• 대한가정학회지
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• 제27권2호
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• pp.21-30
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• 1989

The U.S. response to increased international competition was examined in the present study in order to have more comprehensive understanding of the U.S. textile and clothing market. The method employed to conduct the study was the analysis of the written materials, interview with professionals, and the survey of the actual situations of the U.S. textile and apparel industries. The results are summarized as follows; 1. Official U.S. textile and apparel trade policy has been quite has been quite protective since 1950's. The protective trend has been embodied in Japan Cotton Textile Export Control (reciprocal trade agreement signed by the U.S. and Japan in 1957), Short Term Arrangement Regarding International Trade in Cotton Textiles, Long Term Cotton Textile Arrangement (1962∼1973), and Multi-fiber Arrangement (1974∼). Other governmental programs designed to improve the competitiveness of the U.S. textile and apparel industries include Long-term Textile and Apparel Products Export-expansion Program, and 807 Trade to take labor cost advantage. 2. Along with the quite protective governmental trade policy, the corporate responses have been made such as new sourcing mixes, investment in technology, specialization in the textile and apparel industries, and recent strategies pursued by retailer's. The apparel industry was subject to pressure from imports that increased at moderate levels, and the U.S. textile and apparel industries have made extensive efforts to adjust to the increasing competition from abroad. The textile and apparel industries have taken steps to increase labor productivity through automation, to speed management to create and introduce new products and new methods, and have lowered indirect overhead costs. Several industrywide promotion campaigns have attempted to establish a greater public awareness of international competition and to develop a preference for apparel produced in the United States. 3. Regarding these response of the U.S. and other situations of world textile and apparel trade market, much of the sense of crisis that pervades Korean textile and apparel industries has to do with the problem of adjusting government and corporate policy. Textile and apparel industry of Korea faces on going pressure to reduce costs, improve quality, increase service, develop new markets, diversify, and differentiate itself from its foreign competitors. The strategies that have been adopted in the past have generally worked in the past, but the time has come to adopt strategies that reflect present conditions. If this is not done, then we stand to lose large segments of these industries, which once lost will not easily be regenerated.

• 감성과학
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• 제13권4호
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• pp.693-702
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• 2010

본 연구에서는 미생물에서 추출한 천연 색소로 염색한 직물의 색채특성을 고찰하고 염색 직물의 색채감성에 영향을 미치는 색채감각과 물리적 색채특성을 규명하고자 하였다. 미생물 Zooshikellar에서 추출한 prodiginine 색소를 이용하여 적자색으로 염색된 면, 견, 모, 나일론 직물에 대하여 20대 대학생 남녀 40명을 대상으로 의미미분법을 이용한 색채감각 및 감성을 평가하였다. 미생물 prodiginine 색소로 염색한 직물의 색채감성요인은 '유쾌성', '품위성', '독특성', '편안성' 등 4개 요인으로 분류되었는데, 이 중 '유쾌성' 요인이 미생물 색소로 염색한 직물의 대표적인 색채감성요인이라는 것을 알 수 있었다. 미생물 prodiginine 색소로 염색한 직물 색채의 명도 $L^{\ast}$은 '유쾌성' 요인과 유의한 관계를, 채도인 $C^{\ast}$는 색채감성요인 모두와 유의한 관련성을 보였으며, $a^{\ast}$와 $b^{\ast}$ 의 물리적 색채변인 또한 색채감성요인에 유의한 영향을 끼쳤다. 또한 색채감각과 색채감성요인은 부분적으로 유의한 관련성을 보였다. 미생물 prodiginine 색소로 염색한 직물의 색채감성, 색채특성 및 색채감각 중에서 색상 선호도를 예측해 주는 변인은 '유쾌성'과 '독특성'을 포함한 색채감성임을 알 수 있었다.

• 복식
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• 제55권1호
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• pp.25-42
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• 2005

Costume is a formative art expressed by active human unlike the field of other living formativeness, and an expression of social actions based on a style of culture in a period. Therefore, costume has a deep connection with a mode of living and is recognized as a 'culture for living', and is more characteristic culture than all metaphysical cultures including architecture, craft, painting, and sculpture. Therefore, it expresses wearer's status or social standing, and furthermore, ideas and values of the times with aesthetic features in their form, color, materials, and pattern, so it is expressed as a mirror reflecting the phases of the times as. Korean costume had been dressed until the period of the Joseon Dynasty without a great change and started to be simplified in a simple style on the grounds of inconvenience in behaviors with the opening of an interchange of Western culture in the civilized period. And, this movement had been continued and Korean costume had been applied as an everyday dress under the name of 'Reformed Korean Costume'. Since the middle phase of 1980s, it aroused many people's interests with the introduction of designs focused on activity and convenience. In 1990's, many people had taken a growing interest in Korean costume with development of various designs keeping pace with the internationalization period and Korean Costume had been revitalized under the name of 'The Modernized Korean Costume'. And, since the 21st century, the advanced communication and full-scaled import of Western fashion have made the introduction of many fashion information in the world into Korea, affected greatly the fashion market, led consumers' sensitivity on a trend to be increased. Therefore, a design accepting a trend 'The Modernized Korean Costume' with fashions has risen. Second, this study is an attempt to suggest a revitalization method of domestic casual Korean costume brands by developing and suggesting competitive and highly value-added products with connection of practicality, variety, and highly sensitive fashion styles. For theoretical study, domestic and foreign literatures, academic journals, professional monthly magazines, and newspapers were examined. And, a process of change and features of the Korean fashion since the civilization period, and concept, features and images of casual Korean costume were analyzed, On the basis of analyzing image, features, and consumers' preference of the modernized Korean costume, a design development plan was established and 10 suits of costume were designed and made.

• 대한가정학회지
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• 제45권1호
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• pp.63-73
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• 2007

Korean children's clothes have unique aesthetic characteristics distinguished from other countries'. Our folk beliefs handed down from ancient times always contained fortune - seeking thoughts and particularly mothers' earnest wishes for the happiness of their children were sublimated into the symbolic beauty of their children's clothes. The present study examined children's clothes in the royal family and among the people for 50 years of the transitional period from the late Joseon Dynasty to modern times, by classifying them into ritual dress for new-born babies, festival dress and everyday dress. Male children's clothes included caps such as Bokgeon(복건), Hogeon(호건) and Gulle(굴레) topcoats such as Durumagi(두루마기), Sagyusam(사규삼) Koija(쾌자) and Jeonbok(전복) and others such as Magoja(마고자), Baeja(배자), Joggi(조끼) and Bajijeogori(바지저고리), Female children's clothes included caps and head ornaments such as Gulle, Jobawi(조바위) and Daenggi(댕기) and others such as Durumagi, Jegori and Chima(치마). What is interesting is that old clothes handed down to the present are mostly boys' and few of them are girls'. This is probably because of the strong preference for boys rather than girls that continued until the end of the 20th century. Ordinary people dressed their new - born babies with simple white clothes until Samchilil (the 21st day) or Baekil (the 100thday) but, for these occasions, the royal family prepared clothes as formal as those for the $1^{st}$ birthday among the public. Rainbow-striped garments were more popular among the public than in the royal family. As rainbow colors were known to Korean people to dispel evil power and bring in fortunes, rainbow - striped garments were essential for the $1^{st}$ birthday and festive days. However, they were seldom used in ordinarytimes, and most boys and girls wore plain jackets and plain topcoats. When children's clothes in noble families were compared with royal family's ones, either handed down to the present or found in old literature, no significant difference was observed in the basic composition of everyday dress. In particular, it was found that Andong Kim's family had dressed their children with very formal dress such as Dopo and Sagyusam. Among children's clothes, the most gorgeous one was that worn on the $1^{st}$ birthday, and those for other occasions or festive days were similar or simpler. Colors, patterns and designs used in decorating children's clothes mostly had the meanings of seeking fortunes for children such as long life, wealth and prosperity.

• 한국컴퓨터정보학회논문지
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• 제26권10호
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• pp.125-137
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• 2021

본 연구는 신한복 철릭 원피스에 대한 선호도 조사를 통해 추출된 신한복 철릭 원피스 디자인의 신한복 철릭 원피스 원형을 개발하고자 하였다. 이를 통해 신한복 철릭 원피스 생산의 기초가되는 패턴에 관한 정보를 제공하고자 하였다. 시판 철릭 원피스 패턴 비교에서 우수한 것으로 선정된 D패턴을 변형하여 실험의 패턴을 제작하였다. 패턴에 대한 외관평가 분석에는 SPSS 26.0 프로그램을 활용하였다. 외관 및 의복압에 대한 1차 평가 결과, 어깨, 소매길이, 치마길이, 소매통의 수정이 요구되어 소매길이는 8.0cm를 줄이고 소매통은 총 1.0cm를 줄여 주었다. 치마길이도 5.0cm를 줄이고 어깨끝점을 양쪽에서 0.5cm 안으로 들여 어깨폭을 줄여 주었다. 2차 평가결과, 허리부위, 소매통, 치마 주름에 대한 수정이 요구되어 허리 2.0cm, 소매통 1.0cm를 줄여 주고 앞중심과 옆선 부위 주름을 제거하여 최종 패턴은 높은 평가를 받았다. 1차, 2차, 3차 간에는 유의미한 차이가 있었다. 향후 연구에서는 소재와 연령에 따른 철릭 원피스 원형 연구와 실제 제작된 의복의 착의실험을 통한 연구가 이루어져야 할 것으로 사료된다.