• Journal of IKEEE
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• v.15 no.3
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• pp.248-254
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• 2011

Recently, processing burden of CPU is growing because of graphical user interface according to enhance the performance of mobile devices and various graphical effects and creation of contents with 3D graphical effect or Flash animation. Therefore, the GPU are introduced to mobile device for support to variety contents. In this paper, OpenVG accelerator was implemented based on multi-core GP-GPU. OpenVG accelerator is verified using the sample image provided by Khronos group, and overall function is processed by only instruction set without dedicate hardware. The performance of processing the Tiger Image was 2 frames/sec.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.14 no.1
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• pp.351-357
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• 2013

Two cameras which function like human eyes, are needed to make 3D stereoscopic image. That is, stereoscopic image is made via 3 dimensional image processing for combining two images from left and right camera. In this paper two high resolution zoom cameras are used to make HD resolution stereoscopic camera. And the algorithm which convert to stereoscopic image from HD resolution zoom camera image, is implemented using FPGA for real-time operation. The algorithm which measure the depth of object between left and right image is proposed.

• Journal of the Korean Society for Computer Game
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• v.31 no.4
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• pp.61-70
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• 2018

In this paper, we propose a synchronized playback method of 3D reference model and video by extracting golf swing information from learner's golf video to precisely compare and analyze each motion in each position and time in the golf swing, and present the implementation result. In order to synchronize the 3D model with the learner's swing video, the learner's golf swing movie is first photographed and relative time information is extracted from the photographed video according to the position of the golf club from the address posture to the finishing posture. Through applying time information from learners' swing video to a 3D reference model that rigs the motion information of a pro-golfer's captured swing motion at 120 frames per second through high-quality motion capture equipment into a 3D model and by synchronizing the 3D reference model with the learner's swing video, the learner can correct or learn his / her posture by precisely comparing his or her posture with the reference model at each position of the golf swing. Synchronized playback can be used to improve the functionality of manually adjusting system for comparing and analyzing the reference model and learner's golf swing. Except for the part where the image processing technology that detects each position of the golf posture is applied, It is expected that the method of automatically extracting the time information of each location from the video and of synchronized playback can be extended to general life sports field.

• Proceedings of the Korean Information Science Society Conference
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• 2002.04a
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• pp.712-714
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• 2002

애니메이션에서 가장 중요하게 고려해야 할 문제는 프레임간 유사성을 어떻게 유지하느냐 이다. 각 프레임간 영상의 유사성이 없으면 프레임이 바뀔 때 좋지 못한 영상을 보여주기 때문이다. 또한 3차원 애니메이션을 위한 비사실적 렌더링에서는 프레임간 유사성뿐 아니라 렌더링을 수행하는 방법도 중요하다. 본 논문에서는 프레임간 유사성을 유지하기 위하여 파티클 시스템을 사용한다. 파티클을 물체의 실제 크기에 따라 분포시킴으로써 적절한 파티클의 수를 유지한다. 이때, 물체가 확대, 축소될 경우에는 화면상에서의 물체의 크기에 따라 동적으로 파티클의 수를 조정하게된다. 그리고 비사실적 렌더링을 위하여 붓의 터치를 표현할 스트로크를 사용하는데 스트로크의 방향, 색, 크기 등을 결정하기 위하여 참조 영상을 사용하는 렌더링 방법을 소개한다. 이렇게 결정된 스트로크들의 속성들은 붓 모양의 텍스쳐를 이용하여 렌더링 된다.

• Electronics and Telecommunications Trends
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• v.14 no.3 s.57
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• pp.31-43
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• 1999

본 고에서는 3차원 애니메이션을 위한 렌더링 시스템에 대한 기술동향을 분석한다. 이를 위해 렌더링을 지원하는 상용 애니메이션 소프트웨어들에 대한 최신 동향 및 이들 중 고가와 중저가 시장을 주도하고 있는 Alias/Wavefront Maya와 Kinetix 3D Studio Max를 중심으로 렌더링 기능들을 분석하고 성능평가 한다. 이를 위해 렌더링 기능으로서 Rendering Editor, Material, Lights, Textures, Ray-Tracing 및 Shadow, 카메라 및 기타 등에 대해서 각각의 기능들에 대한 특징 및 성능 등에 대해서 언급한다. 마지막으로 본 고는 두 상용 시스템에 대한 다면체 렌더링 기능별 분류 및 그 성능평가에 대해서 벤치마킹 표로 요약.제시하며 끝을 맺는다.

• Proceedings of the Korean Information Science Society Conference
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• 2007.06b
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• pp.194-198
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• 2007

본 논문은 웹3D 컨소시엄과 ISO/IEC SC24 WG6 가 공동으로 제정한 국제표준안 ISO/IEC 19774 (H-Anim)을 기반으로 모델링한 3차원 캐릭터의 애니메이션 생성 및 제어 방법을 기술한다. H-Anim 캐릭터는 H-Anim 에디터에 의해 대화형으로 애니메이션 구조가 정의되고 수정이 가능하다. H-Anim 애니메이터 인터페이스에서 캐릭터 관절에서의 대화형 모션 파라미터 입력이 가능하고 이에 따라서 모션이 생성되고 캐릭터 애니메이션이 가시화된다.

• Journal of the Korea Computer Graphics Society
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• v.18 no.3
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• pp.9-16
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• 2012

In this paper, we present a new method for reconstructing detailed facial expression from roughly captured data with a small number of markers. Because of the difference in the required capture resolution between the full-body capture and the facial expression capture, they hardly have been performed simultaneously. However, for generating natural animation, a simultaneous capture for body and face is essential. For this purpose, we provide a method for capturing the detailed facial expression only with a small number of markers. Our basic idea is to build a database for the facial expressions and apply the principal component analysis for reducing the dimensionality. The dimensionality reduction enables us to estimate the full data from a part of the data. We justify our method by applying it to dynamic scenes to show the viability of the method.

• Cartoon and Animation Studies
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• s.51
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• pp.159-179
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• 2018

As digital media evolves, image changes have evolved from 2D to 3D. At the end of the 1930s when the US overcame the economic crisis and met the Second World War, people needed a hero to escape reality. In DC (Detective Comics), superhero comics started to become popular by making superhero series mainly with Super Man and Bat Man. Timely Comics, founded by Martin Goodman in 1939, also published Marvel Comics, the first comic strip in epochal comics on October 1 of the same year. From this point on, Marble has developed mainly in the cartoon industry. However, in the development of the times and the change of media, Marble boldly grasps the influence of Hollywood movies from the comic centered development system, and moves from the cartoon market to the movie market. Especially, the trans-media storytelling strategy was well reflected in the movie "Avengers" series, which Marvel produced after the merger with Disney. In this paper, When Marble Comics compares with the time when the comic book industry developed before the merger and the time when the movie industry was focused after the merger with Disney What kind of change and development, and The purpose of this study is to investigate the causes of these changes.

• Cartoon and Animation Studies
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• s.31
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• pp.227-248
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• 2013

With the advancement of computers, opening title sequences in movies are continuously improving. Initially, titles and opening credits were created using what is called the optical method, whereby text was photographed on separate film and then copied onto the movies film negative. In contemporary movie making, however, the title sequence may be seamlessly integrated into the beginning of the movie by an insertion method that not only allows for more diverse technical expression, including the use of both 2D and 3D graphics, but also for its emergence as an independent art form. As such a title sequence, in as little as 50 seconds or up to 10 minutes, is able to convey the films concept while also suggesting more implicit intricacies of plot and thereby eliciting greater interest in the movie. Moreover, according to the directors intent and for a variety of purposes, the title sequence, while maintaining its autonomy, is inseparable from the movie as an organic whole; therefore, it is possible to create works that are highly original in nature. The purpose of this study is to analyze the kinetic typography that appears in title sequences of ten films produced by the Korean entertainment industry in 2012. Production techniques are analyzed in a variety of ways in order to predict the future direction of opening title sequences, as well as present aesthetic and technical models for their creation.

• Journal of Korea Game Society
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• v.4 no.4
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• pp.19-24
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• 2004

In this paper, we have proposed a new geometric solution of inverse kinematics of high instinct, while traditional solutions of inverse kinematics requires high level of mathematical knowledge. It was possible to use the inverse kinematics without mathematical knowledge because 3D vectors of directions of folded bones could be calculated by our method in the inverse kinematic model of two bones. The proposed method can be utilized easily by graphic designers who have little knowledge of mathematics of inverse kinematics