• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2015.03a
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• pp.36-37
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• 2015

• Korean Journal of Heritage: History & Science
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• v.54 no.1
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• pp.18-31
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• 2021

Linoleum is a resilient, hygienic, and eco-friendly floor covering. It was developed in England by Frederick Walton in 1863. Made of cork flour, linseed oil, and burlap as its main materials, the flexible and waterproof linoleum became globally popular in the early 20th century. Unlike the vinyl coverings, the burlap-backed linoleum was used not only in commercial spaces but also in household areas like kitchens, bathrooms, and even living rooms. As a global product, linoleum was imported and used in Korean palaces like Deoksugung and Changdeokgung in the early modern period. According to the record Deoksugung Won-Ahn, linoleum was applied to the major buildings, including Hamnyeongjeon, Deokhongjeon, and Jeonggwanheon, and various other venues. The linoleum used in these places are mainly monochrome blue and brown color, which probably means that they are from England. The trade records in the early 20th century show that linoleum was imported mainly from England and America. The Ewangjik building floor plan in the Changdeokgung Palace shows that linoleum was used extensively. There are even some originals, which were laid in 1920 and left in the Changdeokgung Palace. When Daejojeon and Huijeongdang were rebuilt in 1920, the interior was outfitted with western features and linoleum was used in areas such as bathrooms, the tonsorial parlor, and one of the rooms on the west side of Huijeongdang. In situ in the Daejojeon and Huijeongdang areas in the Changdeokgung Palace are monochrome, patterned black, and stylized floral tile patterned, which are closely similar to American products made by ALC and Armstrong company. This study will help us better understand linoleum's characteristics, its uses and the material itself. It will also form the basis for the restoration of Changdeokgung Palace as well as other modern interiors with linoleum flooring in the future.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.13 no.8
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• pp.3366-3370
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• 2012

Bix Beiderbecke is a cornet player known as the first white jazz musician with white sound. In this study, we will see the similarity between his originality in black jazz field and 'Stream of consciousness' in 20th century's english literature. It is hard to verify how these two arts affect each other, and it is also very interesting to see the resemblance between jazz and the literature in their forms of expression. Especially, a jazz artist should have common understanding with english literature in the way of the expression, we are to pay more attention to the different form of the artistic works and study more about them to express in our way.

• Journal of Scientific & Technological Knowledge Infrastructure
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• s.10
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• pp.60-63
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• 2002

20세기초 시작된 실험동물분야는 다른 분야에 비해 뒤늦게 시작된 분야임에도 불구하고 생명해석과 의학의 발전과 더불어 급격히 발전한 분야라 할 수 있다. 특히, 1950년대 오염되지 않은 다양한 청정동물의 개발, 1970-80년대의 다양한 질환모델동물의 개발에 이어, 분자생물학의 발전과 더불어 1990년대를 거쳐 21세기의 다양한 유전자도입동물가 개발되고 있다. 이는 자연계에 존재하는 생물자원만이 아닌, 유전자조작으로 다양하게 개발되는 새로운 생물자원을 포함하므로, 그 다양성의 가치와 정보의 집대성은 대단히 중요한 일이며, 유전자연구의 한축이 되고있는 bioinformatic 분야에서도 많은 부분 할애되고 있다고 해도 과언이 아닐 것이다.

• Communications of Mathematical Education
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• v.23 no.4
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• pp.1093-1130
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• 2009

The purpose of this study is to examine obstacles to progress for 20th century Korean mathematics. In 1945, shortly after Korea was liberated from Japan, there were no Korean mathematics Ph.D. holders, less than ten bachelor degree holders, and only one person with a master's degree in mathematics. We investigate the reasons for this. Korea has to overcome such an unforgiving condition and rebuild quality education programs in higher mathematics over the last several decades. These debilitating circumstances in higher mathematics were considerable obstacles in developing a higher level of mathematical research for the mainstream of 20th century world mathematics. We study policy and curriculums of Korean school mathematics in the late 19th and early 20th century, with some educational and socio-political background.

• The Korean Journal of Quaternary Research
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• v.14 no.2
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• pp.87-99
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• 2000

May-June precipitation (253 years : A.D. 1746∼1998) of Yungdong region (coastal area of East-central Korea) was reconstructed using two tree-ring chronologies of Pinus densiflora sampled from Daeseung Fall area in Sorak Mountains. Dry periods were 1765∼1800 (longest dry period), 1835∼1845, 1890∼1910, 1920∼1940 and 1980∼1995, and wet ones 1810∼1830, 1850∼1890 and 1950∼1970. In long-term variation, late 18th century was dry. The 19th century May-June (250㎜) was wetter than the 20th century (231㎜) and the former indicated higher variability than the latter. Major wet/dry periodicities in May-June precipitation series reconstructed were 3 years in short term and 60∼80 years in long term. The present reconstructed data agreed to the ancient rain gauge 'Chukwooki' data (1777∼1907) of Seoul (central-west Korea) in low frequency variations except early 1800s.

• Cross-Cultural Studies
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• v.44
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• pp.239-281
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• 2016

This article explores the fate of futurism not only by tracing the entire process from the birth and decline of Russian futurism in the early 20th century and the so-called "Korean futurism" in the early 21st century, but also by delving into how their characteristics were shaped. In the first chapter, we investigate four groups of Russian futurism - Ego-Futurism, Cubo-Futurism, Tsentrifuga, and the Mezzanine of poetry, which were born in the age of utopianism before the Revolution. In the opera Victory Over the Sun, which was the culmination of the Zaum project of Cubo-futurists, we can find the initial shortcomings at the levels of language (Kruchenykh), music (Matyushin) and decoration and costume design (Malevich). In the second chapter, we examine chronologically how the term 'futurism' appeared in Korean literature history. In Korea, the term 'futurism' was born following the naming and classification of critic Kwon Heok-Woong, not by the voluntary manifestation of experimental poets such as Hwang Byong-Seung, thus this specific situation provoked stormy polemics between critics for futurism and critics against futurism in the Korean literary world. These polemics on futurist poetics have led to considerations of the relation of criticism to poetry.

• 중국학논총
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• no.66
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• pp.15-44
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• 2020

普通话里助词分结构助词, 动态助词, 语气助词, 它们皆附加于实词, 词组或句子的后面, 一般读轻声。从前的音韵学大部分是关于个别字的读音或它的演变过程, 很少进行对句子中词或字的读音变化的研究。本研究选择普通话里读ɤ韵母的"的", "呢", "了", "着"的助词, 分析20世纪初由朝鲜, 日本, 西方人编写的汉语教科书里的读音。研究结果表明, "的"到1930年末念为ti, 在1935年也念为ta, 1940年初变为tə。'呢'也到1930年末念ni, 到1940年读作na, 1940年初念为nə。"了"在20世纪的大部分教科书里读作la, 有的"了1"到1930年代还读作liao。"了2"比"了1"先读作la。"着"已在1850年代念作ə韵母, 朝鲜教科书里大部分写为ə韵母。"着"也念作uo韵母, 可能是东北方言的影响。"的", "呢", "了", "着"以外"个", "得"等普通话里念ɤ韵母的轻声字在20世纪初的汉语教科书里皆有念为a韵母阶段, 表示这些字经过了a>ə>ɤ的过程。声调上, 大部分轻声字读轻声之前念作阴平。

• Proceedings of the Costume Culture Conference
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• 2004.04a
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• pp.59-62
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• 2004

조형예술은 의상디자인 창작에 있어서 디자이너들에게 가장 큰 영감을 주는 분야라 해도 과언이 아니다 많은 디자이너들이 자신의 영감을 조형예술에서 찾는다고 볼 수 있는데 20세기 초부터 Paul Poiret를 선두로 하여 디자이너들이 예술작품에서 영감을 얻었을 뿐만 아니라 예술가들과 공동작업을 벌여왔고 예술가들의 의상디자인 직접적 관여는 의상을 예술의 위치에 놓는데 한 몫을 담당하였다. (중략)

• The Science & Technology
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• v.28 no.4 s.311
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• pp.20-21
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• 1995

근대물리학의 아버지 갈릴레오 갈릴레이는 성당의 램프가 진동하는 것을 보고 단진동의 원리를 발견했고 피사 사탑에서 물건을 떨어뜨려 「낙하의 법칙」을 제시했다. 천문학자 갈릴레이는 16세기초 최초로 망원경으로 우주를 관측하여 지동설의 여러가지 증거를 제시하기도 했다.