• Journal of the Korean association of regional geographers
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• v.13 no.1
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• pp.82-103
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• 2007

Neoliberalism can be seen as a path-dependent, hybrid and contradictory project that operates actually (not just ideologically) through intervention of the state that has been not weakened in its strength but different in its strategies, especially through neoliberal policies of remaking urban space. This paper seeks to characterize the development of neoliberalism and urban policies in S. Korea, by examining the trajectory of neoliberalism generated in its contextually specific way since the late 1980s, by illuminating the intersection between new neoliberal programs and the existing developmentalism of the state and changes in spatial policy with its effects, which can be divided into two phases: the first from the late 1980s to the economic crisis in 1997, and the second from the crisis to the present. This paper finally identifies several paths in which the state and the market would be interrelated, and argues that the vision of national development and spatial policy should be welfare(i.e. human)-oriented, not industry(i.e. capital)-oriented.

• Proceedings of the Korean Society for Agricultural Machinery Conference
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• 2003.07a
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• pp.478-483
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• 2003

우리나라는 1960년대에 접어들면서 매년 농촌 인구가 급격한 감소를 보였으며, 이때부터 농업노동력 부족을 해소하기 위하여 동력농업기계가 널리 보급되기 시작하였다. 1970년대 중반 이후에는 급격한 경제실장과 정부의 식량 증산 책의 일환으로 동력경운기 및 콤바인, 트랙터 등 농업기계가 확대 보급되기 시작하였다. 중대형 농기계의 보급이 시작된 시기는 1980년대 전후이며 정부에서는 1990년대 상반기까지 벼농사 위주로 정책목표로 삼고 농업기계화사업을 꾸준히 추진해 왔다. 이와 같이 1960년대 이후 2000년대에 이르기까지 벼농사를 중심으로 우리나라 농업기계화 사업은 지속적으로 추진되어 왔지만, 2003년부터는 다양한 농작물 기계로 전환하여 지역 특수작물용 작업기 개발에 역점을 두고 있다. (중략)

• Journal of the Korean Society of Clothing and Textiles
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• v.42 no.1
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• pp.26-39
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• 2018

This study analyzed fashion taste changes for middle-aged men (40-50s) from the 1960s-1980s through newspapers evaluated as socially influential media. As a result, the fashion interest of middle-aged men in the 1960s was very low, and the formation and selection of fashion taste was mainly decided by the wife. However, as the interest in fashion and fashion gradually increased in the 1970s, the interest and taste of fashion in middle-aged men started to change. In the 1980s, social equality and women's advancement into society began, and initiated the appearance of a youthful-looking casual style and establishing an individual subjectivity about fashion taste. Based on this, the specificity of the change of fashion taste among Korean middle-aged men in the 1960s-1980s were as follows. First, the changes in the aesthetic sense of middle-aged men and the increase of fashion interest were due to changes in socio-cultural appearance standards. Second, there was an increase in the pursuit of individuality due to the weakening of fashion consciousness as a collective norm. Third, there were change in subjectivity about fashion taste and consumption.

• Journal of architectural history
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• v.25 no.2
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• pp.21-30
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• 2016

Autonomia movement that emerged in Italy in the 1960s from workerist (operaismo) communism gives historical and discursive context to Manfredo Tafuri's famous criticism of ideology. His thesis on the death of architecture was a radical criticism of Keynesian intervention which was a strategy to cope with the Great Depression. For him, this capitalist development had taken away ideological prefiguration from architecture. At least Tafuri's this early intellectual phase was formed in the wake of magazine Contrapiano and Antonio Negri's influence. Tafuri almost entirely adapted Negri's thought on the importance of capitalist innovation that was uncovered by Keynes, Schumpeter, and Manheim and the periodization in modern history. When we read Tafuri's text with this concrete context, we can avoid being plunged into his abstruseness. On the other hand, 1980's Korea cannot understand Tafuri comprehensibly. 1980's situation to struggle to acquire democracy prescribed only one mode of reception of Tafuri's historiography in Korea. Tafuri's so-called pessimist view point could not satisfy student activists. They want to take intellectual means to sustain student movement and to secure political dynamics of protest. But at the same time they have anxiety to understand tafuri's thesis that they consider ad a critical theory for Korean Architecture. Double contexts of Tafuri's criticism of ideology bring to light to historicize both Tafuri's historiography itself and reception of his text in Korea.

• Journal of the korean Society of Automotive Engineers
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• v.3 no.1
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• pp.13-18
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• 1981

세계는 자원쟁탈전장으로 변모하는 느낌을 주고 있는 가운데 세계경제가 석유에 얼마나 크게 좌우되고 있는가는 두 차례에 걸친 석유 파동에 의하여 여실히 증명된 바 있다. 더욱이 석유가 격의 불안정한 상황하에서 자동차에 있어서 필수적인 석유에 대한 소비절약은 자동차산업에 절 대적인 과제가 될 것이며, 이밖에 안전, 고해, 소음 등에 대한 각국의 규제가 1980년대에는 더욱 가중될 것으로 보인다. 또한 고객은 정부의 볍규제와는 달리 보다 개선된 쾌적성, 자동차 및 부품에 대한 신뢰성, 내구성 및 정비성 등을 자동차업계에 강요하게 될 것이다. 따라서 자동차설 계자나 제조기술자는 이 양대요구사항들을 만족시키기 위하여 어떤 방안을 강구할 것인지 각종 문헌을 토대로 예측하여 보기로 한다.

• Journal of the Economic Geographical Society of Korea
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• v.15 no.1
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• pp.131-145
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• 2012

During the 1980s and 1990s, most of the old industrial cities of advanced countries have experienced serious de-industrialisation. This has caused many problems, such as economic decline, increasing unemployment, environmental degradation and social unrests. Since the mid-1980s, some of these cities have started to tackle the problems by urban regeneration programs with cultural and artistic activities, new industries, and implementing housing projects. The cities of Newcastle and Gateshead in Northeastern England were the examples of the ones which have created major development projects, such as building condominiums, renovating old factory building, and promoting cultural and art activities. This paper introduces policies and programs of the cities' urban regeneration, analyses their governance structure, and articulates factors contributing to the success of the policies and programs.

• Journal of the Economic Geographical Society of Korea
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• v.6 no.2
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• pp.471-486
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• 2003

Gentrification, the revitalization of inner city areas, encompasses both the changes in social and demographic composition and the alterations in the physical and economic nature of built environment. This urban phenomenon has received the bulk of attention since the 1970s, and simultaneously provided one prominent stage for the theoretical or ideological debates in the field of urban geography. Given this context, this paper deals with the consumption-based and production-based approaches to gentrification, both of which are involved in such debates. Specifically, this paper critically reviews and evaluates David Ley's and Neil Smith's explanations representing the two approaches, respectively. On the basis of the two urban geographers' seminal works published in the 1980s, this paper discusses the limitations of each explanation as a partial explanation.

• Journal of Korean Society of Forest Science
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• v.94 no.4 s.161
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• pp.252-257
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• 2005

The study on long-term change of natural and sediment disasters such as landslides and debris flows is not thoroughgoing enough in spite of increasing of concern for disaster. Therefore, the change of natural and sediment disasters was investigated with the number of victims caused by both disasters and the ratio of sediment disasters for natural disasters was compared. The number of victims by sediment and natural disasters has apparently been decreasing despite of the change of rainfall pattern. The number of victims was changed to 140 persons/year in the late 1990s from 250 persons/year in the 1970s of natural disaster and that of sediment disaster to 20 persons/year in the late 1990s from 60 persons/year in the late 1970s. Furthermore, the ratio of sediment disaster victims to natural disaster victims has decreased from 2/7 in the 1970s to 2/15 after 1980s. But, the system of sediment disaster management and new soil erosion control works tough introduction of watershed management concept are requested because of increased landslide area in recent years (206ha in 1981 $\rightarrow$ 688ha in 1999).

• Journal of the Korean association of regional geographers
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• v.8 no.1
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• pp.20-39
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• 2002

The purpose of this study is to analyze the characteristics of a life cycle of a theme park through looking at Everland in Yongin, Korea. The life cycle of Everland is divided into four stages. In "initial development" stage(1976 - the mid-80's), Everland become inclined the characteristics of an amusement park by constructing the amusement facilities in the Flower Center(botanical garden). In "growth" stage(the mid-80's - the early 90's), Everland had full grown to the amusement park and inclined to a theme park. In "maturity" stage(the early 90's - the mid-90's), many visitors were not motivated to re-visit Everland because the facilities and events did not change often. Therefore, Everland makes plans for multiple theme park. In "rejuvenation" stage(after the mid-90's), Everland has practiced the plans for multiple theme park and has become the family and accommodating-oriented theme resort park. Since 1976 when Everland was opened, it has evolved from an amusement park to a theme park by creating various and continuous innovations in facilities and events.

• Cartoon and Animation Studies
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• s.15
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• pp.49-71
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• 2009

This study analyzes Kureougy Balmyungwang (Prankster Invention King), produced by Chung-ki Kim in 1984. [Prankster Invention King (Kureougy Balmyungwang)] has been known as science education film. However, around the time this film was produced in 1980s in South Korea, Science and Technology is basis for development of nation driven by military dictatorship for increasing national welfare and individual capability. In this regards, Kureougy Balmyungwang (Prankster Invention King) is an animated movie not only about education and science, but also a propaganda describing children making every effort to develop their country by scientific research. In this regards, this film is in accordance with Director Kim's other animated films such as General Toli, who also served for the government, advertising its policy. This article compares and analyzes Kureougy Balmyungwang (Prankster Invention King) with various propaganda works after World War I, to clarify the propaganda characteristic and contemplate the contemporary meaning of this work.