• Journal of Broadcast Engineering
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• v.5 no.2
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• pp.220-226
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• 2000

A novel audio watermark algorithm, the Modified Patchwork Algorithm, is applied to the speech to show that it is effective for digital broadcasting systems. Digital broadcasting system does not separate speech from audio data. However. speech data is very important especially for educational broadcasting. Speech can carry more information than video data. Thus, intellectual property management and protection for speech data is urgent. This paper addresses the technical issues, speech watermark algorithm, and its robustness against malicious attacks.

• Journal of Intelligence and Information Systems
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• v.24 no.2
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• pp.21-35
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• 2018

Since the introduction of MP3 players, CD recordings have gradually been vanishing, and the music consuming environment of music users is shifting to mobile devices. The introduction of smart devices has increased the utilization of music through music playback, mass storage, and search functions that are integrated into smartphones and tablets. At the time of initial MP3 player supply, the bitrate of the compressed music contents generally was 128 Kbps. However, as increasing of the demand for high quality music, sound quality of 384 Kbps appeared. Recently, music content of FLAC (Free License Audio Codec) format using lossless compression method is becoming popular. The download service of many music sites in Korea has classified by unlimited download with technical protection and limited download without technical protection. Digital Rights Management (DRM) technology is used as a technical protection measure for unlimited download, but it can only be used with authenticated devices that have DRM installed. Even if music purchased by the user, it cannot be used by other devices. On the contrary, in the case of music that is limited in quantity but not technically protected, there is no way to enforce anyone who distributes it, and in the case of high quality music such as FLAC, the loss is greater. In this paper, the author proposes an audio watermarking technology for copyright protection of high quality stereo music. Two kinds of information, "Copyright" and "Copy_free", are generated by using the turbo code. The two watermarks are composed of 9 bytes (72 bits). If turbo code is applied for error correction, the amount of information to be inserted as 222 bits increases. The 222-bit watermark was expanded to 1024 bits to be robust against additional errors and finally used as a watermark to insert into stereo music. Turbo code is a way to recover raw data if the damaged amount is less than 15% even if part of the code is damaged due to attack of watermarked content. It can be extended to 1024 bits or it can find 222 bits from some damaged contents by increasing the probability, the watermark itself has made it more resistant to attack. The proposed algorithm uses quantization in DCT so that watermark can be detected efficiently and SNR can be improved when stereo music is converted into mono. As a result, on average SNR exceeded 40dB, resulting in sound quality improvements of over 10dB over traditional quantization methods. This is a very significant result because it means relatively 10 times improvement in sound quality. In addition, the sample length required for extracting the watermark can be extracted sufficiently if the length is shorter than 1 second, and the watermark can be completely extracted from music samples of less than one second in all of the MP3 compression having a bit rate of 128 Kbps. The conventional quantization method can extract the watermark with a length of only 1/10 compared to the case where the sampling of the 10-second length largely fails to extract the watermark. In this study, since the length of the watermark embedded into music is 72 bits, it provides sufficient capacity to embed necessary information for music. It is enough bits to identify the music distributed all over the world. 272 can identify $4*10^{21}$, so it can be used as an identifier and it can be used for copyright protection of high quality music service. The proposed algorithm can be used not only for high quality audio but also for development of watermarking algorithm in multimedia such as UHD (Ultra High Definition) TV and high-resolution image. In addition, with the development of digital devices, users are demanding high quality music in the music industry, and artificial intelligence assistant is coming along with high quality music and streaming service. The results of this study can be used to protect the rights of copyright holders in these industries.

• The KIPS Transactions:PartB
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• v.19B no.1
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• pp.9-18
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• 2012

Many audio watermarking researches which have been adapted to authenticate contents can not recover the original media after watermark removal. Therefore, reversible watermarking can be regarded as an effective method to ensure the integrity of audio data in the applications requiring high-confidential audio contents. Reversible watermarking inserts watermark into digital media in such a way that perceptual transparency is preserved, which enables the restoration of the original media from the watermarked one without any loss of media quality. This paper presents a new interval-based audio integrity authentication algorithm which can detect malicious tampering. To provide complete reversibility, we used differential histogram-based reversible watermarking. To authenticate audio in parts, not the entire audio at once, the proposed algorithm processes audio by dividing into intervals and the confirmation of the authentication is carried out in each interval. Through experiments using multiple kinds of test data, we prove that the presented algorithm provides over 99% authenticating rate, complete reversibility, and higher perceptual quality, while maintaining the induced-distortion low.

• Proceedings of the KSRS Conference
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• 2003.11a
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• pp.1264-1267
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• 2003

To protect the digital image, video and audio from non-authorized use, the digital watermarking technology has received a great attention in the field of multimedia in recent years . An overview of the development of watermark techniques is given in the current paper followed by a discussion of potential application of spatial domain, transform domain watermark techniques in remote sensing images copyright protection and verification in different forms of processed images.

• Proceedings of the Korean Society of Computer Information Conference
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• 2014.01a
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• pp.89-92
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• 2014

This paper presents a secure and blind adaptive audio watermarking algorithm based on Empirical Mode Decomposition (EMD). The audio signal is divided into frames and each one is decomposed adaptively, by EMD, into several Intrinsic Mode Functions (IMFs). The watermark and the synchronization codes are then embedded into the extrema of the last IMF. The experimental results show that the proposed method has good imperceptibility and robustness against signal processing attacks.

• Journal of the Institute of Convergence Signal Processing
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• v.15 no.1
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• pp.1-8
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• 2014

Digital watermarking techniques are attracting attention as a proper solution to protect copyright for multimedia data. This paper proposes a new audio watermarking method based on Discrete Cosine Transformation (DCT) and Discrete Wavelet Transformation (DWT) for copyright protection. In our proposed watermarking method, the original audio is transformed into DCT domain and divided into two parts. Synchronization code is applied on the signal in first part and 2 levels DWT domain is applied on the signal in second part. The absolute value of DWT coefficient is divided into arbitrary number of segments and calculates the energy of each segment and middle peak. Watermarks are then embedded into each middle peak. Watermarks are extracted by performing the inverse operation of watermark embedding process. Experimental results show that the hidden watermark data is robust to re-sampling, low-pass filtering, re-quantization, MP3 compression, cropping, echo addition, delay, and pitch shifting, amplitude change. Performance analysis of the proposed scheme shows low error probability rates.

• The Journal of the Acoustical Society of Korea
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• v.30 no.6
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• pp.303-307
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• 2011

This paper describes an audio watermarking using Quantization Index Modulation (QIM) on significant peaks in frequency domain. The audio signal is broken up into L samples length frames with non-overlapping and rectangular window. The zero-crossing rate of each frame is calculated for decision whether it is proper to be watermarked or not. If the frame is legitimate, frequency magnitude response is computed by discrete Fourier transform. For the QIM, we set the quantization step size based on maximum value of frequency magnitude response and select n significant peaks with w samples around them in frequency domain, totally $n{\times}(w+1)$ samples. Finally, watermark embedding is performed. Decoder extract watermarks based on Euclidean distance, that is a blind detection. The proposed method is robust against many attacks of watermark benchmark.

• The Transactions of the Korean Institute of Electrical Engineers D
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• v.51 no.7
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• pp.302-307
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• 2002

Digital watermarking is the technique, which embeds an invisible signal including signal including owner identification and copy control information into multimedia data such as audio, video, and images for copyright protection. A new MPEG watermark embedding algorithm using complex block effect based on the Human Visual System(HVS) is introduced in this paper. In this algorithm, $8{\times}8$ dark blocks are selected, and the watermark is embedded in the DC component of the discrete cosine transform(DCT) by using quantization and modulus calculation. This algorithm uses a blind watermark retrieval technique, which detects the embedded watermark without using the original image. The experimental results show that the proposed watermark technique is robust against MPEG coding, bitrate changes, and various GOP(Group of Picture) changes.

• The Journal of the Acoustical Society of Korea
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• v.22 no.5
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• pp.367-374
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• 2003

In this paper, we propose an audio watermarking method using the attribute of tonal masker. First, the attribute of tonal masker as an audio watermarking attribute is analyzed. According to existing researches, it is possible to be imperceptible modulation for the energies of the frequencies that compose a tonal masker. And when the relation between the tone energy and the left or right frequency energy after various signal processing is compared with the one before the processing, very few changes are showed. We propose an audio watermarking method using these attributes of tonal masker. A watermark bit is embedded by the modulation of the difference between the two neighboring frequency energies of a tone. In the detection, the modulated the tonal masker is searched using the key wed in the embedding without original audio and the embedded watermark bit is detected. After each attack of noise insertion, band-pass filtering, re-sampling, compression, echo transform and equalization, the detection error ratios of the proposed method were average 0.11%, 1.26% for Classics and Pops. And the SDG(Subjective Diff-Grades) scale evaluation of the sound quality of the watermarked audio result in the average SDG -0.31.

• Proceedings of the Korean Institute of Intelligent Systems Conference
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• 2001.12a
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• pp.5-9
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• 2001

In this paper, we propose the new audio watermarking method and can be used on line processing. Instead of the wavelet transform, we use the integer wavelet transform for the reduction of the computational load. The watermark associated with the chi-square distribution is inserted into the signal on the integer wavelet domain. When extracting the watermark, the spread spectrum methods are used with the coefficients associated with the covariance sequence. We show that the chi-square distribution is a good tool for the spread spectrum method on the wavelet domain. This watermarking technique may be used for the control of the electrical product which can be controlled with the hidden signals and can be moved according to the audible signals simultaneously.