• 제목/요약/키워드: Architectural History

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Probabilistic distribution of displacement response of frictionally damped structures excited by seismic loads

  • Lee, S.H.;Youn, K.J.;Min, K.W.;Park, J.H.
    • Smart Structures and Systems
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    • 제6권4호
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    • pp.363-372
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    • 2010
  • Accurate peak response estimation of a seismically excited structure with frictional damping system (FDS) is very difficult since the structure with FDS shows nonlinear behavior dependent on the structural period, loading characteristics, and relative magnitude between the frictional force and the excitation load. Previous studies have estimated the peak response of the structure with FDS by replacing a nonlinear system with an equivalent linear one or by employing the response spectrum obtained based on nonlinear time history and statistical analysis. In case that earthquake excitation is defined probabilistically, corresponding response of the structure with FDS becomes to have probabilistic distribution. In this study, nonlinear time history analyses were performed for the structure with FDS subjected to artificial earthquake excitation generated using Kanai-Tajimi filter. An equation for the probability density function (PDF) of the displacement response is proposed by adapting the PDF of the normal distribution. Coefficients of the proposed PDF are obtained by regression of the statistical distribution of the time history responses. Finally, the correlation between the resulting PDFs and statistical response distribution is investigated.

고운사(孤雲寺) 건축(建築)의 집합유형(集合類型) 연구(硏究) (The Collective Types of Architecture in Temple Gowoon)

  • 김봉열
    • 건축역사연구
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    • 제3권2호
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    • pp.9-28
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    • 1994
  • A collective theory is tried in analysis on the architectural history of Temple Gowoon in Gyongbook Province. For this purpose, firstly, the chronicle of construction was composed based on the critical study of the old documents. Secondly, the drawings of existing facilities were made after the field survey. And lastly, the collective theory was be able to extracted from the relation between chronicle and physical composion of the Temple Gowoon. The whole temple is composed of two territories, northern one and southern, which are divided by the central ravine. Northern territory was enlarged from Gukrakgeon's cluster through Myongboogeon's to Yeonsoogeon's. On the other hand, southern territory was reduced its position and its size from Daewoongeon's cluster, which was one of the main cluster, to Monigeon's, sub one. These processes were the results of the architectural adjustment, that is say, the dogmatic principles adapted in the topographical environments. The collective forms of clusters are different from each other. Gukrakgeon's cluster is composed of four buildings which enclose the empty inner court. Monigeon's is similar to the small temple type, Myongboogeon's selects the straggling form, and Yoensoogeon's has the type of Confucian shrine. The various types of clusters were the physical settings to symbolize the religious heirarchy of their buildigs. In the front of temple area, Gawoonloo, which located on the ravine and has a big volume, integrates straggling clusters.

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한국 현대건축에서의 해체주의적 경향 -해체주의의 이론적 배경과 한국에서의 김인철, 조건영, 배병길의 작품사례에 대하여 - (The Trend on Deconstruction in the Contemporary Architecture of Korea)

  • 성인수
    • 건축역사연구
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    • 제1권1호
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    • pp.218-227
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    • 1992
  • What is Deconstruction which is now the focus of the current architectural discussion? In order to know the Deconstruction properly, we should review the background of Modernism and Post-Modernism in architecture. As we know, the 1968's serial uprisings of democratic movement in Paris changed human concepts about art dramatically. As the result of that movement new ideas such as Structuralism, Post-structuralism, Deconstruction, and Semiotics arose. In architecture some ideas like construotioniem were not practised fully in 1920's and only the Modernism has been realized as the idea expressing the modern Utopia. In Korea situation to interprete architectural ideas into real buildings are different from those of other developed countries. Korean architects are seemed to use Deconstructionist vocabularies as fashionable styles without being concious of the root and history of Deconstruction. For Koreans the contexts are different. Although Modernism and Functionalism have been practised vigorously in Korea as other countries, the situations are ambiguous and complicated in applying new ideas introduced after Moderism. So they are in chaos. What could be our orthodox ideology to be worth pursuing in arthitecture? There are several sample works of Deconstruction in Korea done by Jo, Geon young, Kim, In Chul and Bae Byung-Gil. Aithough their works cannot be interpreted as real Deconstruction in European or american view-points, I think they are good examples of Korean Deconstruction that express contemporary Korean architecture and its social background.

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구한말 서울 정동의 러시아공사관에 대한 복원적 연구 (A Study on the Restoration of the Russian Legation in Jeongdong Seoul in the Latter Era of Choseon Dynasty)

  • 김정신;발레리 알렉산드로비치 사보스텐코;김재명
    • 건축역사연구
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    • 제19권6호
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    • pp.61-78
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    • 2010
  • Old Russian Legation(1890) has been attracted public attention in terms of politics and foreign affairs than architectural style because of conditions of location and historical incident. Though it was heavily damaged during the Korean war, and only the tower has been restored, it is very important in architectural history in Korea, because it is the oldest western style brick building which is existing with the old bishop's house in Myeong-Dong. But it has been impossible to reveal exactly the original form as there has been few reliable materials(picture, drawing, document) and it's remains were nearly destroyed owing to development of the surroundings. Recently the decisive document(site outline map) was found, and new research on the architect Sabatine was studied. So I can get into close with the original form by the results. In this study, I tried to conjecture the original form of the old Russian legation(the size, style, plan and indoor space, arrangement of attached facilities) and I checked the location and structure of the room where King Gojong stayed when he took refuge, and the use of the passage in the basement.

19세기 말 요코하마 외국인거류지의 공간특성 연구 (A Study on the Spatial Characteristic of Yokohama Foreign Concession in the end of 19th Century)

  • 송혜영;김도연;유재우
    • 대한건축학회논문집:계획계
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    • 제34권1호
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    • pp.63-70
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    • 2018
  • The foreign concession of Yokohama was the first downtown formed through the open port of Yokohama. It became a stepping stone to the center of the market economy. Yokohama was regarded as the turning point of modernization in Japanese history and it reached the high light of modern city in Japan. In the nineteenth century the term "open port" which occurred in East Asia was directly connected with modernization. Nevertheless, there is not many researches on architectural history about the central space of the open port city. As the method of research, we examine the parcels and spatial changes that are based on the contents of maps and pictures in terms of architectural history. For the foreign concession that was set up in Yokohama and the first open port in Japan, the spatial scope was set for certain and the temporal range was also set from the setting of the concession in 1859 to the abolition in 1899. The purpose of this study is to consider the future research related to the study of the open port city from the perspective of comparative historical research.

영건(營建) 관련 자료를 통해 본 조경단(肇慶壇)의 건축특성 (A Study on the Architectural Characteristics of Jogeongdan Examined through Construction-Related Records)

  • 안선호
    • 건축역사연구
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    • 제32권5호
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    • pp.59-68
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    • 2023
  • Jogyeongdan is an altar built by the Korean Empire within the burial grounds of Sijomyo(始祖墓), the Jeonju Lee clan, as a part of their posthumous respecting project. This site adheres to strict rules and formalities that are comparable to those of the royal tombs of the Joseon Dynasty, with its altars and monument House demonstrating construction techniques that hold high value in architectural history. This study compares and analyzes construction-related records such as Uigwe, Statements, and Figure, along with their historical context. Through this effort, the study explores in detail the original form of Jogyeongdan at the time of its construction and subsequent transformations in later periods. Findings showed that the Figure was drawed by Chae Yongsin and was only a blueprint prior to the construction; it was modified during the actual construction process. A part of Jogyeongdan project was carried out by demolishing four government office buildings that were closed because of the Gabo Reform in order to secure wood and roof tiles, among other materials. Additionally, concluded the Jaesil was by relocated Deokryudang from Samryeyeokcham. Further, instances of distinctive terminology usage were found related to construction materials in the Jogyeongdan Uigwe, which were not used in another Uigwe. These terms were distinguished in detail according to the locations in which the materials were used.

하르트만(N. Hartmann)의 미학(美學)으로 본 루이스 칸(Louis I. Kahn)의 '건축의 본질'의 존재구조와 표현체계 (A Critical Study on Louis I. Kahn's 'The Essence of Architecture' with the Perspective of N. Hartmann's Aesthetics)

  • 권태일
    • 건축역사연구
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    • 제22권4호
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    • pp.45-57
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    • 2013
  • Unlike the extrinsic Modern Functionalist, Louis I. Kahn, a modern American architect, had been pursued intrinsic architectural nature based on historicity; The Essence of Architecture, during his lifetime. That is the reason why he is generally called as one of frontiers toward Post-Modern Architecture. However, the actual meaning of his 'The Essence of Architecture' is so vague and unclear until today, because not only his complex personal thought and career but various and subjective interpretation by so many later architects and architectural theorists. In the context, this paper attempt to reanalyze and clarify Kahn's idea of 'The Essence of Architecture' with the deep and objective view of aesthetics focused on a distinguished contemporary German philosopher, N. Hartman's idea of phenomenological relation and the stratified structure of a work of art.

현대건축 현상의 존재론적 해석 - 20세기말 아방가르드를 중심으로 - (Ontological Analysis on the Phenomenon of Contemporary Architecture - Focused on the Avant-garde in the End of the 20th Century -)

  • 변계성
    • 건축역사연구
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    • 제14권2호
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    • pp.21-40
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    • 2005
  • The purpose of this study was to analyze the features of the avant-garde architecture in the end of the 20th Century based on the ontology as a metalanguage. In view of the results so for achieved, it is possible to say that the thought of becoming, topology, rhizome thought and the Deleuze's concepts of the fold and the event as ever-changing and evolving at any given time are found in the avant-garde architecture, and the introduction of ontological thought into architectural design encourage hopes for a more natural and existential quality in architecture. However, the avant-garde architecture in the end of the 20th century disclosed the limitation in the architectural expression of ontological thought due to the lack of fully understand on ontology. In conclusion, the ontological approach in architecture offers a new morphological methodology and a new way of programming considering the existential aspect of space through the bricoleur's means leaving the ontological meaning of architecture itself.

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프랭크 로이드 라이트와 미즈 반 데르 로우의 고층건물 디자인 비교연구 (A Comparative Study on the High-rise Building Designs by Frank Lloyd Wright and Mies van der Rohe)

  • 권종욱
    • 건축역사연구
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    • 제14권3호
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    • pp.89-102
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    • 2005
  • Frank Lloyd Wright and Mies van der Rohe are two of the most influential architects in modern architecture. In spite of the different values in their architectural lives, the design of high-rise building had been a continuous matter of primary concern for them. The purpose of this study is to compare the architectural characteristics of the two master architects in terms of building form, structure, function, and envelop skin. glass. Both of them shared with the principle of organic architecture even in the design of high-rise buildings. However, the specific approaches to realize it in high-rise buildings are significantly different. Although they emphasized the integration of building form and structure, Wright regarded the reinforced concrete structure as an organic form-giver, while Mies introduced the steel skeleton structure only as an efficient and flexible building frame. As primary finishing materials for high-rise buildings, glass was used for functional purpose by Wright, but for visual purpose by Mies.

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도서성(Insularity)과 전통성에 바탕을 둔 이상적인 도서지역 주거모델 개발에 관한 연구 (The Study on the Modeling Development of Dwelling House of Islands in the Future Based on the Insularity and the Factor of Traditional Culture)

  • 김지민
    • 한국주거학회논문집
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    • 제16권5호
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    • pp.1-12
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    • 2005
  • This paper is architectural paper which has been studied about residential culture of Southwestern Island from 18C to now. It's main object is suggest a new residential type. Contents of research is 1, to survey a history and a cultural environment of island. 2. to survey and rearrange residence(traditional, modem) which has been built from the past to the present, and establish a history of residence and a theory. 3. to search for architectural space, shape(form), and architectural community, etc. which can be continued. 4. to suggests ideal future residence type of islands. Effectiveness of Research is 1. This study suggests a new theory and a new method to the field of residential science, especially to the residence of island area. 2. In this study, traditional theory of residence be reflected in the modern architectural design.