• Journal of architectural history
• /
• v.16 no.1
• /
• pp.29-48
• /
• 2007

This study is an investigation that explication of the reading method of transcription marking, and explains what it means and where to use transcription marking of architectural vocabulary. focusing on timber class vocabulary from on SeoGwolYeongGeonDoGamUiGwe(${\ulcorner}$西闕營建都監儀軌(1831)${\lrcorner}$). This study is reviewed sequentially classifying items according to timber class, stone class, iron class architectural vocabulary. This treatise, named 'Architectural Vocabulary Study (1)', is mainly focused on making out a transcription marking of timber class vocabulary on the documents. But, because of the properties of the UiGwe(儀軌), there are some different expressions used for the same vocabulary. Therefore, the different expressions are referenced according to vocabulary used from the 17th century to the 20c century. This study lists timber class architectural vocabulary of transcription marking on SeoGwolYeongGeonDoGamUiGwe(${\ulcorner}$西闕營建都監儀軌(1831)$\lrcorner$). This study also explicates and explains the meaning of them. In advance, this study compares them with the vocabulary of national language in the middle ages and modern times. If we could explicate the transcription marking of the documents as it is, we can't only recover plenty of vocabulary related with characteristic architecture in the age of later Chosun Dynasty, but also correct wrongly used vocabulary nowadays. With the results, we can standardize and adjust vocabulary use of Korean traditional architecture. In advance, we can correct errors of spelling and mistaken explanation in the Korean Encyclopedia.

• Journal of architectural history
• /
• v.17 no.3
• /
• pp.45-60
• /
• 2008

This study lists the vocabulary of the inscriptions on SeoGwol-YeongGeon-DoGam-UiGwe(西闕營建都監儀軌 1831). This study also deciphers and explains the meanings of them. In advance, this study compares them with the vocabulary of the national language in the middle ages and in modem times. There are two important missions in deciphering a transcription marking of the architectural vocabulary of UiGwe(儀軌). One is to gain an understanding of the reading method of transcription marking and the other is an explanation of what that means. As a result, we can correctly understand the UiGwe(儀軌) written in transcription marks. If we could decipher the transcription markings of the documents as it is, we cannot only recover plenty of vocabulary related with characteristic architecture in the age of the later Joseon Dynasty, but also correct wrongly used vocabulary in the present. As a result, we can standardize and adjust the vocabulary use of Korean traditional architecture. In advance, we can correct errors of spelling and mistaken explanations in the Korean Encyclopedia.

• Journal of architectural history
• /
• v.26 no.6
• /
• pp.19-28
• /
• 2017

In this paper, I have reviewed some of the Korean traditional architectural vocabularies that have to be reconsidered in terms of the problem of decode, the problem of meaning, the meaning of explain meaning, and the problem of form analysis. Especially, correct decode and interpretation of Uigwe's Korean ancient architecture borrowed character can correct old decode and interpretation. Furthermore, I confirmed that I could correct the Korean ancient architecture vocabulary that was expiscated wrongly. Especially borrowed characters corresponding to 머름[meoreum](paneling) have been known only far away 遠音[meoreum]. In addition, there were also 遠驗[meolheom] 亇乙軒[meolheon] 亇乙險[meolheom] 亇乙音[meoreom], and so on. Furthermore, in the process of decode these notations, it has become possible to assume that the original words of the modern language 머름[meoreum] also came from *멀험[meolheom]. On the other hand, there are many kinds of people like 付叱心[bussim] 夫叱心[bussim] 扶叱心[bussim] 富叱心[bussim] 富心[bussim]과 北叱心 [bussim] 北心[bussim]. You can also check the Korean ancient architecture vocabulary. However, corresponding words are difficult to find in modern Korean languages. However, in Jeju dialect, we can confirm the corresponding word. This word was used in the Joseon Dynasty, and confirmed that it is dead language today. As mentioned above, it is confirmed that there are many misconceptions about the decode and meaning of the architectural vocabulary made of borrowed character in existing architectural dictionaries, Korean dictionaries, and Korean ancient architecture related papers. Also, although the form is being confirmed, it has been confirmed that there are many things that need to be clarified, such as what the decode is, what the meaning is, and the origin I have also confirmed a number of things that need to be properly expomed in the original form, the original word. In the future, those who study Korean ancient architecture vocabulary and traditional architectural vocabulary should also be interested in these things and research it properly.

• Korean Institute of Interior Design Journal
• /
• v.22 no.2
• /
• pp.58-67
• /
• 2013

The methods used in this study included investigation of media facades used for landmarks in downtown areas in previous studies, visits to these areas, and recording of media facades. The changes in the colors or the size of buildings were analyzed among the recorded cases and 12 of these cases were selected for further study. The sensibility preference of the media facades was evaluated by sorting the 12 kinds of media facades, and providing them as materials to a group of 60 participants (40 undergraduate and 20 graduate students majoring in architecture and design) consisting of an equal proportion of males and females. This study addressed the following four_stage questions: 1) Five questions of recognition evaluation about media facades and the cognitive evaluation items of emotional vocabulary and color preference in each research case; 2) sensibility preference items regarding the media facade color design; and 3) design evaluation items of the media facades; 4) Video clips and still images were recorded from a middle distance at 7p.m to 11p.m. in central New York, Singapore, Seoul, and Beijing. The participants looked at the changes in colors through the video clips in each case and evaluated their preferences through 23 pairs of emotional vocabulary items using system dynamics. Construction of an emotional vocabulary followed, based on previous studies about media facades and color design. To evaluate the sensibility preference and the perceived representative colors of the media facade, this study suggests new emotional responses that depended on the color emotional vocabulary of light in the LED lighting technical evaluation methodology. A media facade with a moving change of colors, unlike a fixed landscape color design, suggests a new communication method based on architectural factors. New architectural color coordination can be presented for urban landscapes at night. Designs that factor in the pedestrians' emotional vocabulary or preference should take precedence over the use of high luminance and various colors.

• Korean Institute of Interior Design Journal
• /
• v.14 no.3 s.50
• /
• pp.139-146
• /
• 2005

This paper focuses on the response of architectural form to the technological characteristics in the institute facilities. For this, we study the meaning of technology in the aspect of physical, formal and social concepts and their architectural expression and sort by grouping through analyzing 27 cases of foreign current Institute facilities. Conclusions can be summarized as followings: 1) Vocabulary of technology in physical concept is presented by the environmental control through the experimental surface such as louver and glazing and the independent exposed equipment. 2) Vocabulary of technology in physical concept is presented using the machine like aesthetics by exposing the structural members and designing the exterior form using dynamical images. 3) The expression of social meaning in technology is presented by standardization, parts assembling through mass production system, the unit material for expression of today's industrial society. The expressions of technological language in the institute facilities are used not only one vocabulary but comprehensive ones.

• Proceedings of the Korean Institute of Interior Design Conference
• /
• 2003.05a
• /
• pp.112-116
• /
• 2003

The aim of this study is to extract the design vocabulary of flexibility from analyzing Steven Holl' architectural works. For this purpose, the four works were selected and the design elements like their concepts, elevations, plans, furnitures, lights, materials, and colors were analyzed. The results of this study are as follows ; First, flexible design method is shown in adaptable space planning by using system of hinged panel and multi-functional furniture of various form. Second, Windows were made a plan of the geometric partition of surface and with clear materials for expanding space to outside. Third, the changing of level and the using of the phenomenological elements like a light color, water, and materials were applied for enhancing the image of the flexible space.

• Korean Institute of Interior Design Journal
• /
• no.10
• /
• pp.11-20
• /
• 1997

This paper, based on the surveys on 43 cases in whole Korea, aims to analyze the architectural principles extracted from the religious dogmas and to propose the direction of the expression of tradition in Korean religious architecture. Buddhist temples in the modern cities. Catholic churches, Anglican churches, Protestant churches have similar problems and attitudes on the expression of traditiov. They have not yet various subjects on the expression of tradition as 'tradition' is not distinguished from 'transmission'. It is not caused only by the general phase of Korean modern architecture, but also by the lack of the practical theology which extract architectural principles from religious dogma and history. I proposed 'Architectural vocabulary', 'Architectural syntax', 'Architectural idea', and 'Symbolization of interior space' , 'Architectural zeitgeist' as the ideal approach.

• Korean Institute of Interior Design Journal
• /
• v.16 no.4
• /
• pp.99-109
• /
• 2007

In the 19th century, a series of study by Hittorff, Semper, Ruskin, and others on architectural polychromy in various perspectives appeared. This presumed that the architectural polychromy could become an essential part of architectural composition and contribute to create new architectural style, if not, at least new architectural and cultural context of the 19th century, the period when it is considered that the stylistic evolution in architecture is absent. In the course of the stylistic development of church architecture of the 19th century in France, the architectural polychromy, grounded in a theory of representation, played a critical role as one of the main sources to create new architectural vision. The church architecture during the Second Empire in France was particularly susceptible to be influenced by this inevitable phenomenon, which signified an epistemological mutation in architectural perception beyond optical and perspective effect in the history of architecture. Here the study attempts to recognize the aesthetic value of the architectural polychromy in the 19th century, and investigate its application, as not just an aspect of architectural embellishment but an indispensable portion of architectural vocabulary, on the church architecture in France throughout the 19th century, then to define its role in creating new architectural environment.

• Korean Institute of Interior Design Journal
• /
• no.41
• /
• pp.80-87
• /
• 2003

This paper attempts to examine the historical changes, the characteristics and the role of free-standing wall from the viewpoint of architectural composition. After modern times the wall gets free of structure and the view of formative art changes, which become a basis of the conscious use of free-standing wall. It plays a role of getting territoriality and placeness, by defining the space at the external territory and it is used as apparatus which controls circulation and orientation externally At the same time it is used as an instrument to blur the border to make mutual intersection and plays a role of introducing and controling the environment. The free-standing wall controls the architectural form to emphasize plasticity and is used to define a geometrical frame and maintain the urban context. In view of the results so far achieved, the free-standing wall is used as general vocabulary of modulating the border of space and the architectural form since modern architecture.

• Journal of Korean Society of Environmental Engineers
• /
• v.33 no.10
• /
• pp.748-755
• /
• 2011

After the Industrialization of 1960s, while it has greatly contributed to the industrial development owing to acceleration of mechanization, but it is real situation that the countermeasure to noise damage generating at the loud noise workshop is scarcely made. Especially, the machine noise made at factory and workplace is so shocking and repeatedly reiterating terrible noise that most of the spot workers are forcedly imposing such dangers as the severe unpleasant feeling and hearing impairments. On such point of view, this research has attempted to extract the proper rating vocabulary in order for evaluation on machine noise made at the high noisy workshop, therefore it is considering that those extracted vocabularies could be utilized as the useful psycho-acoustic experiment for evaluation on machine noise, also for establishment of regulation standard in domestic high noisy workshop.