• 건축역사연구
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• 제27권2호
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• pp.63-78
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• 2018

Pagodas in Myanmar can be largely divided into Zedi and Pato. Zedi is a developed form of the early domed pagodas in India and Sri Lanka, which can be found in the introduction of Buddhism in Myanmar and the comparison of early pagodas in India, Sri Lanka and Myanmar. On the other hand, Pato is where statues of Buddha were enshrined, which is why many scholars referred to it as a temple. However, this study proposes that Pato shall be referred to as a temple-style pagoda in a form unique to Myanmar, based on the origin of Pato, definition of pagodas, and Sarira Enrichment Record of Pato. Moreover, it seems more appropriate to name this type of structure Stupa Temple(塔殿) or Stupa Shrine(塔堂) rather than a Buddhist temple(佛殿) or Buddhist shrine(佛堂) for clear distinction. Pato, or temple-style pagodas, has a ${\acute{S}}ikhara-style$ structure at the center like Ananda Pato upon entering the Pagan (Bagan) kingdom period, on which Zedi-style structures are built. As a result of examining the integration of various Buddhist schools and religions focused on Theravada during the period of King Anawrahta and King Kyanzittha, the ${\acute{S}}ikhara-style$ structure is a symbolic representation of the fact that Theravada embraced Hinduism. The common features shared by pagodas in Myanmar are the centrality of place and the verticality of $y{\check{a}}ngti{\bar{a}}n$ (looking up to the sky) in terms of shape. All temples are placed at the most important and central space, and their forms represent strong religious $y{\check{a}}ngti{\bar{a}}n$ and verticality. These are the features that stand out most among various pagodas in Buddhist countries.

• 건축역사연구
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• 제10권3호
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• pp.45-60
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• 2001

The Tongdo temple have been transformed continuously since its first establishment about 1300 years ago. Nevertheless three critical elements specified by 'Jajangyulsa', founder of the temple have not varied over the times but rather strengthened and strongly combined. All elements and doctrines of the religion coexist and form a harmony within the whole of the temple. This researcher examined what changes, or combinations, in spatial formation were sought for such unique structures of the Tongue temple by focusing mainly on the Sangrojun area of the temple to obtain the following findings. First. unlike a work by a Japanese researcher 'Sekino Tadashi', the east yard of the main building was found located on the section line which corresponded to the separation line of Yungkuncheokdo(營建尺度=measure running) from the edge of the Keumkangkyedan(金剛戒壇 =Buddhist platform) embankment to the corner column of the Kamrodang. This was confirmed as a result of the review of photos shown in [Chosun Kojukdobo]. Second, the number of stairs used for the Keumkangkyedan was thought to become three when the temple was firstly restored in 1379 as a result that this researcher reviewed Chinese literature 'DoSun' and [Kyedandokyung(戒壇圖經)], records by 'Lee saek' and 'Jung Shihan', studies of Yungkun measure and actual changes in the temple. Then the temple was forth restored in 1705 when the second of the stairs was changed in area and height and at the same time grounded hard for a space for a Buddhist service. Third, the roof of the main building was probably changed in shape during the Koryo period when the plane structure, furnish arrangement, emphasized front, stone lanterns of the building and political factors of that time were all considered. Fourth, the main building was Initially designed to provide a Buddhist sermon service which was assumedly followed by a similar service at a Keumkangkyedan. Thus the main building had a small window on the northern side which might be opened up to look out or otherwise go outside like a door. However, the window was probably locked up like a surrounding wall since the main building was entirely repaired after the end of Japanese invasion of Korea in 1592.

• 건축역사연구
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• 제23권3호
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• pp.35-42
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• 2014

Luoyang Qielanji(洛陽伽藍記) is a document that describes Buddhist Temples in Luoyang, the capital of Northern Wei Dynasty. The purpose of this paper is to analyze the construction backgrounds, architectural elements and layout characteristics of Luoyang Temples in Northern Wei Dynasty. The results are as follows: The construction backgrounds of Luoyang Temples can be categorized into two types: the established-temple (創建型) and the converted-temple(捨宅爲寺型). The layout systems of Luoyang Temples can also be categorized into two main types: The front Pagoda-rear Buddhist Hall layout(前塔後殿), The front Buddhist Hall-rear Lecture Hall layout(前殿後堂). In Luoyang Temples, the pagoda was still an important element of the layout.

• 건축역사연구
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• 제23권4호
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• pp.81-90
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• 2014

This paper aimed to identify the variation of layout in Hwangnyoungsa buddhist temple site based on studying published the excavation research paper and texts related to layout. According to earlier studies, in 1st construction period(553~569) of Hwangnyoungsa, there were trisection spaces with one main hall and two corridors in inner part and then in 2nd period(584~645), unified one. But actually trisection spaces had been maintained until the middle part of 8th century. And in each space there was the main hall with large yard. That is the 2nd period layout of Hwangnyoungsa. For the attainment this result, each building remains are judged under duplicated situation which one was the previous and next by consideration of the construction condition and special features of foundation. Although the meaning of trisection system of Hwangnyoungsa is similar with the layout of ancient palace, it could be said to derive from accumulation excavation research in Silla's archeological site and such studies.

• 한국방재학회 논문집
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• 제10권3호
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• pp.71-75
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• 2010

본 연구에서는 강원도 영동지역의 사찰을 대상으로 불전(대웅전, 팔상전), 삼성각(칠성각, 산신각), 요사(심검당, 설선당), 루, 일주문 등 구성요소별로 구분하여 현장조사를 통해 가연물의 종류를 구분하고, 실의 면적, 가연물의 재질 및 크기 등을 조사하여 화재하중을 산출함으로써 사찰의 구성요소별 화재 위험성을 판단하였다. 사찰의 구성요소별 총 화재하중은 불전 446.96 $kg/m^2$, 삼성각 313.71 $kg/m^2$, 요사 164.14 $kg/m^2$, 루 463.91 $kg/m^2$, 일주문 1,042.14 $kg/m^2$인 것으로 확인되었다. 사찰의 구성요소별 화재하중은 일주문이 가장 큰 것으로 확인되었으며, 그 다음으로 루, 불전, 삼성각, 요사의 순으로 나타났다. 일주문은 바닥 면적이 다른 구성요소들에 비하여 가장 작은 반면, 건축 구조재는 다른 요소들과 비슷한 크기와 수량으로 구성되었기 때문에 상대적으로 다른 구성요소보다 화재하중이 높게 나타난 것으로 사료된다.

• 헤리티지:역사와 과학
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• 제53권3호
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• pp.62-79
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• 2020

강화 보문사 마애관음보살좌상은 일제강점기였던 1928년에 조성된 거대한 규모의 마애불상으로 한국 근대 불교 조각사에서 중요한 위치를 차지하는 기년명 불상임에도 불구하고 그동안 근대 불교 조각에 대한 연구 부진으로 심도 있는 논의가 이루어지지 못하였다. 본고에서는 보문사 마애관음보살좌상이 근대기 불상으로서 갖는 의미를 다양한 측면에서 살펴보기 위해 마애불 주변에 있는 명문을 판독하여 조성 연대와 제작자 및 후원자를 확인하였으며, 바위의 형태와 지형이 불상의 조형성에 어떤 영향을 끼쳤는지 알아보기 위해 제작자와 참배객의 시점(視點)을 비교 분석하였다. 또한 제작자 후손들과의 인터뷰를 통하여 불상 조성 당시의 구체적 정황을 파악해 보았다. 보문사 마애관음보살좌상의 제작에는 금강산 승려 이화응(李華應)이 화주(化主)겸 화사(畫師)를 맡았고, 불상 조성이 시작되는 1928년에는 100여 명이 넘는 시주자가 공동으로 후원하였으며, 1937년 참배공간을 확장할 때는 간송 전형필(澗松 全鎣弼)이 단독 후원하였다. 이 마애불 조성을 계기로 강화 보문사는 양양 낙산사, 남해 보리암과 더불어 우리 나라 3대 관음 도량으로 손꼽히게 되었다. 불상의 제작 기간은 약 3개월이 소요되었으며 초(草)는 화주를 맡았던 이화응이 그리고 조각은 운송학(雲松學) 등 다섯 명의 강화 지역 석수가 참여하였는데, 화승이 그린 초를 바탕으로 조각이 이루어졌기 때문에 마애불 곳곳에서 선묘적 기법이 발견된다. 화사로서 이화응의 면모가 밝혀짐에 따라 석옹철유(石翁喆有)-화응형진(華應亨眞)-일옹혜각(一翁慧覺)으로 이어지는 화맥의 단초를 확인할 수 있게 되었다. 보문사 마애관음보살좌상은 보관을 쓰고 정병을 든 전형적인 관음보살로 방형의 큰 얼굴에 목이 짧고 전체적으로 투박하여 경직된 인상을 준다. 제작자는 높이 10m에 40°가량 기울어져 있는 바위에 마애불을 왜곡 없이 보이기 위해 최대한 동작을 절제하고 대칭성을 강조하여 세부 표현을 생략하였고, 머리와 신체 비례는 1:1에 가깝게 조정하여 시각적 왜곡 문제를 해결하였다. 특히, 본고에서는 보문사 마애관음보살좌상처럼 별도의 불단을 만들지 않는 '불상과 불단의 일체화'된 형식을 근대기 불교 조각의 특징으로 상정하였다. 그 외에 광배에 새겨진 6글자의 범자(梵字)를 그동안 육자대명왕진언(六字大明王眞言)으로 해석했으나, 정법계진언(淨法界眞言)과 사방진언(四方眞言)이 조합된 것임을 새롭게 밝혔다. 아울러 처마 바위에 박혀 있는 3개의 쇠고리는 제작 과정에서 다림추를 달아 초를 그릴 때 기준점으로 활용하였고, 이후에는 고리에 풍탁을 달아 보살상을 장엄하는 용도로 사용한 것을 확인하였다.

• Journal of Nutrition and Health
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• 제40권2호
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• pp.172-181
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• 2007

This study was performed to evaluate served menu in Korean temples. Among available temples in the nation, 34 temples were carefully selected considering location and the gender characteristics. A five consecutive day menu was collected to analyse by interview between Jan 2004 and Aug 2004. Mean energy content of menu was 1633.8 kcal, with 67.3% of energy supplied by carbohydrate, 14.8% by protein and 17.9% by fat. Beans and bean products were the major contributing dishes for most nutrients. Contents of most nutrients except energy, protein and vitamin B were higher than RDA. Nutrient adequacy ratio (NAR) were 0.9-1.0 and mean adequacy ratio (MAR) was 0.9 for temples. Total number of dishes from menu was 7.3. Dietary variety score (DVS) was 26.4 and buddhist monk temples offered more diverse foods than buddhist nun temples. KDQI (Korean diet Quality Index), overall diet quality index were 0.67 and those of buddhist nun temples were better than those of buddhist monk temples. From the result of this study it was concluded that the temple diet is nutritionally well balanced, rich in dietary fiber and low in cholesterol. So it can be a healthy diet for the modern person. This is the very first study attempting the nationwide investigation of temple diet in Korea. It will be used as fundamental data to improve quality of diet to prevent modern chronic disease.

• 건축역사연구
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• 제19권5호
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• pp.25-47
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• 2010

The purpose of this study is to reconstruct the wooden frame structure of Buddhist temple, Kumdang in Youngamsaji which assumed to be built in the 9th century of Unified Silla Dynasty. The remaining site of Kumdang in Youngamsaji is investigated thoroughly with a particular attention to bay size and column distribution. The five ancient Buddhist temples which were built in the same period also have the same frame type as Youngamsaji Kumdang. These five ancient Buddhist temples and Kumdang in Youngamsaji are meticulously investigated in terms of their bay sizes and measuring modules. The framework schema is devised as a conceptual tool to conjecture wooden frame structures of Buddhist temple. A theoretical differentiation between frame type and frame structure is attempted to formulated a wooden frame structure as a stepping-stone for the reconstruction of traditional wooden building. The wooden frame structure of 9C Kumdang in Youngamsaji mainly follows the oldest Korean wooden pavilion, Muryangsujeon in Busuk temple, with a hip and gable roof. The wooden frame structure of 9C Kumdang in Youngamsaji is reconstructed through 3D computer modeling to such an extent that every wooden components of the structure can be 3D printed. The reconstruction also takes reference from the Cai-Fen system in Yingzao Fashi.

• 한국의류산업학회지
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• 제14권3호
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• pp.363-370
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• 2012

This study is for the development of fashion cultural products that simultaneously evolved with the contemporary use of traditional temple culture in addition, it analyzed the cultural products available in the Korean market. Methodology, this study conducted a literature review and empirical research. We targeted the cultural products carried at twelve web-based shopping malls for Buddhist cultural products and six souvenir shops in Korean Buddhist temples to collect data on those products in order to analyze the items, design motives, materials, and price ranges. The study results showed that interior items represented the largest portion of the targeted goods, followed by accessories/sundries, clothing/fashion items, stationery, and tableware. The most commonly used design motive was lotuses, followed by the images of Buddha or Buddhist Goddesses and Dharma. The most common materials include fibers, jewelry (such as gold and silver), wood, metals, ceramics, paper, and plastic. The most active price range was between KRW10,000 and KRW50,000, followed by less than KRW10,000 and KRW100,000 to less than KRW500,000. This study discovered the potential for traditional temple culture to advance it further in a contemporary manner and indicated the need to develop a wide variety of cultural products and emphasize its global acceptance.

• 한국문헌정보학회지
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• 제50권1호
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• pp.395-416
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• 2016

이 연구는 조선시대 황해도 지방의 사찰에서 개판(開板)된 불서를 대상으로 시기별 간행 현상과 불서의 성격 등에 대해서 서지학적으로 분석한 글이다. 황해도에서 간행된 불서는 모두 85종으로 파악되었으며, 그 중 "용감수감(龍龕手鑑)" 등 5종은 황해도 사찰에서만 유일하게 개판되었던 것으로 보인다. 이들 불서는 조선전기에 64종이 간행되어 전체 75%를 차지하고 있으며, 특히 이 중에서도 명종 대에 문정왕후 등 왕실의 후원으로 집중적으로 개판되었던 현상을 보이고 있는 것으로 분석되었다. 그러나 임란 이후 조선후기에는 급격하게 쇠퇴하는 경향을 보이고 있는 바, 이는 임진과 병자의 양난을 거치면서 황해도 지방의 민생이 파탄에 이른 역사적 사실과도 일치하는 것으로 이해하였다. 또한 이들 불서를 대상으로 주제별로 분류하여 성격을 분석해 본 결과 대체로 경전류와 종의류 불서가 80% 이상을 차지하고 있는 것으로 밝혀졌다. 실제적으로 사찰에서 개판불사에는 각수의 소임이 매우 중요한데, 대부분의 각수(刻手)는 황해도 지방의 사찰에서 활동하면서 2-3종의 불서를 판각하는데 그치고 있는 것으로 조사되었다. 하지만 각수 중에 도성(道成)과 수연(守衍)은 황해도는 물론 다른 지방으로 이동하면서 불서를 판각하였던 것으로 나타나고 있어 주목되는 각승(刻僧)으로 보인다. 이 연구는 향후 북한지역 내 다른 지방의 개판 불서 연구에 비교 대상 논문으로써 의미를 지닐 것으로 기대한다.