• Journal of the Korean Institute of Rural Architecture
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• v.2 no.1
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• pp.79-88
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• 2000

Recently, global pollution reached the critical level. Thus, new paradigm for the development and conservation of natural resources appear. This is so called Environmentally sound and Sustainable development. Ecological Architecture proposed as a proposal for the paradigm. This research deals with Christian Thoughts about the Ecological Architecture planning. The results are as follows; First, Sustainable development is new paradigm that is suitable for the Christian Integrity of Creation. Second, Ecological Architecture will be better when the people have full of the Christian love.

• Korean Institute of Interior Design Journal
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• no.30
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• pp.68-77
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• 2002

From ancient to modern architecture, the light in the architecture spaces as the only changing factor, was the most important theme contributing vitality to the space and judging its character and expression. The efforts, to acquire both natural-physical light and internally experienced spiritual-supernatural light, had been revealed in several ways of the architecture from the ancient architecture. It was the main issues on the christian architecture. In this study, 1 have intended to determine how the light, the most important factor on the christian architecture symbolizing the blessing of God and forming the pious and restrained spaces has been expressed in the church spaces. For this purpose, I have compared and analysised the examples of the using the light, to the arts of the modern maestros of architecture and newly constructed churches in Korea on the way of light input pattern by the shape of windows. The results from the examples show that the most outstanding point of the modern christian architecture compare to the past, is that the natures of the inputted light has many diversities by the architects. And I reached the fact that the constructers by their own will to acquire the intended light, they are chose progressive light expressing methods through the shape of windows.

• Korean Institute of Interior Design Journal
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• v.14 no.5 s.52
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• pp.262-270
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• 2005

The purpose of this study is to search for the characteristics of the theory of 'placeness' permeated through contemporary museum architecture in Korea, and hereby to prove the possibility of coping with the modernity in Korean architecture. In this study the theory of 'placeness' which is asserted by Christian Norberg Schultz has been adopted in debating contemporary architecture in Korea. Therefor the theory of 'placeness' has been researched to get an angle of vision on the proof of coping with the modernity in Korean architecture. Seven contemporary museum architecture which have been completed since 1990 have been examined in the view of morphology, topology, and typology which are the major factors of 'placeness'. Throughout this case study, the post-modernity in museum architecture in Korea has been proved, which establishes that the 'placeness' is one of the alternatives for contemporary architecture in Korea.

• Korean Institute of Interior Design Journal
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• v.22 no.6
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• pp.151-161
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• 2013

This study which analyzed 4th century Constantinus basilica church architecture is on how the Roman basilica architecture became to christianized and christian architecture became romanized. Basilica architecture of Rome which has strong public characteristic had approach from various direction, especially it has formed inter communicable open space to center forum. Even though, the early christian church has became to bigger size on the process of domus ecclesia centered growth, but it has formed essencially unhierarchy community of home based, it also seemed to have loose religious community below hundred. The result of analyzing 22 of 4 century basilica churches had been shown that more than 60% of them were built on historical place such as tomb of martyr, nearly 70% of them were long axis type, the size of church showed up $3,200m^2$ of average total area. In conclusion, this study concluded the result of christianized showed closeness pursue holiness by separation from the secular world, and long axis it was revealed as mass for the procession ceremony of catholic church. The result of romanized occurred from the process that the basilica church abandoned the unhierarchy, small sizing, worship simplicity of early domus ecclesia characteristics and accept hierarchy, big sizing, worship formalism and complexity of Roman empire system in the roman basilica churches. Through this study it could be grasp that the romanized of early christianity bring not only the change of church architecture but also degeneration of christian itself.

• Journal of The Korean Digital Architecture Interior Association
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• v.10 no.3
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• pp.63-71
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• 2010

The Ottoman dynasty destroyed the Byzantine Empire by occupying Constantinople established the Ottoman Empire and renamed to Istanbul in 1453. Contrary to Islam, the research about Byzantine architecture have an abundant data. Because of the indifference to Islam, there is need today for this sort of study. Islam believe the Biblical Old Testament, I should like to know what is reason for resemblance of the Christian Aya sopia, what is difference in the floor plan between Islam and Judaism. This research applies to the Courtyard type Mosques of SINAN aesthetically completed the Mosque Architecture as a respected architect in 15th century. This study is to investigate the relationship of Orthodox Eastern Church and Islam Mosque within the limit of Istanbul that access is easy and have Christian religion by substratum culture among the many countries that Islam does by diplomatic relations.

• Journal of The Korean Digital Architecture Interior Association
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• v.9 no.3
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• pp.59-68
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• 2009

This study is to research the plane form of representative and comparatively well preserved the Eastern Orthodox church that is located in the old streets of Istanbul among the church built in the 6th century to the 12th century A.D. and arrange the organic nature of plane at the christian church of the times, the characteristics of the Eastern Orthodox church followed by religion ideology. Also it is required continuously to classify and arrange the building type about the historic remains of christian church in the suburbs of Aegean sea by means of the times, region, ideeology.

• Pediatric Infection and Vaccine
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• v.4 no.1
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• pp.150-154
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• 1997

Since 1972, a unique lymphadenitis called as subacute necrotizing lymphadenitis has been described in many Japanese literature. Originally described in Japan, it now appears worldwide. It mainly affects young women and usually manifests as fever and lymphdenopathy. The pathology is characterized by necrosis with loss of nodal architecture, infiltration with many histiocytes, and an absence of granulocytes. We report a case of subacute necrotizing lymphadenitis in axillary area. 4 10-year-old male child was admitted with a one-month history of fever, swelling in the axillary area. He treated with intravenous antibiotics. Despite treatment he remained febrile for the next ten days. 4 dissection of the axillary swelling was then performed, as was a diagnostic lymph node biopsy. The patient's condition resolved over several days and he was discharged.

• Journal of the Korean Society of Costume
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• v.50 no.2
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• pp.59-80
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• 2000

In February 1947, Christian Dior startled the world with his spring collection. He transformed the unflattering square shouldered outline of women's wartime fashion overnight. It was not only fashion that made a pivotal point for opulence and elegance, The style of architecture, furniture, glass, and silverware also made a radical change. The new style emerged after war called " organic modernism'. This study is to define the visual characteristics of fashion, architecture, furniture and craft after World War II and examine the social factors and aesthetics that generated a new style. The common asthetic characteristics are freedom, abstraction of symbolic from, asymmetry, and exaggeration of form. The social factors, values and aesthetics are economic reconstruction and renaissance of design , technical development and new materials, fredom and optimistic view after the holocaust of war, and organic aesthetics and humanism.

• Archives of design research
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• v.16 no.1
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• pp.45-52
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• 2003

Modem church architecture in korea have many problems in the shape and composition of space and design method. Many church were built without consideration of the identity of the christian religion. The characters of Ando Tadao's church architecture are using the transition space, light and the symbol. The transition space similar to the approach process using in asian temple. It make a meditative space for the church during approach to the chapel. Ando Tadao make meditative space by using self-support wall. In here, Self-supporting wall devide space as the holly space and the common space. Light is very important element in church architecture. He introduce light and shadow in the chapel more significant element. Light and shadow make the space with very dignity. Also, Ando Tadao use symbol as important element. It make the identity of christian religion. He make that as a part of structure. The well-controled symbols change the simple space to more religious place.

• Acta Via Serica
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• v.9 no.1
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• pp.139-160
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• 2024

This study delves into the concept of cultural hybridity, using the Great Mosque-Cathedral in Córdoba, Spain as a unique case study. This monumental site stands as a testament to the convergence of Islamic and Christian architecture and ideology, a phenomenon that is often discussed in modern contexts. However, this study takes a step further, examining cultural hybridity across historical epochs to reveal its persistent relevance in shaping social and cultural landscapes. Originally a mosque transformed into a Christian cathedral, the Great Mosque-Cathedral is a prime example of this phenomenon, reflecting continuous cultural, architectural, and ideological exchanges between the two religions. This paper meticulously analyzes how the structure's architectural elements embody these exchanges, such as its ornate mihrab and unique double-arched columns. By integrating theories of hybridity with a detailed architectural and historical analysis, the study argues that the mosque-cathedral is not merely a physical space but a dynamic medium through which cultural negotiations and adaptations are articulated. The findings underscore the complexity of cultural hybridity, challenging simplistic interpretations of cultural exchange and dominance, and highlighting the mosque-cathedral's role in ongoing debates about identity and heritage in contemporary society. This comprehensive examination contributes to academic discussions on hybridity and enhances our understanding of cultural resilience and transformation through architectural spaces.