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An Observation on Characteristic of Mutual-borrowing Paradigm in Twentieth Century Fashion and Art  

Park, Shin-Mi (Theoretical Enquire Studio (Contemporary Fashion), Research Department of Visual Arts, The University of Sydney)
Publication Information
Journal of the Korean Society of Costume / v.61, no.7, 2011 , pp. 80-100 More about this Journal
Abstract
The purpose of this research is to classify that fashion and art in the twentieth century broadened the creative field by individually applying each other's ideas or through collaboration. This paper analyses the work of individual artists and fashion designers who created work on the boundaries of fashion and art. These samples are selected to extract features related to specific periods as it is proposed that contemporary creation has been developed from a combination of fashion and art, sharing their distinct concerns. Accordingly, this research will focus on the collaboration between fashion and art in the twentieth century from the aspect of 'fashion into art'/'art into fashion' in order to analyse the historical flow, and thereby examine the relationship between fashion and art. The cross-fertilization between fashion and art was initiated as an imitation of form in the early twentieth century, and led to a 'new cross-disciplinary form' which exists on the boundary of fashion and art. This paper considers the relationship between fashion and art from the perspective of sharing intrinsic concepts and the creation of a new creative sphere. It analyses the characteristics of the works of fashion designers and artists whose works lie on the boundary between fashion and art.
Keywords
collaboration; mutual-borrowing paradigm; the twentieth century art; the twentieth century fashion;
Citations & Related Records
Times Cited By KSCI : 5  (Citation Analysis)
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