• 제목/요약/키워드: Cotton Gauze

검색결과 28건 처리시간 0.026초

파평윤씨 묘 출토직물의 제직특성 연구 (Characteristics of the Excavated Fabrics from Papyeung-Yun's Tomb)

  • 조효숙
    • 복식
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    • 제56권1호
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    • pp.32-43
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    • 2006
  • Excavated fabrics from Papyeung-yun's tomb totals at 208 in their numbers. They comprised 118 pieces of silk tabby(紬), 16 pieces of thin silk tabby, 8 pieces of thin filament silk tabby (絹), 43 pieces of satin damask(段), 8 pieces of compound satin(金線), 1 piece of twill(綾), 1 piece of complex gauze(羅), l piece of simple gauze(紗), 4 pieces of cotton(綿布), 4 pieces of hemp(麻布) and 3 pieces of ramie(苧布). As shown in the preceding list, $95\%$ of all the items are weaved from silk. To list a few characteristics of excavated fabrics from Papyoung-Yun's lineage, there are A vivid gold-colored compound satin, a uniquely patterned satin damask, various silk tabbies, and 4-end complex gauze of Neoul that is women's head cover. To note, names of the fabrics used in this article are based on the information from the literatures and are as following silk tabby(紬), thin silk tabby, filament silk tabby(絹), satin damask(段), compound satin(金線), complex gauze(羅), simple gauze(紗), cotton(綿布), twill(綾), hemp(麻布)and ramie(苧布).

펠트(Felt)를 이용한 의상 디자인 연구 (Study on Fashion Design Applying Felt)

  • 오연옥
    • 한국의상디자인학회지
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    • 제8권1호
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    • pp.59-67
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    • 2006
  • In textile industry of $21^{st}$ century, to develop materials and designs in fashion industry is being recognized widely as an urgent problem. In other words, the reality is that we must offer scarcity value and unique materials, and make a positive effort in a time when consumers' individuality appeals and an interest in fashion becomes higher. Felt is not only the oldest material in human history, but also a technique, and its applications are being handed down broadly. I have made various materials based mainly on a traditional felt technique using merino wool and nuno felt technique felting merino wool to cotton gauze. In nuno felt thing, I could observe that as wool and cotton was created as a single composite material, each material's aesthetic, sensuous, functional and emotional description became much more diversified. The purpose of this study is to produce fashion materials using materials with rich texture to meet the consumers' preference and diversity which are increasingly individualized, to design them and to seek possibility of developing differentiated wool materials which can satisfy the consumers' individuality demand and preference.

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A Huge Intra-Abdominal Mass Associated with Long-Term Surgical Gauze Retention in a Toy Breed Dog

  • Lee, Sung-Jun;Jeong, Soon-Wuk;Eom, Ki-Dong;Shin, Jong-Il;Yoon, Hun-Young
    • 한국임상수의학회지
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    • 제33권2호
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    • pp.116-121
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    • 2016
  • A 1.83 kg, 9-year-old, spayed female Yorkshire Terrier was referred to the Veterinary Medical Teaching Hospital of Konkuk University for evaluation of an intra-abdominal mass with a week history of vomiting and diarrhea. On physical examination, survey radiography, abdominal ultrasonography, and computed tomography, a huge firm mass was identified in the mid-caudal abdomen. Surgical exploration of the abdominal cavity was performed to remove the mass. The encapsulated mass adhered to the mesentery, tail of the spleen, small intestine, omentum, and right lobe of the pancreas was removed using blunt dissection with dry gauze and cotton swabs. Macroscopic and histopathological examination revealed that the mass was foreign-body granuloma consistent with gauze fiber. Plain abdominal radiography demonstrated no remarkable findings 8 months post-operatively. There was no evidence of vomiting, diarrhea, coughing, difficulty breathing, and cyanosis on exertion 13 months post-operatively.

조선시대 출토복식 중 포류에 사용된 직물유형 연구 (A Study of Textiles used for Po(overcoat) in the Excavated Costumes of the Chosun Dynasty)

  • 조효숙;임경화;김지연
    • 복식
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    • 제53권4호
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    • pp.113-129
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    • 2003
  • This study examined textiles used for the ancient costumes that are excavated from tombs of the Chosun dynasty, focusing especially on Po(overcoat). The result of the study is that silk occupies 79.8% of all the textiles used for Po, and cotton and linen follow. The weaving method of silk was primarily plain and satin weaves. However the use of twill, gauze, and double weave, that had led weaving methods of silk during the Koryo dynasty, are considerably decreased in Chosun dynasty. Danlyeong(단령) and Cheollik(첩리) had been made of various textile fabrics like cotton, linen, silk and blended fabric before Imjinwaeran(임진왜란). After the war, they were simplified in gauze weaved silk or satin weaved silk, And also patterned fabric were widely used for them than other Po. Simple fabrics like cotton, linen and plain weaved silk had been used for Aekjureum(액주름) and Jiklyeong(직령) before Imjinwaeran. After the war, Jiklyeong was used as underwears of Danlyeong, so it was made of high quality patterned silk. Dopo(도포) and Changuiryu(창의류) were mainly excavated from tombs after the war, high quality plain weaved silk are used than gorgeous Patterned silk. For the Dopho(답호) and Bansuui(반수의), before the war, they were made with various textiles such as plain weaved silk, twill weaved silk, satin weaved silk, cotton, linen, and blended fabric. But after the war plain weave was mainly used. In Jangui(장의), since it was mostly for women, many kinds of women's patterned silk were used in than any other Po. There were only a few excavation of Simui(심의) and most of them were made of ramie and were hemmed in black satin without pattern.

김확 묘 출토직물 제직 특성 연구 (Characteristics of the Fabrics Excavated from the Tomb of Kimwhoak)

  • 조효숙;이은진
    • 복식
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    • 제61권2호
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    • pp.88-101
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    • 2011
  • This study emphasizes on the characteristics of the excavated fabrics from the tomb of Kimwhoak in the late 16th and early 17th centuries. All of 118 kinds of fabrics are used in excavated costume from the tomb of Kimwhoak. Classified by its materials, it is divided into small groups as follows: 63 pieces of spun silk tabby(53.6%), 14 of spun yarn silk(11.9%), 13 of thin filament silk tabby(11.0%), 8 of thin silk tabby(6.8%), 4 of satin without pattern(3.4%), 3 of filament silk tabby(2.5%), 3 of twill without pattern(2.5%), 2 of satin damask(1.7%), 2 of mixture fabric with silk and cotton(1.7%), and 2 of ramie fabric(1.7%), 1 of simple gauze without pattern(0.8%), 1 of damask with supplementary gold thread(0.8), 1 of cotton(0.8%), 1 of etc(0.8%). Classified by ways of weaving: 106 pieces of plain weave(89%), 6 of satin weave(5%), 3 of twill weave (3%), 1 of gauze weave(1%), 1 of compound weave(1%) and etc(1%). In point of patterns, the most of textiles are without pattern, there are only two of them are patterned textile. such as lotus patterns with vine, peony patterns with vine. Their patterns are very similar to those of other tombs in the same age.

진주류씨(晉州柳氏) 합장 묘 출토직물에 관한 연구 (The Characteristics of Excavated Fabrics from the Couple's Tomb of Jinju Ryu)

  • 조효숙;이은진
    • 대한가정학회지
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    • 제45권2호
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    • pp.51-62
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    • 2007
  • This study explicates some properties of the fabrics used in the 16th century by examining and analyzing the 90 pieces of fabric excavated from the graves of Mr. Ryu of Jinju and his wife Mrs. Park of Euiin. The fabrics were classified into silk tabby(紬), thin silk tabby, satin damask(段), complex gauze(羅), mixture fabric with silk and cotton(絲棉交織), cotton(棉布) etc. Compared to other contemporary fabrics excavated previously, the fabrics unearthed from the couple's graves presented very naive feelings. Patterned satin damask occupied a small portion. In the case of plain fabric, little filament silk tabby(絹) or thin filament silk tabby(細紬) was unearthed. Important data on the history of Korean costumes are provided by the noteworthy, first-ever excavation of a small cap made of complex gauze(羅) and the tiger-leopard embroidered patches called hyoongbae(胸背), which were worn on the front and back of official robes made of tabby with supplementary gold thread(金線). Only 3 pattern types could be clearly identified in form, cloud pattern, lotus and vine pattern(蓮花蔓草), and small flower and treasures pattern(七寶細花). These three patterns are very similar to those of other 16th century fabrics unearthed previously in terms of the form and arrangement of patterns.

기관지폐포세척액에서 세포수 측정을 위한 처리방법의 비교 (The Comparison of Methods Processing Cells Recovered by Bronchoalveloar Lavage)

  • 박재석;김재열;이귀래;유철규;한성구;심영수;김영환
    • Tuberculosis and Respiratory Diseases
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    • 제45권1호
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    • pp.176-183
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    • 1998
  • 연구배경: 기관지폐포세척술로 얻은 기관지폐포세척액의 총세포 숫자와 감별숫자는 특발성폐섬유증을 포함한 간질성 폐질환의 진단과 예후 및 치료방침의 결정에 유용한 검사방법이다. 그러나 기관지폐포세척액 처리 방법에 대한 표준 방법 (standard method)이 아직 정립되어 있지 않고, 병원마다 처리 방법이 상이한 경우가 많아 검사 결과의 해석에 어려움이 많은 실정이다. 이에 본 연구에서는 기관지폐포세척액의 처리방법 중에서 면거즈 (cotton gauze)로 걸르는 방법, 세척액의 원심 분리 후 재부유하는 방법, 기관지폐포세척액의 보관 시간등이 총세포숫자와 감별숫자에 미치는 영향을 관찰하였다. 방 법: 활동성 폐질환이 없는 6명의 사람에 대해서 기관지내시경을 하여 얻은 기관지폐포세척액을 모아서 siliconized glass tube에 분주한 후, 0, 1, 2, 4겹의 면거즈 (pore size: 1mm)로 걸른후 일부를 trypan blue로 염색한 후 hemocytometer로 총세포숫자를 계수하고 일부는 cytocentrifuge한 후 Wright-Giemsa stain을 하여 감별숫지를 하였다. 그리고 일부의 세척액을 두 겹의 거즈로 걸른 후에 원심분리(400g, 30min) 하고 RPMI1640으로 재부유액을 만들어 총세포숫자와 감별숫자를 하였다. 그리고 나머지는 $4^{\circ}C$ 냉장고에 보관하였다가 2시간, 24시간, 48시간 후에 각각 같은 방법으로 총세포숫자와 감별숫자를 하였다. 결 과: 기관지폐포세척액을 면거즈로 거르지 않은 경우와 여러겹의 면거즈로 걸른 경우 총세포숫자와 감별숫자에 차이가 없었으나 기관지폐포세척액을 면거즈로 거르지 않았을 경우 두 예(33%)에서 점액사 때문에 세포가 뭉치고 겹쳐져서 총세포숫자와 감별숫자가 어려웠다. 기관지폐포세척액을 원심분리하였을 경우 총세포숫자는 감소하였으나 ($24{\pm}18%$), 감별숫자에는 차이가 없었다. 보관시간에 따른 총세포숫자에 있어서 2시간 보관했을 경우에는 총세포숫자의 감소가 없었으나 24시간 이상 보관시 유의하게 감소하였으며 (24시간: $28{\pm}21%$, 48시간: $41{\pm}24%$), 감별숫자에 있어서는 보관시간에 따른 차이는 없었으나 48시간 보관시에는 세포변성으로 감별숫자가 어려웠다. 결 론: 기관지폐포세척액의 총세포숫자와 감별숫자를 위한 기관지폐포세척액의 처리과정에서 면거즈로 걸러서 두시간 아내에 처리하는 것이 좋으며 원심분리는 하지 않는 것이 좋을 것으로 생각된다.

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감즙염색이 직물의 태에 미치는 영향 (Effect of Dyeing by Immature Persimmon Juice on the Hand of Fabrics)

  • 고은숙;이혜선
    • 한국의류학회지
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    • 제27권8호
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    • pp.883-891
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    • 2003
  • In this study, a change of hand of fabrics dyed with persimmon juice was measured using Kawabata Evaluation System. Using various cotton fabrics, linen fabric and silk fabric used frequently for persimmon juice dyeing, we examined the changes of physical properties and hand according to persimmon juice dyeing and washing. The dynamic characteristics of hand were measured tensile, shear, bending, compression, surface properties, thickness and weight. Linearity of load-extention and tensile resilience were increased in all kinds of fabrics after dyeing. Tensile energy decreased in cotton fabric 2(gauze), cotton fabric 3(muslin) and linen fabric. Shear stiffness and hysteresis of shear increased in most of fabrics. Bending rigidity of the bending property and hysteresis of bending, linearity of compression of the compression property, compression energy and compression resilience increased in all kinds of fabrics after dyeing. Thickness and weight increased much in all kinds of fabrics after dyeing. In the primary hand value, stiffness and anti-drape stiffness increased in all kind of fabrics after dyeing. The fullness and softness, crispness, scrooping feeling and flexibility with soft feeling decreased. As the stiffness after persimmons dyeing increased, it was suitable for clothes material of summer.

선암사 소장 <용문자수탁의(龍紋刺繡卓衣)> 연구 (Study on Housed at Museum of Sun Am Temple)

  • 심연옥
    • 복식
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    • 제67권2호
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    • pp.88-100
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    • 2017
  • This study is for the textiles of at Sun Am Temple and characteristic of embroidery. Tak Ui was composed of orange body and green upper cover, and had no strings. The body plate was covered with embroidery, with Gauze base, and upper part was appliqued, by cutting dragon pattern, cloud pattern on satin damask. The thread for embroidery was silk floss, silk twisted thread, rapped gold thread, and rapped silk thread. For padding, it was used cotton thread in the part of dragon's scales. It was used satin stitch, outline stitch, split stitch, couching, and counted stitch, etc. as method of embroidery. In particular, it embroidered counted stitch of diamond shape consecutively on the whole of Tak Ui, it does so with counted stitch of same effect of weaving Brocade in the part of cloud. Besides, it is one of the characteristic for couching rapped silk thread. Such lead embroidery is the popular method in the Ming dynasty of China, in the 16~17 century. The design of Tak Ui is dragon, cloud, and wave in the theme. In the center, 'Seong-su-man-nyeon' was placed on the heads of dragon. This is similar to Dragon Robe of Four-petalled medallion patterns, period of Ming dynasty in China. Therefore, it confirmed that Tak Ui was remodeled the embroidered textiles, made for royal robe, originally, with Tak Ui at temple.

宜寧 全義李氏墓 출토복식에 관한 고찰 (The Excavated Costume of Jeon-Ui Lee Unearthed in Ue-Ryoung)

  • 박필순;박윤미;정복남
    • 복식문화연구
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    • 제13권1호
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    • pp.102-120
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    • 2005
  • Three Jang-Ue's and eleven drapery were investigated in the excavated costume in Ue-Ryeong, Gyeong-Sang-Nam-Do. Three Jang-Ue's have three different colors. the length, the width, and the wide of quilting are different as well. The outer collar of a coat is a double collar while the inturned collar is a single collar. In case of Dark blue and Pink Jang-Ue. The large section of cloth forming the body of a Korean coat is getting narrower while the reinforcing cloth strip is getting wider as the time is passing by. All the three Jang-Ue's have the different handling methods of a attached to the top border of a Korean coat, and Pink Jang-Ue doesn't have a attached to the tip border of a Korean coat. The handling method of the hemline are all different. And the handling method of the cuffs are all different. The silk is main in the woven goods, partly hemp, mixed fabrics and cotton. Especially complex gauze with supplementary wefts that were found unusually in Cho-Sun Dynasty are very import to study the complex gauze. The fond relics of the Jeon-Ui Lee family reveal various formational methods and specific characters of the excavated costume. There fore these that bring the Jang-Ue shape and the textile's feature in Gyeong-Sang-Nam-Do region, from 16th to 17th are very valuable.

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