• Journal of Korea Game Society
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• v.4 no.3
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• pp.29-42
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• 2004

With the development of hardware and 3D graphic technologies since the 1990s, video games have been evolving in the direction in which they wholly pursue illusions and movie formats, and thus they are considered to be media centered on spectacles. However, video games, due to their inherent characteristics, cannot be transparent media like the existing spectacular entertainments centering on optical illusions. In their structure, there can be found elements that continually disillusion players from visions. Strictly speaking, players are not lost in visions, but are kept a certain distance from internal contexts. Games rely not on illusion but on contracts with players which are similar to a kind of convention, clearing internal imperfections. This paper aims to identify and analyze disillusioning elements and discuss theatrical contacts between players and games. The purpose of this paper is to reconsider the awareness of video games as a spectacle entertainment and to help discover future directions for game culture.

• 열린충남
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• s.34
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• pp.118-123
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• 2006

정환영 교수는 행정중심복합도시 주변도시의 전문화와 네트워킹을 위한 방안과 과제를 제시하였다. 발표논문의 주요 내용을 요약하여 전재하였다.

• The Science & Technology
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• v.10 no.7 s.98
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• pp.6-7
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• 1977

화란의 유트리히트에서 개최된 23회 국제기능올림픽 대회에서 세게를 석권 기능한국의 이미지를 크게 부각시키고 국위를 선양한 우리나라 대표선수단은 7월17일 하오 3시 45분 KAL기편으로 김포공항착 귀국했다. 이낙선 한국기능올림픽 위원회 회장을 비롯한 선수단 일동을 환영하기 위하여 국제기능올림픽 대회 한국위원회는 정부의 적극적인 후원하에 하오 5시부터 김포공항 광장에서거족적인 환영대회를 가졌다. 이자리에는 남덕희 경제기획원 장관(환영사)을 비롯한 광산덕 문교부장관 , 최형섭 과학기술처장관등 정부관계기관과 태완선 대한상의회장, 김윤기 한국과학기술단체 총연합회 회장 그리고 동회원회부회장, 이사, 기술위원 이밖에 산업계, 학계 및 선수가족 친지와 기업주, 학생등 내외괴빈다수가 참석 열광적인 환영식을 갖었다.

• Journal of the Institute of Electronics Engineers of Korea SP
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• v.42 no.4 s.304
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• pp.87-94
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• 2005

3D image mosaicking is useful for 3D visualization of the roadside scene of urban area by projecting 2D images to the 3D planes. When a sequence of images are filmed from a side-looking video camera passing long distance areas, the ghost effect in which same objects appear repeatively occurs. To suppress such ghost effect, the long distance range areas are detected by using the distance between the image frame and the 3D coordinate of tracked optical flows. The ghost effects are suppressed by projecting the part of image frames onto 3D multiple planes utilizing vectors passing the focal point of frames and a virtual focal point. The virtual focal point is calculated by utilizing the first and last frames of the long distance range areas. We demonstrate algorithm that creates efficient 3D Panoramic mosaics without the ghost effect at the long distance area.

• Journal of Digital Contents Society
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• v.19 no.2
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• pp.229-236
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• 2018

The background fort this study is related to the concept of modern time and space which has been extended from physical space to virtual space in the present times witnessing the advent of the Fourth Industrial Revolution. Based on visual tactility and illusion in virtual reality, we intended to present the possibility of the interactions as realistic as the interactions occurring in reality. Regarding the scope of this study, we analyzed the relationship between illusion in game space and immersion in interactions based on the games used frequently among current virtual reality contents. The results of the study showed that the interactions in virtual reality occurred within the space converging the time and space and that the illusion of digital images had realistic position of reality without original. Research which investigates the interaction in virtual space and media projection method for real space and virtual space will provide useful basis for promoting technological development based on novel methods differentiated from existing image grammar and for identifying the content utilization methods.

• KOREAN POULTRY JOURNAL
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• s.12
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• pp.37-39
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• 1970

• Archives of design research
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• v.17 no.1
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• pp.231-240
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• 2004

Space design in the 21st century has been developed in connection with media more various than ever. In the age of image represented by popular culture, space design connected with media is based on post-reason thoughts constituting the post-modern society, and reflects polysemously and pluralistically changes in the society through the identification of art with life. The movie, which is an image perceived particularly sensibly and the most impractical simulated image among various illusionary media images composing the contemporary society, is growing rapidly in interrelation with various fields of art based on its peculiar nature, and its influence is getting more extensive. The movie manipulates mass society to create what does not exist and restore lost images into new realities through the reproduction of extremely realistic senses, and uses them in establishing virtual realities and creating illusionary images representing the age of simularc. The illusionary expression of the movie produces new meanings through disintegrating existing meanings and recombining them, and expresses popular culture from a position closest to our everyday life. Such an analytical attitude toward the illusionary movie reflecting our society can be a new approach to space design. The present study attempts to suggest the possibility of applying such an illusionary characteristic of the movie as a methodology of space design by utilizing the characteristic as a conceptual language of space design.

• The Korean Publising Journal, Monthly
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• s.336
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• pp.34-36
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• 2003

• 발명특허
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• v.14 no.11 s.165
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• pp.5-5
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• 1989

• Monthly Duck's Village
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• s.36
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• pp.40-41
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• 2006