• 대한건축학회논문집:계획계
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• 제35권12호
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• pp.3-12
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• 2019

The purpose of this study is to address the Issues on Architectural Plagiarism through the analysis of the discourses written in texts form. This study selected 60 texts of 20 suspected pairs of architectural plagiarism to derive key-words and key-passages to understand the Issues on Architectural Plagiarism. As a result, the Issues on Architectural Plagiarism are categorized into six different topics; Prototype, Archetype, Motif, Expression of Idea, Commodification, and Westernized-modernization. Meanwhile, the six issues were not discussed independently, but several issues were considered simultaneously in individual cases. This study is the first step to establish the objective guideline to judge Architectural Plagiarism and to be a basis in Architectural Plagiarism research.

• 한국실내디자인학회논문집
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• 제34호
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• pp.20-28
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• 2002

Tradition is defined as cultural qualities of a regional social group a race, which is transmitted from generation to generation through history. Its contents include human behavior as well as the outcomes from the human behavior and a culture is materialized by means of fullfil fundamental aspiration, in order to co-exist human being and society.This research has considered an architectural space which both show a Korean traditional architecture and modern architectural space, incliding Korean nature under a sort of cultural expression.Also, expressive qualities which are shown within a space as a medium, there is more consideration of method to embody Korean nature into an interior space.There is a subject related to traditional expression of what the real essence of tradition is. In addition, it is a matter of what the method of expression is in order to accomodate, inherit and express the pulse of tradition.

• 한국실내디자인학회논문집
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• 제22호
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• pp.77-84
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• 2000

The study aims at looking, into conceptual transfer of environment between Minimal Art and Minimalism architecture and analysing architectural expressional characteristics which could visually show pro-environmental expression from concept of environment-orientation in the architecture in regional minimalism. This study issued the survey of Minimalism architecture as newly architectural trend since Late-Modernism, and pro-environment as important paradigm in the near future. In this analyses, the characteristics of pro-environmental expression can be classified as follow ; a the brightness and darkness of light, b. the perspective view of simplified wall, c. the visualization of environmental characteristics, d. the transparency and reflectiveness of glass, e. the all direction of cube, f. the visual division of architecture. These show that symbolized variety implying expression variety and implying Oriental view of nature were expressed as unique language of regional Minimalism architecture, by visual simplicity as characteristics of Minimalism and Occidental Modernism as motive of Minimalism.

• 한국실내디자인학회논문집
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• 제22권6호
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• pp.29-39
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• 2013

Architecture has been expressed a complexity of their civilization with evolving into a living spaces and a crystalloid of culture in the times. So, architecture is always a dramatic phenomenon related to architectural aesthetic and technical expression in harmony with social and cultural issues by the times. From this point of view, we can describe that architecture is one of an important mediators to analyze the integrated trend of time. Specially an expressed building envelop which is a matter of consequence in the architectural component is first visual factor including architectural meaning and historical back ground. Therefore, this study firstly starts an investment for discriminative characteristics of building envelop design in the times, then will take the comparative analysis related with modern age and contemporary age based on phases of the times. This research will give the chance to prepare of the pillar of future envelop design in the practical affairs and has simultaneously the chance to understand of inclusive envelop design methodology by the changes of the times.

• 건축역사연구
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• 제11권1호
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• pp.7-19
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• 2002

Contemporary architecture is developing aspects of variety design in form and material. The various architectural trends even change classical materiality. This concept has the background of current idea - digital, information, imagination with paradigm. So this study aims to show the present status of the expressions in the contemporary architecture in Korea under its dematerialized situation. And like this, we know for study about the relation between dematerialization and current architecture, still more Korean present condition. In chapter one, the background, purpose and method of study are explained. In chapter two, this study inquires the general concept of dematerial. In the process of searching for the forming basic background this study understands the characteristic. In chapter three, this study inquires the aspect of dematerialized expression in modern architect. In chapter four, with characteristics drawn in chapter three, this study show the present status of the expressions in the contemporary architecture in Korea under its dematerialized situation. In chapter five, a synthetic conclusion is presented.

• Architectural research
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• 제18권1호
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• pp.31-38
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• 2016

The surface design in architecture plays a role as an indicator that symbolizes cultures and styles, in accordance with the course of history and the standards of the time. The surface design that determines the facade of an architectural structure allows us to have a more clear understanding about the functions, programs and structures, as well as the periodical concept of the architects than any other components of the architecture. The purpose of this paper was to examine how architectural surface designs were realized, using commonly-used materials. This study provides meaningful implications, in that it suggests common features in terms of design methodologies (between architecture and non-architecture fields), and presented new possibilities for contemporary architectural surface designs through the classification of building system methods depending on fabric properties, and through the case study analysis of architectural surface designs; in addition, the results of this study could be utilized as basic data for future studies on the possibility of the expression of surface designs across a broader domain.

• 건축역사연구
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• 제18권4호
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• pp.25-41
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• 2009

Louis I. Kahn is cleary one of 20th century great architects. The character of his philosophy of architecture can be condensed as simple words; Architectural Essence, because the very nature of his work based on historicity is so fundamental. Some contemporary architects and architectural critics regard it as a symbol of Post-Modern Architecture era expressing relative multiplicity or an expression of Heideggerian existentialism, but others do as the attribute of fundamentalist like absolute Plato's Idea. Comparing the former, studies of the latter theme have been executed superficially and somewhat biasedly for last decades. In the context, this paper attempt to reanalyze Kahn's idea of 'Architectural Essence' with the deep view of Platonist focused on the concept of binary opposition and causality.

• 한국실내디자인학회논문집
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• 제16호
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• pp.175-181
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• 1998

The purpose of this study was to analyze the characteristics of expression and formal principle of universalism in Architectural Composition. Theorical category is to find universal system with the connection between idea of society and tradition in compositional frame the results were as follows : First it is the pursuit of divine. Through Middle Age and Renaissance universalism of principles in Architectural Composition is appeared a numerical order and human proportion with applying of cosmology. Second it is the pursuit of schema. With the simplicity of formal image it represented to the geometrical form for its clearness. Third it is the pursuit of typology. As to play a role of decisive factor in formal construction type represented the model with abstraction of shape.

• 한국실내디자인학회논문집
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• 제19호
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• pp.3-10
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• 1999

This study is to examine the contradictional phenomenon from the standpoint of philosophical thoughts, experiencing the modern Museum opened recently while anlyzing the perceptive phenomenon of the space as well as what architect is thought of the Museum, so that it is aimed at finding the aesthetic value and substantiality of its space concept. As for the construction of the Museum for the space experience, the contradictional expression of the architectural space was analyzed by going through Richad Meier of Barcelona Museum, Renzo Piano of Beyeler Museum and Mario Botta of Tingly Museum at first-hand.

• 한국실내디자인학회논문집
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• 제20호
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• pp.26-32
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• 1999

The point of this study consists in analysing influences of the postmodern design in the contemporary architecture. Since the modern architecture, new concept of architectural design has been materialized in the Late-Modern and the High-tech style but the revolutionary changes has been tempted by the postmodern architects who introduced the Rhetorical language in the contemporary architecture. In concrete terms postmodern architecture divided architectural elements from existing function (according to U. Eco, it is the primary function of architecture) and gave another function which is the secondary function or the symbolic function or architecture. And the methods of deviation from the conventional code is exactly the rhetorical expression technique which governed the history of art in Europe (but these technique is more intensively applied in the postmodern architecture) So this study is purposed to analyse the different rhetorical "figyres" regarding the syntax and semantic of the architectural langyage, and particularly to approach to the basic mechanism of the New Design Concept in the Contemporary Archiecture.chiecture.