• 복식문화연구
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• 제4권2호
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• pp.247-263
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• 1996

This study focuses on a comparative study of 1960s'retro look mode in terms of the past and present in order to find out in detail how it in the past is readjusted after it was appeared in the present. For such a study, in the first place the contents of the dress and its ornament of a retro-look fashion was refined through some literature, and then, some works of the dress and its ornament of a retro-look fashion was refinded through some literature, and then, some works of eh dress and its ornament revived in 1960's mode were analysed, based on some fashion magazines at home and abroad like Bazaar, Fashion etc News in 1990s. After 1960s'retro-look mode which reappeared in 1990s was researched in terms of silhouette, detail, texture, color, and pattern, differences between those tow periods of 1960s and 1990s and their causes are summarized as follows: 1. In the aspect of silhouette, it appears that the silhouette in 1960s is that of somewhat stiff, charming image in which Body is excluded and the silhouette in 1990s is that of an soft, feminie image in which Body is emphasized. It was understood that the cause of such a delicate difference comes from the influences of the change in aesthetic senses or awareness, naturalism and neo-feminism. 2. In the aspect of detail, it appears that the detail in 1990s is of an attempt to express in diverse images, compared to that in 1960s, and new images are created new image in 1990s by means of presenting entirely ill-matched images. The major cause of that is because of Antistandard fashion. 3. In the aspect of textures, it appears that a great feature is that the texture in 1990s is of that introduced, being changed in natural and high-class looks, compared to that of 1960s. It was reviewed that the major cause of this is because of a result from the influence of naturalism and the technical growth in various fields which has brought the development of dress material. 4. In the aspect of color, it appears that the color in 1990s is of an image of primary color which is far more sensual and feminie than that of 1960s. It was studied that the major cause of ti comes from the influence of neo-feminism, etc. 5. In the aspect of pattern, it appears that the pattern in 1990s is of that of symbolism, transposition, and the ecletic feature of various modes which appear more deeply than that of 1960s. It was studied that the major cause of such changes is because of a trend of postmodernism which has brought the change of the spiritual structure different from that in the age of modernism. In conclusion, it was understood that the retro-look fashion is of an expression technic of dress and its ornament in that o dress in the pst is simply imitate, but new reconstitution is done by using the elements in the past. at the same time, ti was clarified that even though the elements in the past are revived as they were, dress and its ornament is governed by the social and cultural environments of he day, and with this proof it can be said that the fashion in each age is of a reflection of social phenomena of that age.

• Clinical and Experimental Pediatrics
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• 제50권2호
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• pp.138-142
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• 2007

목 적: 본 연구는 1990년대와 2000년대의 급성 약물 중독과 이물질 섭취로 내원한 환자의 변화를 보기 위하여 실시하였다. 방 법: 1991년 1월 1일부터 1994년 12월 31일까지와 2001년 1월 1일부터 2004년 12월 31일까지 원주기독병원 소아과에 급성 약물 중독으로 입원한 환아와 이물질 섭취로 입원한 환아를 대상으로 하였다. 이들의 의무기록을 기초로 하여 후향적 조사를 하였으며, 10년간의 시간의 차이에 따라 약물과 이물질의 종류, 연령별 빈도, 성별 빈도, 재원일수 등을 비교 분석하였다. 결 과: 급성 약물 중독은 1990년대에는 43례, 2000년대 35례였고, 이물질 섭취 환아는 1990년대 47례, 2000년대 22례 였다. 이물질 섭취의 종류로는 1990년대의 경우, 동전(46.8%), 기타(31.9%), 바둑알(14.9%), 플라스틱 장난감(6.4%) 순이었으며, 2000년대의 경우, 기타(58.2%), 수은건전지(23.8%), 못(9%), 핀(9%) 순이었다. 중독 유발 약물의 종류로는 1990년대의 경우, 의약품(37.2%), 기타(23.2%), 농약(13.9%), 일산화탄소(11.6%), 살서제(9.3%), 살충제(9.3%) 순이였고, 2000년대의 경우, 기타(34.3%), 의약품(31.4%), 농약(20%), 세척제(11.4%), 살충제(2.9%), 일산화탄소(2.9%) 순이었다. 연령별 분포는 이물질 섭취의 경우, 1990년대에 가장 많은 빈도를 차지하는 연령대는 1-3세로 46.8%였고, 2000년대 역시 1-3세에서 40.9%로 가장 많은 빈도를 차지하였다. 약물 중독의 경우, 1990년대에 가장 많은 빈도를 차지하는 연령대는 1-3세로 55.8%였으며, 2000년대 역시 1-3세(54.3%)이었다. 사망이나 심각한 후유장애를 남긴 경우는 이물질 섭취의 경우, 1990년대 콩의 섭취중 기관지로의 흡입에 의한 사망 1례, 2000년대 옥수수알 흡입에 의한 사망 1례가 있었고, 약물중독의 경우, 1990년대 농약(paraquat계)중독에 의한 사망 1례와 일산화탄소 중독에 의한 저산소성뇌증과 편측사지마비를 보인 경우가 1례 있었고, 2000년대 농약(paraquat계)중독에 의한 사망 1례 있었다. 결 론: 급성약물중독과 이물질섭취 모두 1-3세가 대부분을 차지하여 이 연령대의 소아에게 특히 주의 깊은 관찰이 필요할 것으로 생각된다. 또한 섭취된 약물과 이물질의 종류도 시간이 지나면서 다양해지고 있어 이에 대한 부모교육이 필요할 것으로 생각된다.

• 복식
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• 제56권6호
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• pp.96-113
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• 2006

Romanticism factors in fashion since the 1990s is more about feminine softness and grace, and suggests the image of a fantastic cute and lovable girl with dreams. This study examined romanticism in literature focusing on the 19th century, which is considered the time of romanticism, and examined romanticism in men's fashion since the 1990s based on the newly found characteristics of romanticism. Romanticism in men's fashion since the 1990s can be divided into three categories of individual sensitivity pursuing romanticism, romanticism with a desire to aspire, and resistance inclined romanticism. First, individual sensitivity pursuing romanticism is the type that places importance on expression of emotions based on the values on individuals, and was expressed as either romanticism with sexual charm or as romanticism with an extremely feminine taste. Second, romanticism with a desire to aspire was the most prominent romanticism fashion type in men's fashion since the 1990s and it can be divided into four categories of aspiration of nature and time, aspiration of the past and romanticism, aspiration of childhood and aspiration of new exotic cultures. Third, resistance inclined romanticism was expressed as romanticism that is inclined to resist against materialism and romanticism that resists against youth culture.

• 복식문화학회:학술대회논문집
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• 복식문화학회 1998년도 International Costume Culture Conference
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• pp.35-36
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• 1998

• 패션비즈니스
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• 제8권2호
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• pp.102-115
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• 2004

The purpose of this study is to analyze the various types of styles and characteristics of Japanese street fashion since the 1990's. The primary source of data has been a collection of visual materials which include snapshots of young men and women in the Japanese street scene starting in the 1990's. To approach the Japanese street fashion comprehensively, I have divided the background of the Japanese fashion into three parts: 1. The birth of various fashion markets like the Dankai junior generation, Hetauma generation and Shinjinrui junior generation. 2. The pursuit of fashion senses like the well-balanced sense of independence and commensalism, uncommon sense and sense of a tassel. 3. A boom in new fashion business types like SPA and select shop. After the 1990's, the Japanese street fashion has changed through the popularity of styles which include the conservative casual style, sexy casual style, Harajuku pop style, and 3 Re(revival, remake, recycle) fashion style. The characteristics of the Japanese street fashion reflects the performance of virtual reality, the sign of style culture, and the communication of process.

• 복식
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• 제61권3호
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• pp.63-70
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• 2011

The purpose of this study was to investigate trend of articles on men's fashion in Korea as seen through clothing-related academic journals from 1990 to 2009. For a total of 478 research papers on men's fashion published in 18 clothing-specialized learned society journals, which are KCI-cited journals or candidates thereof The results were as follows: First, With respect to the number of papers on men's fashion from 1990 to 2009, that of the 2000s rapidly increased to 5.2 times that of the 1990s. Second, The number of each area research was ranked aw follows: social psychology marketing 34.1%(163), clothing construction 32.2%(154), design aesthetics 19.7%(94), beauty 7.7%(37), history of clothing 4.8%(23), textile science 1.5%(7.7). Third, Studies on the aesthetics in men's fashion showed a steady increase from 1995, resulting in the number of papers in the 2000s being 12 times that of the 1990s. And, in the 2000s, the subjects explored in the 1990s, such as feminization of men's clothes, gender images, men's suit, etc. were deepened and expanded.

• 한국도서관정보학회지
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• 제39권1호
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• pp.377-407
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• 2008

이 연구는 1990년대 초기 독서운동과 독서교육의 양상을 고찰하는 데 목적을 두었다. 특히 본고는 근현대 독서 대중화 운동을 전반적으로 검토하기 위한 시론으로서 일제 강점기, 건국기, 1950년대, 1960년대, 1970년대, 1980년대 독서 대중화 운동 연구에 이은 후속 연구에 속한다. 이러한 일련의 연구 목적은 시기별 독서 현상의 변화상을 비교 분석하여, 오늘에 이르는 독서운동과 독서교육의 현주소를 찾아보려는 데 있다. 제반적인 독서 현상에 대한 분석은 그에 따른 향후 독서운동과 독서교육을 보다 효과적으로 전개시키는 토대를 마련할 것으로 보인다. 본론에서는 첫째, 1990년대 초기 독서 대중화 운동의 양상, 둘째, 1990년대 초기 독서경향 등으로 대별하여 고찰하였다. 특별히 독서경향에서는 사회 전반적인 독서운동의 양상과 공교육 내에서의 독서교육 현상을 비교하려는 목적에서, 일반독서와 학생독서를 구별하여 살폈다.

• 한국실내디자인학회논문집
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• 제21호
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• pp.3-9
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• 1999

Contemporary society that is apt to be homogeneity because of the development of computer communication and mass-media desires to seek its own identity in native realm. Contemporary Korean architecture has endeavored continuous discussion and practice to keep its identity within the current tendency. The purpose of this study is to grope the alternative for genuine 'Koreaness' to analyse the variant trend of its characteristics 1990's. The variation of Korean society in 1990's that emphasize self-regulation and individual value has influence on the realm of architecture so much. The cognition of 'Koreaness' has changed with center in the individual and small -size design group, not present accommodation of past, but continuous research to find archetype of tradition which can play a decisive role of linking present and future on the foundation of past. Many attempts and practical works that express 'Koreaness' in 1990's are performed in the area of residence works that reflect Korean emotion and life-style directly. This change can be an answer to solve the problem of peculiarity and universality in 'Koreaness'. After 1960's the main theme of 'Koreaness' was traditional architecture form, but because of the induction of Postmodernism and at once its reflection and critical attitude with limit of formal duplication, which lost its meaning. In 1990's, research for spatial form as korean emotion and image has carried out and played an important part of original expression for 'Koreaness'

• 복식
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• 제27권
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• pp.5-16
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• 1996

In today's fashion Street is a birthplace of new generation fashion and Street Fashion have frequently influenced on high fashion. From this view point this study is a meaningful approach to forecast future fashion trend by examining the street style of youth who are regarded as Street Fashion leaders. The purpose of this study is to examine the Youth Fashion style in early 1990s and to pro-vide a reference to fashion designer and mer-chandiser in trend forecasting and product plan-ning. This study is focused on 1990s Youth Fashion style through the historical Street Fashion : 1950s Teddy boys & Mods 1960s Hippies & Skinhead and 1970s Punk. There were mainly two popular Street Fashion phenomena in early 1990s. There were mainly two popular Street Fashion phenomena in early 1990s. One is grunge fashion created by new gener-ation in opposition to existing generation society and impacting on hish fashion leaders. The other is Remix style that is mixed : sub culture fashion originated by young group in 1950-1970s with 1990s sensitivity. Both fashion styles origionated and led by youth of street have influenced on famous high fashion designeres as well as the general public. Street Fashion will continue to play an import-ant role in future fashion and more study and interest on Street Fashion should be taken by fashion forecaster and related.

• 복식
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• 제50권6호
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• pp.73-87
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• 2000

The purpose of this study was to analyze the influence of fashion magazine on the street fashion, focused on Japan. The data were collected from the magazines and newspapers published in Japan from 1960's to 1990's. Fashion magazine has three functions : transmit information function, education and criticism function, advertisement and entertainment function. And, it has influenced on the street fashion by grasping the fashion trend and consumer needs, and communicating the vision to reader in Japan. The results were as follows : 1. the ivy look of 'Heibon Punch' in the 1960's, 2. the coordinate look of 'Anan' and 'Nanno', 3. the outdoor look of 'Popeye' in the 1970's, 4. the new traditional style of 'JJ' in the 1970's - 1980's, 5. lyceenne look of 'Olive' in the 1980's, 6. Shibu-Kaji style of 'McSister', 7. the supermarket style of 'Cutie' in the 1990's.