• Journal of Korean Vacuum Science & Technology
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• v.6 no.1
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• pp.36-39
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• 2002

Molybdena powder was heated at both 660$^{\circ}C$ and 700$^{\circ}C$ for half-hour in an evaporation-deposition device. The molybdena thin films deposited on the surfaces of alumina ceramics displayed two kinds of fractal aggregates, i.e., the stackings of ribbon-like crystals and ramified palm-like structures. It is revealed from the experimental results that the microstructures of these fractal aggregates depended strongly on their growth conditions. The dynamics of fractal growth of molybdena thin film is discussed.

• 한국정보디스플레이학회:학술대회논문집
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• 2008.10a
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• pp.1247-1250
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• 2008

This presentation highlights work from the authors' laboratories on the various kinds of oxide optical materials, mainly luminescence and pigment materials with different forms (powder, core-shell structures, thin film and patterning) prepared by the Pechini-type sol-gel (PSG) process. The PSG process which uses the common metal salts (nitrates, acetates, chlorides etc) as precursors and citric acid (CA) as chelating ligands of metal ions and polyhydroxy alcohol (such as ethylene glycol or poly ethylene glycol) as cross-linking agent to form a polymeric resin on molecular level, allowing the preparation of many forms of luminescent materials.

• Proceedings of the Korea Contents Association Conference
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• 2019.05a
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• pp.99-100
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• 2019

중국의 오랜 역사는 영화 제작에서도 중요한 소재이자, 기반이다. 실제로 세계 시장을 향한 전통적 소재의 영화가 다수 제작되고 있다. 이에 연구자는 영화 속에 나타난 중국적 요소를 체계화하고 분석하여 중국 영화의 발전에 기여하고자 한다. 그럼으로써 깊은 문화의 유산을 알리고, 효과적으로 관객에게 전달할 수 있는 방법론을 체계화하고자 한다. 이를 위해 본 연구에서는 장이머우(張藝謀)의 초기 영화에 나타난 중국적 요소를 중심으로 연구를 수행하고자 한다.

• Cartoon and Animation Studies
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• s.51
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• pp.129-158
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• 2018

China has had many excellent Chinese-style animation since the 1950s. These animations are of distinctive Chinese national characteristics. They have won many awards both at home and abroad, such as "Feelings of Mountains and Waters", "Uproar In Heaven", "Why is the Crow Black-Coated" and so on. But nowadays, Chinese animations that mimics Japanese and American animation are very often, and there are few animation works with rich traditional Chinese culture. There are some works in the name of Chinese style, but they have not been fully accepted by the audiences. If one wants to create animated works of Chinese style, the author must have an in-depth understanding of Chinese traditional and folk art. Animation can not be designed only on the surface. This paper mainly studies the traditional five color concept in China and its application in animation. The purpose is to provide some references to differentiate Chinese animation from other countries in terms of style and color. The main content of this paper is to understand the concept and history of Chinese traditional five color views, and to know that this color system has reflected the ancestors' concept of nature and society. On the basis of five monochromatic colors, red, yellow, green, white and black, it is a kind of complex color concept that has been developed and perfected continuously after a long period of accumulation and precipitation in the practice of life. It is the theoretical basis of Chinese traditional color system and a complete set of historical, cultural, philosophical and religious theories. Finally, this paper analyzes the colors and their symbolic meanings of the main roles in "Uproar In Heaven", a color long animation produced by Shanghai Animation Film Studio, including Sun Wukong, the Jade Emperor and Na Zha. Color is the first visual language. The use of color symbols to express the inner feelings, status, good and evil of the characters will affect the audience's emotions, behaviors and opinions imperceptibly. The traditional Chinese five color concept has gone through such a long history, and its symbolic meaning has a more profound impact on Chinese people. Applying the color concept and symbolic meaning of Chinese traditional five color concept will further highlight the personalities and emotions of the roles in Chinese style animations. This paper takes the five-color view as the theoretical basis, and through the analysis of cartoons with traditional Chinese color, the author finds ways to flexibly use traditional Chinese culture.

• The Journal of the Korea Contents Association
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• v.15 no.12
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• pp.97-105
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• 2015

In the history of photograph, after the development of color photographs, those with multiple colors and high definition has gradually become the mainstream works in the field of photography. In the modern society of China that has been through reform and opening up, people's minds were increasingly liberated to widely accept color photos in terms of photography. Furthermore, the broad penetration of digital photography has brought together a new trend in the field of black-and-white photography. In line with this trend, more black-and-white photographs have appeared which are different from existing ones in the film-based period. In this recognition, the study seeks to compare the black-and-white documentary photograph works of Chinese photographers and analyze the modern Chinese black-and-white photographs.

• Korean Journal of Plant Resources
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• v.17 no.2
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• pp.147-152
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• 2004

To increase the utilization of farming lard and the income of farmers four cropping systems by introducing two crops in the cultivation of sesame and perilla were tested from May, 2001 to June, 2002. Weed occurrence was observed abunantly at the in barley＋sesame cropping system. Among cropping systems, weed in barley+sesame was greater in post-crop than in pre-crop, but other cropping systems were in pre-crop. Pre- or post-crops at the barley＋sesame, sesame+chinese cabbage showed good growth. The income of cropping system containing sesame was higher 21％ and 61％ in barley＋sesame and sesame＋chinese cabbage, than in sesame and perilla mono-crop systems respectively. The sesame＋chinese cabbage was labor-saying and cost down cropping system, because polyethylene film of pre-crop was reused in post-crop. But when perilla was introduced as post-crop of sesame, the delayed seed time resulted in decreased growth and grain yield. Soil physical properties were improved at the sesame＋chinese cabbage and barley＋sesame cropping systems.

• The Journal of the Convergence on Culture Technology
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• v.9 no.3
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• pp.377-383
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• 2023

The movie <Yin Ru Chen Yan> is evaluated to reflect the rural reality of China's northwest region. Although the film also contained the farmer's unique sincerity and pure love, many problems were also raised. The specific issues raised are as follows. First, he accused young Chinese rural people who could not express their intention properly at the time of marriage.This can be said to be largely due to the lack of proper education, medical care, and welfare benefits for a long time. Second, he criticized the rural housing policy that deviated from reality. It warns that unilaterally providing apartments in the city without considering regional characteristics and farmers' situations could be counterproductive. In the movie, the main character abandoned livestock that he thought of and cared for with his family and did not move his residence to an apartment. Third, he criticized the materialism prevalent in rural areas. He criticized the phenomenon of not respecting a human being to solve everything with money and even to receive government housing compensation. In this sense, in order to solve the true Chinese Samnong problem, macro-promoted policies and micro-policies that can encompass some underdeveloped rural areas should also be implemented.

• Journal of the Korean Geographical Society
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• v.42 no.4
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• pp.526-539
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• 2007

The purpose of this study is to investigate the influence of the Korean Wave on Chinese tourism to South Korea through a behavioral analysis of Chinese tourists in the general group package tours. China suppressed the needs of the Chinese people's geographical movement and imposed restrictions on information about the outside world with the use of a policy of "closure" for a long time. But since reforms and open-door policies were introduced in China, especially in the context of relaxation of control policies over Chinese outbound tourism after the mid-1990's, more and more Chinese make trips abroad including visits to South Korea. In this situation, the recent Korean Wave(especially, drama/film) describes the Korean national image by forming a bridge between fiction and reality and plays a pivotal role in broadening or reconstructing the geographical imagination of the Chinese people who have been historically isolated from the outside world. Although Chinese have imagined the Korean nationscape on the basis of geopolitical or economic factors in the past, they have currently broadened or reconstructed their geographical imagination to include socio-cultural factors related closely to the Korean way of life due to the recent Korean Wave. This newly constructed geographical imagination led by the Korean Wave functions as an important pulling factor in Chinese destination choices, affecting Chinese tourists' motivation formation and the recommendation of main attractions. The more influential the Korean Wave is on their destination choice, the more the respondents select the cultural factors in both their motivation for tourism to South Korea and their recommendations of tourism attractions to other people. Through the analysis results of both satisfaction and intention to revisit, the more influential the Korean Wave is on their destination choice, the higher is the degree of both satisfaction and intention to revisit. In other words, although Chinese tourism to South Korea is chiefly in the general group package tours, Chinese tourists who are influenced by Korean Wave on their destination choice have more attachment to(or affection for) Korea as a tourism destination. This result suggests that the Korean Wave affects qualitative change - that is, change of attitude - as well as quantitative change in Chinese demand for tourism to South Korea.

• Korean Journal of Environmental Agriculture
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• v.33 no.1
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• pp.17-23
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• 2014

BACKGROUND: Crop rotation is often used as a solution to eradicate nematodes in soils used in plastic film houses for long-term cultivation of oriental melon. However, it is not clear if the double-cropping is effective in reducing nematode populations in soils. METHODS AND RESULTS: Nematode population in plastic film house soil was measured during oriental melon cultivation from April to July in short term crop rotation systems of oriental melon. Double-cropping of chinese cabbage in open-field for 3-4 months following oriental melon in plastic film houses could not prevent the build-up of high population density of nematodes. However, double-cropping of dropwort in flooded soil for 3-4 months following oriental melon in plastic film houses could effectively reduce the nematode population during the successive year of oriental melon cultivation. The reduced nematode population in soils of oriental melon-dropwort double-cropping system was continued until the mid season of progressive year oriental melon cultivation. Application of nematicide to soil before growing oriental melon in the oriental melon-dropwort double-cropping was very effective in preventing the build-up of high population density of nematode in plastic film house soils. CONCLUSION: Short-term introduction of crop rotation was not effective in suppression of high population density of nematodes in plastic film house soils of long-term year-to-year production of oriental melon. For securing the soil productivity and sustainability of plastic film house, various physical, chemical, and agronomic practices should be properly combined together.

• The Journal of the Convergence on Culture Technology
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• v.8 no.1
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• pp.395-402
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• 2022

The film House of Hummingbird intersects Korean modern history and personal history through the eyes of a teenage girl, and closely explores how patriarchy and Korean capitalism leave traces and internal impressions on the growing up of the female subject. This film is a meaningful text in terms of showing what changes can occur when the subject is transformed from a boy to a girl in the narrative of growth and when a feminist point of view is entered. House of Hummingbird reveals the weakness of the patriarchal symbolic order through the gaze of a teenage girl in the episodic narrative composition, and also discovers the possibility of close relationships and bonds between women in the gaps. In particular, Yeong-ji, the main character girl Eun-hee's Chinese language school lecturer, is a new female character that has never been seen in Korean teenage films. As a result, in House of Hummingbird, we meet a new female subject who negotiates the pain of growth in a 'good enough' condition.