• Journal of the Korean Institute of Landscape Architecture
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• v.22 no.1
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• pp.85-100
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• 1994

This study was to analyze the relationship between the community or species and environmental variables of the vegetation landscape in Naejangsan National Park. The analysis was performed by the ordination of DCA and CCA. The study was to compare and analyze the species composition status by the layer and the growth characterisics of the following vegetations ; Torreya nucifera community, Quercus variabilis - Acer palmatum community, Q. variabilis community, Q. variabilis - Sasa purpurascens community and Daphniphyllam macropodum community. The results are as follows; 1. The result of the study on the relationshkp between the stand scores of DCA ordination and environmental variables showed that the soil pH, the ammount of AV-P2O5 and the ammount of C.E.C. tend to increase while Pinus densiflora community changes to Q. variabilis - Q. serrata community and finally Carpinus laxiflora species community siginigicantly. The relation between the stand scores of CCA ordination and several enviromental variables suggested that the species of C. laxiflora and C. tschonoskii the species of Q. cariabilis and Q. serrata the species of C. pisifera, P. densiflora and Q. aliana in sequence grows in more fertile soil. 2. As the result of the analysis of the T. nucifera community showed, reproduction did not increase, and the characteristic of growth was not affected. The result is shown in the growth curve that was damaged by the climate and the human interference. 3. The A. palmatum was found to be as minor species in the middle layer and the crown areas did not have sufficient crown. 4. The result of the analysis of the relationship between Q. variabilis community and Q. variabilis - S. purpurascens community showed a decreasing tendency in the growth and number of species. 5. D. macropodum which constituted the dominance species in the middle layer had a nomal growth curve, and then the successional trend of D. macropodum species seems to be located in the climax species.

• Journal of Fashion Business
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• v.14 no.6
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• pp.188-203
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• 2010

This study purposed to identify the design and composition characteristics of mantle through a historical review of its change and development focusing on women's dress. This analysis was particularly focused on the Victorian age because the variety of mantle designs introduced and popularized was wider than ever since ancient times to the present. For this study, we collected historical literature on mantle from ancient times to the $19^{th}$ century and made comparative analysis of design and composition, and for the Victorian age we investigated also actual items from the period. During the early Victorian age when the crinoline style was popular, mantle was of A.line silhouette spreading downward from the shoulders and of around knee length. In the mid Victorian age from 1870 to 1889 when the bustle style was popular, the style of mantle was changed to be three-dimensional, exaggerating the rear side of the bustle skirt. In addition, with increase in women's suburban activities, walking costume became popular and mantle reached its climax. With the diversification of design and composition in this period, the name of mantle became more specific and as a result, mantle, mantelet, dolman, paletot, etc. were used. The styles popular were: it looked like half-jacket and half-cape. Ornaments such as tassels, fur, braids, rosettes, tufts and fringe were attached to create luxurious effects. In the late Victorian age when the hourglass style was in fashion, mantle returned again to plain design emphasizing the details of the shoulders. The results of this study are expected to present motives for the development of contemporary designs, to contribute to the new recognition of the value of mantles, and to open a new research area of clothing history.

• Journal of Korean Society of Forest Science
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• v.76 no.4
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• pp.418-424
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• 1987

Considering the seral stage of succession, phytosocialogical analysis was carried out to investigate the structure and property of community of Pinus densiflora, Pinus densiflora-Quercus spp.-Carpinus laxiflora, and Quercus spp.-Carpinus laxiflora. The study area included a section of 200m high at the sea level in Mt. Jokye, Seungju-gun, Chunlanam-do. The results show that density of forest trees tended to be decreased, Shannon species diversity index increased, and dominance decreased as seral stage progressed. Patterns of DBH class distribution showed nearly S types. In the study area succession of forest community might progressed toward climax, leading from Pinus densiflora community to Quercus spp.-Carpinus laxiflora community with intermediary Pinus densiflora-Quercus spp.-Carpinus laxiflora community. The fact that there was no pure community of Quercus spp. might be due to the rapid development of forest community investigated.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.11 no.5
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• pp.875-881
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• 2007

This study explores the attention effects of PPL(product placement) in multimedia contents. PPL has been attracted attention in multimedia as well as marketing communication field as a beneficiary model. For the research, multimedia screen is divided into 9 sections and the serial 9 digit($1{\sim}9$) is assigned to the each part of the screen. The visual exposure forms of each 9 digit are composed by 2-dimension(2D) and 3-dimension(3D). And the visual exposure patterns of each 9 digit are consisted of stopping and moving image. As a result, the 5th quartering has been proved the most attracted attention regardless of all exposure forms including 2D/3D and slopping/moving image. This means center of the multimedia screen is the best place for PPL. Especially in one digit moving screen the attention of the digit has reached the climax. This suggests moving PPL is able to get more attention than stopping. These results provide the most effective PPL position in the screen of the multimedia and PPL's visual exposure forms for maximizing multimedia user's attention. Finally, these findings can be a guideline fer message arrangements of the multimedia screen.

• Journal of The Geomorphological Association of Korea
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• v.19 no.3
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• pp.83-96
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• 2012

The origins of beaches at Byeonsan Peninsular, as a pocket type, are classified to a sand barrier type and wave-cut type. The beaches had developed by the deposition of the silt and clay layers on the 10m height from sea level in the inner bay during climax era of postglacial transgression. At that time, some sands had blown toward the inland hills to form aeolian deposits. After postglacial sea-level stabilization, sometimes, there has been the negative budget of beach materials. Recently, beaches have been transformed by human impact such as construction of Saemangeum sea-wall, especially in the Byeonsan and Gosapo beaches being close to the sea-wall. So the speed of tidal currents become slower and comparatively depositoinal activity stronger. And the level of chemical weathering has been higher. In Byeonsan beach, the ratio of coarse sand decreased with higher ratio of finer materials and by beach erosion dissected runnels developed, running parallel to the coastline. In Gosapo beach, supply of suspended materials are increased through the Garyeok drainage gate, the sands tend to be finer.

• Cross-Cultural Studies
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• v.27
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• pp.167-195
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• 2012

A Chinese female writer Linhaiyin(林海音) and Chengnanjiushi(城南舊事), her representative work, have never been studied in Korea before although she and her literary works stand high and are well known in the history of the modern Chinese literature. Thus, in this paper, I analyze her and her novels included in Chengnanjiushi and study their literary value and meaning. To analyze and study them, I mainly consider novels Anhuiguan, Womenkanhaiqu, Lanyiniang, $L{\acute{\ddot{u}}}dagunr$, and Babadehuarluole included in Chengnanjiushi. Firstly, I look into her attitude and mode to observe children and women's life as a writer. Such attitude and mode succeeded to the spirit of the '5.4 literature'. Secondly, I evaluate Linhaiyin's 'Both sides complex' and its value in the history of literature. From this evaluation, the meaning of Linhaiyin's literature is highlighted. She was free from 'Both sides complex' occurred due to the circumstance of the times and played a role of a bridge so as not to break off literature of China and Taiwan. When her and her works are evaluated, this is one of the most important values. The characteristic of her writing mode is that she did not seek a compelling climax, a surprising reversal, or an exclusive plot or character in her works. In her works, plain description or unwitting conversation and story often imply deep meanings. Thus, at unexpected moment after reading her novels, readers truly listen to deep resonance for her attitude and mode to observe people's life. This is exactly her potential energy that makes readers sink into her literary world regardless of time and space.

• Journal of Korean Philosophical Society
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• v.131
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• pp.33-48
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• 2014

is Plato's last great philosophical work. 'Nocturnal Council' is located in the end of this work. Many scholars interpret 'Nocturnal Council' into opposite directions. According to one interpretation, this Council is a kind of an addition to supplement the philosophical elements. So this is Plato's 'after-thought'. But another interpretation is that 'Nocturnal Council' is a climax in Plato's political thought. Plato didn't abandon the theory of Idea in . In this respect, we find a coherence between and . Finally, a vague position of 'Nocturnal Council' in remains an opposite interpretations each other.

• Journal of The Geomorphological Association of Korea
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• v.17 no.4
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• pp.41-52
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• 2010

Coastal lagoons(Ssangho, Gapyeongri wetland, Gunggaeho and Yeomgaeho) distribute densely around Osan-ri, Yangyang-gun. While Ssangho with the representative lagoon group in the East Coast has maintained the lagoon conditions of water surface since it was formed during the Climax of transgression, the others were formed at the swale areas of sand beach. They vary considerably in area reduction rates and position variations during the 20th century, and the causes examined can be divided into natural, human and other factors. They result in the lagoon aggradation stage by geomorphic development, reclamation due to rapid industrialization and urban development during the 20th century, and lacks of understanding on values of small coastal lagoon or errors in mapping and lags of survey techniques. Therefore, the plans for lagoon restorations should be proceeded by the individual properties of lagoons. The restorations of Ssangho are recommended preferentially and it is desirable to restore to the lagoon conditions of 1920s when the influences of human were minimum.

• (The) Research of the performance art and culture
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• no.39
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• pp.31-67
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• 2019

This thesis examines the difficulties of utilizing the narrative and music of Pansori: 판소리 in Changguk: 창극. For this examination, I consider that the reason for the difficulty of making Changguk is the difference between Pansori and Changguk as the genres. Most of the Changguk based on the traditional five Pansori works perform the narration and songs of Pansori literally. However, the original narrative of Pansori has a distinctive dual structure since the formation of its first and second half is created separately. As the drama genre visualizes the story and emphasizes the consistency of action, unlike Pansori, the duality of the original narrative can be seen as the inconsistency of the action. In addition, since the sounds of the original Pansori are rather explanatory than dramatic even in the climax scenes of Jeokbyeok battlefields, it is difficult to produce dramatic scenes in Changguk. The voices of the military, not in the original works, play important roles in revealing the hidden theme effectively in Changguk. However It is impossible to relocate the original text of Pansori into Changguk, as even the voices of the military lack verisimilitude in terms of narrative. Changguk can only be developed as its own work by actively researching and dismantling Pansori .

• Journal of English Language & Literature
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• v.55 no.4
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• pp.539-565
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• 2009

T. S. Eliot attempted the combining of the liturgy of Anglican Church and a drama in Murder in the Cathedral (1935) and created a modern verse drama which comes most close to the regular tragedy like Greek tragedy today. Eliot chose the drama to deliver his religious insight because of its ritualistic origin and its potentiality to deliver a dramatic world which can contain a complete order. The central theme of this play is the martyrdom. The dramatic action of killing the archbishop Thomas Beckett in this play, however, is not treated as important event enough to be a dramatic climax. He is portrayed as a witness to the reality of God's will rather than a man who wills to give up his own life for any religious belief or cause. In Eliot, a martyr is nothing but "a witness" in its ancient sense. This paper purposes to review the language of this play. The various and new meters and rhythms of the language of this play function enough to bring its playwright to encounter 'the real audience' in 'a living theatre'. The interactions between different verbal models also play a big role to make this play a living theatre. Eliot found the poetry which crosses the various classes and levels of the tastes of audience is the most useful poetry. And the poetry of this play proves as the very thing which intensifies the theme of the play and gives the most powerful force to the play. Especially Eliot's poetry succeeds smost in the various and free meters of chorus, which makes Eliot the first playwright since Aeschylus, who could bring the chorus to undertake the function of extending the dramatic action of the play into the universal meaning. In the theatre the real audience identifies themselves with chorus. And the chorus leads the audience to respond to peace which passeth understanding beyond words and sounds of this play, which is the desired response in Eliot's conception of drama.