• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2008.11a
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• pp.135-136
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• 2008

• Proceedings of the Acoustical Society of Korea Conference
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• autumn
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• pp.145-148
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• 2000

• Journal of the Korean Institute of Educational Facilities
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• v.26 no.4
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• pp.29-33
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• 2019

• The Journal of the Korea Contents Association
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• v.22 no.1
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• pp.283-291
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• 2022

Due to the impact of COVID-19, untact performances where performance videos are recorded, edited and distributed have begun to be activated in a non-face-to-face environment. Performance halls are supporting untact performance services such as video production and broadcasting so that performances can be viewed through online platforms. Therefore, this study intends to study the satisfaction and continued use intention of the untact performance service in the concert hall for experts who have experience using the untact performance service in the concert hall. A total of 9 hypotheses were rejected and 10 hypotheses were adopted as a result of developing and analyzing a research model suitable for the untact performance service of the concert hall by fusion of the information system success model and the expectation inconsistency model. Excluding content quality, it was found that in both system quality and service quality, inconsistency occurs through the comparison of expectations and performance after expectations arise. This positive discrepancy affects satisfaction, and the higher the satisfaction, the higher the intention to continue using it. This study is a basic study on the untact performance service and is expected to provide a new perspective for quality improvement.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2007.11a
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• pp.226-230
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• 2007

In case of domestic performance hall, it is real situation that the demand of multipurpose hall that accommodative a lecture, gathering activity, drama and concert than a professional performance hall such as opera house, is on increasing. Accordingly, since such multipurpose hall, in view of its characteristics, is emphasizing the clearness of sound, also it requiring the repletion or abundance of sound simultaneously, it could be said that the sufficient examination and plan with regard to the architectural acoustics design is indispensable. However, since most of multipurpose hall has ever been designed and constructed without any consideration on an acoustic factor, many problem points are generating. Standing on such viewpoint, this Research has measured the physical acoustic characteristics about the small-scaled multipurpose hall recently built without any acoustic consideration, and through the above, tried to grasp the acoustic defect and controversial point thereof. It is deemed that such study result could be utilized as an important material for improvement the acoustic performance of the multipurpose hall.

• International Journal of High-Rise Buildings
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• v.3 no.3
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• pp.173-183
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• 2014

Nakanoshima Festival Tower is a 200 m high-rise complex building which contains a renewed 2700-seat capacity concert hall known as "Festival Hall" and offices including headquarter of a news company. In order to build up an office tower on the hall which requires large open space, a giant truss system is employed. The giant trusses being composed of mega-trusses and belt-trusses support all the building weight above them and transfer the load to the outside of the hall. The building also requires high seismic resistance performance for a news company. Application of mid-story seismic isolation enables the building to satisfy high-level seismic resistance criteria.

• Proceedings of the Acoustical Society of Korea Conference
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• 1992.06a
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• pp.185-188
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• 1992

본 고에서는 홀의 음향측정에서 지금까지 주로 사용되고 있는 물리변수들을 추출하여 물리실험을 행한 후 이 결과치와 심리실험 결과를 상호분석하여 어떠한 홀에 대한 최종적인 판단은 무대의 연주자나 청중에 의하여 판단되어지고 있는 것을 감안하여 주관적 반응과 상관이 높은 물리량을 얻고자함에 있다.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2010.05a
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• pp.465-466
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• 2010

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2010.05a
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• pp.463-464
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• 2010

• The Journal of the Acoustical Society of Korea
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• v.36 no.5
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• pp.321-328
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• 2017

The purpose of this study is to derive the preference factors of stage acoustics for duet performers through the measurement of the stage acoustics in a concert hall and the performance evaluation on the stage. 15 pairs (total 30 players) of the performers participated in the experiment, and the preference of selected 5 locations were evaluated. As a result, the preference in the center of stage was the highest, and CS (Clarity at stage) and $ST_{Late}$ were the most significant factors for the preference.