• 건축역사연구
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• 제28권5호
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• pp.71-82
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• 2019

The purpose of this study is to establish the relationship between Durand's architectural theory which provided reasonable architectural logic in the early 19th century, and architectural logic of the Modern Movement of Architecture led by avant-garde architects in the 1920's. The system of thought in architecture proposed by Durand which clarified a architectural design method(composition) is very similar to the one of the International Style(Book), which summarizes commonalities in the flow of modern architecture. This approach has something in common from the perspective of the systems of thought, despite differences in external forms and time gaps. Therefore, this study intends to examine the systems of thought in three ways. It is to examine how the two systems of thought define architecture, what is the logic of building production, and finally the value of architecture (including aesthetic values) while eliminating classical aesthetics.

• 한국실내디자인학회논문집
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• 제15권5호
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• pp.52-59
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• 2006

Since the time of Vitruvius, the sciences have impacted on the perspectives for architecture and have had a direct influence on the shaping of built space. In recent years, architects have been looking again at sciences as a source of inspiration in the production of their designs and constructions. There are various ways to look at architecture's relationship to science. It is interesting to see how many of the words of day-to-day architectural speech have been drawn from science, the abundant use of references such as topology, fractals, chaos theory, and so on. The reasons for this may be obvious, insofar as science has become the dominant discourse of our times. The numerous attempts have been made to constitute architectural practice so as to bring it into line with the methods of science. But Alberto Perez-Gomez juxtaposed architectural theory and Husserl's. The Crisis of European Science. In Husserl's 'Crisis', it is modern science itself that is laid open question. Through examining its changing relationships to architectural ideas this paper is intended to describe the problematic relationship between science and architecture, in other words, architecture's as science.

• 건축역사연구
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• 제3권2호
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• pp.9-28
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• 1994

A collective theory is tried in analysis on the architectural history of Temple Gowoon in Gyongbook Province. For this purpose, firstly, the chronicle of construction was composed based on the critical study of the old documents. Secondly, the drawings of existing facilities were made after the field survey. And lastly, the collective theory was be able to extracted from the relation between chronicle and physical composion of the Temple Gowoon. The whole temple is composed of two territories, northern one and southern, which are divided by the central ravine. Northern territory was enlarged from Gukrakgeon's cluster through Myongboogeon's to Yeonsoogeon's. On the other hand, southern territory was reduced its position and its size from Daewoongeon's cluster, which was one of the main cluster, to Monigeon's, sub one. These processes were the results of the architectural adjustment, that is say, the dogmatic principles adapted in the topographical environments. The collective forms of clusters are different from each other. Gukrakgeon's cluster is composed of four buildings which enclose the empty inner court. Monigeon's is similar to the small temple type, Myongboogeon's selects the straggling form, and Yoensoogeon's has the type of Confucian shrine. The various types of clusters were the physical settings to symbolize the religious heirarchy of their buildigs. In the front of temple area, Gawoonloo, which located on the ravine and has a big volume, integrates straggling clusters.

• 건축역사연구
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• 제10권4호
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• pp.23-41
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• 2001

This paper aims at understanding the transformed characteristics of expressional system of Church architecture in Korean traditional style. Through the analysis of transformed forms and its meanings of those, this paper investigates the unique process of stylistic development of Korean traditional church architecture in early modern, 1900's. The method of this study is the analyse of them after the actual field surveys of Korean traditional churches, specially eclecticism churches as the HWSAN church and KUPODONG church, and the analysis of Semiology. Theory for Semantic Interpretation of artistic objects as an objects of art and architecture. Specially, the survey concentrates on the architectural elements(the form, the architectural structure, the material, the roof shape, the window, the door, the bell tower, the plan, etc) of eclecticism churches, especially those of HWASAN church and the analysis of semiology theory contains the research results which were studied by theorists as Charles Jencks, Umberto Eco and Juan Pablo Bonta. Acceding to analysis, Korean eclecticism churches have the unique transformation process and specific meaning of the spontaneous process of development. In the results of the semiological analysis of HWASAN church, it can be revealed clearly that transformed process of form리 characteristics of HWASAN church intented to formal originality of western Gothic church, but its form and meaning were based not on any simply imported western style but on existing system of Korean architecture.

• 건축역사연구
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• 제1권2호
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• pp.116-136
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• 1992

Architectural essence of John Ruskin's discourse can resolve itself into natural beauty, craftmanship, and truth in structure, surface, and process. His theories became disciplines of modern English school, Art and Craft and Free architecture, in aspects of organic architecture, morality, and rationality. These concepts disseminated continental Art Nouveau and also became it's basic principles. But his empirical theories hated use of machine, and should find a ideal model in medieval romanticism of Gothic. Anti-machine, as a instictive guideline of English modern architecture, couldn't cope with the industrialization of 20th century, and Gothic revival interfered with creating a new style. Muthesius' discourses were taught by the power of group movements and modern concept of form in English school, originally by Ruskin. But he accepted the potentiality of machine and mass production, and stressed creating the new German style suitable with machine. With the progress of Deutscher Werkbund, his theories were advanced to 'quality' connected with craftmanship, to discourse on mechanical 'form', and lastly to 'standardization and type' for mass production. Mechanical functionalism of Muthesius and DWB were sophiscated and handed down to Bauhaus, and then finally helped establishment of the Modern Architecture and Internationalism. Both English and German modern architecture owed their contribution as well as limitation to Ruskin and Muthesius as theorists. Through this comparative study, we can see the priority of theory to practice, the theoretical justification based on insight for its society and future, and the practical character of theory itself.

• 한국주거학회논문집
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• 제24권1호
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• pp.79-87
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• 2013

The purpose of the study is to verify the effect of the Domus type on the modern housing-typology. This article specifies conceptual architectural typology through studying housing types and the changes by comparing experimental results over time since the ancient to the modern times. To successfully establish the purpose of this article, I cited Saussure's verbal methodology of system and representation along with Deleuze's philosophical cause of differentiation and repetition. Also adopting Aldo Rossi's architectural theory of typology, I established theory of housing continuation and alteration. I will compare and analyze particularly the Domus type, Adolf Loos's M$\ddot{u}$ller house, Luis Barragan's house, Le Corbusier's Villa Sovoye, and Mies van der Rohe's Three court house. And I research on the difference between architectural representation of hall and courtyard in modern housing. This research looks to emphasize historical comprehension and practical application of architectural history through housing studies.

• 대한건축학회논문집:계획계
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• 제35권4호
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• pp.25-36
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• 2019

Contemporary architecture is showing its deconstruction and departure from modern architecture based on rationality, such as reductionism or virtualism. This means a shift from a mechanistic and ecological world view to an organic and ecological view, from a deterministic reason to a reason for a possible secret static. This study examines the potential of fractals, a scientific theory of complexity that is emerging as a new paradigm in the 21st century, as an appropriate alternative to contemporary complexity architecture. The method and scope of this study were understood and its features were identified through literature and data research and prior study review. Based on the organic nature of fractal geometry, we analyzed the works of contemporary architects(Frank Gehry, Bernard Tschumi, Steven Holl, Zaha Hadid, Rem Koolhaas, Daniel Libeskind, Zvi Hecker, Ito Toyo) and studied the possibility of architectural design using the principle of fractal. As a result, fractal geometry, similar to the patterned order of nature, has an infinite set of organizational functionalities in architecture and can be applied in various aspects of design analysis. Architectural designs based on the fractal theory will require more research and development to realize dynamic design representation using digital computers.

• 국제학술발표논문집
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• The 6th International Conference on Construction Engineering and Project Management
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• pp.430-434
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• 2015

Safety education at the tertiary level prepares students to enter construction industry with adequate safety knowledge; then accidents can be prevented proactively. However, safety subject has not been paid adequate attention in universities and most institutional safety programs consider safety matters in isolation. Meanwhile, anatomical theory in the medicine field has been successfully adopted and proved potential advantageous in various scientific disciplines. With this regard, this study proposes a visualization based Building Anatomy Model (BAM) for construction safety education, which utilizes the anatomical theory in order to improve student's safety knowledge and practical skill. This BAM consists of two modules: 1) Knowledge Acquisition Module (KAM) aims to deliver safety knowledge to students through building anatomy models; 2) Practical Experience Module (PEM) where students safely perform construction activities by using the system to improve safety skill. The system trial is validated with virtual scenarios derived from real accidents cases. This study emphasizes the visualization based building anatomy model would be a powerful pedagogical method to provide effectively safety knowledge and practical skill for students, as a result, safety competence of students would be enhanced.

• 건축역사연구
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• 제5권2호
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• pp.83-95
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• 1996

Computerized visual database construction of architectural precedents has just begun in some research institutes in the world. In Korea the first visual database has shown its testl version by S architectural design firm in september 1996. In this article the author discusses the historical contexts and the recent computerization cases, the traits, the uses and the limits of architectural visual database system of precedents. The forms and contents of data fields in two cases are compared with a focus on the description of architectural traits of each data entry. Compared to the KIA format, the S database has better performance for architectural design reference because it collects more pictures and drawings and larger texts for the field of architectural chracteristics. But this latter also is constrained by its capacity of memory and so lacks the reciprocity of the DOORS in the Graduate School of Design, Harvard University. A visual database system which has more flexible allocation of memory and respondent with the users is yet to be prepared. But this system also should be maintained by some experts in architectural history, theory and criticism, because their knowledge is essential for selection of precedents and revision of the data description. A full-fledged electronic visual database in architecture will not only save much effort for the architect, but also will change the architects' design behavior. Nevertheless this does not mean the automatic promotion of architects' creativity.

• 건축역사연구
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• 제14권4호
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• pp.177-195
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• 2005

Tough Korean architecture and urban environment has been developed for almost 100 years, it still remains various kinds of problems. Many attempts was carried out by every new plan to reduce the problems, it result in requiring more investment than before. It means all the investment for the development has been inefficient and immature to protect economic problems compared with the developed country. For the reason of economic problems it must be studied in historical cases which influenced the economic impacts, before the proposal of index with the economic theory. Searching typical architecture or urban development that brought about economic impacts can be classified into 3 cases. First case is the impact that caused the economic growth, increase, boom like the Westminster & others and the american architectures after the economic crisis. Second case is the impacts that was the origin of decline, shrink in economic as the Palace of Versailles, the skyscrape buildings in america before the economic crisis. Third case is the impact that was the both role of increase and decline in economic as the modern architecture in industrial revolution which led to the national economic growth and the gap between the rich and the poor, and as the american architecture that was the root of crisis and the revival in economic. From the case study, it is clear that architecture has relation with economics in various factors as mass production, labour, and another industries all over the history & the world. Now, architecture strongly needed not only to raise functional, cultural effect and value, but to predict and control the economic impacts with theory from further research of historical cases to policy and practise.