• 제목/요약/키워드: Classical singer

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서양식 성악발성법의 의학적 이해 (Understanding of the Western Classical Singing in Medical Point of View)

  • 최홍식;홍현준;염용혁;남도현
    • 대한후두음성언어의학회지
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    • 제22권2호
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    • pp.106-110
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    • 2011
  • Western classical singing voices are different from those of pop song singer's singing voices as well as traditional Korean singing such as Pansori. We anlalysed the singing voices from three different categories with using free application programs available at the usual smart phones : sound level meter and Spectral View Analyzer and fiberoptic rhinolaryngoscopic evaluation. The intensity of voice produced by a classical western singer was 11 dB louder than that produced by a pop song singer. Source sound, glottic sound, as well as harmonic sound and singing resonant sound (Singer's formant) are much more prominent. When evaluated under video-rhinolaryngoscopy during singing, the resonance cavity especially oropharyngeal cavity and hypopharyngeal cavity are widely opened during singing of the western classical singer than those of the traditional Korean singer's singing. Difference of singing methods including producing the glottal sound, respiration and resonance are discussed. Possible explanation of development of 'Singer's Formant' is discussed.

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성악발성과 실용음악발성의 비교연구 (Comparison between Operatic Singing and Applied Music Singing)

  • 남도현;김화숙;유현지;최홍식
    • 말소리와 음성과학
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    • 제2권4호
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    • pp.11-18
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    • 2010
  • This study compared classical operatic singing and applied music singing using the vocal assessment software, Dr. Speech and SPEAD from Lx Speech Studio. Participants in this study included: eight female operatic singers (mean 22.6 yrs, average career 7.5 yrs); eight male operatic singers (mean 25.6 yrs, average career 7.3 yrs); eight female applied music singers (mean 25.1 yrs, average career 6.1 yrs); and eight male applied music singers (mean 27.6 yrs, average career 6.8 yrs). The results demonstrated significantly higher closed quotient values in female applied music singers during singing (p<.05). In addition, higher closed quotient values in speaking were presented in male classical singers and longer MPT was obtained in female operatic singers (p<.05). Furthermore, singer's formants were identified in all male operatic singers and in three female operatic singers. In contrast, only one applied music male and one female singer showed singer's formants while singing.

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카운터테너의 음성학적 분석 (Voice Analysis of Countertenors)

  • 정성민;김문정;윤선옥;신혜정;박수경;신유리;권영경
    • 대한후두음성언어의학회지
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    • 제12권1호
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    • pp.39-45
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    • 2001
  • Background and Objectives : A post-pubescent male classical singer has lower vocal register than a female classical singer. Countertenors who can produce higher vocal register like female classical singers with their falsetto voice and head resonance are recently active. The general purpose of this study is to analyze voice of countertenors and to determine the differences with those of classical singers. Materials and Methods : Four countertenors in Korea were examined using a videostrobos-copy and their voice were analyzed using aerodynamic, acoustic and voice range profile methods. Results and Conclusion : Countertenors could produce elevated fundamental frequency, voice intensity and mean air flow rate using large pulmonary capacity and head voiced falsetto. It means the presence of greater energy in countertenor is due to the more efficient conversion of the air flow to acoustic energy. But, they had unstable amplitude perturbation per each vocal cycle. The results indicated that countertenor is the acoustic products of different laryngeal mechanism with other classical register and it can be recognized as one of the registers of male classical singers.

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THE USE OF THE TECHNIQUE IN BOTH CLASSICAL AND FOLK SONG IN OCCIDENTAL SINGING

  • Naidich, Susana
    • 대한후두음성언어의학회지
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    • 제2권1호
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    • pp.15-19
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    • 1986
  • Our report refers to occidental vocal techniques from Greece until today. It is remarkable that even with poor anatomy knowledge, there were advices on styles given from very early periods, for both church and secular singing. During the 18th century, the names of "vox pectoris", "vox guturris" and "vox capitis" appear, nominations that somehow remain nowadays with great confusion about source of sound production and results of resonance. Vocal occidental styles developed different kinds of requirements from the singers, that had to adapt their vocal Possibilities to them. The same happened with "pop" song. Nowadays, all kinds of singers must have a conscious knowledge of its voice management to prevent vocal disturbances. We consider that the technique is the same, even when the singer has to sing Wagner, Debussy, Sconberg, Piazzola or Gershwin. The big changes occured at resonance levels, and because these different use of the vocal resonators the effects are quite different. In summary, the big differences on classical the effects are quite different. In summary, the big differences on classical and pop song are done on the different use of the resonators and its effects on the vocal tract. "Pop" singers, men and women, should be taught to use both registers, "modal" and "falsetto" to be able to reach the complete range of their songs without any harm to their larynxes. In our opinion, a good singing technique means that it could be adapted to every stylistic need. The same technique is adapted to the popular singer as well. The main difference lays on the use of resonators, pretty strong in the classic singer, weaken in the popular singer, on the volume and on the total extension of the voice. Breathing control, effortless emission and the use of "passage" at the right point should be taught to all singers, regardless of their style. (omitted)

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성악가의 음성위생 습관과 한국어판 음성관련 삶의 질(K-VRQOL) 특성 (Voice hygiene habits and the characteristics of Korean Voice-Related Quality of Life (K-VRQOL) among classical singers)

  • 강하늘;김선희;유재연
    • 말소리와 음성과학
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    • 제10권3호
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    • pp.49-59
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    • 2018
  • The purpose of this study was to investigate vocal hygiene habits and Korean Voice-Related Quality of Life (K-VRQOL) among classical singers. A total of 128 classical singers filled an online voice and K-VRQOL questionnaire, and the results were analyzed. In order to investigate the characteristics of K-VRQOL according to age groups, and the presence or absence of a history of voice problems, we conducted a two-way ANOVA. The results are as follows. Of the 128 classical singers, 28 (21.9%) with a history of voice problems said that excessive conversation, singing practice, and yelling were the causes of their voice problems. The symptoms of voice problems were fatigue, loss of range, hoarseness, and breathiness. In addition, classical singers were less likely to smoke, or to drink alcohol or caffeine. The K-VRQOL was highly correlated with all sub-domains. There was a statistically significant difference according to age groups (p<.05) and history of voice problems (p<.01). There was no correlation between age groups and history of voice problems. Voice management is important because classical singers can ruin their voice by speaking, and the risk of voice disorder is high. Voice problems affect quality of life. In future studies, it is necessary to obtain information on the subjective voice characteristics of classical singers by examining the relationship between their voice hygiene habits and VHI, SVHI, and K-VRQOL.

성악가의 성별 및 성종에 따른 발성적 특징과 차이 (Vocal Characteristics and Differences in Gender and Voice Classification among Classical Singers)

  • 남도현;김화숙
    • 말소리와 음성과학
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    • 제1권2호
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    • pp.163-171
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    • 2009
  • This study attempted to investigate vocal characteristics and differences in gender and voice classification among classical singers. Twenty-three female singers (M = 23.1 yrs, SD = 3.6 yrs, average 6.3 yrs singing experience, all classified as sopranos) and twenty male singers (M = 25.2 yrs, SD= 3.6 yrs, average 6. 3 yrs singing experience, 8 tenors, 12 baritones) were recruited to participate in the present study. Speaking fundamental frequency (FO), closed quotient (CQ), MPT (Maximum Phonation Time), breathing types, maximum inspiratory pressure (MIP), maximum expiratory pressure (MEP), and singers' formants were measured. In addition, vibratory patterns were observed using stroboscopy. Sfo, singing CQ, breathing types, formant frequency in singers' formants, MIP, MEP, and MPT were significantly different from gender to gender. Generally, singers' formants were observed in male singers and also the pattern of singers' formants was different between tenors and baritones. Lower singing CQ values were observed than speaking CQ values in the female singers (P<.001). Furthermore, MEP, MIP, and singing CQ were significantly lower for female singers than for males singers (P<.001). MPT and speaking FO, however, were not significantly different between tenors and baritones.

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음성장애가 있는 성악인에 대한 성악치료의 효과 (The Effect of Singing Therapy on Classical Singers with Voice Problems)

  • 문영일;홍현정;신혜정;박애경;정성민
    • 대한후두음성언어의학회지
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    • 제11권1호
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    • pp.32-38
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    • 2000
  • Background and Objectives : Voice therapy has been used as a viable adjuvant to surgery and pharmacological therapy fir the management of voice disorders. The singing voice features a special brand of emotion, intensity, and energy so successful therapeutical approach requires the doctor is able to involve himself into the physical and psychic condition and artistic usage of the voice. The purpose of this study was to evaluate the effect and utility of singing therapy as an initial treatment for classically trained singers with voice disorders. Material and method : Twenty-one male and fifty-five female classic singers with voice disorders were treated with singing therapy. At first, abdominal breathing, resonant phonation, and relaxation method was trained, then after accessing each patient's singing abilities, treatment methods for each specific problems was applied. The results were compared according to age, sex, treatment duration, part, laryngeal pathology, patient subjective evaluation, perceptual evaluation of voice, and maximal phonation time. Results : Patients subjective evaluation, perceptual evaluation, pathologic findings of larynx, maximal phonation time showed superior results after singing therapy. Conclusion : Singing therapy changes the mode of respiration and phonation and enhances the vocal function and improves the laryngeal pathology, The result of this study indicate that singing therapy is an effective treatment method that laryngologists can use for classical singers with voice disorders.

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서양 음악을 전공으로 하는 성악인의 음향학적 분석 (Acoustic Analysis of Classically Trained Western Singers)

  • 정성민
    • 대한후두음성언어의학회지
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    • 제10권2호
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    • pp.124-129
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    • 1999
  • 1) 음성 장애를 호소하지 않는 성악인 50명중 여자는 59% 남자는 50%에서 후두스트로보스코피상 성대 병변이 발견되었다. 2) 성종별로는 소프라노에서 가장 성대 병변의 발생률이 높았다(66.7 %). 3) 최장발성 지속시간은 성악인의 경우 성대 병변에 관계없이 일반 정상인에 비해서 증가되어 있었으며 특히 정상 성대를 가진 여자 성악인에서는 일반인에 비해 통계적으로 의의 있게 증가되어 있었다. 4) 기본진동수, 기본진동수 표준편차, 기본진동수변 이들은 성악인이 일반인에 비해 안정되어 있었고, jitter. PPQ는 성악인이 성대 병변이 있더라도 일반인에 비해 감소되어 있었으며, 특히 남자 성악인에서는 통계적으로 유의하게 감소되어 있었고, Shimmer. APQ 역시 성악인이 성대 병변이 있더라도 일반인에 비해 통계적으로 의의 있게 감소되어 있었다.

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발성훈련 전 후의 혈중산소포화도(SaO2)와 폐포 내 이산화탄소분압(PaCO2)의 비교 연구 (Acomparison of Sao2 & PACO2 Changes of pre & post vocal training Classical singer)

  • 남도현;안철민
    • 대한음성학회:학술대회논문집
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    • 대한음성학회 2007년도 한국음성과학회 공동학술대회 발표논문집
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    • pp.261-264
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    • 2007
  • Five males trained singers (age:25.0${\pm}$1.4years, career:6.8${\pm}$1.1 years) and five female trained singers (age:22.0${\pm}$1.0years, career:5.8${\pm}$1.2 years) participated in this study. SaO2(Oxi Hemoglobin saturation) measured by Oxy-Pulse meter and PAC02 (Pressure Alveolar Co2) measured by Quick et CO2 are compared with pre and post vocal training. As the result, PAC02 was lower than normal range (36-40mmHg) after vocal training, leading to Hypocapnia. This causes headache and dizziness

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