• 한국엔터테인먼트산업학회논문지
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• 제14권8호
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• pp.163-174
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• 2020

본 연구는 융·복합 공연예술의 창작과정의 특징이 무엇인지 도출해 내는 것을 목적으로 한다. 이에 연구대상으로는 2011년 제1회를 시작으로 2020년 현재까지 매년 꾸준히 개최되고 있는 국내 대표적 융·복합 공연예술축제인 파다프(PADAF-Play And Dance Art Festiva)를 연구대상으로 선정하였다. 국내 대표적 융·복합 공연예술축제인 파다프를 통해 21세기 공연예술의 핵심적 특징인 융·복합 공연예술의 창작과정의 특징을 연구하기 위하여 과정 중심의 발견을 통한 질적 사례연구 방법을 선택하였다. 또한 사실적이고 실증적인 연구를 위하여 제8회와 제9회 파다프의 초기 준비 단계부터 폐막식까지 전 과정을 참여관찰 하였으며, 여러 차례에 걸쳐서 파다프 관계자 및 참여 아티스트들을 대상으로 심층 인터뷰를 진행하였다. 파다프를 통한 융·복합 공연예술 창작과정의 특징을 살펴봤을 때 창작자들은 서로 다른 이질적인 장르가 만나 변증법적으로 변하는 과정에서 작업에 대한 서로 다른 방식으로 생각지도 못한 난관에 부딪혔지만 타 장르에 대한 이해, 융·복합을 통한 경험적 가치, 공동작업자로서의 공유 그리고 다양한 방식의 소통을 통해 난관들을 극복했다. 파다프를 중심으로 살펴본 융·복합 공연예술 창작과정의 특징은 프랑스 철학자 질 들뢰즈(1925-1995)의 '리좀(Rhizom)적 사고'와 '집단지성의 원칙'그리고 창작자들의 '실험적 창조를 위한 융·복합의 경험적 가치'이다. 도출된 창작과정의 특징은 융·복합 공연예술을 조금 더 이해하고 융·복합이라는 확장된 표현을 통해 소통하고자 하는 인간의 기본 욕구와 예술적 본질에 대한 이해를 바탕으로 변화되고 있는 공연예술과 문화의 새로운 패러다임에 대한 미학적 방향성과 발전에 이바지하기를 바란다.

• 한국실내디자인학회논문집
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• 제21권3호
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• pp.76-86
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• 2012

21st century has different characters from 20th century which was an era of machine and rationality based on the industrial revolution. With the advent of the digital revolution, it became an era of pluralism, culture, and emotion. The digital technology made it possible to connect the whole world together in real time and brought about the entirely new notion of time and space. It also dramatically altered the world view. Now we have a different set of social and cultural values from the past. This paper researched the influences of these social and cultural changes on public designs. The leading trends of public designs were analyzed and the successful cases were studied. The main research methodologies were the document review and the instrumental case study. The major social & cultural paradigms of a present era were classified as 'pluralism', 'digital & information revolution', 'human-centered value (against machine-centered value of 20th century)', and 'organic world view'. Each of the classified paradigms was analyzed more to find out the influences on the various trends of public designs. 'Pluralism' has influence on 'experiential public design', 'community art', and 'public design of local values'. 'Digital & information revolution' has influence on 'content-centered public design', 'smart public design', 'immaterial public design', and 'performance in public design'. 'Human-centered value' has influence on 'universal design approach in public design', and 'emotional public design'. 'Organic world view' has influence on 'sustainable public design', and 'ecological public design'.

• 한국의상디자인학회지
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• 제15권3호
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• pp.109-118
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• 2013

Fashion icons of 21st century are not only the fashion leaders that show fashion trend but also the typical fashion signs or symbols that show visually changes in sensibility trends. The purpose of this study was to analyze the framework of 21st century fashion by the public to recognize through these changes. In this study, the background of the occurrence of various 21st century fashion icons and their characteristics were investigated and the changes of revealed features and symbolic meanings were examined compared with them of 20th century. The 24 celebrities which have been called as the bests of fashion icons since year 2000 were selected by searching the most popular search engines such as daum, yahoo and google, and 13 of them were picked as the highest in preference and awareness by surveying 50 students majoring in fashion. And then their fashion styles, backgrounds, and influence on the public fashion were studied. As a result, the 21st century fashion icons reflecting the cultural characteristics such as convergence and exaggeration and the sensitivities of fusion, collaboration, hybrid sensibility in art were powerful enough to create innovative styles destroying the era and the standard. Their styles have constantly created new looks. The exposed new individual sensitivities on media-fusion of two or more sensibility and coordination techniques without being tied to the existing anchorage system-were as influential as high fashion and leaded the imitation and reproduction by dazzling the public. As the media become more powerful, the influence of fashion icons interacted more closely with the public and has been evolved through the sensitivity of the reversal, cultural, economic, visual, or temporal fusions. To sum up, it is shown that the outstanding fashion styles suggested by the leading fashion designers have approach to the public more closely by the fashion icons.

• 한국의상디자인학회지
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• 제21권4호
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• pp.27-42
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• 2019

This paper tried a detailed approach to identify the correlation among basic elements that influenced the change of forms of the Po. To this end, the subjects were limited to the clothing from the 15th to the 18th century, which was found in the tombs of the period of Pyeonbokpo. The total number of excavated artifacts measured directly is 6 and other correctly described excavated artifacts for a total of 54 items. Per period and element, the types of collars and Seop were presented by classifying collars in 4 types, and Seop in 3 types. On the basis of the classification, the relics selected in this paper were analyzed considering the appearance, period, and rate per type of each element. The type and the change of forms of each element per period, with the focus on the appearance, were identified and the factors influencing the change of forms per element and the correlation between such factors were investigated. The representative type in the first period included dual collars, dual Seop and the representative type in the second period was characterized by a shawl collar and a dual Seop joining the pieces. The representative type in the third period was characterized by round collars and a short Seop. The elements determining the forms of Po, including collars and Seop, had a correlation to the lapse of time and had been systematically influencing each other. Furthermore, the overall change of form was caused due to the social functions as well as the supplementary function of keeping balance among the elements and accordingly, the change of forms was think characterized per period.

• 한국가구학회지
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• 제19권3호
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• pp.180-192
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• 2008

The historian called Peter Burger divided it into historical avant-garde before and after the first World War (Dadaism, Futurist, Geometric Abstract, etc.) and Neo- avant-garde during the period of forming social foundation that would be ready to accept new forms of art in the USA, the center of capitalism, after the 2nd World War such as pop art and conceptual art including the then emerging avant-garde minimal art. Meanwhile, he interpreted that Neo- avant-garde succeeded the spirit of historical avant-garde. For modem furniture, the avant-garde terminologies are discussed from the aspect of epistemology or symbolism. On the other hand, they would be exclusively used for advertising slogans, however, it is considered as difficult due to vague terms or their characteristics. This study relates the points of historians such as Peter Burger for theoretical proposal and Richard Kostelanetz's point for formal issues, and contracts and arranges the avant-garde terminologies and its characteristics to the meaning of "getting out of the present decadent trend - aiming for future", "transcending the present aesthetic custom - renovation" and "violating the rules already established in the process of entering new areas - freshness of unfairness". The study was meaningful in providing fundamental clues based on the historical discussion and artists for Neo- avant-garde in the 1960s, that is, the mainstream of design at the end of the 20th century in the period when an avant-garde oriented alternative in the 21st century design has been sincerely required overflowed with the fin de siecle phenomenon.

• 복식문화연구
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• 제21권5호
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• pp.613-628
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• 2013

This study aims to identify characteristics of neo-naturalism coming from periodical changes in the 21th society, culture based on naturalism and analyze the expressional and design characteristics of neo-naturalism on 2000s. For a research method, this study researched development of naturalism in fashion, and searched digital naturalism and ecology which are design paradigm effecting on neo-naturalism through literature research and preliminary study. Analyzing preliminary study on architecture, interior, fashion about digital naturalism and ecology design, concept of neo-naturalism identified and four expressional characteristics of neo-naturalism was classified, actual examples of neo-naturalism in 21th fashion were extracted and drew design characteristics. The results are as followings. Firstly, naturalism described nature as it is and developed according to the values and needs of the times. Naturalism in fashion showed natrual human body's curve, nature pattern and used natural materical focused on ideal beauty of nature. Secondly, neo-naturalism renews with the foundation of digital culture and ecology design paradigm, and focuses on the flexible possibility to express nature with digital, new media and formative art, and made the artificial nature uniting human-nature-environment as organic whole by ecology design paradigm. Thirdly, design of neo-naturalism divided four characteristics, nature's organic form, combination with the technology, ethical harmony with nature, global local design. The first characteristics of the nature's organic form are expressing silhouette of the nature's organic volume abstractly, the second ones of the combination with the technology are reinterpreting primitive nature contemporary with artificial sensibility of high technology, the third ones of the ethical harmony with nature are showing simple design and high-touch, and the forth ones of global local design are expressing cultural hybrid preserving vernacular design.

• 한국산학기술학회논문지
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• 제21권6호
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• pp.78-83
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• 2020

21세기 현대 사회의 정보와 지식은 급속도로 변화하고 있다. 다양한 시각으로 창의적 및 비판적 능력으로 해결해 나갈 능력이 필요로 하다. 이러한 사회적인 변화에 따라 2011년 교육부가 창의 융합형 인재 육성을 위해 STEAM(Science Technology Engineering Art Music)이라는 융합 교육을 제시하였다. 그리하여 본 연구에서는 21세기에 알맞은 인재 양성을 위해 주도적으로 학습자들이 수업에 참여하는 PBL 모형을 기반으로 수업이 진행되었다. 과목은 세계 공용어로 자리매김한 영어 수업과 4차 산업혁명으로 인한 발전으로 거의 모든 분야에서 찾아볼 수 있는 과학 수업을 융합하여 실제 수업에 적용하였다. 학습자들을 대상으로 한 설문 조사 및 교사 관찰을 통해 다음과 같은 결과를 얻을 수 있었다. 학습자들이 영어 교과 주제인 "Problem and Solution"을 정의할 수 있었으며 이를 바탕으로 과학교과 주제인 "Environment Pollution"의 문제점과 해결책을 얻기 위해 그룹 활동을 활발히 진행할 수 있었다. 이를 통해 학습에 대한 높은 이해력 (86%), 학습에 대한 높은 동기부여(100%), 자신감 향상(100%), 협동력 및 창의력 향상(100%)이라는 답변을 하였다. 본 연구를 통해 안타까운 점은 융합 교육에 대한 필요성과 효과성보다 여전히 정확한 답을 도출해야 하는 입시 교육으로 인해 활발히 진행되지 않는 점이 있다. 현시대에 알맞은 인재 양성을 위해 더욱 활발히 연구되어 다양한 교육 현장에 적용이 되어야 한다.

• 컴퓨터교육학회논문지
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• 제6권3호
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• pp.151-162
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• 2003

21세기 정보시대에는 학생들이 자유로운 정보 탐색이나 수집과 같은 활동을 통하여 자신의 학습 활동을 진행시켜 나갈 수 있는 능력을 길러주는 교육이 필요하다. 이러한 자기 주도적 학습 능력을 갖는 인재를 양 성하기 위한 방법의 하나로 웹은 다양한 형태의 자료를 학습자 주도적으로 검색할 수 있고 상호작용을 촉진시킬 수 있는 많은 장점을 가지고 있다. 한편, 실과 교육의 특성상 가장 효과적인 교수 방법은 직접 체험 학습을 하는 것이나 비용, 환경 여건, 안전도, 시간을 고려해 볼 때 항상 직접 체험학습 환경을 제공해 주기는 어렵다. 이러한 제한점이 많은 실과 단원에 대하여 직접 체험 환경과 가깝고 자가 주도적 학습을 지원하는 형태의 웹 코스웨어를 개발하여 이러한 제한점을 보완한다면 실과교육의 학습 효과를 높일 수 있을 것이다. 따라서 본 연구는 시간 장소 공간의 제약으로 많은 어려움이 있는 7차 교육과정 초등학교 실과 6학 년 '동물 기르기' 단원 중심으로 웹 코스웨어를 설계 개발하고 수업에 간단히 적용해보았다. 프로그램 적용 및 평가에 대한 심도 있는 연구는 후속연구에서 진행하기로 한다.

• 복식
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• 제56권4호
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• pp.1-14
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• 2006

This paper is a perspectiveon the reformative costume expressed by Gustav Klimt who led the Secession Movement as a great master in Vienna. Klimt actively expressed a new costume style in his paintings, which influenced heavily on the modern costume design. This paper may contribute to reestablish the constructive direction for the 21st century fashion design based on Klimt's pursuing holistic art concept. The reformative costume in Klimt's paintings has two characteristics; ornamentism, eroticism, and reformativeness. Ornamentism is expressed with fantastic colors, various motives, exotic features, simple style clothes, and so on. Klimt used independent ornaments to express carnal desires metaphorically, which set ornaments free to lead spectators to the dreamy or elusive state and even have spectators indulged in ecstasy. As the Secession Movement focused on reforming all areas of life artistically, the costumes of Klimt's paintings symbolically express the reformativeness; he portrayed the woman in the early 20th century and sought to reform its contemporary value as a visual sensuality. Klimt tried to disrupt from the former era by over-emphasizing eroticism. The erotic expression with the colors and the style of ornaments substitute naturally for suggestive eroticism of the feminine body. With has creativity, Klimt has spectators extract the various senses from the female image in his paintings. Klimt's creative spirit on the holistic art concept could be helpful to develop a unique design as a catalyst foreseeing over the present.

• 패션비즈니스
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• 제4권2호
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• pp.95-111
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• 2000

The purpose of this research is to investigate the concept of the photomontage technique, one of the various photographic techniques, and to analyze the photomontage image through the patterns that appeared in 1990's fashions. Moreover, by making clothes using the photomontage image, the intention of this study to apply the technique in real life is achieved. The results of this thesis for making clothes utilizing image of the photomontage are as followings. First, the photomontage expands the variety of materials that can be used, because the clothes using the photomontage image are able to take any photo images. Second, two different eras can co-exist in a piece of work since a photomontage work can uses two images from different eras. Third, it allows greater adaptability by expressing variety and utility in the making of the casual styles using conventional photo materials. The conclusion of this study is that the clothes appearing in the late 20th century using the photomontage image have been developed corresponding to the accelerated development of photography, machinery, and technical skill in civilization. Trends break away from the conventional expressions of art. This is a new trend and direction in art that will effect culture in the 21st century. The photo montage image would show the possibility of a good unification between human being and machines.