• Journal of Acupuncture Research
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• 제17권4호
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• pp.69-78
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• 2000

Objective : To research the trends of the study related to bee venom and cancer, and to establish the hereafter direction of the study on bee venom herbal acupuncture. Method : We searched in PubMed, with bee venom and cancer(in English, with abstract) Results : 1. We searched 28 Journals, 36 Papers. the frequency of Journals and Papers was as follows: Biochem Biophys Res Commun(4 Papers), FEBS Lett(3), Life Sci, Proc Natl Acad Sci USA, J Immunol(each 2), other 23 Journals(each 1). 2. The pattern of the study was as follows: Review article(3 Journals, 3 Papers), Epidemiologic study(1, 1), Experimental study(24, 32) In vivo 1, 1), In vitto(24, 31) 3. The involved components of bee venom were as follows: Melittin(20), Apamin(8), Phospholipase A2(3), Melittin & Phospholipase A2(3), Melittin& Tertiapin(1). 4. The involved cancer was as follows: leukemia(9), tumor(5), neuroblastoma(4), pituitary tumor and pheochromocytoma(each 3), lymphoma, astrocytoma, glioma and lung cancer(small cell carcinoma)(eacn 2), bladder carcinoma, pancreatic cancer, breast carcinoma, ovarian carcinoma and spuamous cell carcinoma(each 1) Conclusion : We concluded that the most frequent pattern of the study was in vitro experimental study with peptide components of bee venom and the most frequeni invovled cancer was leukemia.

• 복식문화연구
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• 제4권3호
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• pp.395-406
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• 1996

This article aims, by analyzing structurally the codification of dress sign in Korean society, the signifying system of the codes and their message communicated, to make clear a signifying structure that would be codified through the relationship between abstract concepts and real condition of dress. I used the semiotic theory of Ferdinand de Saussure′s conception on structuralismly the codification, cultural semiology of Roland Barthes and Myung-Sook Han′s formula of dress structure as tools analyse may objective of wedding dress of folks in Choson Dynasty, which has been successive our traditional Korean wedding dress. My results of the study are : The procedure of wedding ceremony in Choson Dynasty was presented in texts like Juga-garye, Sarye-peonram and Kukjo-orye, its dress system has been more emphasized on language, and aspect of social system, than parole, one of individual realization. In addition, the meanings of marrage such as "Oneness of bride and bridegroom", "Mixture of two sexes", "Blessing of good luck", were included in the signified like the style, pattern and color of the wedding dress, and specially, pattern and color, the articulated morphemes, was emphasized, When we combinated terms of dress in Choson Dynasty with syntagmatic, regarding their list as paradigmatic, it will signify a wedding dress, and according to combinating ways, it amy be divided as sign of dresses of bride and bridgeroom by sex or king, gentry and common people by class. Wedding Dress in Choson Dynasty = [{ODx(U/Dxu/d)}+AC·H·FW].

• 한국의상디자인학회지
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• 제5권2호
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• pp.103-113
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• 2003

This paper analyses the geometric aspect of Sonia Delaunay′s works on the basis of design elements and principles. Geometric pattern is one of the distinct features of early 20th century avant-garde works. The significance of its pattern and colour comes from the fact that it has not only influenced the contemporary fine art but also offered the basic principle of modern costume design. In 1925 she was designing clothes which could be worn today without appearing old-fashioned. She foresaw the future trends in fashion and interior decoration. One might claim she belongs to the avant-garde even today and no less astonishing a phenomenon than she was in 1925. Sonia Delaunay′s art was one of the first expressions of abstract painting and her "simultaneous contrasts" are among the earliest example of the aesthetic. In Delaunay′s geometric abstraction it is found that the technique of "simultaneous contrasts" is exploited almost without exception. Colour as well as Collage was the favourite technique Delnaunay used in creating a distinct simultaneity. Many "inobjective" paintings as she herself called unite the rigour of simple geometric forms with an inner life and poetry which emanate from the richness of the colour, the musicality of the rhythm, the vibrant breadth of the execution.

• 복식
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• 제59권10호
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• pp.10-21
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• 2009

The shape of floral pattern in the period of Rococo are a pots, a flower and ribbon style, a flower and a stripe style, a lace style and a scene style etc, and also in that time an apperance of softness of curved line, delicacy and smoth line, irregular and unrestraint line, motive of tiny and extra ordinarily, little bunch of flowers, and stripe style was a feature. The style of presentation were a presentation of fixed style such effect as lace, and a presentation of realistically style emphasized a massiveness and a cubic effect, and also used a natural color, and the presentation of abstract expressed like imagined anything and fancied. Weaving expressed delicate, brilliant, fantastic, and an atmosphere with elegant. embroidery was expressed in creation with emphasized in reality. Printing was fantastic with exotic in development of chintz due to effection of orient. The based on a salon civilization, the refind beauty of taste of royalty gave a refinded feeling with over affectionate in preference with a softness of curved line, and a motive of tiny and extra ordinarily. The classical beauty of elegant was realistic in being concentrated on building up blance and homony. The natural beauty of romantic was in being devoted the theme with soft and fantastic.

• 복식
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• 제50권6호
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• pp.47-58
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• 2000

This paper analyses the geometric aspect of Soma Delaunay's works on the basis of design elements and principles. Geometric pattern is one of the distinct features of early 20th century avant-garde works. The significance of its pattern and colour comes from the fact that it has not only influenced the contemporary fine art but also offered the basic principle of modern costume design. In 1925 she was designing clothes which could be worn today without appearing old-fashioned. She foresaw the future trends in fashion and interior decoration, One might claim she belongs to the avant-garde even today and no less astonishing a phenomenon than she was in 1925. Soma Delaunay's art was one of the first expressions of abstract painting and her "simultaneous contrasts"are among the earliest example of the aesthete. In Delaunay's geometric abstraction it is found that the technique of"simultaneous contrasts" is exploited almost without exception. colour as well as collage was the favourite technique Delnaunay used in creating a distinct simultaneity, Many "inobjective" paintings as she herself called unite the rigour of simple geometric forms with an inner life and poetry which emanate from the richness of the colour, the musicality of the rhythm, the vibrant breadth of the execution.rant breadth of the execution.

• 전기전자학회논문지
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• 제6권1호
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• pp.10-20
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• 2002

눈의 홍채는 사람마다 독특한 문양을 갖고 있다. 홍채를 이용한 인식 시스템은 지문 인식 시스템보다 신뢰성이 더 높은 것으로 평가되고 있다. 본 논문은 비밀번호나 도장을 사용하지 않고도 간단히 눈동자만으로 신원을 확인할 수 있는 신분 인식 시스템을 개발하고자 하는 것이다. 홍채 인식 알고리즘은 우선 영상에서 홍채부분을 인식 분리한다. 홍채 영상이 구해지면 특이 성질들을 추출하게 된다. 특이 성질들은 웨이블렛 변환을 이용하여 구한다. 영상에서 대역별 공간별 특징이 추출되면 홍채 코드가 만들어진다. 만들어진 코드는 수정된 CPN 신경망에 입력되어 신원을 확인하게 된다. 웨이블렛 변환의 특성을 이용하여 대역별로 코드를 작성한다면 이를 이용한 인식도 저주파 대역에서 고주파 대역의 방향으로 계층적으로 수행할 수 있다. 이는 인식 시간을 최대한 단축할 수 있게 할 것이다.

• 대한가정학회지
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• 제44권1호
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• pp.101-113
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• 2006

The purpose of this study was to investigate and compare the characteristics of the motifs on cultural goods in In-Sa-Dong Street, Seoul, with those in Art Street, City Hall, Kwang-ju. For this study, 607 cultural goods were collected from the two cities: 265 in Seoul and 342 in Kwang-ju. Total cultural goods were classified by accessories, decoration pieces, stationery and ceramics and were studied by repetition patterns, motifs types, representative techniques, and representative types. The results were as follows. First, for repetition patterns of motifs, there were 219 simple repetition patterns in Seoul, and 289 in Kwang-ju, and 46 compound repetition patterns in Seoul, and 53 in Kwang-ju. The ratio of simple repetition pattern was higher than that of compound repetition pattern in both cities. Second, for motif types, floral, animal, letter, and graphic motifs were used far more frequently than any other motif types. Third, for representative techniques, embroidery was far more frequently used than any other representative techniques. Metallic crafts, chil-bo and paper techniques were also favored. Fourth, for representative types, realistic types were more common than abstract types.

• 한국생활과학회지
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• 제24권6호
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• pp.875-887
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• 2015

The analysis in this work is about costumes among the rhythmic gymnasts in competition, which is intended to develop designs about rhythmic gymnastics costume and provide the basic material from the results. In its research method and range, the general information on rhythmic gymnastics was reviewed in literature and the case analysis was followed about costumes of world high rankers in competition during 2012~2015 seasons. Research showed the following results. First, leotard took a shape of skirt-added one-piece type, where a combination with long tight sleeve, round neck line, and stand-up collar had a relatively higher percentage in design. With regard to a bottom line of skirt, an amorphous type was most common that highlights rhythmical beauty without any particular form. This design exposed shoulders and waists on both sides, expressing the feminine beauty. Second, in color used mainly, white appeared most frequently. In its combination, more than three were employed. Third, transparent mesh was applied as basic, where lace and chiffon were used. Abstract pattern took the highest portion in pattern. Particularly, crystal bead or gradation coloring was used to maximize the visually splendid image, giving an effect of optical illusion as if neckless clothing, choker, bracelet, or glove were worn. Fourth, it appeared that the costume for each event was changed in every season, when only music was substituted but the same earlier costume was put on for the different event.

• 한국산학기술학회논문지
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• 제7권2호
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• pp.200-205
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• 2006

본 논문은 치아의 전치교합(anterior occlusion)과 후치교합(posterior occlusion) 상태에서 획득된 치아 영상에 대하여 BMME와 LDA에 기반한 개인 인식 방법을 제안한다. 이 방법은 전치교합과 후치교합 상태의 치아 영상에서 치아 영역 추출, BMME, 패턴 인식 과정으로 구성된다. 이들 두 치아교합은 영상에서 일관된 자세의 치아 영상을 얻을 수 있도록 하며, BMME는 패턴 인식 과정에서 정합 오차를 줄이도록 해 준다. 치아는 딱딱하므로 치아영상을 사용하면 영상 획득 시 변형되지 않기 때문에 유용하다. 제안된 방법은 20명을 대상으로 개인 인증을 위한 치아인식 실험에서 성공적이었으며, 멀티 모달(multi-modal) 인증 시스템에 기여할 수 있음을 보였다.

• 한국정보과학회논문지:컴퓨팅의 실제 및 레터
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• 제15권8호
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• pp.547-565
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• 2009

시뮬레이션은 컴퓨터를 이용하여 실제 사물이나 작업의 상태, 혹은 프로세스를 모방하여 그 특징을 찾아내는 작업을 지칭하며, 시뮬레이터는 이러한 시뮬레이션 작업을 수행하는 하드웨어/소프트웨어 도구를 말한다. 다양한 시뮬레이터의 개발에 있어 공통적으로 요구되는 비기능적 속성은 변경가능성, 상호 운영성, 확장성이다. 그러나 기존의 시뮬레이터 개발에 관한 연구는 관심 시뮬레이션 모델에 대한 개발에 관한 것이며, 이러한 비기능적 요구사항에 대한 관심이 적다. 이에 본 논문에서는 소프트웨어 기반 시뮬레이터 개발에 있어 요구되는 비기능적 요구사항 중 변경가능성, 상호운영성, 확장성을 고려한 시뮬레이터 아키텍처 패턴을 제시한다. 본 논문에서는 아키텍처 패턴을 정의하기 위해 시뮬레이터의 필수 요소를 파악하고 그들 간의 관계를 정의하였으며, 비기능적 요구사항을 반영할 수 있는 구조로 설계하였다. 제시된 패턴은 다양한 시뮬레이션 모델을 구축할 수 있도록 시뮬레이션 모델 컴포넌트를 중심으로 이들의 조합을 통해 문제를 해결할 수 있다. 이는 시뮬레이션 모델의 재구축을 통해 유연하게 시스템의 변경가능성을 보장하며, 시뮬레이션 모델에 다양한 인터페이스를 추가할 수 있고, 시뮬레이션 모델 컴포넌트의 인터페이스를 통일시켜 상호운영성 및 확장성을 보장한다. 이 논문의 아키텍처 패턴은 향후 개발될 다양한 소프트웨어 기반 시뮬레이터의 참조 모델로 활용될 수 있다.