• 보존과학회지
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• 제36권1호
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• pp.37-46
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• 2020

It is difficult to predict the kinds of damage to contemporary art because of the diversity of materials and experimental techniques used. This makes it hard to conserve. Furthermore, the artist's intention in contemporary art is emerging as one of the important issues to be handled in conservation treatment. Thus, collaboration with various stakeholders such as the artists themselves, bereaved family members, and foundations have become more important than ever from the viewpoint of planning conservation treatment. The trustworthiness of conservation treatment would be significantly enhanced if conservation treatment reflected the understanding and respect of not only the appearance of the work, but also the social/cultural context inherent in the work. This should be done, in particular, through collaboration with the artists. In this study, various case studies at home and abroad were analyzed as to explore collaboration methods with various stakeholders for objective and trustworthy conservation treatment. Along the way, the study raised the need to establish new conservation ethics for contemporary art. It is expected that the outcomes of the study could be used as basic material to preserve the originality of contemporary artwork and to set the direction for conservation practice.

• 보존과학연구
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• 통권30호
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• pp.203-215
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• 2009

In the conservation treatment of wood remains, polymers, treatment methods, and treatment period can be varied, depending on the percentage of moisture content and species of trees. Thus, in order to apply the appropriate conservation treatment, a lot of information from the wood remains are required. Despite the information from the wood remains, testing a part of the wood remains is necessary to get information about the polymers. When the wooden coffin made of camphor trees was excavated, it was cracked in the section of radiation, and there were hairlines cracks. Therefore, without any conservation treatment, it is impossible to restore it. This experiment is for the conservation treatment of the wooden coffin excavated from Songhyun-dong tombs No 7, Changnyeong. For this experiment, I used camphor trees from Jejudo. The purpose of this experiment is to asses the possibility of preliminary testing materials before the conservation treatment on the wooden coffin. After the camphor trees from Jejudo are artificially aged by Fenton's reagent, they are As a result of oxidation by Fenton, the degree of oxidation is high in proportion to the amount of peroxide and iron sulfate. Among several samples, the sample 'na' made the most similar result to the wooden coffin from Songhyun-dong. If I use this condition to make the sample in polymer tests, it is very helpful to find the most suitable polymer for the conservation treatment of wooden coffin. After the same species of trees are oxidized by Fenton and they become the similar condition, we are able to find suitable methods of conservation treatment. The suitable methods reduce the demage of the remains and make us to get more information. Thus, we are able to carry out conservation treatment more exactly.

• 보존과학회지
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• 제35권1호
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• pp.61-70
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• 2019

In this study, a scientific survey on the material of the mother-of-pearl floor mirror was conducted and conservation treatment processes were introduced. The survey results showed that the mother-of-pearl floor mirror in Daejojeon Hall of Changdeokgung is made of Dalbergia spp., and repair work seems to be done later with shorea spp. FT-IR analysis results showed that the varnishing is similar to the spectrum of lacquer. The metal wheels and metal line decorations set with mother-of-pearl were found to be made of brass based on XRF analysis, and the ingredient ratio showed that these were made in modern times. Foreign materials were stuck on the surface of the mother-of-pearl floor mirror before conservation treatment, which was in a structurally unstable condition owing to some missing submaterials. Conservation treatment was conducted on the damaged area to restore the mirror to its original appearance by using the same species of wood determined from the data obtained through the scientific survey.

• 박물관보존과학
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• 제23권
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• pp.31-48
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• 2020

야외 석조문화재는 다른 문화재에 비해 양적인 면에서나 규모 면에서의 한계로 인해 많은 인력을 필요로 하는 작업으로 보존처리 회사가 많은 부분을 담당하고 있다. 이 연구에서는 서울지역 관악구에 위치하는 낙성대 삼층석탑을 대상으로 실시한 보존처리 사례를 소개하고자 한다. 이를 위해 석조문화재의 보존 상태와 훼손 현황을 살펴보고 보존처리 사용 재료 및 방법에 대해서 정리하였다. 낙성대 삼층석탑과 같이 도심에 위치하는 석조문화재의 표면오염은 지역적인 특징이 나타나게 되며 이에 따라 보존처리 기법의 적용이 차별화되어 이루어지게 된다. 향후 박물관 소장 야외 석조문화재 뿐만 아니라 서울지역 석조문화재의 보존처리에 참고자료로써 활용되기를 기대한다.

• 보존과학연구
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• 통권30호
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• pp.5-19
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• 2009

This study is about the conservation treatment from 2008 through 2009 of Gilt-Bronze Cap excavated from Andong tumulus at Guildu-ri, Podumyeon, Goheung, Jeonnan. The whole shape of Gilt-Bronze Cap was distorted and destroyed by the earth pressure. For the conservation treatment, first, soil and pollutants came from the findspot were removed. And then to assemble the whole shape of Gilt-Bronze Cap, we carried out the jointing work forming the shape after dismantling. Under that process, the rust of bronze was removed through the microscope at every moment and the gold-plated surface was revealed. Now the conservation treatment was completed and it is expected to perform the scientific research on the manufacturing methods and composition analysis of Gilt-Bronze Cap.

• 보존과학회지
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• 제34권6호
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• pp.549-556
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• 2018

In November 2011, various artifacts were excavated from the No. 8 stone-lined tomb in Suchon-ri, Gongju by the Chungnam Institute of History and Culture. These included artifacts with lacquered mainframe and silvery metal ornament. These were recovered together with soil and underwent conservation treatment. In this paper, we discuss the scientific analysis and conservation treatment of the lacquered artifacts excavated from the Suchon-ri site. Among our findings is that the artifacts have three layers of lacquer coating and the metal parts are primarily composed of Ag. As the artifacts were recovered with soil from the site, the soil was removed from underneath and inside the artifacts. The inside of the lacquerware was reinforced with rayon paper using 3% funori, and the metal was treated with acrylic resin after removing the acrylic resin previously used to recover the artifact, followed by cleaning. The metal was also internally reinforced with gauze. Finally, the interior reinforcement was made using PVA and resin in pulp and attached with funori to preserve the shape of the lacquerware, and the exposed rayon was finished with acrylic paint. The main advantages of this study are its review of conservation treatment strategies for lacquer artifacts whose numbers have recently increased, and the application of new conservation treatment methods.

• 보존과학회지
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• 제30권4호
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• pp.383-393
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• 2014

석조문화재 균열부분과 표면 마무리를 위한 보존처리는 현재까지 에폭시수지에 다양한 충전제를 혼합하여 사용하게 된다. 장기적 보존을 위해 이와 같은 보존처리는 필요하다. 하지만 보존처리 된 54건에 대한 현장조사와 임상실험 결과 충전제 중 활석이 포함된 경우 표면변색과 균열 등 재 손상이 확인되었다. 현장조사는 수리보고서와 처리 담당자 인터뷰, 현미경조사, 현장에서 수습한 처리 시편의 ICP 분석을 병행하여 활석 사용여부를 확인하였다. 임상실험은 현장조사에서 확인된 활석에 의한 영향평가를 위해 촉진내후성시험 후 색차와 초음파측정을 실시하였으며 그 결과 활석이 포함된 시편에서의 물성저하가 두드러졌다. 따라서 향후 균열부분 보존처리는 활석의 사용은 자제하고 동질 석분만을 충전제로 선택하여 처리할 것을 제안한다.

• 보존과학연구
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• 통권33호
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• pp.69-83
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• 2012

울산 반구대 암각화는 1965년 축조된 사연댐으로 인해 매년 4~8개월간 침수와 노출을 반복하면서 훼손이 진행되고 있다. 이에 직접적 보존처리에 앞서 현장적용실험을 위한 사이트를 선정하여 각각의 손상을 제어할 수 있는 보존처리를 실시하였다. 모든 처리에는 비파괴조사를 실시하여 처리 전 후를 정량적으로 평가하였으며 모니터링을 위한 기초자료를 구축하였다. 실험 결과 처리재료보다 처리기술과 적용방법에 따라 처리효과에서 큰 차이를 보였다. 특히 에틸실리케이트 수지를 이용한 강화처리는 처리방법에 따라 초음파 속도 및 에코팁 경도상승이 확연히 구분된 결과를 도출하였다.

• 한국실내디자인학회논문집
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• 제20권5호
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• pp.197-207
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• 2011

In general, collections in museum are kept in storage according to a preservation and administration program in long or short term, after conservators' conservation treatment. Museum activities related to conservation science are common to do before and after exhibitions. That is, the museum collections include a flow mechanism, which circulate a space in where conservation science related activity is carried on centering around its storage. The purpose of this study is to suggest the design guidelines of a conservation area in a museum. The results of this study as follows. First, to program space planning, conservation area of museum is divided into 4 kinds of zone. Second, space for relics unloading in basically includes 'unloading room', 'control room', 'worker room', 'unpacking room', and 'unloading tools storage' and considers to install 'outdoor arrangement space', etc. In case of space for making relics collections, 'arrangement room' and 'temporary storage' are separately planned in order to arrange and temporarily store relics taken in. Conservation analysis space should be divided into 2 kinds of zone, 'conservation analysis lab' for analysis of collection characters and 'restoration lab' for conservation treatment in the bigger museum. In case of large-scale museum, conservation treatment space is basically classified with characters of museum collections. And it considers installing 'waterlogged wood lab', 'painting clothes treatment lab', 'storage of treated relics' etc. Third, for 'the spaces for analysis treatment', must consider activity contents and sizes of the department for scientific conservation every museum, can classify in detail required space, and must review the space for relics settlement in construction.

• 보존과학연구
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• 통권33호
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• pp.19-32
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• 2012

천연재료를 사용하는 지류유물의 손상은 재질적 특성상 어떤 한 가지 요인에 의한 훼손보다는 물리적, 화학적, 생물학적 복합요인에 의한 손상 가능성이 높다. 문화재보존과학센터는 2009년 12월 현충사 관리소로 부터 이 충무공관련 유물의 상태조사 및 보존처리를 의뢰받아 조사한 결과 위와 같은 다양한 훼손요인을 확인할 수 있었다. 조사결과를 토대로 각 유물의 손상정도를 파악한 후 적절한 보존방안을 수립하고, 2010년부터 약 2년에 걸쳐 보존처리를 실시하였다. 이 충무공 관련 유물 중 고문서, 전적류 등과 같이 형태가 다른 고문헌에 대한 손상유형과 보존처리 내용을 소개함으로서 보존처리방법을 선택하는 하나의 예시를 제안하고자 하였다. 지류유물에 대한 보존처리는 유물의 노화주기를 연장시키고 2차 손상을 방지하지만, 유물의 노화를 완전히 멈추게 하는 과정이 아니므로 유물에 대한 정기적 점검이 필요할 것이다.