• 한국전자파학회논문지
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• 제21권11호
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• pp.1248-1258
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• 2010

본 논문에서는 직사각형 마이크로스트립 패치들로 구성된 테이퍼형 단일 배열 안테나를 사용하여, 모노 펄스 레이더 센서 시스템에서 요구되는 합 및 차 패턴을 동시에 구현할 수 있는 방법을 제안한다. 우선 부엽 레벨(SLL) 제어 기법을 사용하여 모노 펄스 동작에 적용되는 기본 배열 계수 패턴과 해당 전압 가중치들을 합성하고, 이 가중치들로부터 패치들의 폭들을 결정하였다. 그리고 양 방향 직렬 급전 방식을 적용하고, 패치들 간의 연결선 길이들을 적절히 조절함으로써, 이 단일 배열 안테나는 위상 변위된 두 개의 빔을 형성하며, 이들은 $180^{\circ}$ 하이브리드 결합기의 역상 및 동위상 포트에서 각각 합 및 차 패턴을 합성시킨다. 9.5 GHz에서 설계한 구조에 대한 시뮬레이션 및 실험 결과를 서로 비교함으로써 제안된 방법의 타당성을 보였다.

• 대한가정학회지
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• 제45권4호
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• pp.43-51
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• 2007

This study analyzed the knit wear trend, which has gained attention as a sensuous and luxury item, through collection magazines, and used the technique of hand-knit to produce and present the knit wear that was designed based on the study results. Accordingly, the purpose of this study is to raise awareness of the expansion of hand knit's new expression techniques and expression areas and to verify its possibility as a higher value-added product. The trends of hand-knit wear resulted from the analysis of collections divided into the following four groups, and the knit designs were also grouped accordingly: First was "The design using object." The trend survey showed the results that the form of drops or flowers was often used as a factor of object. Accordingly, as for the study design, the drop-knitting technique, which is one of the pattern knitting techniques, was used to present a design that employed drops as the object. Second was "The design matched with woven material." It is a way to emphasize aesthetic formativeness and at the same time to activate the area of knit design by matching woven material, which is different from knit in texture, with knit. This study presented a design that tried to combine knit texture and woven material by connecting denim material with various textures and colors. Third was "The design to express see-through." A sense of showing through knit wear was expressed through changes in the type of thread or knitting technique. In this study, the sense of see-through was expressed using piano wires and wool threads and through changes in the thickness of needle. Fourth was "The design to emphasize coloring." It was analyzed that regarding the production of hand knit, the method of coloring expression was to express points, lines and sides or to create harmony by changing the material's color or texture to show particular objects or shapes. In this study, a jacket was designed using the method to express points, lines and sides by changing the material's color.

• 복식
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• 제56권8호
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• pp.74-82
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• 2006

In ancient China, Su(綬) was the ornament of the full dress. It had originated from tying the jade or another thing before Jen(秦:Qin) dynasty and it tied the imperial jade seal and the chop from Han dynasty. Su of Han dynasty was different in the inscape, colour, length and density according to the grade. And the shape was the straight line. But these phenomena were changed after Han dynasty. This study showed how it changed. To studying used the comparison method of literature records, paintings and archeological relics. It mostly studied imperial Su. Su of Han dynasty of the high grade was formed by Yeok, the circle type jade and Su(Su moaned whole Su, at the same time moaned the part of Su, too). Afterward, Yeok was changed into Small Su[小綬] and Su was changed into Big Su(大綬). Originally the circle type jade was connecting Yeok to Su, but it was changed into tying Small Su only. Su of Han dynasty used the four kinds of colour, but from Su(隋: Sui) dynasty used the six kinds of colour. Originally Su was interlacing, but it was changed into the silk fabric from Song[宋] dynasty. According to using silk fabric's Su, it was likely to disappear the system distinguishing the grade by length. And it kept the method of interlacing the reticulation in the low part of silk fabric's Su. So, after using silk fabric's Su, the system of the density was not about the main body but about the reticulation. Su was been used woven with supplementary golden wefts, too. The circle type jade was chiseled the dragon and cloud from Geum[金:Jin] dynasty. These not the pattern of silk fabrics.

• 한국광학회지
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• 제28권6호
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• pp.314-326
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• 2017

현대생활에 매우 밀접하게 연관되어 있는 디스플레이는 IT산업이 발전함에 따라 단순한 표시장치에서 개인과 기기, 더 나아가 또 다른 개인을 연결해주는 네트워크의 창으로서 발전하고 있다. 이와 같은 디스플레이의 가장 중요한 구성요소인 백라이트유닛이 보다 얇고 더 밝으며 전기 소모량도 적게 구현하기 위해서 LED 광원을 적용하였으며, 휘도와 휘도 균일도 및 시야각을 향상 시키기 위한 복합 도광판에 대한 연구가 시작되었다. 본 논문에서는 최근 10여 년간 LED 백라이트 유닛의 괄목할만한 성장을 가능하게 한, 도광판의 산란패턴 형성에 관한 연구와 광원의 배치 및 구성 기술에 관하여 정리하고, 더 나아가 이러한 도광판 기술을 최근 주목을 받고 있는 LED 조명기구 설계에 적용시킨 대면적 flat-type 조명시스템에 대해 개괄적으로 기술한다. 최종적으로 현 기술을 보다 발전적으로 향상시킬 수 있는 방안 및 적용 방법에 관하여 논의한다.

• 한국의류학회지
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• 제39권3호
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• pp.353-368
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• 2015

Walter Van Beirendonck expresses a fairy tale world of perverted sexual desire of sadism and masochism, violence, and aggressiveness that breaks from a transient one-time concept as is an essential element of fashion. This study classifies the aesthetic characteristic shown on the design of Walter Van Beirendonck and analyzes the intent of his symbolism and meaning. The attempt has a meaning in exploring a new directionality of fashion by conveying a critical message to this end, contemporary fashion breaks down boundaries with artistic genre and connects a problematic consciousness that exists in life with fashion. The results of study on the aesthetic characteristics of Walter Van Beirendonck are as follows. First, Beirendonck emphasized an interpersonal image about body by giving a question through the deconstruction of image on a perfect body into race, age, and body based on body modification. Second, fetishism appeared as a consciousness that human identity and character can be changed by connecting a fetish element of sexual identity, and sadism and masochism with fashion's imagination. Third, infantilism as an amusement expression of the form metaphorically satirized life of modern people. Fourth, makeup shown on performance or festival of an African tribe was used in the way of mixture or reuse for ethnography to obtain inspiration from ethnography. Fifth, pop art combined a popular culture code as amusement through mass production and mass media. Aesthetics of Beirendonck do not have norm and are bold in using form, color, pattern, print, and styling because Beirendonck reinterpreted critical attitudes about essential problems that human life entails into a motif of his symbolic meaning in amusement. In regards to his design aesthetics, Beirendonck expanded fashion to the scope of Gesamtkunstwerk in a consistent and continued theme combined with philosophical creativity and differentiated from other fashion designers.

• 자원환경지질
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• 제16권1호
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• pp.11-18
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• 1983

Gyeongsang Basin in the southeastern part of the Korean peninsular is characterized by many fault systems. To decipher the geotectonical evolution of the Korean peninsular and marginal basins in her adjacent areas it is prerequisite to understand the spatial distribution pattern and mutual relationships of these fault systems. Because of difficulties in finding any criterion to recognize the faults in field, their extension and mutual relationships in ages are not very clear yet. As an attempt to find geophysical criteria to recognize the fault, geoelectrical resistivity survey was carried out in this study. With the Wenner configuration four resistivity soundings and twenty seven resistivity profilings were done. The electrode distance used was up to 50m. From the results of the resistivity soundings and boring data of earlier groundwater investigations the depth of alluvial and weathered zone was established to be at most 20m in the study area. In the resistivity profiling low resistivity anomaly zones are detected on every traverse, which are interpreted as caused by fractures, fault clays and mylonites in the fault zone. The width of the fault zone amounts to 0.3-1km. By correlating and connecting the negative anomaly zones from traverse to traverse one can determine the trend of th of the faultzone and therefore that of fault itself. The recognized fault trend in this way was $N15^{\circ}-20^{\circ}E$ and this coincides with the direction of the inferred fault line from earlier geological surface mapping. With the help of this characteristical negative anomaly the existance of another $N80^{\circ}W$ trending fault was estabished. This study has shown that geoelectrical resistivity survey can be applied successfully to the problem of tracing fault line insofar as a fault zone has been developed along fault line.

• 정보관리학회지
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• 제18권4호
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• pp.37-55
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• 2001

본 연구에서는 특정 주제분야의 텍스트를 대표할 수 있는 단어술어를 추출하고 기본문형을 형성 한 후 각 단서술어의 기본문형을 실례화하여 연결함으로써 요약문을 작성하는 자동요약시스템의 모형을 설계하고 구현하였다. 시스템은 학습과정과 요약과정을 구분되며, 학습과정에서는 술어와 격조사를 출현빈도를 이용하여 주제분야 텍스트집단을 대표하는 단어술어와 필수격 조사를 추출한 뒤 단어술어가 이루는 문장의 기본문형을 형성한다. 요약과정에서 실례화 규직을 요약 대상 문장의 구문 분석 결과에 적용하여 기본문형의 격조사와 결합될 논항을 찾아 단문을 생성하고 연결하여 요약문을 완성한다. ‘화재’및‘강도’와 관련된 신문기사를 대상으로 실험을 수행하였으며, 작성된 요약문은 단어술어가 포함된 주요 문장에서 추출한 필수 정보항목과 술어를 중심으로 생성된 문장들로서 문장간의 연결이 자연스러울 뿐 아니라 텍스트의 전체적인 의미를 표현할 수 있었다. 또한, 통계적 기법을 이용한 학습을 통해 주제영역의 확장이 가능하였다.

• 원예과학기술지
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• 제32권3호
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• pp.359-365
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• 2014

본 연구는 신고 배 저온 저장 중 발생하는 과피 흑변에 관여하는 주요 대사체를 untargeted GC-MS 그리고 targeted HPLC로 알아보고자 하였다. GC-MS 분석 결과 아미노산, 유기산, 당 관련 총 40개의 대사체를 정성할 수 있었고 건전과는 과피흑변과에 비해서 전반적으로 높은 대사체 함량을 보였다. 특히 serine, malic acid, succinic acid가 건전과에서 높게 나타난 반면 과피 흑변과에서는 threonine, fumaric acid, gluconic acid 함량이 높았다. 개개의 phenolic compounds 분석 결과 건전과에서 높은 phenolic compounds 함량을 보였다. 또한 항산화 능력과 깊은 관련이 있는 ascorbic acid가 과피 흑변과에서 낮게 나타났다. 이상의 결과로 보아 세포 내 비정상적인 호흡 및 에너지 대사과정, 항산화 능력 결여가 신고 배 과피 흑변에 관여하는 주요 대사 과정임을 확인할 수 있었다.

• 패션비즈니스
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• 제22권2호
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• pp.51-60
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• 2018

This research focuses on the development of upcycled denim fashion designs, whichis a more specific category within general upcycled fashion design. Characteristics of upcycled fashion design, which has been identified previously by researchers, include the following traits: environmentality, uniqueness, aesthetic appeal, availability, convertibility, and deconstructivity. The expression principles include recycling, substitution, recombination, and reduction. The result of the analysis of the denim fashion design characteristics, which is based on the theoretical analysis, has found. The external expression pattern consists of the deconstruction and reconstitution of materials, the avant-garde style and convertibility, the ability to mix and match materials and techniques, the production of zero waste, and the use of layering. The expression techniques used included decomposition, depaysement, weaving, cut-off, collage, assemblage, overlapping, connecting, attaching, and stitching. The inner meanings were identified as economicality through recycling, convertibility through rearranging, and the rarity and value of hand-made products. The result of the research applying the identified characteristics are as follows. First, developing and creating designs using modified denim and sub-materials with various expression patterns and techniques could provide completely new images unlike existing denim products. Second, modifying the details while maintaining the basic format of denim clothing could provide unique and new possibilities for upcycled denim fashion design. Third, environment-friendly models with creative designs were developed by recycling used denim materials. This reduced waste and energy while maximizing the use of resources. This study expects contribute to upcycled fashion design research by recognizing the unique characteristics and value of denim material.

• 한국항만경제학회지
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• 제32권4호
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• pp.41-56
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• 2016

중국은 중국 내 중서부 지역의 풍부한 천연자원과 동부 연안지역의 자본을 연계하여 대륙을 균형적으로 발전시키기 위한 서부대개발 정책을 추진 중이다. 대중국 무역의존도가 높은 우리나라는 국제운송 및 물류체계의 변화에 긴밀하게 대응하기 위해 중국의 교역 규모나 교역패턴 변화를 항상 주시할 필요가 있다. 본 연구는 중국의 글로벌 무역노선 재편 및 서부대개발에 따른 우리나라와 중국 성시별 품목별 수출입 규모 변화 추이를 분석하고, 그에 따른 대응방향을 제시하고자 하는 목적에서 중국 성시별 주요 운송경로별, 품목별 한중 간 수출입 규모 변화를 분석하였다. 그 결과 중국 서부대개발 움직임에 따라 교역축이 동부 연해지역에서 서부 내륙으로 이전하는 추세를 정량적으로 확인할 수 있었다. 또한 분석과정을 통해 향후 한중 수출입 규모 확대를 위해서 Sea&Air 및 Sea&Rail 등 복합운송체계 마련과 항만-공항 간 연계체계, 신선물류 클러스터 구축의 필요성을 발견할 수 있었다. 또한 한중간 중량화물 및 벌크화물의 수출입 물동량을 확보하기 위해 열차페리나 벌크화물 하역 터미널 시설 구축의 필요성도 확인할 수 있었다.