• The Science & Technology
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• v.32 no.5 s.360
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• pp.16-19
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• 1999

"4월 1일 발족한 '국가과학기술위원회'를 중심으로 과학기술정책과 사업에 대한 종합 조정을 철저히 하여 효율적인 과학기술행정을 구현하는데 최선을 다하겠습니다." 과학기술부 장관에 취임한 서정욱 박사는 본지와의 특별대담에서 이렇게 말했다. 서장관은 이어서 "21세기의 지식기반사회를 구축하기 위해선 대학과 연구소가 새로운 산업기지가 되어야 하겠다"고 말하고 "앞으로 과학기술의 대중화사업을 위해 과학축전, 과학영상프로그램 제작방영, 과학도서 보급 등 다양한 사업을 펼치겠다"고 강조했다.

• 월간낙농육우
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• v.19 no.12 s.212
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• pp.101-102
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• 1999

환율이 1,000원대로 언젠가는 인하된다고 가정할때 미국과 캐나다에서 잉여 우유 수백만톤이 우리시장을 공략하려고 대기하고 있다는 것을 항상 염두해 두어야 한다. 21세기 2000원년을 맞이하면서 낙농을 하는 우리생산자는 자조금을 또 다시 조성하고 정착하는데 있어 누락자가 전혀없는 일체감을 보여줘야 할 것이다.

• 보건세계
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• v.43 no.4 s.476
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• pp.12-15
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• 1996

6$\cdot$25 동란이 초래한 절박한 결핵사정은 전국의 결핵인들을 결속시켜 범국민적인 민간항결핵단체를 조직케한 촉매제가 되었다. 19세기 말 개화의 물결을 타고 이 땅에 서양의학이 전래된 이래 1920년대부터 싹튼 항결핵운동이 주로 서양 선교사들에 의하여 주도되고, 1930년대 후반에 총독부 관제단체가 만들어진데 반하여 대한결핵협회는 우리의 손으로 우리를 위하여 우리가 함께 만든 자랑스러운 겨레의 단체였다.

• Venture DIGEST
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• s.61
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• pp.18-19
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• 2004

‘문화의 시대’라 말하는 21세기를 맞아 다양한 문화콘텐츠가 경제적 가치를 창출하고 있다. 150만대의 자동차를 수출해서 얻는 이익보다 스티븐 스필버그의‘쥬라기공원’이 벌어들인 액수가 많다는 것은 이미 널리 알려진 이야기이다. 최근 여성의 사회진출이 확대되면서 감성을 필요로 하는 이 문화콘텐츠분야가 새로운 전기를 맞고 있다. 한국여성벤처협회 이영남 회장에게서 여성인력의 활용방안과 문화콘텐츠 강국으로 가는 해답을 들어보자.

• The Research Journal of the Costume Culture
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• v.16 no.5
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• pp.812-825
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• 2008

This article analyzed fashion representations in France posters, especially the late 19th century France when mass consumption cultures arose. That was analyzed by consumers' sexuality supposed in advertisement contents. Female models mainly figured in posters of the late 19th century France made a role to promote consumption, in which female models were emphasized on fashion, for example, erotic robe, unusual hair style and etc. Posters' type in this period were categorized in three types by presenting style of female body and fashion style. The first were targeting female consumers, and that posters represented bourgeois fashion styles and life styles to clear consumers' social status and to present women's consuming power. The second case was targeting male consumers, and that posters figured female models such as available products. In this case, poster artists emphasized female models' sexualities and used fantasies against eroticism of the legs and feet. And third case was targeting female consumers and males', in this case, two different aspects were required to appealing to consumers. One was to use a female sexuality to appeal for male consumers, the other was to modify female models as transcendental being such like a muse admirable and mysterious, through fashion styles for female consumers. In the late 19th century, female body and fashion were spectacular elements in visual arts specifically. This study clarified representations of female body and fashion in the late 19th century posters according to poster's contents and target consumer's sexuality. This was one of the aspects characterizing early advertisement media.

• Journal of International Area Studies (JIAS)
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• v.13 no.1
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• pp.345-368
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• 2009

Our research task have goal to describe a treaty rhetoric known as 『La Rhétorique ou L'Art de Parler』(1688) which corresponds to a very wide field of which the step is not yet dubious in our country. Thus to study the rhetoric of Lamy borrowed from the thought of Descartes, we left the concept d' origin of language in traditional rhetoric in connection with logic and grammar (in first part). Also the second part is devoted to the tropes and the figures that are modified and deteriorated by the language of passion called 'rhetoric of passion or psychological of figure', etc. And the third part interests in the body of the speech being the character of l' heart. Under the influence of the rhetoric of Lamy, French rhetoric at the 17th century is held for an essential text when one interests in the history of the ideas and rhetoric, marked in its specificity (passion). The project of Lamy registered in the concept of passion like 'manners of speaking'. To close this study, which does one have to retain? The first remark to note is that Lamy founds his rhetoric in opposition to traditional designs dating from the beginning of Aristote. Second remark is the idea that one finds based in famous the books of Dumarsais at the 18th century and Fontanier at the 19th century. Admittedly, Lamy is a true rhetorician, grammairien which interests in the question of passions in the speech forces to reconsider the idea spread since Mr. Foucault, and makes it possible to understand the passage of the Great century at the Century of Lumuères. Even if this opinion is not shared, it will be agreed that the work of Lamy on passions or the phenomena sensory and psychological in the center of the language deserves reflexion.

• Journal of the Daesoon Academy of Sciences
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• v.16
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• pp.241-263
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• 2003

조선 시대 중기에 한국은 도교의 내단에 흥미가 고조되는 것을 체험했고, 16~17세기 중에 많은 유교 학자들이 받아들인 호흡법과 심신 수련은 이미 초기 중국에서 고안된 심신 수련자의 신체에서 나오는 기의 순환과 양·질을 강화하는 것이었다. 그러나 18~19세기의 한국인들은 이러한 양생법에 대해서 흥미를 잃게 되지만, 20세기의 지난 반세기 동안에 내단을 이채롭게 다시 부흥시킨 것이다. 여러 가지 새로운 조직체들이 단전호흡과 도인체조를 서울과 다른 도시에서 증진 시키고 있다. 국선도가 1970년에 처음으로 시행되었고 이것은 1984년 새로운 내단으로 되기까지 대중들의 호응을 받지 못했다. 그러나 이러한 심신수련이 새 조직인 단(丹)세계에 의해서 멀리 번창되어 나갔으며 이 조직의 지도자인 이 승훈에 의해서 흥미롭게 다시 소생되었다. 단 세계는 한국에서 무려 360개가 넘는 선원이 있으며 수련자들에 의해서 유럽과 북미에서도 선원이 시작되었다. 이것은 근본적으로 중국의 도교 보다는 고조선 시대 단군에 의해서 고안된 것이라고 말한다. 단 세계는 도교적 양생법 수련보다 한국의 전통적인 것에 대한 자부심을 가지고 장려되고 있다.

• Journal of the Korean Society of Costume
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• v.65 no.7
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• pp.60-74
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• 2015

It is considered that jacket was widespread in the 19th century due to its simple and convenient production technique. This study aims to explore the western women's jacket in the late 19th century, which is the basis of modern women's outwear, and we focused on the patterns and construction, the technical aspect of the jacket. We researched pattern books and preserved costume materials, and the study methods are as follows: First, we analyzed the pattern of the jackets from the pattern books and preserved costumes. Second, we analyzed the construction of the jackets from the preserved costumes and compared it to previous researches. The study results are as follows: 19th century jacket consisted of a bodice, a back bodice, a side panel, two-piece sleeve and a collar. The front bodice had cuttings and a dart to make the jacket fit the shape of the body and the two-pieced leg of mutton sleeve, puffed at the shoulder. Various styles of collar and neckline existed. The pattern suggested diverse ways of designing a jacket, such as cutting with partition, dart and pattern expansion that focused on three-dimensional effect at that time.

• Journal of the Korean Society of Food Culture
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• v.7 no.3
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• pp.237-244
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• 1992

A total of 9 different names of dried beef were found in the literatures. They were classified in to 4 groups according to their processing method and shape: San pc(about 1cm thick beef salted and dried), Pyun po(ground beef with the seasoning, make small size or large size, dried), Yak po(thin beef or ground beef in the seasoning, dried), Jang po(thin beef in the seasoning, dried until half, again in the seasoning, dried). Most of the po was prepared with beef but phesant was also used for preparation Po in salt, seasame oil, black powder and soy sauce amomg the 19 kinds of seasoning, and chopped pinenut among 3 kinds of decorating were commonly used.

• Korean Journal of Heritage: History & Science
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• v.43 no.3
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• pp.208-241
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• 2010

This study was conducted to examine the chronology of Taesil Seokham(Taesil Stone Boxes) stored in Taesil of the Joseon Palace and classify the styles to discuss how these boxes have developed. By doing so, this study defined the archaeological styles of taesil seokhams in the chronological order. Although taesil seokhams are placed when taesil are first created, they do not have any texts engraved on them and it is difficult to gain information only from examining taesil seokham. However, Taejiseok(memorial stones buried in Taesil) and Agibi(gravestones buried in Taesil) were created along with taesil. These resources were examined and compared with literature records to find when each taesil seokhams was created. The critical elements to consider for the chronological arrangement were both the cover and container of the boxes and the transition of their style could be classified into four major stages. In detail, the Joseon Dynasty's taesil seokhams initially inherited the style of the Goryeo Dynasty to be formed into rectangular boxes. Through the transition of the mid and late 15th Century, the semi-circular cover with cylindrical container became the popular style in the late 15th Century. In the late 16th Century, the style of the previous period was further developed to add some decorative elements, such as projecting ornaments, but the ornaments were added for functional purposes rather than artistic purposes. However, the style went back to the semi-circular cover with cylindrical container in the early 17th Century. From the mid 17th Century, various styles appeared with ornaments only on the cover, cone-shaped cover with no ornament, or mortar-like container. However, a new style of cone-shaped cover with ornament emerged between the early and mid 18th Century and continued to stay until the mid 18th Century. In the mid 18th Century, the cover remained unchanged, but the container became a keyhole-shaped space with one side forming a "ㄷ" shape. However, in the late 18th Century, the most typical style of the semi-circular cover with cylindrical container reappeared to show that this is the most universal style. Last, in the mid 19th Century, the cover changed from semi-circular to rectangular with flat top. After this, the taesil seokhams began to disappear. In terms of style, it can be classified into four stages. In the early Joseon Dynasty, the taesil seokhams were underdeveloped and inherited the style of the Goryeo Dynasty (Stage I; 1401~mid-15C), but Joseon's unique style began to develop from the late 15th Century (Stage II; 1477~1641). After that, partial ornaments were added for adornment (Stage III; 1660~1754), but the typical style reappeared in the late 18th Century to finally degrade in the late Joseon Dynasty of the mid 19th Century (Stage IV; 1790~1874). This arrangement of style and chronology would greatly help archaeologists anticipate the time and owner of taesil seokhams even if only taesil seokhams are discovered without any records. * Tae(胎) : Placenta and umbilical cord * Taesil(胎室) : A facility(chamber) of burying Tae(胎) in rite when royal descendants are born.