• 한국농촌건축학회논문집
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• 제2권1호
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• pp.79-88
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• 2000

Recently, global pollution reached the critical level. Thus, new paradigm for the development and conservation of natural resources appear. This is so called Environmentally sound and Sustainable development. Ecological Architecture proposed as a proposal for the paradigm. This research deals with Christian Thoughts about the Ecological Architecture planning. The results are as follows; First, Sustainable development is new paradigm that is suitable for the Christian Integrity of Creation. Second, Ecological Architecture will be better when the people have full of the Christian love.

• 한국실내디자인학회논문집
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• 제30호
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• pp.68-77
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• 2002

From ancient to modern architecture, the light in the architecture spaces as the only changing factor, was the most important theme contributing vitality to the space and judging its character and expression. The efforts, to acquire both natural-physical light and internally experienced spiritual-supernatural light, had been revealed in several ways of the architecture from the ancient architecture. It was the main issues on the christian architecture. In this study, 1 have intended to determine how the light, the most important factor on the christian architecture symbolizing the blessing of God and forming the pious and restrained spaces has been expressed in the church spaces. For this purpose, I have compared and analysised the examples of the using the light, to the arts of the modern maestros of architecture and newly constructed churches in Korea on the way of light input pattern by the shape of windows. The results from the examples show that the most outstanding point of the modern christian architecture compare to the past, is that the natures of the inputted light has many diversities by the architects. And I reached the fact that the constructers by their own will to acquire the intended light, they are chose progressive light expressing methods through the shape of windows.

• 한국실내디자인학회논문집
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• 제14권5호
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• pp.262-270
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• 2005

The purpose of this study is to search for the characteristics of the theory of 'placeness' permeated through contemporary museum architecture in Korea, and hereby to prove the possibility of coping with the modernity in Korean architecture. In this study the theory of 'placeness' which is asserted by Christian Norberg Schultz has been adopted in debating contemporary architecture in Korea. Therefor the theory of 'placeness' has been researched to get an angle of vision on the proof of coping with the modernity in Korean architecture. Seven contemporary museum architecture which have been completed since 1990 have been examined in the view of morphology, topology, and typology which are the major factors of 'placeness'. Throughout this case study, the post-modernity in museum architecture in Korea has been proved, which establishes that the 'placeness' is one of the alternatives for contemporary architecture in Korea.

• 한국실내디자인학회논문집
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• 제22권6호
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• pp.151-161
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• 2013

This study which analyzed 4th century Constantinus basilica church architecture is on how the Roman basilica architecture became to christianized and christian architecture became romanized. Basilica architecture of Rome which has strong public characteristic had approach from various direction, especially it has formed inter communicable open space to center forum. Even though, the early christian church has became to bigger size on the process of domus ecclesia centered growth, but it has formed essencially unhierarchy community of home based, it also seemed to have loose religious community below hundred. The result of analyzing 22 of 4 century basilica churches had been shown that more than 60% of them were built on historical place such as tomb of martyr, nearly 70% of them were long axis type, the size of church showed up $3,200m^2$ of average total area. In conclusion, this study concluded the result of christianized showed closeness pursue holiness by separation from the secular world, and long axis it was revealed as mass for the procession ceremony of catholic church. The result of romanized occurred from the process that the basilica church abandoned the unhierarchy, small sizing, worship simplicity of early domus ecclesia characteristics and accept hierarchy, big sizing, worship formalism and complexity of Roman empire system in the roman basilica churches. Through this study it could be grasp that the romanized of early christianity bring not only the change of church architecture but also degeneration of christian itself.

• 한국디지털건축인테리어학회논문집
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• 제10권3호
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• pp.63-71
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• 2010

The Ottoman dynasty destroyed the Byzantine Empire by occupying Constantinople established the Ottoman Empire and renamed to Istanbul in 1453. Contrary to Islam, the research about Byzantine architecture have an abundant data. Because of the indifference to Islam, there is need today for this sort of study. Islam believe the Biblical Old Testament, I should like to know what is reason for resemblance of the Christian Aya sopia, what is difference in the floor plan between Islam and Judaism. This research applies to the Courtyard type Mosques of SINAN aesthetically completed the Mosque Architecture as a respected architect in 15th century. This study is to investigate the relationship of Orthodox Eastern Church and Islam Mosque within the limit of Istanbul that access is easy and have Christian religion by substratum culture among the many countries that Islam does by diplomatic relations.

• 한국디지털건축인테리어학회논문집
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• 제9권3호
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• pp.59-68
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• 2009

This study is to research the plane form of representative and comparatively well preserved the Eastern Orthodox church that is located in the old streets of Istanbul among the church built in the 6th century to the 12th century A.D. and arrange the organic nature of plane at the christian church of the times, the characteristics of the Eastern Orthodox church followed by religion ideology. Also it is required continuously to classify and arrange the building type about the historic remains of christian church in the suburbs of Aegean sea by means of the times, region, ideeology.

• Pediatric Infection and Vaccine
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• 제4권1호
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• pp.150-154
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• 1997

Since 1972, a unique lymphadenitis called as subacute necrotizing lymphadenitis has been described in many Japanese literature. Originally described in Japan, it now appears worldwide. It mainly affects young women and usually manifests as fever and lymphdenopathy. The pathology is characterized by necrosis with loss of nodal architecture, infiltration with many histiocytes, and an absence of granulocytes. We report a case of subacute necrotizing lymphadenitis in axillary area. 4 10-year-old male child was admitted with a one-month history of fever, swelling in the axillary area. He treated with intravenous antibiotics. Despite treatment he remained febrile for the next ten days. 4 dissection of the axillary swelling was then performed, as was a diagnostic lymph node biopsy. The patient's condition resolved over several days and he was discharged.

• 복식
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• 제50권2호
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• pp.59-80
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• 2000

In February 1947, Christian Dior startled the world with his spring collection. He transformed the unflattering square shouldered outline of women's wartime fashion overnight. It was not only fashion that made a pivotal point for opulence and elegance, The style of architecture, furniture, glass, and silverware also made a radical change. The new style emerged after war called " organic modernism'. This study is to define the visual characteristics of fashion, architecture, furniture and craft after World War II and examine the social factors and aesthetics that generated a new style. The common asthetic characteristics are freedom, abstraction of symbolic from, asymmetry, and exaggeration of form. The social factors, values and aesthetics are economic reconstruction and renaissance of design , technical development and new materials, fredom and optimistic view after the holocaust of war, and organic aesthetics and humanism.

• 디자인학연구
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• 제16권1호
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• pp.45-52
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• 2003

현대 교회건축은 그 형태와 공간의 구성 및 디자인방법에서 많은 문제점들을 보여주고 있다. 많은 교회들이 기독교적인 정체성의 표현이 결여된 채 건축되어 지고 있다. 안도 타다오의 교회건축의 특성은 전이공간, 빛과 그림자 그리고 상징의 효과적인 구성으로 나타난다. 전이공간은 한국과 일본 등의 사찰에서의 공간체험의 프로세스를 도입한 것으로 보이며 그것은 예배당을 항해 접근하는 동안 사색의 시간을 제공하며 속의 공간에서 성의 공간으로의 극적인 반전을 가능하게 한다. 안도 타다오는 자립벽을 경계로 성과 속의 공간을 구획하였다. 초기 기독교건축 이래로 빛은 교회건축의 중요한 요소였다. 안도 타다오는 현대교회건축이 잃어버린 빛과 그림자를 효과적으로 도입하여 공간의 깊이와 신성을 표현하였다. 안도 타다오에게서 상징은 모든 것이 절제되어진 그의 건축공간에서 기독교의 정체성을 나타내는 적극적이고 효율적인 표현 방법이다. 그는 상징을 건축이나 공간에 부가적인 요소가 아니라 건축과 일체가 되게 표현함으로서 공간 전체가 하나의 기독교적인 정체성을 나타내는 오브제가 되도록 하였다.

• Acta Via Serica
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• 제9권1호
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• pp.139-160
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• 2024

This study delves into the concept of cultural hybridity, using the Great Mosque-Cathedral in Córdoba, Spain as a unique case study. This monumental site stands as a testament to the convergence of Islamic and Christian architecture and ideology, a phenomenon that is often discussed in modern contexts. However, this study takes a step further, examining cultural hybridity across historical epochs to reveal its persistent relevance in shaping social and cultural landscapes. Originally a mosque transformed into a Christian cathedral, the Great Mosque-Cathedral is a prime example of this phenomenon, reflecting continuous cultural, architectural, and ideological exchanges between the two religions. This paper meticulously analyzes how the structure's architectural elements embody these exchanges, such as its ornate mihrab and unique double-arched columns. By integrating theories of hybridity with a detailed architectural and historical analysis, the study argues that the mosque-cathedral is not merely a physical space but a dynamic medium through which cultural negotiations and adaptations are articulated. The findings underscore the complexity of cultural hybridity, challenging simplistic interpretations of cultural exchange and dominance, and highlighting the mosque-cathedral's role in ongoing debates about identity and heritage in contemporary society. This comprehensive examination contributes to academic discussions on hybridity and enhances our understanding of cultural resilience and transformation through architectural spaces.