• Journal of Astronomy and Space Sciences
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• 제14권1호
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• pp.1-17
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• 1997

The results of a restricted numerical simulation for the color gradients within globular clusters have been presented. The standard luminosity function of M3 and Salperter's initial mass functions were used to generate model clusters as a fundamental population. Color gradients with the sample clusters for both King and power law cusp models of surface brightness distributions are discussed in the case of using the standard luminosity function. The dependence of color gradients on several parameters for the simulations with Salpter's initial mass functions, such as slope of initial mass functions, cluster ages, metallicities, concentration parameters of King model, and slopes of power law, are also discussed. No significant radial color gradients are shown to the sample clusters which are regenerated by a random number generation technique with various parameters in both of King and power law cusp models of surface brightness distributions. Dynamical mass segregation and stellar evolution of horizontal branch stars and blue stragglers should be included for the general case of model simulations to show the observed radial color gradients within globular clusters.

• 한국인쇄학회:학술대회논문집
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• 한국인쇄학회 2000년도 춘계 학술발표회 논문집
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• pp.17-24
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• 2000

The Joint Photographic Experts Group (JPEG) is a standara still-image compression technique, established by the International for Standardization (ISO) and International Telecommunication Standardization Sector (ITUT). The standard is intended to be utilized in the various kinds of color still imaging systems as a standard color image coding format. Because JPEG is a lossy compression, the decompressed image pixel values are nto the same as values before compression. Image of JPEG compression is often made to JPEG recompression at saving to apply JPEG compression of color image. In general, JPEG is a lossy compression and compression image is predicted to be varied image quality according to recompressed Q-factor. Various distortions of JPEG compression and JPEG recompression has been reported in previous paper. In this paper, we compress four difference color samples (photo image, gradient image, vector drawing image, text image) according to various Q-factor, and then compressed images are recompressed according to various Q-factor once again. As the results, we inspect variation of quality and file size of recompressed color image, and ensure the optimum recompression factor.

• 복식
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• 제55권2호
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• pp.58-69
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• 2005

The purpose of this study is to investigate types and formative characteristics of 'Seon' represented of costume in Amitabha of the late Koryo Dynasty. The results were as follows; The type of 'Seon' is classified into Standard, Decoration and Application types. According to three types, the types of the standard are subdivided into same rotor and no pattern and different color and no pattern, the types of the decoration are subdivided into same color and pattern and different color and pattern, And the types of the application are subdivided into wrinkle and beads-decorated wrinkle according to whether decorative beads exist or not. In the Standard type of Seon, same color and no pattern in the Decoration type of Seon, different color and pattern was most often used as its type while, in the applied type of Seon had its main type of beads-decorated wrinkle. Patterns used for Seon were complex in its composition type and filing in its arrangement style. Seon was used mainly for guneui(裙衣) and daeeui(大衣). The color arrangement of Seon, in most cases, used complementary colors, followed by same ones. Regarding costumes aesthetic characteristics in accordance with the type of Seon, those costumes appeared natural and plain when their Seon was same color and no pattern in type, artificial and plain when their Seon was different color and no pattern in type, natural and brilliant when same color and pattern in type and artificial and brilliant when different color and pattern. In regard to the applied type of Seon, such costumes looked sophisticated and delicate when their Seon was wrinkle in type and dynamic and decorative when beads-decorated wrinkle.

• 보존과학회지
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• 제37권1호
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• pp.13-24
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• 2021

Safflower, a natural dye representing red, is the dye that materials and dyeing method are recorded in the literature, including materials and dyeing. Although the safflower is the same, the ash used as a mordant is recorded differently in each literature, which greatly affects the aesthetic perspective in realizing the traditional safflower red. Therefore, the optimal conditions for realizing the traditional safflower red were sought. The experiment was conducted by pH investigation, dyeing and color analysis by dyeing solution water, concentration, and temperature by ash, and the unique color of red was confirmed. As a result of the test, the pH point of time when the uniq ue color was expressed was 11.53 as goosefoot ash (natural bedrock water), which was 1:100 for concentration and 70℃ for temperature, which was easier to extract red pigment than other ash, indicating that it is suitable for safflower dyeing. The analysis of the ash showed that K and Si play an important role in dyeing, especially Si, which is an element that inhibits carthamon. The color of red was similar to that of KS Standard vivid purplish red in the ash of the goosefoot, and the other ash was deep purplish pink. In the light of findings, it was possible to quantify the dyeing method through traditional materials and find the standard color of red color, and it is judged to be a basic data for studying the unique color of natural materials.

• 디자인학연구
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• 제16권3호
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• pp.161-174
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• 2003

산업디자이너에게 있어서 색채의 선정과 사용은 매우 중요한 분야이다. 현재 색채는 디자인 업무의 주변조건에서 핵심적인 분야로 도약하였다. 색채는 감성, 관리, 심리의 세 가지 분야 로 주로 사용된다. 그러나 사용상에 있어서는 세 가지 분야 모두를 포함하여 실질적인 디자인을 하게 된다. 국내 색채디자인의 현실로 볼 때 기초적인 연구를 기반으로 한 실용적인 연구분야는 낙후된 실정이다. 특히 색채 감성분야와 색채관리 분야는 대우 중요한 분야이며 이 중에서도 색 이름과 관계된 영역이 가장 중요하다고 할 수 있다. 색 이름은 감성과 관리 를 포함하기 때문이다. 본 연구는 기존에 발표되거나 공식적으로 기록된 국제적으로 호환되는 색 이름을 모두 조사, 분석하고 검색하여 정확한 데이터를 구축하는 것이다. 결과적으로 색 이름을 이용하여 아이디어의 창출과 디자인의 결과물 생산시 정확성을 기하기 위함이다. 연구에 사용된 국내 자료로는 한국산업규격, 관련문헌, 현장조사 등 근거 있는 색채를 중심으로 조사하고 국제적인 자료로는 미국의 ISCC-NBS를 기반으로 일본, 유럽 등의 각 나라의 공식적 자료를 모두 취합하는 기본 조사 연구를 실시하였다. 조사 결과 약 11,000개의 색 이름과 33,000개의 색 이름을 수집 분류하였다. 수집법과 분류법은 국제 기호에 따르고 사용자 중심으로 배열하였다. 또한 산업 디자인 실무에 도움이 될 수 있도록 사용빈도가 높은 색채 체계인 Munsell, RGB, CMYK, XYZ 등 모든 국제규격 색값을 표기하여 디자인의 각 분야에서 모두 적용 될 수 있도록 활용성을 높였다. 현재 한국산업디자인진흥원의 홈페이지에서 운용 중이며, 폐속 개선과 발전을 해나가며 더욱 가치 있는 연구가 될 것이다.

• 한국염색가공학회지
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• 제17권2호
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• pp.19-25
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• 2005

A colour-difference formulae would be based on a colour appearance model, but, So far, most colour-difference formulae in common use are based on empirical fits to data. Therefore, of the many proposed, none are completely satisfactory but advances have been made in recent years. A new color-difference data set has been produced with the aims of making a comparison of the advanced CIE Lab formulae as well as confirming the effect of color-difference. 416 low lightness pairs that have only lightness-difference were produced for evaluation of CIE Lab-based formulae on lightness-difference from glossy polyester fabric. The standard color-difference pair was prepared and used. It was neutral grey sample pair that has only lightness difference. The standard pair was used to investigate lightness tolerances. And grey-scale method used to evaluate visual assessment. CIE Lab coordinates of the samples were measured using a X-Rite 8200 spectrophotometer. Visual assessments were carried out using Gretag Macbeth The Judge II Light Booth. A study of color tolerances at low lightness was carried out and get avaliable some results.

• 한국한의학연구원논문집
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• 제8권2호통권9호
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• pp.121-124
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• 2002

To obtain a specific pharmacological effect, herbal medicines are i)recessed based on the principle of traditional korean medicines. However, the problem in processing is the variety of methods, technics, and drug quality. In order to establish the base of standardization of processing methods, some herbal medicines were processed and studied the change of a color tone before and after processing.

• 한국축산식품학회지
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• 제38권5호
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• pp.1120-1130
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• 2018

This study was conducted to investigate the dressing percentage and physicochemical characteristics, such as fatty acid composition, water holding capacity (WHC), shear force, meat color, cooking loss, and sensory evaluation, of experimental pork obtained from a total of 12 standard pigs and sows. The water content of tenderloin (73.38%) was the highest in standard pork (p<0.05). A statistically significant difference in crude protein content was shown between standard pork and sow pork (p<0.05). There were significant differences between standard pork and sow pork in shear forces of loin and tenderloin (p<0.01). There was a significant difference in WHC between standard pork and sow pork in loin, tenderloin, and hind legs (p<0.05). The CIE $L^*$ and CIE $b^*$ values of standard loin were significantly higher than those of sow loin (p<0.05). The CIE $a^*$ values of sow loin were significantly higher than those of standard loin (p<0.05). The contents of arachidonic acid for standard pork and sow pork were 0.33% and 0.84%, respectively (p<0.05). However, there was no difference in the total content of unsaturated fatty acid between the two groups. There were no significant differences between standard pork and sow pork after sensory evaluation, except for color and tenderness. The overall acceptability of standard pork was significantly higher than that of sow pork (p<0.05).

• 한국컴퓨터정보학회논문지
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• 제14권9호
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• pp.21-28
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• 2009

색상 극화란 주어진 텍스트 영역에서 글자색이 무엇인지를 결정하는 과정으로서 텍스트 추출을 위해서 선행되야 하는 작업이다. 본 논문에서는 텍스트 영역이 주어졌을 때 글자 영역을 추출하기 위한 색상 극화 기법을 제안한다. 제안된 방법은 글자 영역과 배경 영역에 대한 관찰을 바탕으로 두 영역 사이의 면적 비율과 표준편차비율의 관계를 색상 극화에 이용한다. 이를 위하여 그레이 스케일로 주어진 텍스트 영역을 Otsu의 방법으로 이진화하고 이진화된 두 영역을 각각 4-CC 레이블링한다. 레이블링된 두 그룹의 영역에 대해 각각 면적과 영역 중심으로부터의 거리에 대한 표준편차를 계산한 다음 두 그룹에서 면적이 가장 넓은 영역을 갖는 영역 사이의 면적 비와 표준편차가 가장 작은 영역들 사이의 표준편차 비를 이용하여 색상 극화를 수행한다. 다양한 폰트와 크기를 갖는 텍스트 영역에 대한 실험을 통해 제안된 방법이 강건하게 색상 극화를 수행함을 확인하였다.

• 한국조명전기설비학회지:조명전기설비
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• 제10권6호
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• pp.37-47
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• 1996

박물관에서는 조명에 의한 전시물의 손상을 최소화하고 관객의 인식의 편의성을 증진시키기 위하여 적절한 조명 기준이 요구된다. 기준의 작성을 위하여 각국의 박물관 조명 기준을 분석하였다. 우리나라 고유의 유물에 대한 변색 특성을 측정한 결과를 이용하여, 각종 광원에 의해 눈에 뜨이는 변색이 일어나는 적산조도를 계산하고 ISO등급에 따른 분류에 수행하였다. 조명기준을 만드는 데에 필요한 여러 가지 고려 사항과 이 사항들에 대하여 결정을 내리는 과정을 서술하였다. 최종적으로 국내의 박물관에 적용할 수 있는 조명기준을 제시하였다.