• The Journal of the Convergence on Culture Technology
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• v.7 no.2
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• pp.85-95
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• 2021

Currently, we stand between computers as creative tools and computers as creators. A new genre of movies, which can be called a post-cinema situation, is emerging. This paper aims to diagnose the possibility of the emergence of AI cinema. To confirm the possibility of AI cinema, it was examined through a case study whether the creation of a story, narrative, image, and sound, which are necessary conditions for film creation, is possible by artificial intelligence. First, we checked the visual creation of AI painting algorithms Obvious, GAN, and CAN. Second, AI music has already entered the distribution stage in the market in cooperation with humans. Third, AI can already complete drama scripts, and automatic scenario creation programs using big data are also gaining popularity. That said, we confirmed that the filmmaking requirements could be met with AI algorithms. From the perspective of Manovich's 'AI Genre Convention', web documentaries and desktop documentaries, typical trends post-cinema, can be said to be representative genres that can be expected as AI cinemas. The conditions for AI, web documentaries and desktop documentaries to exist are the same. This article suggests a new path for the media of the 4th Industrial Revolution era through research on AI as a creator of post-cinema.

• The Journal of the Convergence on Culture Technology
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• v.10 no.3
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• pp.723-730
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• 2024

In order to trace the changes in the concept and understanding of automatically generated images, this study analogously explores the creative methods of photography and cinema, which represent the existing image fields, in terms of AI-based image creation methods and 'automaticity', and discusses the understanding and possibilities of new automatic image creation. At the time of the invention of photography and cinema, the field of 'automatic creation' was established for them in comparison to traditional art genres such as painting. Recently, as AI has been applied to video production, the concept of 'automatic creation' has been expanded, and experimental creations that freely cross the boundaries of literature, art, photography, and film are active. By utilizing technologies such as machine learning and deep learning, AI automated creation allows AI to perform the creative process independently. Automated creation using AI can greatly improve efficiency, but it also risks compromising the personal and subjective nature of art. The problem stems from the fact that AI cannot completely replace human creativity.

• Proceedings of the Korean Society of Computer Information Conference
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• 2019.07a
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• pp.15-18
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• 2019

증가하는 메시징 앱 이용자 수, 언제 어디서나 시간과 장소에 제한받지 않는 고객 응대 서비스 그리고 대화형이라는 친근성 등은 챗봇(Chatbot)의 대표적인 장점들이다. 과거에는 단순히 패턴을 찾아 이미 설정된 기계적인 반응만을 했지만, 최근에는 여러 기술, 특히 AI 기술의 발달로 실생활에서도 도움을 줄 수 있는 챗봇들이 많아지기 시작했다. 본 논문에서는 인터넷이나 핸드폰 앱으로 영화 예매하는 것이 익숙하지 않은 사람이나 채팅을 하는 것이 익숙한 사람들이 신속, 편리하게 영화 예매를 할 수 있도록 지원하는 챗봇을 구현하고자 한다. 이를 위해 Dialogflow를 사용해서 예매자가 영화의 필수 정보들을 자연스러운 채팅을 통해 파악하도록 한다. 또한 영화와 관련된 키워드만 언급해도 되묻기 기능을 추가해 해당 영화를 유추할 수 있는 질의를 통해 정확한 예매를 지원한다.

• Proceedings of the Korea Information Processing Society Conference
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• 2018.05a
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• pp.365-368
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• 2018

인공지능 기술이 발달하면서 챗봇 플랫폼이 주목받고 있다. 챗봇이란 규칙 또는 인공지능(AI)을 이용해 사용자와 상호작용을 하는 대화형 인터페이스다. 챗봇에서 대화를 처리하는 방법은 규칙기반 대화 시스템, 검색기능 대화 시스템, 생성기반 대화 시스템이 있다. 본 논문에서는 규칙 기반 대화 시스템을 바탕으로 하는 모바일 영화 챗봇 서비스를 개발하였다. 이를 통하여 사용자는 더 편리하게 영화 관련 정보를 제공받을 수 있다.

• Journal of Digital Convergence
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• v.16 no.9
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• pp.405-412
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• 2018

When a film company decides whether to invest or not in a scenario is the appropriate time to predict box office success. In response to market demands, AI based scenario analysis service has been launched, yet the algorithm is by no means perfect. The purpose of this study is to present a prediction model of movie scenario's box office hit based on human brain processing mechanism. In order to derive patterns of visual, auditory, and cognitive stimuli on the time spectrum of box office animation hit, this study applied Weber's law and brain mechanism. The results are as follow. First, the frequency of brain stimulation in the biggest box office movies was 1.79 times greater than that in the failure movies. Second, in the box office success, the cognitive stimuli codes are spread evenly, whereas in the failure, concentrated among few intervals. Third, in the box office success movie, cognitive stimuli which have big cognition load appeared alone, whereas visual and auditory stimuli which have little cognitive load appeared simultaneously.

• KIPS Transactions on Computer and Communication Systems
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• v.12 no.1
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• pp.25-40
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• 2023

Recommendation systems are frequently used by users to generate intelligent automatic decisions. In the study of movie recommendation system, the existing approach uses largely collaboration and content-based filtering techniques. Collaborative filtering considers user similarity, while content-based filtering focuses on the activity of a single user. Also, mixed filtering approaches that combine collaborative filtering and content-based filtering are being used to compensate for each other's limitations. Recently, several AI-based similarity techniques have been used to find similarities between users to provide better recommendation services. This paper aims to provide the prospective expansion by deriving possible solutions through the analysis of various existing movie recommendation systems and their challenges.

• Proceedings of the Korean Society of Computer Information Conference
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• 2019.01a
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• pp.51-52
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• 2019

본 연구는 영화에 대한 정량적 분석을 위해 MRCNN을 활용한 영화 속 등장인물의 얼굴 면적을 검출하였다. MRCNN을 선택한 이유는 기존 얼굴 인식 시스템이 갖는 한계(뒷모습, 누워있는 모습의 측정 오류)의 개선과 면밀한 계산을 하고자 함이었다. 영화 한편에서 주인공과 상대주인공이 함께 등장한 씬을 선별한 726개의 이미지 중 496개의 이미지가 마스킹이 됨으로서 68%의 성능을 보였다. 반면에 230개의 이미지 파일에서는 다소 문제가 발견되어 32%의 오차가 발생했다. 오차를 개선하기 위해서 주요 인물을 학습시킨 뒤 마스킹을 씌우는 작업을 함으로써 현 확률보다 높은 확률로 정상적으로 이미지가 추출될 수 있도록 시험해 볼 것이다.

• Journal of Korea Multimedia Society
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• v.24 no.2
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• pp.336-343
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• 2021

AI technology is spreading not only to industrial fields, but also to culture, art, and content fields. In this paper, we proposed a system based on AI technology that can automate the process of reproducing contents using characters for movie contents. After creating the basic appearance of the character by using the StyleGAN2 model from the video extracted from the movie contents, analyzing the character's personality and propensity using the extracted dialogue data, it was determined from the contemplative appearance based on the yin-yang and five elements to the character's propensity. Accordingly, the external characteristics are reflected in the character. Using the OpenPose model, a character's motion is created, and the finally generated data is integrated to reproduce the content. It is expected that many movie contents can be reproduced through the study of the proposed system.

• Cartoon and Animation Studies
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• s.50
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• pp.423-452
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• 2018

The possibility of future industrialization of artificial intelligence was studied through aspects of artificial intelligence art and movie. The field of artificial intelligence is developing by imitating humans through past and present, so it can be inferred that it is important to grasp the future image presented in movie and artificial intelligence art. Human values are represented differently in artificial intelligence films and arts. Artificial intelligence film and art are concerned with the external and internal aspects of human values, respectively. The AI movie looks at similar external aspects in human and AI shape and function, but artificial intelligence art deals with human alienation and lack of communication due to artificial intelligence technology development. Artificial intelligence in movies is a direction to visualize the imagination for artificial intelligence technology, and artificial intelligence art is expressed in the way of making and implementing works using technology. The future of artificial intelligence, which we have shown in imagination in movies today, is being realized technologically. Artificial intelligence art reflects the problems of artificial intelligence technology that can be appeared through current technology, and human problems that may arise from artificial intelligence technology development. Movies and artificial intelligence art reflect the current problems, and through them we can see the future of artificial intelligence. The future of artificial intelligence in movies is an artificial intelligence service that provides human convenience, cyborg artificial intelligence industry, industry that uses exoskeleton robot and exoskeleton suit, and artificial intelligence secretary. If we look at the future of artificial intelligence through the artificial intelligence art in terms of the problems of artificial intelligence technology and the problem of human value, there are artificial intelligence to learn from trial and error or mistakes, self-expression and communication by lifelogging, recovery of miscommunications by a reflective thinking, and an expansion of the area of artificial intelligence artist through human uncertainty. The future industrialization potential of artificial intelligence as study through aspects of artificial intelligence art and movie is an industry that extends the five senses, an industry that improves the insufficient physical ability of the human, an industry that enhances the physical ability of the human being, and an industry that maintains psychological and mental well-being.

• Korean Journal of Weed Science
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• v.9 no.2
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• pp.103-107
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• 1989

Five rice cultivars were treated by four dose of butachlor at transplanting seedling stage. Visual injury rate by butachlor was lowest in Zhy-Lian-Ai-dun-Nam and highest in Samseungbyeo, but reduction of yield was higher in Zhy-Lian-Ai-Yun-Nam and Hangangchalbyeo than in Samseungbyeo and Cheungcheungbyeo. Reduction of panicle number by butachlor was most effective factor to yield reduction.