• Journal of Broadcast Engineering
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• v.10 no.2
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• pp.131-138
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• 2005

High-quality digital broadcasting contents are susceptible to illegal copy and unauthorized redistribution, which makes broadcasters difficult to protect valuable media assets. So, broadcasters and content providers need the technology for copyright protection of professional digital content. Digital watermarking technology is one of the most actively developed solutions for the copyright protection. This paper suggests the requirements of watermarking technology in DTV(Digital TV) environment for copyright protection and shows the developed real-time watermark embedding/detecting system for HD(High Definition)/SD(Standard Definition) video and experimental results of the system against watermark attack tests. Our watermarking system meets the watermarking requirements of invisibility, robustness and security of DTV environment.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2004.11a
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• pp.285-288
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• 2004

High-quality digital broadcasting contents are susceptible to illegal copy and unauthorized redistribution, which makes broadcasters difficult to protect valuable media assets. So, broadcasters and content providers need the technology for copyright protection of professional digital content. Digital watermarking technology is one of the most actively developed solutions for the copyright protection. This paper suggests the requirements of watermarking technology in DTV(Digital TV) environment for copyright protection and shows the developed real-time watermark embedding/detecting system for HD(High Definition)/SD(Standard Definition) video and experimental results of the system against watermark attack tests. Our watermarking system meets the watermarking requirements of invisibility, robustness and security of DTV environment.

• 한국정보통신설비학회:학술대회논문집
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• 2006.08a
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• pp.99-102
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• 2006

This paper describes a article how to protect from illegal indiscriminate copy of digital broadcasting content using DRM and CCI. With the start of terrestrial / satellite digital broadcast and the preparation of Digital Cable broadcast, we can view HD digital contents through the various channel. Also we can record, play, redistribute digital contents in PVR. The protection of Digital Contents Right became of the important issue to protect CopyRight. In this paper, we implement a manager that prevents indiscriminate digital contents redistribution of the digital broadcast contents. For protection of Digital contents Right, we use BF(Broadcast Flag) and CCI (Copy Control Information) which we can control viewing or copy digital contents with.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 1999.11b
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• pp.269-297
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• 1999

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2000.05a
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• pp.323-342
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• 2000

• Journal of Broadcast Engineering
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• v.16 no.3
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• pp.394-402
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• 2011

We introduce the standard content identifier Universal Content Identifier (UCI) and a watermarking system that embeds UCI for the broadcast content distribution services. Our proposed UCI embedder is designed in consideration of integrating with the previously established broadcast system and protecting the illegal distribution of broadcast contents. Our goal is that when broadcast content is transmitted, 28 byte UCI is embedded imperceptibly in the content itself in real-time and the embedded UCI is successfully extracted not only in the typical format used in the broadcast content distribution service but also in the illegally distributed broadcast contents. Usually the illegally distributed contents are modified from the original by changing resolutions, frame rates, or adjusting colors. In this paper, we present a watermarking scheme that embeds 28 byte UCI in broadcast content in real-time while keeping the visual quality high and the embedded watermark robust enough to survive through the various modification. The experimental results show that the embedded UCI remains in the various modified versions of content and that the visual degradation by embedding is not noticeable.

• Journal of Broadcast Engineering
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• v.6 no.1
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• pp.3-12
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• 2001

Over the last few years, digital audio watermarking has become an interesting issue In many application areas, including digital broadcasting. This is primarily motivated by a need to provide copyright protection of digital audio content. Digital watermarking is a technique to embed copyright or other information int? the underlying data. Several possible audio watermarking techniques have been developed including spread spectrum watermarking, echo watermarking, phase coding, and patchwork. In this paper, we describe some requirements of digital audio watermarking as a tool for copyright protection of broadcasting content, and compare popular audio watermarking algorithms in some significant aspects.

• The KIPS Transactions:PartC
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• v.11C no.6 s.95
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• pp.731-738
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• 2004

With the increase of digital content usages, the protection for digital content and intellectual property becomes more important. The DRM(digital rights management) technologies are applicable to protect not only any kind of digital contents but also intellectual property. Besides such techniques are required for recorded digital broadcasting contents due to introduction of digital broadcasting techniques and storage devices such as personal video recorder. The conventional protection scheme for broadcasting content is the CAS(conditional access system) by which the access of viewer is controlled on the specific channels or programs. The CAS prohibits the viewer from delivering the digital broadcasting content to other person, so it results in restriction of superdistribution on the digital broadcasting content. In this paper, for broadcast targeting unspecfic many people, we will design the service model of the protection and distribution of digital broadcasting content using encryption and license by employing the concept of DRM. The results of implementation are also shown to verify some functions of each component. An implemented system of this paper has some advantages that the recording of broadcast content is allowed on set-top-box and superdistribution is available by consumer. Hence it provides content providers and consumers with trustworthy environment for content protection and distribution.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2019.06a
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• pp.291-295
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• 2019

4차 산업혁명과 더불어 1인 미디어 시대를 맞아 개인의 미디어 컨텐츠 제작과 소비가 간편해졌다. 이에, 유튜브, 트위치 등의 플랫폼을 통해 엄청난 양의 미디어 컨텐츠가 생성 소비되고 있다. 이와 관련하여 미디어 컨텐츠의 저작권에 대한 분쟁이 뜨겁다. 특히, 뮤직(음원)컨텐츠의 경우, 동영상을 비롯한 거의 모든 컨텐츠의 제작에 있어 없어서는 안 될 요소로 자리 잡고 있기 때문에 뮤직 컨텐츠와 관련된 저작권 분쟁은 더욱 치열하다. 이에, 본 논문에서는 뮤직 컨텐츠에 대한 저작권 분쟁을 블록체인을 적용하여 해결할 수 있는 방안을 제안한다.

• Journal of Broadcast Engineering
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• v.14 no.3
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• pp.288-298
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• 2009

In this paper, we propose a scheme to associate content-based video signature with Universal Content Identifier (UCI) system of broadcast content for copyright identification and management. Note that content-based video signature can identify a previously distributed content since it is directly extracted from content itself without allocation process of identifier such as UCI. Thus, we design the schema of UCI application metadata, which provides a video signature in order to consistently maintain a systemic link between UCI and the video signature. Also, we present the scenarios of copyright identification, management and additional service, which are based on transmission and management mechanism of video signature with UCI identification system.