• 제목/요약/키워드: 16th century

검색결과 444건 처리시간 0.026초

송순의 면앙정과 16세기 누정건축에 관한 연구 (A Study on Song Soon's Myonang-jong and the Architectural Characteristics of Nujung of 16th Century)

  • 윤일이
    • 건축역사연구
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    • 제14권4호
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    • pp.29-39
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    • 2005
  • The Honam region has played an important role in the development of Korea poetry. So this study focuses on Song Soon among various factors of Honam architecture in 16th century. He was ahead of his times in development of Korean literature, and made buildings that become background and materials of his literature. Song Soon built Myonang-jong in Damyang for his life time and tried to design to pull in nature into his buildings. These buildings were built in beautiful landscape, and showed elegance as a retired scholar and Taoism characteristics. He provided basic ideas, that is, pulling in nature into architecture, and metaphysics morality, and his ideas also influenced Honam School Including Jung Chul. This study looks into Nujung architecture that had become materials of Myonang-jong Song Soon literature and characteristics of Honam architecture through his buildings at the same time.

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누정편액(樓亭扁額)에 반영된 자연인식과 서정 - 16세기 담양 시가문화권의 누정을 중심으로 - (The Nature Cognition and Lyricism Reflected in the Pavilion Tablets - Focusing on the Pavilions in the Damyang Poetry Culture Area Built during in 16th Century -)

  • 이현우;김재식
    • 한국전통조경학회지
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    • 제28권3호
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    • pp.1-13
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    • 2010
  • 본 연구는 16세기 담양 시가문화권의 누정편액에 반영된 자연인식과 서정에 관한 의미론적 고찰이다. 대상지의 현지답사를 통해 누정명 누정기 누정제영시 등을 파악한 후 주변경관을 중심으로 조영 당시 조영자가 향유했을 그 시대인의 미의식과 자연관이 배태된 조영의식에 관해 접근한 바, 구명된 결론은 다음과 같이 집약된다. 1. 누정명은 성현이 남긴 고사에서 유래한 문구의 차용과 주변의 아름다운 자연예찬 및 조영자의 학덕을 제재로써 성리학적 사유를 교직해 넣은 내용들임을 확인하였다. 특히 산수예찬은 누정문학이라는 새로운 장르를 탄생시킨 기폭제로 작용했으며, 연구대상지의 모든 누정에서 발견된 제 1의 보편적 제영요소로 파악되었다. 2. 누정문학에 관한 기록은 아름다운 자연과 인간에 관한 자연합일[물아일체(物我一體) 교융(交融) 합일(合一)]의 이상적인 자연관이었다. 3. 16세기 지식인에게 자연은 생장소멸(生滅消長)의 원리이자 자존적 삶을 위한 궁극적 귀의대상이었으며, 특수한 시대상황과 맞물려 사대부로서 지켜야 할 덕목과 명분을 일깨운 작품들을 탄생시킨 원천으로 작용했다. 4. 누정에서 행한 문학행위 중 선계(仙界)의 도입은 좌절된 자아에 대한 상징적 치유수단이었다. 현실과는 동떨어진 선계를 빌어 자신의 우울한 심정을 가탁했기에, 누정은 현실의 갈등과 울분을 달래는 탈속의 공간임을 함의한다. 5. 16세기의 담양지역 시가문화권의 누정문학은 신분적 기반을 활용하여 향촌생활 중 유흥상경의 흥취를 노래하며, 이상실현의 좌절에서 오는 고민이 동반된 작품들로, 좌절된 자아를 문학을 통해 승화시켰음을 확인하였다. 문사철을 섭렵한 지식인이 낙향해 풍광이 수려한 곳에 누정을 짓고 소요하며 시를 읊는 것은 모범적 지성으로서 사회적 책임을 감수해야만 했던 절대적 부담감에서의 탈출구였다. 연구대상지인 16세기 담양 시가문화권의 누정은 이상화된 관념세계이자 이념과 사유가 반영된 의식의 공간이었다.

THE SOCIO-ECONOMIC ACTIVITIES OF MUSLIMS AND THE HUI HUI COMMUNITY OF KOREA IN MEDIEVAL TIMES

  • LEE, HEE SOO
    • Acta Via Serica
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    • 제2권1호
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    • pp.85-108
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    • 2017
  • This paper details the advance of the "Hui" (回) people to Korea and their socioeconomic activities in forming their own community during the late Goryeo and early Joseon period. Hui (回) or Hui Hui (回回) is generally recognized as representative of Muslim culture in Chinese and Korean sources. From the $8^{th}$ century, Korean-Muslim cultural relations accelerated as an outcome of ancient Chinese-West Asian commercial transactions along the Silk Road. These contacts between Muslims and Koreans on the Korean peninsula are borne out by references to Korea found in 23 Islamic sources written between the $9^{th}$ and $16^{th}$ centuries by 18 Muslim scholars, including Ibn Khurdadbih, Sulaiman al-Tajir, and Mas'ud1 i. Ibn Khurdadbih was the first Arab who wrote of Muslims' residence in the Unified Silla Kingdom (661-935CE). However, in the period of Silla, we could not find any reliable written documents in Korea to show encounters between Korea and the Muslim world. In the Goryeosa (GS) chronicle, Muslim merchants who came to Korea were described as "Daesik" (大食: Tashi). Daesik (Tashi) is most probably derived from "Tajir", which means "trader" in Muslim language. Muslims' mass influx and their wide ranging influence on Korean society manifested from the late $13^{th}$ century when the Goryeo Dynasty first came under Mongol control and afterward in the early $15^{th}$ century with the new dynasty of Joseon in Korea.

서양복식문화에 나타난 부채에 관한 연구 - 16~18세기를 중심으로 - (A Study on the Fans appeared in the Western Costume Culture - Focusing on 16~18 century -)

  • 이의정;강경애
    • 한국의상디자인학회지
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    • 제14권4호
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    • pp.73-88
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    • 2012
  • There are practicality, ornamentality and symbolic in a folding fan among Western accessories, and that is a little tool to enhance the overall harmony of a dress. The purpose of this study was to examine Western folding fans in an effort to shed light on the history, culture, fashion and life of different ages in which folding fans had been used. It's specifically meant to look into the mentality of people who had used folding fans. The meaning and function of folding fans were investigated, and their diverse types and characteristics were analyzed. As a result, it's found that in the West, a folding fan was one of major accessories that had an inseparable relation to popular clothes in each age and were necessary for a perfect coordination. Folding fans had been used as ornaments for Western noble women since the 16th century. After a certain period of time passed by, the 18th century became the heyday of folding fans. At that time, folding fans were one of aesthetic art works that even served as a means of mental exchange.

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조선왕조실록 분석을 통한 조선시대 식중독에 관한 연구 (A Study on Food Poisoning during the Joseon Dynasty using the Veritable Records of the Joseon Dynasty based data)

  • 김미혜
    • 한국식생활문화학회지
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    • 제37권4호
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    • pp.300-309
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    • 2022
  • This study analyzed food poisoning articles in the Joseonwangjosillok to acquire historical evidence. The study method used case studies from the textual content of the Joseonwangjosillok. In all, there were fifteen cases of food poisoning in spring (60%), four cases in summer (16%), five cases in fall (20%), and 1 case during winter (4%). Most cases of food poisoning occurred during spring, followed by fall, then summer, and the least during winter. Foods that caused poisoning were as follows: twelve cases of seafood (48%), three cases of vegetables (12%), two cases of meat (8%), and eight cases of poisonous food (32%). Maximum cases pertained to seafood poisoning, which also spiked during spring. This could be attributed to the increased number of planktons as the sea temperature rose during spring. Due to the increased plankton, shellfish absorbed more toxins. The consumption of increasingly toxic shellfish resulted in more cases of food poisoning. The food poisoning frequency was the most severe during the 18th century, followed sequentially by the 15th, 16th, and 17th centuries, and was the least severe during the 19th century. Joseonwangjosillok showed that food poisoning cases happened most during social events where many guests or family members gathered to eat.

현대(現代)패션에 응용(應用)된 후프(Hoop)에 관(關)한 연구(硏究) (A Study on the Hoop Applied on Contemporary Fashion)

  • 정경희;배수정
    • 패션비즈니스
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    • 제8권2호
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    • pp.126-140
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    • 2004
  • The purpose of this study is to examine the fashion design applying to the hoop, which have become various since 1980. To do this, this study is investigated the origin and the changes of the hoop historically, then classified its types, and finally analyze the collections from 1980 to 2003. The hoop was appeared on the late 15th century. Then in the mid 16th century, bell-shaped farthingale was prevailed, followed by drum-shaped wheel farthingale and hausse-cul in England and France. In the 17th century, slim silhouette was popular, so that the hoop declined gradually. In the 18th century, panier and panier double were introduced which is to make side-expanded skirt silhouette. In the 19th century, crinoline and bustle were created. The hoops applied to modern collections are used various materials, techniques, and forms. It is a main item of historicism which appeared in the trend of post-modernism and the phenomenon of applying underwear to an outer garment like corset. The hoop is adapted into three ways: only with the frame of hoop, wearing a skirt with some parts of the frame exposed on purpose, and wearing a skirt on the frame, thus not showing the frame. Thus, it is thought that wearing a hoop as a frame is used an element of recreation of past fashion, at the same time it was affected by historicism which is a branch of post-modernism. Applying the hoop as an outer garment may be affected by eroticism which changed underwear into an outer wear in postmodernism and deconstructivism.

우육(牛肉) 조리법(調理法)의 역사적(歷史的) 고찰(考察) -V. $\{ulcorner}$산적(算炙, 散炙)${\lrcorner}$- (Historical Study of Beef Cooking -V. $\{ulcorner}Roasted Skewered{\lrcorner}$-)

  • 김태홍
    • 한국식생활문화학회지
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    • 제10권4호
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    • pp.301-310
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    • 1995
  • The purpose of this study is to survey various recips of the roasted skewered beef (Sanjuk) with twenty three classical cookbooks written before 1943 in Korea. The recipes of the roasted skewered beef are found thirty times in the records, which can be classified into six groups such as the palm-type skewered beef (Sulhamyukjuk), little finger-type skewered beef, mixed skewered beef, juice skewered beef, little finger-type skewered internal organs, and wide-cut skewered internal organs. The palm-type skewered beef and the mixed skewered beef most frequently appeared in the records. The 'Sulhamyukjuk' in the 17th century were inherited while changing its name to 'Sanjuk' in the late 18th century, which is the origin of 'Bulkoki'. There were two types of the roasted skewered beef, the palm-type and the little finger-type; and the palm type preceded the little finger-type. They were used with no change until the 19th century. Actually the roasted skewered beef existed even in the 16th century, but were put down in the early 17th century. In the cooking of 'Sulhamyukjuk' the process of dipping shortly into cold water in the midst of roast seems to absolutely disappeared. Some recipes of the roasted skewered beef were lost, but most have been inherited in the similar way with simplification including little use of internal organs. The main ingredients consisted of parts of cattle such as fresh meat, intestines, heart, liver, omasum, tripe, head, sweet bread, and lung with various vegetables and mushroom. And the main seasonings were mixtures of oil, soy sauce, sesame seed powder, scallion stalk, pepper, sesame seed oil, and salt. And sometimes wine, vinegar, ginger, garlic, and sugar were added.

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만두의 조리방법에 대한 문헌적 고찰;조선시대 만두의 종류와 조리방법에 대한 문헌적 고찰(1400년대${\sim}$1900년대까지) (The A Literary Investigation on Mandu (Dumpling);Types and Cooking Methods of Mandu (Dumpling) During the Joseon Era (1400's${\sim}$1900's))

  • 복혜자
    • 한국식생활문화학회지
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    • 제23권2호
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    • pp.273-292
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    • 2008
  • Among all the ingredients usedin mandu, the following types were used:, 13 types of grains were used (12.38%), 30 types of vegetables, fruits, bulbs,and nuts were used (28.57%), 32 types of marine products, birds, meats, fishes, and shellfishes were used (30.48%), 10 types of functional ingredients were used (9.52%) and. For spices, 20 types of spices were used (19.05%). 2. Cooking Methods offor Mandu. The mMandu eaten at in the early Joseon era had was primarily made ofusedbuckwheat that contained boiled tofu or egg uiijuk in the kneaded dough for the most part and while kneading with buckwheat, the tofu or egg uiijuk has been boiled down to knead the dough, and and starch powder, bean powder, or rice powder, etc were mixed to make the mandu coating. Buckwheat powder was mixed toadded to the flourwer or was used by itself, while meat, vegetables, tofu, and shiitake mushroom, etc were also addedincluded. From the 18th century, the host plant, or cabbage kimchi, were prepared and combined had been sliced to be used as filling together while red pepper powder was mixed combined withto spices or vinegar soy sauce to be used together. Also, Radishes had beenwere also used as filling, but shown as not being used fromafter the start of the 1900's. For the shape of mMandu, it was madeinto different shapes such as as triangle, rectangle, date plum, gwebul, half moon, or pomegranate shapes, and then shapes to be boiled in simmering water, baked, or cooked as soup in clear broth for soup., In the 17th to 18th century, boilingthen in a steamer gradually became a cooking style, assumed the style of boiling in a steamer in $17th{\sim}18th$ century while in the 16th century,the an essay ofn fermenting flour in ‘Food Dimibang’ in 16th century had indicated it was cooked as the style ofby steaming in a rice steamer. Also, Mandu may have also contained the following: the thin-cut and boiled fish was cut out thin to put into the filling and boiled down, made by putting in added pine nuts after making bbeef jerky or boiled- down meat, fish, or shellfish itself to extractsand mold mandu only the ingredients combined withto put on starch powder, and then boiled down and put on pine nut powder finally, after it or cooled it wasdown to be eaten by dipping in vinegar soy sauce. In conclusion, many different types of mandu were made during the Joseon era using a variety ofwhile the ones using such various ingredients. are also one type of mandu.

16세기 재지사림 강호시조의 양상과 전개 (The aspect and unfolding of 'Jejisarim's Kangho Shijo' in the 16th century)

  • 한창훈
    • 한국시조학회지:시조학논총
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    • 제22집
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    • pp.173-194
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    • 2005
  • 고려 후기 이후 조선조를 거치는 동안, 사대부라는 특정 집단에 의해 이루어진 강호시조는, 문학사에서 중요한 미적 범주의 하나로 주목되었다. 본 논문은 이중에서 특히, 16세기 재지 사림의 대표자인 이현보 이황, 권호문, 장경세의 강호시조에 나타나는 특징의 양상과 전개를 개괄적으로 살폈다. 이현보, 이황의 강호시조를 해명하는 데 가장 적절한 개념틀은 도학적 유교 근본주의의 속성이다. 도학적 근본주의는 현실 정치에의 참여를 통해서만이 아니라 그로부터의 좌절과 퇴각을 수용하고 스스로를 이념적으로 재충전하는 방식에서도 나타났다. '부패한 정치 현실과 완전한 도덕적 이상', '인심과 도심', '속세와 강호‘ 등의 이분법적 세계관이 그 바탕을 이룬다. 이에 비해 권호문과 장경세의 강호시조는 상대적으로 정치 현실에 대한강한 친연성과 관심을 보인다. 그 때문인지 작품에 나타나는 강호 자연의 형상화는 사실적이고 경험적인 모습으로 드러난다. 이처럼 그들은 시적 형상화의 측면에서도 관념적 성격을 벗어나, 다분히 현실적인 측면에서 강호자연에의 친연성을 보이고 있는 것으로 여겨진다. 이후에 강호시조의 새로운 국면은 정철에서 좀더 뚜렷하게 나타나고, 신흠과 윤선도에 이르러 더욱 큰 차별성을 드러내게 된다. 이들의 강호시조는 사림의 정치적 승리 이후 도학적 근본주의 이념의 도전적 변별 가치가 약화된 국면에서, 사림 출신 세력의 정치적 이합에 따라 형성된 분파들 사이의 쟁투로부터 일시적으로 실세하거나 그런 세태를 혐오하는 데서 산출되었다.

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16세기 조선 기녀의 일반 연회(宴會) 규정복식 고증 디자인 연구;문화콘텐츠용 이미지 작업을 중심으로 (A Study on the Design of Official Costume of 16th Century Gineyo in Scholar's Banquet;Focusing on the Image Design for Cultural Contents)

  • 최해율
    • 한국의류학회지
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    • 제32권8호
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    • pp.1322-1331
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    • 2008
  • The purpose of this study is to design an official costume of Joseon Ginyeo in the scholar’s banquet in 16th century, thereby making correct historical animation, drama costumes, and various costume contents. Every Ginyeo in and wore a long yellow coat with short front edge. 'Dan-ei', Ginyeo’s court costume, had very similar shape except color and collar, therefore the size of Dan-ei was adapted to design a yellow coat for drama actress. Ginyeo’s Jogori in these paintings was wide and long enough to cover undervelly under the edge of yellow coat, but It was designed more slim and long for better appearence and comfortable movement in my work. A skirt of Ginyeo was designed with circumference of about 360cm and length of about 105cm according as a skirt style of Joseon ladies in 16th century. Ginyeo's Jam(hairpin) was consist of a vase, a plum blossom, and a lotus pattern. And, a wide underpants with a single suspender, portable pouch, Un-hae(women’s shoes) with low heel are needed for drama actress in the role of Ginyeo. In this design, it is very important to save an estimate and time, select suitable mordern fabrics, reform discomportable points, express a charater’s role, and make a trendy appearence.