, using frameworks drawn from Giorgio Agamben's notable works State of Exception and Homo Sacer, and how governance reproduces it; and second, how people come to accept the state of emergency and then publicly express their acceptance of the situation. Critical discourse analysis is applied to read government policy and its reception. The research took place at Rempoah, Kedungmalang, and Pabuwaran villages in Banyumas, the southern regency of Central Java, Indonesia. The villagers' responses to the government's policy are visually represented through written warning signs.

• 한국도서관정보학회지
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• 제46권1호
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• pp.135-154
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• 2015

이 연구의 목적은 현재 북미를 중심으로 확산되고 있는 iSchool movement의 추이를 살펴보고 이러한 움직임이 문헌정보학 교육의 미래에 어떠한 도전과 기회를 제공하는지 가늠해 보는 것이다. 북미의 주요 iSchool들이 생산한 공식 문건들을 분석하고 그 결과를 바탕으로 이러한 움직임이 과연 정보에 대한 연구에 있어서 다학문적 접근과 미래지향성이라는 목적을 충실히 내화하고 있는지 논의하고자 하였다. 이를 위하여 iSchool과 관련된 논의의 역사적 맥락을 짚어내고 이러한 변화가 각 학과(school)의 전략적 계획과 사명 등 공식 문건에 어떻게 반영되어 있는지, 그리고 실제학과의 교육 프로그램에서 이러한 변화가 얼마나 현실화되고 확산되어 있는지 분석하였다. 구체적으로는, 각 iSchool의 사명, 교육목적과 목표, 그리고 전략적 계획 등에 대한 비판적 담론 분석을 통하여 iSchool movement의 현단계와 향후의 발전 방향을 진단하였다. 이를 통하여 미국에 있어서의 이러한 변화가 우리 문헌정보학계에 암시하는 바는 무엇인지 가늠해 보고자 하였다.

• International Journal of Computer Science & Network Security
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• 제22권8호
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• pp.87-96
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• 2022

This paper employs a computer-aided text analysis (CATA) and a Critical Discourse Analysis (CDA) to explore the strategies of recruitment and intellectual polarization in ISIS (Islamic State in Iraq and Syria) media. The paper's main objective is to shed light on the efficacy of employing computer software in the linguistic analysis of texts, and the extent to which CATA software contribute to deciphering hidden meanings of texts as well as to arrive at concise and authentic results from these texts. More specifically, this paper attempts to demonstrate the contribution of CATA software represented in the two variables of Frequency Distribution Analysis (FDA) and Content Analysis (CA) in decoding the strategies of recruitment and intellectual polarization in one of ISIS 's digital publication: Rumiyah (a digital magazine published by ISIS). The analytical focus is on three strategies of recruitment and intellectual polarization: (i) lexicalization, (ii) intertextual religionisation, and (iii) justification. Two main findings are revealed in this study. First, the application of CATA software into the linguistic investigation of texts contributes effectively to the understanding of the thematic and ideological messages pertaining to the analyzed text. Second, the computational analysis guarantees concise, credible, authentic and ample results than is the case if the analysis is conducted without the work of computer software. The paper, therefore, recommends the integration of CATA software into the linguistic analysis of the various types of texts.

• 패션비즈니스
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• 제26권6호
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• pp.94-104
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• 2022

The purpose of this study is to analyze the art world's perspective on popular art and the contact point with pure art and to present the requirements of fashion as a popular art. To analyze the artistic value of fashion, this study analyzed and presented the requirements of art by linking the innate characteristics of fashion premised on mass consumption of popular art. The research method consisted of content analysis focusing on books and papers on art and fashion. A critical perspective on expansion of the artistic field amid the blurred boundaries of art is the basis of a critical comparison between popular art and avant-garde art and a critique of popular art as opposed to value-oriented art. Conversely, as a point of contact with popular art with fine art, art is discussed against the ideological strategy of fine art and the shift in hegemony brought about by erosion of the barrier between art and everyday life. In addition, the non-essentialist perspective contradicts the division theory of popular art. The requirements of fashion as a popular art were analyzed based on the value of self-expression through the aesthetic pursuit of creativity and aesthetic expression, discourse as art, and expansion of modern art from the inessentialist perspective of popular art.