• The Journal of the Acoustical Society of Korea
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• v.11 no.1E
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• pp.64-72
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• 1992

본 연구는 음장의 주관 확산감과 관련있는 두 귀에 입사하는 신호의 상호상관도와 청각유발 반 응과의 관계를 밝히기 위한 것이다. 실험은 중신 주파수가 500Hz인 1/3옥타브 대역잡음을 이용하여 IACC를 0.95에서 0.1까지 가변시키면서 AER을 기록하였다. IACC와 주관확산감과의 함수 결과와 비교 하기 위하여 기준음과 테스트음의 쌍을 교대로 제시하면서 AER을 청각 부위에서 기록하였다. 그 결과 테스트음에 대해 IACC와 관련된 정보는 AER의 반응시간에 나타났고, IACC의 크기가 감소함에 따라 반응시간이 길어지는 경향이 나타났다. 여기에서 IACC와 AER의 반응시간과는 선형관계를 나타냈다. 이 결과는 청각계에서 음장의 IACCDP 반응하는 뉴런이나 메카니즘이 존재하는 것을 암시하고 있음을 알 수 있다.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2007.05a
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• pp.960-963
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• 2007

The effect of spatial factors on subjective responses to heavy-weight floor impact noise was investigated. Heavy-weight impact noises were generated and recorded in several apartments and a testing building using impact ball and binaural microphone to measure IACC of the noises. Just noticeable differences (JNDs) of IACC and SPL of heavy-weight impact noise were also investigated. Auditory experiments were conducted using method of limit. It was found that the JNDs of IACC and SPL were 0.12 and 1.5dB, respectively. Contribution of IACC and SPL to annoyance of heavy-weight floor impact noise is being further investigated.

• The Journal of the Acoustical Society of Korea
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• v.42 no.4
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• pp.285-297
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• 2023

The present study aims to investigate the acoustic performance of the creative convergence classrooms in Korea used by elementary school students under the age of 9 introduced through the school space innovation project. In order to do this, acoustic performances of three creative convergence classrooms were measured. The measured acoustic parameters were background noise levels, Reverberation Time (RT), D₅₀, Speech Transmission Index (STI), and Inter-Aural Cross Correlation (IACC). Also, acoustic parameters including Transmission Loss (TL) and standardized level difference (D_nT) have been measured for the analysis of sound insulation performance of walls. In addition, the noise level was measured according to the opening conditions of doors and windows in the classroom. As a result, background noise level was measured at an average of 28.0 dB(A) to 32.8 dB(A) when the air conditioner was not operated, and the RT did not exceed 0.6 s. There were differences in IACC according to various desk layouts, and IACC values were high in the center line and the seats near the sound source. In particular, higher IACC was measured at the seats on the center line facing the source squarely. Regarding noise level in the classroom according to the opening conditions of doors and windows, the standards were exceeded when all windows, or windows and doors front onto the corridor were opened.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2004.11a
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• pp.772-777
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• 2004

Opera house acoustics were subjectively evaluated in order to investigate the effect of performance stage views on the audience's perception of the seat acoustics in an opera house. Nine seats from an existing opera house were selected for the auditory and/or visual experiments according to seating area distribution and acoustical parameters such as RT and $1-IACC_{E3}$. The recorded music, convolved from the impulse response, was presented with and without visual images of the stage. Subjects were asked to assess the auditory/visual descriptors and overall impression of the music at each seat. The results showed that good visual input helps produce a favorable impression of the acoustics, but a limited view degrades acoustical impression. The acoustical parameters in the tested seats were also investigated to find the relationship between the acoustical parameters and the visual/sound impression.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2007.11a
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• pp.975-978
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• 2007

This paper investigates stage acoustics in concert halls for ensemble performance in terms of stage support parameters. A concert hall with large stage area was selected. Objective measurements were carried out according to Gade's methods for investigating stage support (ST1). The sound field on the stage was evaluated using stage and audience acoustical parameters. According to the positions at stage, different acoustical characteristics were found. Higher ST1 and lower $IACC_{E3}$ were measured near side and rear stage walls. In case of conductor/soloist vs. orchestra player, objective measurement of acoustical parameters shows that early sound fields depend on the source-receiver distance but late sound fields depend on the location of side and rear walls. In addition, in-situ evaluation of the trio instrumentalists was carried out. Results show that ensemble is favored by higher early reflection of sounds and sound diffusion affecting ‘blending’ of their performance.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2001.11b
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• pp.945-950
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• 2001

Floor impact noise has been evaluated by investigating the temporal and spectral characteristics of the noise. The noises generated by different impactors were analyzed to find out whether there is any correlation with the factors of ACF /IACF (Autocorrelation Function/Inter-aural Cross-correlation Function) [1] and Zwicker parameters [2]. Experiments were undertaken to compare the objective and subjective parameters of the floor impact noises generated by a bang/tapping machine, a rubber ball [3], and a walker. As a result, it was found that $\phi$ (0) and IACC extracted from ACF/IACF, and Loudness, Unbiased Annoyance from Zwicker parameters showed high correlation with subjective evaluations of loudness concerning floor impact noises. In addition, it was revealed that jumping is similar to the ball.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2022.11a
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• pp.26-29
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• 2022

The diffuse sound field plays a crucial role in the perceptual quality of the auralization of virtual scenes. Diffuse Rain is a geometrical scattering model which enables the simulation of diffuse fields that is compatible with acoustic ray tracing, but is often computationally expensive. We develop a novel method that can reduce this cost by rendering the large number of Diffuse Rain data in Ambisonics format. The proposed method is evaluated in a shoebox scene simulation run on MATLAB, in reference to a more faithful method of rendering the Diffuse Rain data ray-by-ray. The EDC and IACC of the binaural output show that the simulated diffuse field can be rendered in Ambisonics with only minimal deviations in energy decay and spatial quality, even with 1^st-order Ambisonics.

• The Journal of the Acoustical Society of Korea
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• v.40 no.6
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• pp.615-625
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• 2021

Prior to proposing appropriate standard for subway station platform, this study conducted field measurements to examine characteristics of room acoustics on platform of two subway stations. As a result of analyzing the longitudinal length of the platform, Sound Pressure Level (SPL) decreased (maximum difference : 14 dB), Reverberation Time (RT) tended to increase (maximum difference of 0.8 s ~ 1.5 s), and C50 and D50 were decreased (maximum difference: 5.9 dB ~ 9.1 dB and 31.8 % ~ 37.6 %, respectively) as measurement positions moved away from the sound source. The Interaural Cross-correlation Coefficient (IACC) did not show clear tendency, but it was lower than 0.3 in entire points. It is judged that the subway platform has non-uniform sound field characteristics due to various combinations of direct and reflective sound even though it is finished with a strong reflective material.This indicates that the room acoustic characteristics of the near and far sound field are clearly expressed depending on the source-receiver distances in the subway platform having a long flat shape with a low height compared to the length.Therefore, detailed architectural and electric acoustic design based on the characteristics of each location of speaker and sound receiver in the platform is required for an acoustic design with clear sound information at all positions of the platform.

• The KIPS Transactions:PartB
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• v.11B no.3
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• pp.345-352
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• 2004

This paper deals a method to deliver more realistic sound by cancelling the cross-talk which is inherent to the 5.1 channel speaker system. The acoustical model for cross-talk cancellation is the free field model. This model minimizes distortion of sound. 1 used the bark scale sound quality compensation which based on psycho-acoustic. For the surround channels, band-limited sound quality compensation is performed in the frequency domain. I also performed the sound qualify assessment test on the traditional 2 channel stereo and 5.1 channel system. This test is performed in the tort chamber which satisfies the ITU-R specifications. 1 uses the IACC(Inter-Aural Cross-Correlation) to determine the preferences of the amateur and the golden ear experts to asses the trans-aural filter. According to the result from the proposed method, I got more the 38dB separation rates with the Dolby standard speaker array. The results on the diffusion by the subjective test with the experts shows 0.4∼0.5 point Increased then before.

• The Journal of the Acoustical Society of Korea
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• v.21 no.3
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• pp.245-255
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• 2002

This thesis deals a method to deliver more realistic sound by cancelling the cross-talk which is inherent to the 5.1 channel speaker system. The acoustical model for cross-talk cancellation is the free field model. This model minimizes distortion of sound. I used the bark scale sound quality compensation which based on psycho-acoustic. For the surround channels, band-limited sound quality compensation is performed in the frequency domain. I also performed the sound quality assessment test on the traditional 2 channel stereo and 5.1 channel system. This test is performed in the test chamber which satisfies the ITU-R specifications. I uses the IACC (Inter-Aural Cross-Correlation) to determine the preferences of the amateur and the golden ear experts to asses the trans-aural filter. According to the result from the proposed method, I got more the 38 dB separation rates with the Dolby standard speaker array. The results on the diffusion by the subjective test with the experts shows 0.4 point increased then before.