• Journal of Contemporary Eastern Asia
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• 제15권1호
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• pp.78-97
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• 2016

Living labs are an increasingly popular methodology to enhance innovation. Living labs aim to span boundaries between different organizations, among others Triple helix actors, by acting as a network organization typically in a real-life environment to foster co-creation by user-groups. This paper presents critical factors of Living labs in boundary-spanning between Triple Helix actors. Derived from a mixed-method approach and applications in the healthcare sector, the three main critical factors turn out to be 1) an adequate user-group selection and involvement, specifically a rich interaction and absorption of its results, 2) a balanced involvement of all relevant actors, and 3) a sufficient (early) attention for values, both values of user-groups and values of the management. People-oriented Living labs tend to differ from institution-oriented Living labs regarding these critical factors. Further, universities tend to take on diverse roles and strength of involvement, while the business sector tends to be actively involved only if this has been set as an explicit aim at start. The paper closes with a summary and future research paths.

• 한국디지털건축인테리어학회논문집
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• 제4권1호
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• pp.10-16
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• 2004

Territory is determined by physical elements that provide the occupants an obvious boundary in a space. The creation of boundary is a interpersonal process by which a person or group regulates interactions with others. The perception of territory needs boundary regulations that mean the composition of horizontal and vertical elements in architectural space. The perception of territory can be defined as perceptual reaction considering not only visual perception on the physical elements in the architectural space and also various kinds of social activity in architectural environment. To achiever territory in architectural space, visible and invisible boundary regulation should be need. It means that territorial boundary regulation needs visual and audial boundary regulation as well as spatial boundary regulation.

• 국제학술발표논문집
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• The 6th International Conference on Construction Engineering and Project Management
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• pp.588-592
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• 2015

Many studies have affirmed a negative influence of fragmentation on learning and knowledge sharing in construction projects. However, the literature overlooked enablers of learning within this context. The purpose of this paper is to explore the factors that facilitate project learning and ways to negate any unbecoming effects of fragmentation. Qualitative study used to explore the enablers through interviews administered to 11 top management individuals working in different construction projects in Malaysia. The findings revealed the following factors: participation, relationships, togetherness, and roles of project leader and coordinator. The role of boundary objects was also highlighted including information technology (IT), contract and procedures, drawings, specifications, and reports. The outcome of this paper initiates the development of a model for better knowledge creation and sharing in construction projects. The significance of this model stems from its ability to connection both the characteristics of construction project and project learning theories using the enablers. It is envisaged that future work will be to confirm the model in a quantitative study.

• 지적과 국토정보
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• 제44권1호
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• pp.17-35
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• 2014

'토지의 경계에 관한 소송'에 관하여 우리나라 법에는 규정이 없다. 따라서 그 성질, 소송요건, 판단기준 등에 있어서 학설상 논란이 되고 있으며, 향후 이에 관한 법률규정 마련이 필요하다. 이를 위해서는 이에 관한 규정이 완비된 다른 나라의 법률을 비교법적으로 고찰할 필요성이 있다. 본 고에서는 그 첫 번째 작업으로서 로마법 및 중세법 등의 경계확정소송의 연혁을 살펴보고, 나아가 경계확정소송에 대한 법률규정이 비교적 완비된 독일법을 소개한다. 독일법에서는 통상의 소유권 소송과는 별도로, 경계의 입증곤란 혹은 불능을 전제로 하여, 인접 토지의 소유권 분쟁이라고 하는 특수한 장소를 고려한 소송절차로서 경계소송을 규정하고 있다. 이 소송은 1차적으로 진정한 경계를 밝히는 것을 목적으로 하고, 이것이 불가능한 경우에 독일민법(BGB) 제920조의 법정 기준에 따라서 경계를 재량으로 창설한다. 이는 '본래 있는 경계의 발견'만이 아니고, 판결에 의하여 토지소유권의 범위의 창설이 인정되는 것이다. 양자는 법원의 판단작용에서 서로 다른 것이지만, 이 양자를 하나로 포섭한 것이 독일의 경계확정소송이다. 우리 법제에서도 이러한 생각을 참고로 하여 서로 다른 2가지 판단작용을 하나의 소송유형 속에 포함시키는 이론 구성이 필요하다.

• 한국안전학회지
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• 제13권4호
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• pp.3-8
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• 1998

The vortex particle method, which includes viscous effects, consists of diffusion of boundary vorticity and creation of the vortex particles, convection, particle strength exchange, and particle redistribution. Accuracy of the boundary element method is very important since it creates the particles around the body at every time step. A boundary element method based on source panel was investigated as part of computation of unsteady separated flows by rising the vortex particle method. The potential flows were computed around a circular cylinder and a square cylinder. The results around the circular cylinder were compared with the exact solution, and the distribution of vorticity, in particular near the sharp comers of the square cylinder, is scrutinized for different number of panels.

• 복식
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• 제61권7호
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• pp.80-100
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• 2011

The purpose of this research is to classify that fashion and art in the twentieth century broadened the creative field by individually applying each other's ideas or through collaboration. This paper analyses the work of individual artists and fashion designers who created work on the boundaries of fashion and art. These samples are selected to extract features related to specific periods as it is proposed that contemporary creation has been developed from a combination of fashion and art, sharing their distinct concerns. Accordingly, this research will focus on the collaboration between fashion and art in the twentieth century from the aspect of 'fashion into art'/'art into fashion' in order to analyse the historical flow, and thereby examine the relationship between fashion and art. The cross-fertilization between fashion and art was initiated as an imitation of form in the early twentieth century, and led to a 'new cross-disciplinary form' which exists on the boundary of fashion and art. This paper considers the relationship between fashion and art from the perspective of sharing intrinsic concepts and the creation of a new creative sphere. It analyses the characteristics of the works of fashion designers and artists whose works lie on the boundary between fashion and art.

• 한국실내디자인학회논문집
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• 제27권2호
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• pp.45-54
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• 2018

Immersive space is a new type of space, which is converged with other domains and expressed in various ways and here, a mutual exchange between space and participants is realized with active intervention of participants. The purpose of this study is to examine boundary changes and characteristics in virtual space and reality or inside and outside, focusing on immersive space. For this study, a case analysis was conducted, based on the key words regarding flow experience and boundary characteristics in immersive space. The boundary characteristics extracted are as follow. First, while immersive space is overlapped in many different ways, the boundary in space gradually changes and one unique and convergent space is formed. Also, a combination of overlap is made with internal and external physical force and a convergent boundary is created. Second, forms are mixed in diverse ways and an unrealistic boundary space is revealed. For new experience, it has familiar, but new experiential characteristics and also shows an expanded boundary by the medium of different domains. Third, a simultaneous space, based on variability of time and space, has an ambiguous boundary due to a meaningless physical boundary of space and changing into a space region constantly, it becomes an unlimited variable space. Fourth, a linear expansion-based emergent space has nonlinearity, which creates a meaningless boundary, recognized as an irregular, dynamic and transformative space and expands to a creative space. In conclusion, it is anticipated that based on diverse characteristics found in immersive space, this study would give unlimited inspiration to many design fields and art creation activities and contribute to a further development through continued research on immersive space.

• 한국실내디자인학회논문집
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• 제19권2호
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• pp.81-89
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• 2010

The problem of defining the relationship between interior space and exterior envelope of a building has long been a challenging task in the field of architecture throughout its history. This research chronologically reviews some of the important turning points in various schools of thoughts concerning construction of exterior envelope, with focus on how they influenced and altered the formation of our interior environment. This research also stipulates on how technological advance in the late 20th century laid grounds for a new type of interior-exterior relations in architecture through creation of flexible and ambiguous boundary conditions. The focus of this qualitative research will be on contemporary works of Japanese architects Toyo Ito, SANAA, and related group of architects who address the issues of transparency, flexible interior layout, buffer zones, structural facade, and neutralized (homogeneous) space that produces spatial quality of non-linear, non-hierarchical, and de-materialized space as a direct alternative to modern principles of space making.

• International Union of Geodesy and Geophysics Korean Journal of Geophysical Research
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• 제22권1호
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• pp.6-23
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• 1994

A disconnection event (DE) of the cometary plasma tail is one of most spectacular phenomena observed in comets. Yet, for years it has remained one of the great unsolved problems I astronomy and space physics. The solar wind is thought to play a major role in the creation of comet plasma tail (type Ⅰ) disconnection events. The goal of this paper is to present a mechanism that explains the disconnection event in terms of the local conditions at the comet. Comparison of the solar wind conditions and 16 DEs in Halley's comet shows that DEs are associated primarily with crossings of the heliospheric sector boundary and apparently not with any other properties of the solar wind, such as a high speed stream[Yi et al., 1994]. A 3-dimensional resistive magnetohydrodynamic simulation in this paper supports this association by showing that only front-side magnetic reconnection between the reversed interplanetary magnetic fields that exist when a comet crosses the heliospheric sector boundary [Niedner and Brandt, 1978] could reproduce the morphology of a DE, including ray formation [Brandt, 1982].

• 한국실내디자인학회논문집
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• 제17권3호
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• pp.86-93
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• 2008

The purpose of this study is to find out how the otherness philosophy reveals itself in the principle of F.O.A construction space creation. The traditional philosophy of totality is self-centered and thoughts are based on the subject. It couldn't escape from the world associated with the self, and has subordinated the other to the main body. But the philosophy of otherness transcends the subject, to the open, creative way of thinking which acknowledges deconstruction, decentralization, and non-hierarchy. This is very similar to contemporary architecture, which pursuits change, and also to the current state of society. In construction by the construction group F.O.A, which is doing notable activity this generation, there is an attempt to transcend the fixed subject which is seen in the otherness discussion, and realize recategorization by overcoming the boundaries of subject and object. First, by the realization of landscape architecture using a topographical folding technique, boundaries of the subject and object are demolished in the relationship of the landscape construction, and recategorization. Second, by breaking up the meaning of the surface which is a visual and physical boundary for both the internal and external, recategorization is being done. Third, by making the boundary between the interior and exterior indistinct, cognitive threshold is dissolved, and the relationship between the subject and object is being recategorization. In conclusion, we can see that the many recategorization phenomenons that are happening in the F.O.A construction show the otherness that escapes from the conventional and stationary relationship, and recognizes each other at the same time, forming new relationships.