• 제목/요약/키워드: Androgynous

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미혼 여교사의 배우자 선택에서의 동질혼 추구 경향 (Female Teachers' Mate Selection Preferences in Social, physical, psychological and family role characteristic)

  • 조병은;이종희;이현정;곽선정
    • 한국가정과교육학회지
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    • 제24권4호
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    • pp.1-18
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    • 2012
  • 본 연구는 배우자 선택권이 늘어난 직업여성 중 미혼 여교사를 대상으로 본인과 배우자감의 사회경제적, 신체적, 심리적 특성 그리고 역할가치관에 대한 선호도를 조사하여 배우자 선택의 동질혼 추구 경향성을 파악하고자 하였다. 연구 대상자는 서울과 6개의 광역시 및 시 군 단위에서 편의표집 한 결혼 적령기의 미혼 여교사 295명이고, 수집된 자료는 SPSS 12.0을 이용하여 연구 내용에 따라 빈도, 백분율, 평균, 표준편차 등을 사용하여 분석하였다. 본 연구의 결과를 요약하면 미혼 여교사가 추구하는 본인과 배우자감의 사회경제적 특성의 측면에서 수입 이외의 특성에서는 동질혼 경향을 추구하였으나, 수입에 있어서는 자신보다 높은 수입의 배우자감을 선호하는 이질혼의 경향을 보였다. 신체적 특성에서는 자신과 비슷한 신체적 특성과 매력수준을 지닌 배우자감을 선호하는 동질혼의 경향을 보였고, 심리적 특성 중 개방성, 외향성, 신경성의 성격 특성에서는 자신과 비슷한 동질혼 경향을 추구하였으며, 성취적, 양육적, 지배적 성격과 같은 상호보완적 성격을 선호하는 측면에서 동질적인 성격 특성을 지닌 배우자감을 선호하였다. 또 다른 심리적 특성인 성역할 특성에서는 본인의 성역할 특성을 보완할 수 있는 성역할 특성을 지닌 배우자감을 선호하는 이질혼의 경향이 나타났다. 역할가치관의 동질성 추구 경향에서는 경제적 역할, 정서적지지 역할, 자녀양육 역할, 친족유지 역할, 가사노동 역할, 자기개발 역할, 여가생활 역할 등 모든 역할 기대감에서 동질혼 경향을 보였다. 각각의 역할에서 본인 스스로에 대한 역할 기대가 높은 집단은 배우자감에게 요구하는 역할 기대도 높게 나타났고, 본인에 대한 역할 기대가 낮은 집단에서는 배우자감에 대한 역할 기대도 낮게 나타나 본인과 배우자감 모두 가족역할에 공평하게 참여하기를 추구하는 것으로 나타났다. 또한, 성역할 가치관에서 근대적 성역할 가치관을 가진 집단 간의 동질성을 추구하는 것으로 나타나 남녀 평등적인 성역할 가치관을 추구하였다. 결과적으로, 직업을 가진 미혼 여교사는 자신과 비슷한 사회적 배경, 신체적 매력 정도, 심리적 특성을 지닌 배우자감을 선호하는 동질혼의 경향이 높게 나타났고, 민주적이고 양성평등한 성역할을 수행할 수 있는 배우자감을 선호하는 것으로 나타났다.

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중학생의 양성 평등 의식 고양과 집안일 참여를 돕기 위한 교수.학습 과정안 개발 및 적용 - "나와 가족의 이해" 단원을 중심으로 - (The Application of a Practical Problem - Based Lesson Plan for the "Understanding Myself and MY Family" Unit to Heighten Awareness of Gender - role Equity and Degree of Participation in Household Chores)

  • 김은숙;조병은
    • 한국가정과교육학회지
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    • 제22권3호
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    • pp.77-94
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    • 2010
  • 본 연구는 기술 가정 교과의 2007년 교육과정의 '나와 가족의 이해' 단원과 또한 2007년 개정 교육과정의 중학교 1학년 '청소년의 이해' 단원과 중학교 2학년 '가족의 이해' 단원에 적용할 수 있는 '청소년의 성역할과 양성평등'에 대한 실천 문제 중심의 교수 학습 과정안을 개발하여 수업의 효과를 보고자 하였다. 개발된 5차시 교수 학습 과정안은 실천적 문제 '양생평등 의식 함양과 관련하여 우리는 무엇을 해야하나?'로 1, 2, 3차시를, '양성평등 의식 실천을 위하여 우리는 무엇을 해야하나?'로 4, 5차시 교수 학습 과정안을 학교 수업에 적용하였다. 적용 대상은 경기도 의정부시 소재의 중학교 1학년 남녀합반의 4개 학급, 총 150명을 대상으로 하였다. 적용 기간은 2009년 9월 14일~9월 30일까지 3주 동안이며, 수업 적용 전에 사전 설문을 하고 개발한 양성평등 수업을 적용한 후 사후 설문을 실시하였다. '청소년의 성역할과 양성평등' 단원의 하위 요소인 개인의 성역할 발달과 진로 직업역할과 양성평등, 우리 사회와 양성평등. 가족역할과 양성평등, 양성평등 실천 전략 세우기라는 주제로 나누어 대응표본 t-검정을 통해 학습자의 양성평등 의식에 대한 고양을 가져오는지와 집안일 참여도의 효과에 대해 결과를 분석하였다. '청소년의 성역할과 양성평등' 단원을 개발한 교수 학습 과정안 적용 결과 양성성 집단이 증가하고 학습자들의 양성평등적 의식 변화에 긍정적인 결과를 보였으며, 집안일 참여도라는 학습자의 실천적 행동을 높이는 결과를 가져왔다. 또한 실천적 문제 중심의 교수 학습 과정안에 대한 학습자들의 흥미와 참여, 이해에 대한 평가는 비교적 높았다. 앞으로 학년과 단원을 넓혀서 양성평등 교수 학습 과정안을 개발하고 적용하여 지속성을 검증할 것과 양성평등 실천과 관련된 척도안이 개발되어야 할 것이다.

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현대 패션에 나타난 그로테스크 (The Grotesque Fashion in modern Fashion)

  • 최정화;유영선
    • 복식
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    • 제40권
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    • pp.151-170
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    • 1998
  • The purpose of this study is to examine the value of grotesque fashion and to predict the future fashion trend. The grotesque originates the formative art. It emerges towards of a century or transitional period in most case. In particular, it was used as the expressive method of an individual's inside and a satire on society through the work of artists in the Middle Age, the renaissance, the sym-bolism, the dadaism, the surrealism, the pop art, the technology art, and the post-modernism, etc. The grotesque in fashion is represented in the work of avant-garde fashion designers who lead the high fashion. The grotesque fashion which was combined with an image of non-formality, non-rationality, an absurdity and reality. It has been begun shape of female dress in the renaissance. Afterwards, it was represented in extremely exaggerated and distorted pop art, hippies' fashion in the 1960's. In the 1970's, it was reflected in genderless rock star and destructive punk fashion. It was also represented in the androgynous fashion which was combined with both sexes, the goth/gothic fashion which was expressed with a realistic and fanciful shape and the tattoo of skin-head in the 1980's. In the 1990's, the grungy look which was dirty and the cyber punk fashion. In general, it was also expressed by the avant-garde fashion designers. To sum up, a grotesque fashion which is expressed by experimental designers is classified into four shapes. 1, Union of some extraneous is expressed as different kinds of fashion theme, such as abnormality of texture, uses of surrealistic elements and chaos of sex. Although it appears that the abnormal union of grotesque has only discord and collision, it also shows a feeling of freedom for the tension. 2. Introduction of real and fanciful image is expressed as a cyborg, realistic description of disgusting animal skin and aggressive shape. Especially, it is worth while to notice Tierre Mugler and Alexander Macqueen's work which expressed the shape of mingling human of Middle Age. 3. distortion or exaggeration is expressed as an unformed shape, the exaggeration of a clothing size, the abnormal exaggeration of human body and the ignorance of clothing form. 4. Introduction of a disgusting image is expressed as an extremity of reality, motifs of death, clothing material of disgusting hair and the ostentation of sex. Motto which leads modern fashion is something new and shocking. The grotesque fashion is an expression of eagerness for something new. It often show something ironic in the form of humor which is embedded in an abnormal and shocking pattern. The grotesque fashion is represented as an extreme beauty. It will stand as an important element of the future fashion and as a particular style with the change and fluidity.

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20세기말 현대패션에 나타난 다문화주의(Multiculturalism) 현상에 관한 연구 (A Study on the Multiculturalism Phenomena Expressed in Contemporary Fashion of the End twentieth century)

  • 최혜정;임영자
    • 복식
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    • 제51권2호
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    • pp.149-167
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    • 2001
  • Today, every culture has taken on the compromise form by means of the cultural difference, variety, and pluralism according to the internationalization and the advance so that it has been developed toward the half-blooded and multilayered the aspect. In accordance with this current of the times, this thesis observed the feminism found in the multiculturism of the end of the 20th century, the third world, and technology with the side of the tendency of modern fashion, considered the hybride phenomenon which is pulling down the wall between culture and genre due to the social diversification. and predicted the fashion trend do 21st century serf on it. Multiculturism is the movement that began to arise in the academic world of America and the literary world form the close of 1980's in accepting the variety of culture and regarding the culture with the more balanced and wide view and just as it is, it means the attitude of accepting one or more cultures of variely and the position of taking interest in the culture of minority race not the culture of a governing race. It is the fashion of feminism adapts dualism like unisex, androgynous look, etc of bisexual lendency in the 1980's, it shows new style with crossover of liberal sense because there is not the difference of sex in fashion. The eco-feminism pursues the natural sexuality not being instrumental and dismantling and expressed it in the Gender expression of an integrated human being. The trend of ethnic fashion in the close of 20th century is that the element of hippie is working so strongly. By adding embroidery of Oriental style, accessories of Indian style, feathers, beads, a hempen hood to the ethnic costumes of Asia and Latin, is shows the figure of ethnic hippie. As the cycler fashion is the future clothes through technology of computer, it uses a cool glass material bringing up the image of a spacesuit in order to expresses cyber image through artificial color combination of sheen colors, Though this techno-color fashion has established the fresh stimulation and the innovative aspect with ultramodern materials and image of futurism, it transmits a hope of estranged people and the natural elements. Hybride means a cross and mixture of animal and plant in Korean and is also called fusion. The phenomenon of hybrid predicts to comes the period of a cross and variation because something completely new comes into the world by contamination, mixture and compromise through meeting something different each other and it has on advantage of developing something existing to one more stage. It is prospected that in the society of 21st century, the borderline of traditional gender will be disappeared, variety and individuality will determine the individual behavior, and the masculine value will be substituted by feminine value. In the society giving priority to feminine value, a fashion stuck closely to women is what must reflect lives of woman under the proposition of woman's beauty, being on original function. So, it is considered that a fashion with added convenience and practicality having the function which is easy to put on, comfortable to act, able to express solves so much, and able to show various appearances according to T.P.O will get into the spotlight.

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남.녀 초등학생의 신체상에 대한 만족정도와 성 역할 정체감 비교연구 (A Comparative Study of the Degree Satisfaction of Body Image and Sex-role Identity Between Primary School Boys and Girls)

  • 원경희
    • 한국학교보건학회지
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    • 제16권1호
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    • pp.135-148
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    • 2003
  • The purpose of this study was to find out the degree of satisfaction of body image and sex-role identity of primary school boys and girls and to examine their relevance between two sex groups. The data from study would be useful for mapping out some measures for school health education. Two hundred and forty five(245) students of 6th grade from 5 different primary schools in Seoul city and Gyonggi Province were selected for the study. The meaningful difference among demographic sociological characteristics between boys and girls has been shown to be in religion($x^2$=6.705, p=.044), the order of siblings($x^2$=7.455, p=.024), mother's academic career ($x^2$=6.705, p=.035) and the levels of living ($x^2$=4.108, p=.043). In the frequency distribution of sex-role identity, boys and girls were revealed as : undifferentiated 41.0%, 36.4%; as androgynous 24.8%, 25.8% respectively. Boys have masculinity (23.1%), on the other hand girls more feminity (22.7%). The meaningful difference of the degree of satisfaction of body image depends on father's ag(t=3.029, p=.050), mother's occupation(t=2.878, p=.023), home atmosphere(t=9.056, p=.000), level of livin(t=2.216, p=.028), academic achievements(t=4.580, p=.011). Masculine sex-role identity has shown its meaningful difference in mother's academic background(t=7.042, p=.001), academic achievements(t=14.963, p=.000). Feminine sex-role identity according to general characteristics shows meaningful difference in gender(t=2.683, p=.008), the order of siblings(t=3.019, p=0.51), father's academic career(t=5.558, p=.004) mother's academic background(t=7.676, p=.001), mother's occupation (t=3.405, p=.010), home atmosphere(t=4.492, p=.012), school performance(t=16.774, p=.000). Sex-role identity influences on the degree of satisfaction of body image as the relation bet ween the degree of satisfaction of body image and sex-role identity is pro correlative.

아버지의 영아 돌봄에 관한 문헌연구 (A Study of father's care giving in infancy)

  • 김영희
    • 부모자녀건강학회지
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    • 제1권
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    • pp.75-87
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    • 1998
  • These days social and economical changes have influence on the structure of family and the role of family members. Working mothers and widowers with children are increasing because of economical difficulties. Support from relatives are decreasing because of the conspicuous trend toward nuclear families. According to these reasons androgynous fathers are required. Today's fathers in Korea socially and culturally have learned about traditional parenting, but they are changing their fathering styles to meet the demands of the times. However they don't have their own fathering models. Therefore nurses who hold an advantageous position to teach and support from clinic have to encourage them to care their infants. The purposes of this study were to define father's care giving in infancy, understand influencing factors on fathering, and the differences between fathering and mothering, then contribute to nursing implementation for supporting fathers. This study was designed to review references about father's care giving. The results were follows: Six aspects of parent participation were direct care. indirect care, play, decision-making concerning the child, amount of time of sole responsibility for the child and overall availability to the child. Direct care involved feeding, bathing, going to child if child awakens. dressing, putting child to bed, taking child to doctor, nurse, or dentist, transporting child to and from sitter, day care, or school, washing child's hair. Indirect care involved cleaning up after child, preparing child's food, fixing child's broken playthings, washing child's clothes, arranging baby-sitting, shopping for child's toys and clothes, transporting baby-sitter to and from your home. Young fathers were gradually participating in direct care like feeding, taking child to doctor. Father's care giving stimulated mothering and promoted parent-infant relationship. Influencing factors of fathering would be divided into father characteristics, surrounding factors, infant attributes. Father characteristics were age, role perception, relationship with parent. Surrounding factors were the opportunity of early contact, support system, spouse's expectation, marital adjustment, feeding type, past experience of care giving. Infant attributes were temperament, behavior, age, sex. The differences between fathering and mothering were reviewed. Fathers were poor at care giving. but their caring was similar to mother's. This subtle difference positively worked upon infant's growth and development. On the basis of these theoretical data, nurses can empower fathers to cooperate with mothers in caring infants.

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인체미 인식과 복식형태의 변천 - 선사~청대까지 중국 여성복식을 중심으로- (A Study on the Changes of the Form of costume related to the recognition of the beauty of the body -from prehistorical period to Ch'ing Dynasty in Chinese female costume-)

  • 김민지
    • 복식
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    • 제32권
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    • pp.225-242
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    • 1997
  • This study is historical research on the relationship between the Changes of the Form of costume and the recognition of the beauty of the body from prehistorical period to Ch'ing Dynasty in Chinese female costume. In figure painting a significant point was to describe the spirit of the figure so Chinese painters were less interested in ideal body pro-portion or body shape than Westerns. But idealized beauty of the female body existed and changed keeping abreast with the form of costume in each period. In the prehistorical period Wemen fasten waist belt so enabled to distinguish upper part of the body from lower one. "Locust-forehead moth-eyebrows(蝗首蛾毛)" recorded in "the Book of odes(詩經)" was the canon of beaty and Wemen tried to make their forehead broad and square from Zhou Dynasty to the Wei Jin periods. From the age of Civil War to han Dynasty Slender waist was loved so waist was tightly fastened and hemline became broader. in the course of that time Plump body in big cloth with broad sleeve emerged but that was less significant than Tang Dynasty. During Wei Jin and the Southern/Northern Dynasty undergo disruption and division they admired Taoist images. Loose fitting style with handkerchief hemline and broad sash belt was prevailed while miserable life was reflected gaunt face and lean body. Suk Dynasty also preferred a slim and long body silhouette. The style was presented extremely high waist line long and narrow sleeve slim and long skirt which expressed dynamic and straight image. The culture of Tang Dynasty was open and diverse and that character enabled blod decolletate revealing body line by tight fitting and special make-up-Social background of uion and stabilization made female body extremely plump full face. full breast and hips with most erotic image. The period of Kaiyuan Tianbao fashioned mannish disguise presented androgynous image. Five Dynasty and Song Dynasty restored standard body type so upper garments concealed neck and bust high waist line lowered which represented refined and simple outfit. But another eroticism emerged as foot-binding in Song Dynasty. For the sake of covering up deformed top of the feet and ankle gaiters and arrow shaped shoes were devised. During Ming Ch'ing Dynasties body shape became more slim weak and young causing to escort instinct that reflects 'Lust' or 'Mundanity'.

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대학생의 감성지능, 회복탄력성, 커뮤니케이션 유형이 스트레스 대처방식에 미치는 영향 (The Effects of Emotional Intelligence, Resilience, and Communication Style on Stress Coping in College Students)

  • 박양신;장성호
    • 한국콘텐츠학회논문지
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    • 제20권12호
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    • pp.555-566
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    • 2020
  • 본 연구는 대학생의 감성지능, 회복탄력성, 커뮤니케이션 유형이 스트레스 대처방식에 미치는 영향이 어떠한지를 밝혀내는데 목적이 있다. 대학생 303명에 대한 설문조사가 이루어졌으며 상관관계분석과 다변인 회귀분석을 실시하여 연구문제를 검증하였다. 분석결과 첫째, 감성지능이 높은 대학생일수록 처해진 스트레스 상황에서 문제중심적 대처방식, 사회적지지 추구 대처방식을 많이 하는 것으로 나타났다. 특히 감성지능 중 감성조절은 문제중심 대처방식과 사회적지지 추구 대처방식에, 감성활용은 정서완화 대처방식에 영향력이 가장 크게 미치는 것으로 분석되었다. 둘째, 회복탄력성이 높은 대학생일수록 처해진 스트레스 상황에서 문제중심적 대처방식, 사회적지지 추구 대처방식을 많이 하는 것으로 나타났다. 특히 회복탄력성 요인 중 통제성은 문제중심적 대처방식에, 긍정성은 소망적사고 대처방식에 가장 큰 영향을 미치는 것으로 분석되었다. 또한 사회성은 사회적지지 추구 대처방식에는 정적으로, 정서완화적 대처에는 부적으로 미치는 영향이 가장 큰 것으로 밝혀졌다. 셋째, 커뮤니케이션 유형에 따라 대학생의 스트레스 대처방식의 차이를 분석한 결과 양성적/능력있는 유형은 문제중심적 대처방식을, 여성적/순응적 유형은 사회적 지지 추구 대처방식, 소망적 사고 대처방식을 많이 사용하는 것으로 분석되었다.