• 한국가구학회지
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• 제22권4호
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• pp.252-264
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• 2011

This research is regarding color-analyzing Italian children's furniture and display space, in which application method of furniture display is looked at by understanding relations of furniture and display space through theoretical consideration and by understanding each factor of composition. Moreover, it establishes a formality of scientific and systematic standard in the color scheme of furniture and display space through using NCS Color System and the related Color Harmony Theory of Ostwald and Faber Birren as analysis tools. In the process of analyzing the colors of furniture and display space, I aimed to comprehend color trend of Italian children's furniture display space by comparing and analyzing Italian children's furniture dealers. I was able to comprehend the color relationship between furniture and display space from the results of analysis of examples of children's furniture display space and analysis of color deviation. Therefore, with this research I suggest the primary data and application strategy from a systematic point of view through Color Harmony Theory in color scheme of children's furniture display space in contemporary Italy.

• 패션비즈니스
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• 제17권2호
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• pp.117-135
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• 2013

With the growth of mass media, professional baseball teams have strived to keep up team's tradition and individuality and build a distinctive image through sports marketing using visual identity. Among others, a baseball uniform is used as a sports marketing tool more than an uniform. Uniform color acts as a distinctive element in team's uniform design and is effective to raise attention, manifest a positive image to spectators, and increase trust and affinity. This study aims to compare and analyze color characteristics and images of professional baseball uniforms in America, Japan, and Korea as visual identity. For this, literature review was made on the history of baseball, uniforms, sports marketing, and visual identity, and then color characteristics and images were analyzed on professional baseball away uniforms in Korea, America, and Japan collected in Internet and official web sites. The results are as follows. First, for color characteristics of professional baseball uniforms, the most frequently used color was R(V) color in Korea, ltGy color in America, and Bk color in Japan. Second, for color images of professional baseball uniforms, the most frequently used image was a casual image in Korea, a dandy image in America, and a modern image in Japan.

• 한국컴퓨터정보학회논문지
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• 제15권1호
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• pp.103-109
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• 2010

색이란 인간이 조형 활동을 처음 시작할 때부터 사용되어진 조형언어로서 인간이 눈으로 볼 수 있는 모든 현상 세계에 존재하는 것이다. 본 논문에서는 장면 전환 검출에서 추출된 대표 프레임을 대상으로 한국의 전통색 조화를 식별한다. 전통색은 오정색과 오간색으로 분류하여 조화를 이루는지 판별하도록 한다. 빨강, 파랑, 노랑, 검정, 흰색을 오정색이라 부르고 분홍, 하늘색, 보라, 유황색, 초록을오 간색이라 하여 식별한다. 먼저, Canny 알고리즘을 이용하여 경계선을 추출한다. 그리고 경계선을 중심으로 색들을 레이블링 하고 클러스터링 한다. 마지막으로, 전통 색채 조화 식별 방법을 이용하여 전통색을 식별한다. 본 논문에서 제시한 연구는 실험을 통하여 우수성이 입증 되었다.

• 한국의류학회지
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• 제46권1호
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• pp.33-48
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• 2022

This study was performed to compare the color emotion and preference of Koreans and Chinese for a two-color combination by dyeing cotton fabric with persimmon and indigo and to establish prediction models of color preference. Nine specimens prepared by combining two different colored fabrics (persimmon and indigo) were evaluated for color emotion and preference by Korean and Chinese groups of female college students. Koreans described most specimens as natural and traditional, whereas the Chinese described them as more pleasant and elegant as well as warmer and lighter than Koreans did. The contrast tone was the most preferred combination by both groups, whereas it was perceived as more modern and less warm by Koreans. Relationships between physical color variables and color emotions were quantified; these relationships were applied to establish a prediction model of color preference with tone combination types for each group. These results could help in making the design of fashion textiles more preference- and emotion-oriented for Korean and Chinese consumers.

• 한국컴퓨터정보학회논문지
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• 제14권10호
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• pp.93-99
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• 2009

비디오에서 색채가 즐거움을 주는 조화를 이루는지 알 방법이 없었다. 이러한 색채 조화를 식별함으로서 색채의 조화가 질서감, 명료성, 동류성, 대비성, 그리고 친근감 등을 준다. 따라서 색채 조화를 식별하는 것이 매우 중요하다. 색채 조화는 먼셀, 오스발트, 비렌, 문 스펜서, 이텐, 슈브뢸, 그리고 저드 등이 조화론을 내세워 색채가 조화를 이루는지 판별했다. 이러한 방법들 중 하나인 이텐의 색상환을 이용하여 2색, 3색, 4색, 5색, 그리고 6색의 색채 조화를 식별해보도록 한다. 식별에는 에지 추출, 레이블링 및 클러스터링, 그리고 색채 추출 및 조화 등이 이용된다. 이렇게 색채 조화를 식별함으로써 감성 데이터베이스 구축 및 감성 인식을 위한 기반을 마련한다.

• 한국수산과학회지
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• 제42권2호
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• pp.171-178
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• 2009

The purpose of this study was the development of a digital water color measurement system using a CCD optical device. Photographs of the standard medium of Forel and Ule water color scales in the laboratory, and one of sea surface above a Secchi disc (Z=SD/2) immersed in seawater were taken. The colors of these pictures were estimated with the value of CIE $L^*a^*b^*$. Water color assessment was conducted with a digital photo-image. In the case of the Forel scale (No. 1-11), the $b^*$ value was so high that the water color number was large. In the Ule scale (No.11-21), the $a^*$ value became high, which is why the number on the water color scale was large. The color of these pictures showed that the $a^*$ value in the Forel scale and the $b^*$ value in the Ule scale increase with the increase of the F value. The $a^*$ value of seawater color was always lower than the one on the Forel and Ule water color scales. This indicates that the color of the scales differs from actual seawater color. It was concluded that water color number can more effectively be assessed by estimating the ${\Delta}Eab^*$ color difference between the water scales and actual seawater color.

• 대한전자공학회논문지SP
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• 제37권5호
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• pp.64-75
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• 2000

본 논문에서는 출력 장치의 색역에 대하여 균일한 분포를 갖는 색표본(color sample) 생성 방법을 제안하고, 이를 이용한 색재현 방법을 소개한다. 즉 기존의 방법인 RGB(red, green, and blue) 혹은 CMY(cyan, magenta, yellow) 등 장치 의존형 색공간에서 균일한 색표본을 선택하는 것이 아니라 장치 독립형 균등 색공간인 CIELAB공간에서 균등 색표본을 선택하는 방법을 제안한다 또한 제안된 색표본의 성능을 평가하기 위하여 회귀 모델과 신경망을 이용한 색공간 변환을 수행하였다 동일한 크기의 색표본의 경우, 제안된 색표본을 이용한 색공간 변환 방법이 신경망, 회귀 모델 모두에서 색차를 줄일 수 있었다.

• 복식
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• 제35권
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• pp.195-210
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• 1997

Movie clothing is what is recreated as a character in work after being worn for actors (or actresses). And it is not added for heightening only fantasy but it acts for heightening only fantasy but it acts for reinforcing the side of character or subject. Especially the clothing in color movie gets to have very psychological effect. Thus Accord-ing to the clothing the effect of the represen-tation style may become large and small. So as to make the gesture or attitude of each character valuable in accordance with the ac-tion and expression of the figure clothing is different from other device essentially One may attain various goals through the color of movie clothing, First movie clothing may show the vogue color of the time and the representative time color, Second the color of movie clothing helps one to able to recognize the socio-econmic position of character easily as the color to symbolize the specific jobs such as nurse soldier and doctor etc. Third the color of movie clothing may show the charcter temperament as to whether one is young or old and whether one has pessi-mistic temperament or one is extrovert or introversive etc. easily. Fourth setting the clothing color of hero as the color to set off helps it easy to distinguish from representation staffs. Fifty the whole color establishment of movie clothing gives help to expressing the at-mosphere of movie. Color is one of the most powerful means that the person in charge of clothing may express the character of movie. He should ex-press the feature of a wearer with the colors of each clothing through showing the lack of taste of characters or hinting the resistant character with the clothing color which is not suitable for situation or the conservative character with suppressed color etc. Thus he (or she) should express the clothing color which is suitable for being able to express each character by analyzing the work whole through script and grasping the character of each character so as to establish the clothing which is suitable for individual character.

• 복식
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• 제14권
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• pp.133-144
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• 1990

The purpose of this study is to investigate the absorbance of the Shikonin, one of the major purple pigments, and the stability against the effect of light, $O_2$, and temperature. The effect of mordant and mordanting condition to color and color-fastness is compared and analysed through the color-fastness-test, color-difference value-test, and IR-test. The results were as follows; 1. The absorbance of Shikonin was examinated through 6 kinds of solutions and distilled water. Shikonin was absorbed by solutions rather easily than distilled water. 2. The light effect to Shikonin indicated that the solution with the light was more stable than that without it. 3. The effect of $O_2$ to Shikonin showed that the solution with the $O_2$ was more stable that without it $O_2$. 4. Shikonin -methyl alcohol solution was stable in $25^{\circ}C$. It was unstable in $60^{\circ}C$ and $100^{\circ}C$ with lowered absorbance and changed colors. 5. Color-fastness test to silk and cotton indicated washing color-fastness and perspiration color-fastness was more than 3 grade. But the light color-fastness and crocking color-fastness was low. 6. The comparison between non -colored sample and colored-sample showed the latter was better in fastness. 7. Mordant as $Alk(SO_4)_2{\cdot}24H_2O$ and $AlCl_3{\cdot}6H_2O$ was better than anything else in fastness. 8. Color-difference value-test indicated that the mordant which had the jade green color, the original purple pigment color, was the best in use. 9. The best way to extract the original purple pigment color was in $25^{\circ}C$, because extracted dyeing solution by Soxhlet had the bluish color.

• 복식
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• 제59권2호
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• pp.59-69
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• 2009

This study aims to identify how Korean women's traditional costume, Hanbok, has changed according to the times in terms of color coordination of Jeogori and Chima. Photos had been taken at wedding places and streets at 5 major cities(Seoul, Pusan, Kwangju, Daejon, Jeju) at two weekends of each season in 1999, 2001, and 2003. Total 1617 photos were used as final data. Data were analyzed by hue coordination and value level. Hue coordination exist in one-color and two-color coordination. In one-color coordination, red color(R & RP) was the most frequently used and blue green(BG) was the next, and the least was blue purple(BP) for each year. In value scale, high level was the most frequent and followed by middle level and low level. Pink was the most preferred color for one-color coordination. In two-color coordination, white and blue were widely used for Jeogori and red and blue far chima for each year, which seemed to be the basic color coordination for Jeogori and Chima. While there was a certain basic color coordination types across year, but a few new color coordination appeared each year and maintained as popular color coordination for one or two year.