• 건축역사연구
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• 제28권3호
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• pp.29-44
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• 2019

A major performance stage carpenter, Jang Insang led performance stages from the 1719 Sukjong Royal Banquet and was confirmed by historical records to be the first craftsman. Lee Wandeuk led the Hwaseong Fortress performance stages of the Jeongjo period and Gichuk Jinchan performance stages of the Sunjo period. The carpenter techniques he used during the Jeongjo period were succeeded to the Sunjo period. Ahn Sungil was the head craftsman who led the performance stages of Jagyeongjeon Jinjak, Muja Jinjak, and Gichuk Jinchan of the Sujo period, under which the foundation for court palace performances was laid. The progression of major carpenters includes Jang Insang of the Sukjong period, Jeon Yoochu of the Yeongjo period, Ahn Sugil of the Sunjo period, Yoon Seoksin of the Heonjong period, Kim Yoonsik of the Gojong period, Lee Jongyoon, Kim Soongil, Seo Sangmook, and Han Sujoon. In addition, the Major Repair of Injeongjeon Hall (1857) of the Cheoljong period was the most important palace construction project for transferring the carpenters' skills. Through this project, Ahn Sungil of the Sunjo period, Kim Myeonggap, Yoon Seoksin of the Heonjong period, Kwon Deuknyang, and Kim Sungil of the Gojong period were able to interact with each other. That is, this major repair project of Injeongjeon Hall reflected the major carpenters' best techniques through performance stage construction, showing the progression of Ahn Sungil, Yoon Seokshin, and Kim Sungil, who led the constructions of Gichuk Jinchan of the Sunjo period (1829), Mushin Jinchan of the Heonjong period (1848), and Jeonghae Jinchan of the Gojong period (1887), the most impressive performance stages of the late Joseon period. The carpenters of the court performance stages participated in important construction projects of the royal palace, reflecting the superior technical skills of the carpenters in the construction of court palace performance stages. The carpenters who played a leading role in the construction of performance stages were able to interact with one another and transfer their excellent technical skills, providing the driving force that allowed court performance stages to blossom into splendid and high-quality court stages in the late Joseon Dynasty.

• 건축역사연구
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• 제1권1호
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• pp.9-17
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• 1992

According to the 17th century palace construction documents, head artisans were called Pyunsoo. In one building constructions, not only carpenters but also masons, plasterers and painters had their own head, Pyunsoos. This meant that Moksoo-Pyunsoo, head carpenter, could not manage the whole design of the building. Moreover, in many cases, selecting and laying the site of the building were determined by the geomancers. Under those working conditions, Moksoo-Pyunsoo could only have charge of designing the wooden parts, such as structural forms or detailed carvings. The documents showed that some dominent carpenters, like Kwak Ki Jong or Lee Choon Bong, had taken on the post of Moksoo-Pyunsoo in almost every palace constructions, especially inner palace buildings. Form the fact that the same carpenters had worked continuosly, it can be presumed that there would have many resemblance of structural forms or carvings among those inner palace buildings.

• 건축역사연구
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• 제10권2호
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• pp.35-54
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• 2001

This study concerns especially Choryang-Weagwan which was the largest Japanese House left in Pusan through Chosun Dynasty. Choryang-Waegwan was known to have been jointly constructed by Korean and Japanese carpenters. Therefore, Weagwan was a place for exchange of architectural tradition (special features such as sliding door and straw mat) between Korean and Japan. Judging from this point of view, It is certain that mutual influences helped to shape architecture of Choryang-Weagwan. After establishment Choryang- Weagwan was gradually extended, owing to the prosperity of trade with Japan. But since late 18th century government of Chosun did not give as much care to maintaining Choryang- Weagwan as a result of deteriorating condition of commercial and diplomatic relations with Japan. From the beginning of Choryang- Weagwan construction, Superintendents of the construction were called Hun-do and Byl-cha, who acted as official interpreters as well. And, during construction works, they were called Gamdong-gwan, At the start of construction, Weagwan was built partly in Japanese-style by the carpenters from Tokugawa Shogunate. But as time passed, the participation rate of Japanese carpenters diminished gradually. After 1831, Japanese technician vanished extremely and repairing construction was continued by the Korean workers only.

• 건축역사연구
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• 제13권3호
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• pp.69-83
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• 2004

The objective of this study is to clarify the early state of modern architecture, specifically mission architecture, with the introduction of the Christianity, and for the goal it deals with the architectural activities of pioneer missionaries. Especially it is a piece in a series of those researches after on Graham Lee, and it is focused on the other representative missionary, R. M. Wilson, A. M. Sharrocks, and C. A. Clark. Although coming in the capacity of a medical doctor or an educator, they should play all kinds of roles, such as carpenters, educators, and officers. For this mission, even they didn't have a professional knowledge for construction, they should carried on to establish mission compounds, only with their experience and informations. In this process they needed to be assisted by Korean carpenters, surely. The architectures born by them-selves are designed with a unique eclectic style compounded with those of Korean traditional and occidental. That is to say, the pioneer missionaries made a profound influence to create a new tradition of modern architecture in Korea, which is called as Korean-occidental eclectic style in the period of transition. Moreover, some pioneer missionary, such as Sharrocks, took a part in education of architectural skills. The educated carpenters seemed to be called from outside, and the unique styles could get spread away. On this point this paper has the meaning to clarify historically the continuous development of the Korean architecture through the survey on their activities, on the contrary of the existed recognition that Korean modern architecture has been evaluated to be imported from outside; therefore having a crevice with the its own architectural tradition.

• 한국항해항만학회:학술대회논문집
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• 한국항해항만학회 2005년도 추계학술대회 논문집
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• pp.195-216
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• 2005

1678년에 설치된 초량왜관은 조선 역대왜관 가운데 가장 큰 규모로 오랫동안 존치되었으며, 10여 만평의 기지를 배경으로 동관 삼대청과 서관 삼대청 그리고 외측사조가사 등이 복합된 양상으로 구성되어 있었다. 특히 200여 년의 존치기간 동안 창건공사와 21건의 수리공사가 이행된 사실은 주목할 만 하다. 조정은 조선의 땅에 세워진 왜인 거류지인 왜관의 감독과 관리에 관심을 가지고 있었으며, 그 결과 왜관기지 내의 여러 건물을 조선측 조영건물과 일본측 조영건물로 조영주체를 구분하고, 차왜와 소통할 수 있는 역관을 감동관으로 삼아 양국의 의견을 조정하는 등, 일반적인 관아건축과 다른 인력조직과 공사체제를 편성하였다. 왜관창건공사에는 왜목수와 조선목수가 함께 동원되었다. 이러한 사실은 조일 양국이 왜관을 통해 서로의 공사기술과 방법을 체험하고 교류하는 기회였음을 시사한다. 이에 녈 연구는 조선시대 왜관 가운데 규모가 가장 크고 , 존치기간이 길었던 초량왜관을 대상으로 왜관공사의 실체를 규명하는 것을 목표로 한다. 두모포왜관의 공사체제를 전례로 하는 창건공사와 공사의 체제정비가 이루어진 수리공사를 나누어 각 공사의 공사내용과, 집행정도, 역가지급, 공사주체를 살피고, 200년 동안의 추이를 살펴 왜관이라는 독특한 장소에서 이루어진 공사의 성격을 규명하여, 초량왜관에서 일어난 조일양국의 조영활동에 대한 교류를 건축생산사적 측면에 초점을 두어 고찰하고자 한다.

• 한국농촌건축학회논문집
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• 제12권2호
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• pp.39-48
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• 2010

This study is to analyze the space plan and design charateristic of the Gungiip(宮家) built on near the 1770 in Namyangju. It has been called Gungjip since it was constructed from the timber and by carpenters sent of the government. It has a great scientic value because it is the best house constructed by carpenters of the royal palace. It help to know prototype of their excellent design skill. that is skill of work upon of colum, curvatere of ridge in roof, trust the eaves. This paper shows that this house has a different scale and form from other houses. In addition, Anchae was built with the aim of making the most use of sunlight and securing its best convenience. Sarangchae aims at serving as a cultural space for its neighbor. The house seems to reflect the carpenter' architectural viewpoints, and its building style shows its contempory people's life style. In conclusion, we can say that the techenial charateristics of its design result from the correlectin of colum(Ki-Sot-Um and An-Sol-Lim), curvatere of ridge in roof(Ma-Ru-Gock), and trust the eaves(Ang-Goak and An-Hu-Ri).

• 한국건설관리학회논문집
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• 제8권3호
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• pp.134-141
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• 2007

건축공사에서 종사하는 기능인력의 근골격계질환은 직업병으로서 매우 심각하다 이와 같은 질환은 반복되거나 불편한 작업자세 및 방법에 기인한 것으로서 본 연구의 목적은 건축공사의 대표직종인 목공과 철근공을 대상으로 수작업 부하를 측정하여 부하정도를 분석하고자 한다. 또한 부하정도를 평가하기 위하여 건강한 대학원생을 대상으로 동일한 작업자세에서의 부하정도를 측정하는 실험을 실시한다. 본 연구의 결과는 근골격계부담작업의 개선을 위한 작업형태 및 작업자세의 개선, 사용하는 수공구의 인간공학적 기술 개선을 위한 매우 소중한 기초자료로 활용될 수 있다.

• 건축역사연구
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• 제31권6호
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• pp.7-16
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• 2022

Traditional Korean architecture and traditional ships maintained a close relationship with carpenters and tools because wood, the material, was common. This close relationship may have been from the time of ancient architecture and ancient ships. In previous studies, researchers proved the relationship between these two sides through historical records of traditional architecture and traditional ships. This study attempts to prove the structural association using existing remains. As a result, three structural similarities between traditional architecture and traditional ships could be found. First, the types of wood used are similar, and the tools and terms used are similar. Second, the method of distinguishing horizontal and vertical materials and the structure of wood and the method of forming wood are similar. Lastly, the ship carpenters mobilized for the construction of the palace mainly worked on long and curved materials such as the eaves and the ridge of a roof, because this was the work done when the ship was built. Therefore, it can be assumed that the roof structure they created resembles that of the ship.

• 건축역사연구
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• 제16권5호
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• pp.21-40
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• 2007

Choryang-weagwan which was the largest international trading place between Joseon Dynasty and Tokugawa Shogunate had been maintained from 1678 through 1872 in Busan. Particularly, they had 21 times repairing constructions for 200 years since its establishment. It is noticeable that Joseon Dynasty permitted Tokukawa Shogunate to construct main pavilions and guesthouses as his style due to the good-neighbor policy between two countries, and Tokukawa Shogunate struggled to achieve his own culture in that place under the supervision of Joseon Dynasty. For satisfying his needs, the architectural craftsmen of Tokukawa Shogunate were mobilized by the chief of construction company which was called kumi-gasira in the most of cases. When they came to Busan for the construction, they brought their own architectural tools. On the one hand, the carpenters and workers of Joseon Dynasty were organized by the traditional construction superintendents which were called Gamdong-gwan and they had to carry out their responsibilities with Japanese technicians at the same workplace. Judging from this fact, the construction site of Weagwan was the good place for exchanging the architectural technology between two countries. This study especially focuses on Tokukawa Shogunate craftsmen who made the repairs of Dongwan-samdaechung in 1727 such as carpenters(Dai-ku), sawyers(ko-biki), and surveyors(Tsue-tsuki) and their tools such as Hatsuri(=Masakari) and Yo-ki(=Oh-no). The constructions in this period, there were not only the repairs of 3 major pavilions including the trading center, but also one of the most active repairing constructions comparing with other period, therefor these were important constructions to shows us repairing construction of Choryang-weagwan of those days.

• 건축역사연구
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• 제1권2호
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• pp.9-38
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• 1992

In the study the documents in Ryu Hee-Choon's diary (Miahm-Ilgicho) from Oct. 29th 1575 to Feb. 9th 1577, for Kaeg-Chung(客聽) are arranged and analized. Ryu, Hee-Choon (Mi-ahm) was a civil minister in the era of Myung-Jong to Sun-Jo of the Chosun dinasty. This study would be one of the basal material for actually inquiring into the character of houses for the gentry in the late 16th century. Above all, the significance of this is that it study could show the details of the architectural economy, the organization of architectural society and the process of the supply of architectural material at that time. Craftsmen devoting themselves to this work are carpenters, artisans making roof titles, roofers and artisans constructing walls. And the content that are craftsmen of monks(僧匠), artisans of commoners(私匠) and slaves belong to government(官奴) is noticeable thing. In this construction work, monks in temples of the region and laboures commandeered by the government office are mainly mobilized. Except of them, private slaves and commoners mobilized by government office also devoted themselves to this work. But, it required more research whether this aspect could be the general character of the construction work of the gentry in the late 16th century. Architectural material, in the case of wood was cut and transported mostly from islands like Jin-do by labourers commandeered by the head officer of the region and monks. Superintendents seemed to come be non-specialists of noble families of the ruling class. So, it is thought that they managed mainly the manpower supply and administration. And some architectural ironworks, much provisions and marine products for labourers and craftsmen were proided by the government office of the region. This could be understood in the same context as above that goverment office of the region contributed to commandeering labourers and supplying architectural material in some degree. Carpenters and roofers took wages that is, about 7.7 pils(匹) of cotton cloth for each carpenter and 5 pils of cotton cloth and some provisions for each roofer. This would be a noticeable thing for researching wages of craftsmen at that time