• ETRI Journal
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• v.37 no.4
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• pp.743-751
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• 2015

Cloud gaming services are heavily dependent on the efficiency of real-time video streaming technology owing to the limited bandwidths of wire or wireless networks through which consecutive frame images are delivered to gamers. Video compression algorithms typically take advantage of similarities among video frame images or in a single video frame image. This paper presents a method for computing and extracting both graphics information and an object's boundary from consecutive frame images of a game application. The method will allow video compression algorithms to determine the positions and sizes of similar image blocks, which in turn, will help achieve better video compression ratios. The proposed method can be easily implemented using function call interception, a programmable graphics pipeline, and off-screen rendering. It is implemented using the most widely used Direct3D API and applied to a well-known sample application to verify its feasibility and analyze its performance. The proposed method computes various kinds of graphics information with minimal overhead.

• Journal of Korea Game Society
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• v.4 no.3
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• pp.29-42
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• 2004

With the development of hardware and 3D graphic technologies since the 1990s, video games have been evolving in the direction in which they wholly pursue illusions and movie formats, and thus they are considered to be media centered on spectacles. However, video games, due to their inherent characteristics, cannot be transparent media like the existing spectacular entertainments centering on optical illusions. In their structure, there can be found elements that continually disillusion players from visions. Strictly speaking, players are not lost in visions, but are kept a certain distance from internal contexts. Games rely not on illusion but on contracts with players which are similar to a kind of convention, clearing internal imperfections. This paper aims to identify and analyze disillusioning elements and discuss theatrical contacts between players and games. The purpose of this paper is to reconsider the awareness of video games as a spectacle entertainment and to help discover future directions for game culture.

• The Journal of the Institute of Internet, Broadcasting and Communication
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• v.14 no.2
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• pp.43-51
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• 2014

Multi-view video including depth image is necessary to develop a new compression encoding technique for storage and transmission, because of a huge amount of data. Layered depth image is an efficient representation method of multi-view video data. This method makes a data structure that is synthesis of multi-view color and depth image. This efficient method to compress new contents is suggested to use layered depth image representation and to apply for video compression encoding by using 3D warping. This paper proposed enhanced compression method using layered depth image representation and H.264/AVC video coding technology. In experimental results, we confirmed high compression performance and good quality of reconstructed image.

• Journal of KIISE:Computing Practices and Letters
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• v.14 no.3
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• pp.271-275
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• 2008

Corresponding recent continuous development of multimedia technology with improved desire of using various contents, a new realistic feeling media technology is being created. Of them all, multi-view video is being researched actively as foundation technology of 3D TV, free-view point video etc. But encoding time and bit-rate are increased as view numbers are increased. In this paper we propose improved GoGOP structure to enhance the coding efficiency of multi-view video by applying methods which are using techniques such as Key frame position adjustment, dynamically changing the number of I frame and B frame. As experimental results, technique proposed in this paper reduces bit-rate having similar PSNR value compared with Anchor structure.

• Journal of Broadcast Engineering
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• v.9 no.3
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• pp.214-224
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• 2004

In this paper, an adaptive spatio-temporal predictive coding based on the H.264 is proposed for 3D immersive media encoding, such as 3D image processing, 3DTV, and 3D videoconferencing. First, we propose a spatio-temporal predictive coding using the same view and inter-view images for the two TPPP, IBBP GOP (group of picture) structures 4hat are different from the conventional simulcast method. Second, an 2D inter-view direct mode for the efficient prediction is proposed when the proposed spatio-temporal prediction uses the IBBP structure. The 2D inter-view direct mode is applied when the temporal direct mode in B(hi-Predictive) picture of the H.264 refers to an inter-view image, since the current temporal direct mode in the H.264 standard could no: be applied to the inter-view image. The proposed method is compared to the conventional simulcast method in terms of PSNR (peak signal to noise ratio) for the various 3D test video sequences. The proposed method shows better PSNR results than the conventional simulcast mode.

• The Journal of the Institute of Internet, Broadcasting and Communication
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• v.24 no.1
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• pp.141-147
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• 2024

Recently, there has been growing interest in personalized services tailored to an individual's preferences. This has led to ongoing research aimed at recognizing and leveraging an individual's personality traits. Among various methods for personality assessment, the OCEAN model stands out as a prominent approach. In utilizing OCEAN for personality recognition, a multi modal artificial intelligence model that incorporates linguistic, paralinguistic, and non-linguistic information is often employed. This paper examines the impact of the margin value set for extracting facial areas from video data on the accuracy of a personality recognition model that uses facial expressions to determine OCEAN traits. The study employed personality recognition models based on 2D Patch Partition, R2plus1D, 3D Patch Partition, and Video Swin Transformer technologies. It was observed that setting the facial area extraction margin to 60 resulted in the highest 1-MAE performance, scoring at 0.9118. These findings indicate the importance of selecting an optimal margin value to maximize the efficiency of personality recognition models.

• Proceedings of the KAIS Fall Conference
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• 2011.12b
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• pp.445-448
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• 2011

본 논문은 그룹화된 객체별 깊이정보를 차등 적용한 2D/3D 동영상 변환 기법에 관한 연구이다. 기존의 연구에서는 프레임의 움직임 정보와 기하학적 깊이 단서를 이용해 깊이정보를 추출하여 2D/3D 동영상 변환을 한다. 그러나 영상의 움직임 정보를 획득할 수 없는 영역의 경우 정확한 깊이정보를 얻을 수 없어 해당 영역의 3D 효과를 얻을 수 없는 문제점이 있다. 제안하는 기법에서는 객체 및 배경을 추출하고 움직임 정보와 기하학적 단서를 이용한 깊이정보를 그룹화된 객체별 차등 적용하여 움직임 정보가 없는 영역에서도 3D 효과를 얻을 수 있는 방법을 제안한다. 최종적으로 원본 영상과 생성된 깊이맵을 DIBR(Depth Image Based Rendering) 과정을 통해 3D 동영상을 생성한 결과 움직임 정보가 없는 영역에서도 3D 효과를 얻을 수 있었다.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2010.10a
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• pp.360-362
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• 2010

In this paper, the next generation of digital video media attention to the 3D digital stereoscopic images can be most easily produced and minimize the cost for technology that can be made three-dimensional imaging technique, one of the leaf anaglyph research on methods through the low cost of the optimal representation of the three-dimensional stereoscopic images, and enjoy watching, a technique is proposed.

• The Journal of the Institute of Internet, Broadcasting and Communication
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• v.24 no.1
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• pp.49-54
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• 2024

Data imbalance is a common issue encountered in classification problems, stemming from a significant disparity in the number of samples between classes within the dataset. Such data imbalance typically leads to problems in classification models, including overfitting, underfitting, and misinterpretation of performance metrics. Methods to address this issue include resampling, augmentation, regularization techniques, and adjustment of loss functions. In this paper, we focus on loss function adjustment, particularly comparing the performance of various configurations of loss functions (Cross Entropy, Balanced Cross Entropy, two settings of Focal Loss: 𝛼 = 1 and 𝛼 = Balanced, Asymmetric Loss) on Multi-Class black-box video data with imbalance issues. The comparison is conducted using the I3D, and R3D_18 models.

• Journal of Korean Ophthalmic Optics Society
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• v.3 no.1
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• pp.75-86
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• 1998

The purpose of this study is to evaluate the effects of continuing work on VDT(video display terminal), therefore this study examined visual fatigue, unaided visual acuity, refractive error, accommodation and horizontal phoria of 152 subjects who did two hour long VDT work. For the ocular symptoms, the greatest number was tired eyes accounting for 45.71%. In the visual symptoms, blurred vision was the hightest rate of 80.39% and in case of systemic symptoms shoulder pain was 33.33% marked top ranking. The average of near visual acuity decresed almost 10% from 0.47 to 0.42, but refractive error increased about 0.10D to the direction of myopic shift. The amplitude of accommodation decreased approximately 0.72D from 7.46D to 6.74D. Accommodation facility was delayed from 2.27 second to 2.50 second, the amplitude of positive relative accommodation was decreased from 4.76D to 4.16D and the amplitude of negative relative accommodation was decreased from 2.46D to 2.33D. The horizontal phoria shifted to the direction of esophoria from $1.82{\Delta}$ to $3.24{\Delta}$.