• 대한건축학회논문집:계획계
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• 제34권6호
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• pp.117-126
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• 2018

The purpose of this study was to examine the changes in the general commercial area of Buyeo after the establishment of the master plan to preserve and promote ancient city and to analyze the survey results of the merchants. After the plan was made, there was a positive effect such as a decrease in population decline and the influx of new merchants. There are many people who want to continue to operate with affection for the region, but it seems that it is necessary to prepare a plan for new merchants to settle well and to take countermeasures for relieving the anxiety of existing merchants.

• 헤리티지:역사와 과학
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• 제54권3호
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• pp.90-105
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• 2021

한국 목조 건축에서 외형의 아름다움을 결정하는 요소로 지붕의 형태는 매우 중요하다. 그 가운데에서도 처마의 곡선은 한국 목조 건축의 특징을 가장 잘 나타내는 요소이다. 이 처마의 곡선을 만들어내는 것이 바로 서까래와 부연(浮椽)이라는 부재이며, 특히 날렵한 처마곡을 만들어 육중한 지붕의 느낌을 보다 가볍고 역동적으로 보이도록 하는 것은 부연이다. 부연의 기능과 역할에 대해서는 이미 알려져 있지만 처음 사용 시기와 관련해서 명확하게 알려진 바는 아직 없다. 이에 따라 본 연구는 한국 건축에서 부연이 최초로 사용된 시기를 규명하는 것을 목적으로 한다. 이를 위하여 먼저 한국·중국·일본의 고대 건축과 관련된 기록이 남아 있는 문헌, 발굴 유구, 현존 건축물과 건축물이 표현된 회화 및 조각 등의 고찰을 차례로 진행하고 이를 종합하여 한국 고대 건축의 부연 사용 시기를 추정하고자 하였다. 그 결과를 정리하면 다음과 같다. 첫째, 중국의 경우 6세기 중반 북제에서 처음 부연 사용이 나타나지만 일반화된 것은 당대인 7세기부터로 판단된다. 둘째, 일본의 경우 수도를 비조 지역에서 나라 지역으로 이전하는 8세기 중반 이후 부연 사용을 확인할 수 있으며, 이는 중국의 당과 직접적인 문화 교류를 추진하는 시기와 겹친다. 셋째, 한국의 경우 부연 사용은 6세기 중반 중국 북제로부터 백제로 도입되었을 가능성이 있으나 일반화되지는 못하였던 것으로 보이며, 이후 신라 통일기인 7세기 중반 중국 당과의 활발한 교류가 이루어지면서 보편화되었던 것으로 판단된다.

• 보존과학회지
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• 제37권3호
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• pp.191-208
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• 2021

본 연구에서는 전국 및 지역별 지중 흰개미 정기 모니터링 실시 기관들의 결과보고서를 바탕으로 국내 목조문화재의 지역별, 지정별 지중 흰개미 피해 및 관리 현황을 파악하였다. 또한 조사 내용들을 바탕으로 GIS 프로그램을 이용하여 전국 2,805건의 조사 대상 목조문화재에 대한 지중 흰개미 가해흔 및 가해 진행 현황 지도를 제작하였다. 현황 지도 제작 결과, 2018년~2019년의 기간 동안 총 486건의 목조문화재에서 지중 흰개미 가해흔이 확인되었으며, 그중 143건(약 29.4%)에서 지중 흰개미 권역 유입 및 목부재 가해가 진행 중인 것으로 확인되었다. 위와 같이 조사된 피해 현황 자료의 접근성을 높이기 위하여 Map API를 활용한 웹 플랫폼 및 웹 어플리케이션을 제작하였다. 또한 기관별 결과보고서에서 확인된 지중 흰개미 모니터링 방안으로는 탐지견, 육안관찰, 예찰기, 극초단파 장비 등이 지중 흰개미의 유입 유무 파악 방안으로 적용되고 있으나 유입된 지중 흰개미 군체의 영역 범위를 판단할 모니터링 조사 방안은 현재 적용되고 있지 않은 것으로 확인되었다. 이에 따라 지중 흰개미 군체 모니터링 조사 시, 대상 목조문화재의 가해 영역 범위 산정 등 현황 파악을 위한 염색약 처리 및 Mark-Release-Recapture법의 적용이 필요할 것으로 판단된다.

• 건축역사연구
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• 제13권1호
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• pp.71-81
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• 2004

The $18^{th}$ century's Industrial Revolution brought about influx of commerce, industry, and agricultural population into the urban areas, entering the $19^{th}$ century. Quality of rural communities declined, and the exploding population in the cities gave rise to various problems. 'Mietskaserne' Blockhousing was constructed by the 'Hobrechtplan', but led to social problems such as poor living conditions, insufficient sunshine due to overcrowding, slums due to incomplete urban infrastructure, epidemics, and so on. Starting in the early $20^{th}$ century, Berlin has driven forward a remodeling plan under the motto of 'critical reconstruction (kritische Rekonstruktion)'. It is performed in the place, which represents the vicissitudinous history of Berlin with site plans coexisting past with presence, using modern vocabulary of architectural forms. Reconstructing a city is a process which not only raises the economic value of each building consisting a city, but also a redevelopment process that brings out cultural value of an era. When a new era emerges buildings get reconstructed or rebuilt, and thereby form the identity of a city by reflecting its society, culture, politics, economy, and history. Old German architecture were not destroyed or rebuilt recklessly just by the fact that they are functionally or aesthetically outdated. Each building is treated as precious cultural heritage reflecting the history. This is how Berlin is being transformed today.

• 한국가구학회지
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• 제21권2호
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• pp.144-156
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• 2010

Since late 1960s, we have had the discourse about the way of succession of korean traditional architectural heritage. Through 60s and 70s, the formal mimesis and transformation was pretty much dominated in domestic design currents. After 80s, we could see a kind of different ways of design to deal with traditions in architectural practices. These methodology can be summarized as spatiality, abstraction and diversity. These discourses acted as bases for aesthetic and formal stream which might be needed to present the formal possibilities for various commercial needs. Especially, the interior design field utilized those ideas in order to show korean identity for the commercial needs such as korean restaurant, korean bar, or korean costume shop. Interior designers positively adapted the ideas from architectural discourse and created their own vocabulary after 90s. Before 90s, interior designers did very representational mimesis to express korean identity designing commercial facilities. However from mid 90s they could establish new tendencies in expressing korean traditional moods. These tendencies are a focus on spatial relationship, abstraction and materiality, utilization of traditional objects and lighting method.

• 한국실내디자인학회논문집
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• 제23권3호
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• pp.100-107
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• 2014

Traditional architectural space, which is a historical cultural heritage must be connected mutually as a organic flow of various elements such as the environment of the time, political background and values, rather than approaching with fragmentary point of view. The Silhak Philosophy, the basis of late Chosun society developed equity thoughts on the basis of ideology of humanism, and it asserted the promotion of technology and industry as a measure to realize the pursuit of truth which is practically useful. Thus, we could verify the possibility of convergent interpretation of cultural technology of Hwaseong architectural space through the humanistic viewpoint of pioneer spirit of Silhak Philosophy which regards human as a main agent of desire of life, and the pursuit of truth which is useful for reality, and the realization of ethical value by aesthetic practicalism. Based on this, the ontological meaning and value of Suwon Hwaseong by the viewpoint of convergence of culture and technology have been drawn as the construction of planned new town by the practice of filial duty, the plan of city space based on rational values, the realization of a metropolis where self-sufficient economic activities are possible, the introduction of thorough construction management system, the introduction of advanced culture and its creative application, and the application of scientifical knowledges and cutting-edge technology.

• Architectural research
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• 제20권3호
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• pp.65-73
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• 2018

The restoration of foundations supporting the immense load of the stone pagoda at Mireuksa Temple Site prioritizes securing its structural stability. But so far, rammed earth construction is still not easy to determine the structural stability. This paper aims to emphasize that a scientific experimental study was conducted on a rammed earth construction, to identify its methodology and obtain objective data about structural stability of the foundation work. An experimental study fabricated specimens from the soil that had been removed during the excavation survey, determined the allowable bearing capacity through plate load tests, and compared the results with the predicted stress after reassembly of the stone pagoda to estimate the structural stability. Then, the repair method was selected based on the experimental study result. The evaluation method of the restoration of foundations consisted of an examination of the allowable bearing capacity and settlement. The allowable bearing of the reinforced foundation was more than twice the contact pressure under the stacked stones of the pagoda. The possibility of settlement of the rammed earth foundation soil layer during the pagoda assembly is expected to be very low because the settlement amount of the reformed soil layer is less than half of the settlement of the stabilized existing soil layer.

• 대한건축학회논문집:구조계
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• 제35권4호
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• pp.147-155
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• 2019

In this study, flexural tests of granite reinforced with titanium metal rods were carried out to repair and restore the damaged stone-made cultural heritage, the Stone Pagoda of the Mireuksa Temple Site. A total of twelve specimens were tested. The primary test parameters are the reinforcement ratio and the location of the reinforcement. For restoration, epoxy resin was used for joining the separated stones, and titanium metal rods were used for structural reinforcement. Test results showed that the flexural failure took place in specimens with a reinforcement ratio of 0.8% or less, and shear failure occurred when the reinforcement ratio was 1.68% or more. The peak load of the reinforced stone was found to be highly related to the reinforcement ratio. The peak load increased with increasing the reinforcement ratio. Also, the flexural behaviors of the reinforced stones were affected by the location of the reinforcement. Based on the test results, this study recommends the reinforcement ratio of the reinforced granite to induce ductile behavior.

• 건축역사연구
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• 제32권5호
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• pp.107-117
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• 2023

There are records and claims that tung oil was applied to Korean traditional buildings and furniture as finishing paint. Records of the use of tung oil(桐油) exist in the Annals of the Joseon Dynasty(朝鮮王朝實錄) and The Royal Protocols of the Joseon Dynasty(朝鮮王朝儀軌). However, there is also a claim that tung oil was not produced in Korea on its own, and that tung oil was not applied to important buildings such as palaces. Silhak scholar(實學者) Seo Yu-gu says that in Korea, people do not know how to grow tung trees, and boiled perilla oil is called tung oil. If tung oil was used in the Joseon Dynasty, it would be necessary to use tung oil for waterproof coating to preserve current architectural heritage, otherwise, tung oil coating would not be desirable. Analyzing the Yeonggeon Uigwe(營建儀軌) among the Joseon Dynasty's Uigwes shows that tung oil is neither mentioned nor used. In addition, as a result of analyzing the Uigwes mentioned in tung oil, it was found that perilla oil or Myeongyu(明油), not tung oil, was recorded in the actual material used. Therefore, the records of the use of tung oil during the Joseon Dynasty can be seen as records using Myeongyu(明油) or Beopryeon perilla oil(法煉荏油).

• 한국실내디자인학회논문집
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• 제24권6호
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• pp.192-201
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• 2015

This research aims to find planning issues on reuse of an industrial heritage as a cultural cluster and to suggest planning factors which can be referred when designing the similar cases. Analysis standards were formed through reviewing of precedent literatures, and the selected cases(i.e Shanghai M50, Yokohama BankART1929, and Incheon ArtPlatform) were analyzed to identify both physical and nonphysical planning characteristics. By combining analyses, the following results were obtained; (1) The demand and supply of the arts coexist in one place, and the studios and galleries are designed with high ceilings; (2) The regional and historical characteristics are revealed from preserving major architectural elements of previous buildings, and open spaces are provided to promote a variety of activities for local residents; (3) Various strategies to overcome disadvantage in location are developed, and the concepts of design can be easily recognized by buildings' exterior as the reused industrial heritage and the cultural cluster; (4) Diverse supports for artists make it possible to gather many competent artists, and the cooperative networks among artists play a pivotal role in the development of cultural cluster; (5) The cluster runs educational programs reflecting the needs of local residents, and builds a strong relationship with the local community by supporting regional art industry or developing linked programs; (6) The cluster serves various functions such as cafes, pubs, restaurants, art shops, and bookstores, and hosts appealing events and festivals to attract many people even who are not interested in arts.